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Vinyl - Approx 60 Post Punk, Alternative, Indie and Rock LP's and 12" singles including Young Marble Giants, The 101ers (pre-Clash) Elgin Avenue Breakdown, The Smiths self titled, The Chameleons, 10,000 Maniacs, Stone Roses Sally Cinnamon, New Order x 3, Charlatans, Cocteau Twins, The Damned, Inspiral Carpets, The Primitives test pressing, Modern English and others. Condition varies but mainly Vg
A collection of assorted silver, including: a small part-fluted bowl; a George III Silver cream-jug; an early 18th century dog-nose teaspoon; a Dunhill lighter; a funnel and a further teaspoon; Together With: a Chinese white metal mounted stone container, the detachable cover with a foo dog finial, weight of silver 8oz 9dwt, 263gr (qty)
dating: 1879 provenance: Duchy of Parma, Personal three-sided seal of the Duke in transparent brown, hard stone carved with the Bourbon coat of arms, Bourbon-Parma and the monogram of the duke under crown. Swivel and mounted on a vermeil support with the anniversary date of his wedding '5 AVRIL 1869 - 5 AVRIL 1879'. dimensions 3 x 3.8 cm.
dating: 19th Century provenance: Europe, Straight, double-edged blade of lenticular section, with some pitting. One-piece quillon and grip. Finely silver worked in relief. Quillons shaped as the full-relieved tails of two mermaids clutched to the grip to form a sculptural group, their bodies are sinuous and worked with grace and plasticity. The central body of the grip is worked to represent the trunk of a vine, whose tendrils and grapes in high relief spread along the entire length of the stem. The pommel is formed by four lizards dormant whose tails are intertwined. The button on the back consists of a pearl; quillons ending with a blue stone cabochon similar to a turquoise. Wooden scabbard covered with black morocco (small cut on one side). Silver tip and cap both engraved with racemes, the first with a large setting of red faceted glass stone and three turquoise cabochons, the second with a loop and three red-coloured glass stones. length 20,8 cm.
dating: End of 19th beginning of 20th Century provenance: Europe, All different, made of silver, brass or silver-plated. A silver queen with three children and a red stone base with heraldic crest, a musician in an 18th century dress with a trumpet, a bearded man on a column, a ring with a ducal coat of arms, a silver ring complete with a case and others. height 2.2 - 9.4 cm.
dating: 1889 provenance: Russia, Chape with the usual hand, decorated with a ring with a small red stone, shaft shaped as a truncated cone, pierced spin-shaped knot at the lower part, openable spherical pommel decorated with a star of David, Imperial coat of arms at the center. Marked 'MC', '1889' and '84'. length 26.7 cm.
dating: 1895 provenance: Russia, The chape representing a hand, decorated with a ring featuring a small red stone, shaft shaped as a truncated cone, knot decorated with three stones at the lower part, an eagle with open wings on the pommel. Marked 'AC', '1895', marked with mounted man and '84'. length 27.5 cm.
Exceptional gilt-brass giant mantel chronometer of exhibition quality with Kullberg's flat rim balance, the dial signed Clerke, 1 Royal Exchange within an oval cartouche to the bottom of the engine turned gilt mask, the 6" silvered chapter ring with painted Roman numerals and blued steel hands, the engine turned centre with subsidiary dials for seconds and up/down, six dial feet to the substantial movement secured by five gilt brass pillars with blued steel screws to the front and back plates, the rose-gilt large rectangular platform with blued steel helical spring high quality Earnshaw spring detent escapement with jewelled locking stone, the Kullberg Hybrid balance wheel with bimetallic flat rim, wedge shaped heat compensation weights and outer timing screws, the high quality wheel train with maintaining power to the massive chain fusee, polished steel arbours and pinions, the case with moulded base, heavy bevelled glasses to the sides and similarly glazed top, the rear door with securing latch to the base and bevelled glass set with hand-set and winding shutters in the style of Dent, the wheels secured to each arbour by three individual screws with a moulded ebonised turntable base, chronometer 12.25" high; with key* Victor Kullberg was born in Sweden, apprenticed in 1840 and worked as journeyman to the famous Swedish watchmaker Urban Jurgensen in Copenhagen. He moved to London in 1851, initially making top quality escapements for other clockmakers, but he soon began to supply complete watches and chronometers. He had success at international exhibitions and in the International Time Trials, winning the Greenwich Time Trials on several occasions. In 1864, Kullberg won his first Greenwich time trial with chronometer no. 760, which he had fitted for the first time with his famous 'flat rim' balance. Noted for its ability to compensate for temperature error, the flat rim balance with good looks. The Astronomer Royal, in his report to the Clockmakers Company on the subject of chronometer 4066 by Kullberg, which had again won first prize, said that 'this was the finest chronometer they had ever had on trial'.A chronometer case and of this size, bears close resemblance to the giant examples by Frodsham and, in particular, the ultra-complicated enormous exhibition clock by M F Dent (for reference see Derek Roberts Carriage and Other Travelling Clock. Schiffer 1993, p318 fig 21-20) not only are the proportions of the mouldings similar but also the high quality brass shutters set into the thick lead glass rear door are similar to that of Dent. An identical Clerke chronometer, probably this example, was featured in Clocks 'Number One' issue page 54, illustrated and featured selling at auction for £3,600 in 1977
Victorian and later propelling pencils including white metal examples with engraved stone seals, Dinkie Conway Stewart fountain pen with 14ct nib, two Eversharp pencils, pair of pince nez, Victorian mother-of-pearl letter combination letter opener and folding knife (a/f) and other similar items
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400965 item(s)/page