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Lot 78
* NORMAN KIRKHAM RGI (Scottish b 1936 - ) Still life with red hat, Oil on canvas., Signed `Norman Kirkham` 72 x 91cm (28 x 35 1/2 inches) * Exhibited: Royal Academy Summer Exhibition, 1986, No.193. R.A Label Verso. Note : Studied at Glasgow School of Art from 1953-1958.Prizes and Awards: D W T Cargill Award RGI 1985 and 1992; Macfarlane Charitable Trust Award RGI 1985; Clydesdale Bank Award RGI 1986; The Teachers Whisky Travel Scholarship RGI 1992; The Alexander Stone Foundation RGI 1994. Collections include: HRH The Duke of Edinburgh, Macfarlane Charitable Trust, Arthur Andersen, Teachers Whisky, and works in private collections in America, United Kingdom, Europe, South Africa and Hong Kong. Regular Exhibitor: RA, RSA, RP and RGI Roger Billcliffe Fine Art; Barclay Lennie Fine Art; Compass Gallery; MacAulay Gallery; Fosse Gallery; Torrance Gallery; Frames Contemporary Gallery, Perth; John Martin, London; Seen Gallery, London; Richard Hagen; Open Eye Gallery, Edinburgh; Gallery International East Grinstead; The Blythswood Gallery, Glasgow; Richmond Hill, London; Thompson`s, London; Solo exhibition Glasgow Art Club 2002.
Lot 482
Sir Peter Markham Scott, CH (British, 1909-1989), Portrait of HRH The Princess Margaret, Countess of Snowdon (1930-2002), pencil on plasticowell, 29 x 23cm (11.31 x 8.97in). Literature: Portrait Drawings by Sir Peter Scott, published by Country Life in 1949, (illustrated). Plasticowell film was the invention of the printer W S Cowell. These transparent plastic sheets were born out of necessity, to make up for metal shortages after the Second World War, but they were seized upon by a generation of British artists, including Henry Moore and John Piper, because of their flexibility and practicality. As the sheets were transparent, the artist, who drew each colour on a separate sheet, could easily get the colour registration exactly as they wanted. When the drawings were transferred from the plasticowell to specially-prepared zinc plates for printing, the artist could also work the right way round, rather than back to front as when drawing a lithograph directly onto zinc or stone
Lot 945
A Chinese sodalite snuff bottle, early 20th century, carved in relief with chilong, pink glass stopper, 6cm high, a Chinese pudding-stone snuff bottle, early 20th century, red hardstone stopper, 6.5cm high and a Chinese chalcedony snuff bottle, late 19th/early 20th century, with jadeite stopper, 4.5cm high (3). Provenance: acquired by the current vendor’s grandfather who became a teaching missionary in Amoy, China in 1906. This lot was brought back to Britain in 1941 when his widow was repatriated
Lot 987
A Chinese green and russet jade vase and cover, the vase of deep celadon tone, the russet stone in front carved with the figure of a boy riding a water buffalo below a pine tree, the domed cover surmounted by the figure of a boy in the russet stone, 17.5cm high, carved wood stand, boxed Please note: Should read: A Chinese green and russet serpentine vase and cover. NOT `JADE`.
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400830 item(s)/page