A small jade Snuff Dish, AFC possibly 18th century, of circular form, the pale grey stone with brown flecks, 4cm, and a square Pendant, one side with a landscape, mountain and inscription, the reverse pierced, the pale grey stone suffused with brown and grey, 4.2cm (2) ?????(??) ????????????? , The pendant with tiny chips to the rim.
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A jade Libation Cup, probably 19th century, the bird with lingzhi and leaves in its beak, its feathers in the form of tight archaic scrolls, the base with its legs, the stone ranging from bronze at the head end through pale green to bronze again, 10.5cm ?????(??) ??????????? , A small graze mark at rear tip of the rim and on the rear interior of rim, otherwise no obvious faults.
A jade Bead, 19th/20th century, carved in the white and black stone with a chilong with cat-like head, 3.8cm, and Another jade Pendant, of simple cat like form, the stone a pale grey-green with brown hair-like inclusions, pierced fore to aft, 4.5cm (2) ???/???? ??????????? ???????? ???? , Both with no obvious faults.
A cleverly realised agate Pendant, 19th/20th century, the rectangular body with monkey seated on a rock holding a peach beneath a pine tree, a bat flying above, the details incorporating amber and black changes in the white stone, the reverse with archaic dragons encircling a four character auspicious mark, pierced for suspension, 5cm ???/???? ?????????®????¯? , No obvious faults.
A good soapstone Bodhidharma, 18th century, carved seated his left hand resting on his left knee, his right hand resting on a dragon, his long flowing robes loosely tying in the middle, and finely engraved with clouds and foliage, with tightly curled hair and beard picked out in black, the stone a pinkish-green with some natural inclusions, 11.5cm ????? ?????????, Small chip to base of robe.
A jade Carving of a Lotus, 19th century, pierced and carved with a flower, stems and leaves, the stone of pale grey-green, 8cm, stand, and Another, of a large bell-shaped flower with a bird and leaves, damaged, 6.5cm, stand (4) ????? ??????? ???????? ????, The lotus - a tiny chip to the uppermost leaf, otherwise no obvious faults. The vase - one third of base missing, cracks to the remaining part, plant stem missing.
A good jade Scroll Weight, late 19th/early 20th century, in the form of a mother quail with millet in her beak and with two fledglings behind, the stone pale grey-green with inclusions in toffee, amethyst and amber, the feather details well engraved, the underside smooth and engraved with a four character Qianlong seal mark, 15.8cm ??????/????? ??????????? ®????¯???? , No obvious faults.
A large spinach green jade Hu, 19th century, the body deeply carved in the moss green stone with inclusions in white and black, with archaic ribbons, masks and dragons, the neck with mask and loose ring handles, engraved Da Qing Qianlong Fang Gu (exemplifying Antiquity During the Qianlong Reign), 22cm, wood cover ????? ?????????????? ®??????¯????, No obvious faults.
A large jade finger citron Tray, early 20th century, two sides with bats and with pierced stalk, the stone mottled pink and green with black inclusions, 31cm ????? ?????????, Two chips to tips of two finger, both issuing cracks. One corner 4cm x 1xm broken and glued. Large crack running across the middle left to right. Crack where handle joins main body.
A good agate Snuff Bottle, 18th/19th century, the white stone with striations in pale brown and carved on one side with an immortal beside a lingzhi growing at the base of a rock in a bluish-black, gilt metal mount and matching stopper, 8.5cm, a rare small Vase, Kangxi (1662-1722), painted in underglaze red and blue with peony, four character Chenghua mark, much chipped, 4.5cm, and two other Snuff Bottles (4) ???/???? ??????????? ? ??? ??????????? ????????, Agate snuff bottle - no obvious faults Vase - chip to foot rim, tiny chips to rim Two snuff bottles - no obvious faults
A Shoushan stone Seal, early 18th century or later, of oval section and tall form, carved in a na‹ve style with houses and trees set amongst cliffs, the stone pale grey or toffee, engraved signature Yao Dian, the seal with six archaic characters, the seal reads `Xi Hua Chang Shi Wei Hua Chou (loving flowers, I always seek the sorrow of the blossom)`, 8.5cm ????????? ??? ???????®???????¯?? ??:? ?? ???, Tiny nibbles to corner rim of seal.
A good Shoushan stone Seal, 17th century, of rectangular section, carved with a chilong with head back turned, the stone of honey colour, the engraved signature Xitang is the style name of Gao Xiang (1688 -1753), one of the Eight Eccentrics of Yang Zhou, but is probably apochryphal, the seal translates as `hall of the wutong tree for phoenixes to perch on`, 3.9cm ???? ??? ????®???¯?????, No obvious faults.
An attractive Qingtian stone Seal, c.1900, the pale grey and dark grey mottled stele carved with lotus leaves, the seal in boyi (shallow carving) with five archaic characters, 7cm The couplet was written by Prince Regent Zaifeng (father of Puyi, the last emperor) when he retired. In full it reads, ÉI have my books - this the true wealth and status! No need to serve petty gods and immortalsÉ. ??1900? ?????????®?????¯?? , Some small nibbles on rim of seal base. Otherwise no obvious faults.
An unusual Shoushan stone Seal, Republic period, the thin flake of honey coloured stone well engraved with scholars under a pine, the moon rising above a jagged mountain behind, the reverse with a viewing house atop a crag with five cranes coming in to land above twelve characters, the seal reads `yi yan li hua yu`, greatest depth, 11cm, Made by Luqiao Yong (courtesy name of Zhang Dayong) of Wumen ( Suzhou) on the auspicious day of a fortunate month in the year Jiwei. Opting for this date of the cyclical system would fit well with the style of the carving. ?? ?????????®?????¯? ??:?????? ?????? , Small chip tp peak of mountain. Otherwise no obvious faults.
A Qinqtian stone Seal, mid 19th century, of tall rectangular section topped by a hoop, one facet with twenty one character inscription, the seal: Èwu weiÉ, 6cm The seal translates as imageless (the state of pure being in which no phenomena have appeared). The side inscription translates as `One who is competent has things that he does, but applying the mindset of Êdoing nothingË he does them without application of mind. Done by Shifan (courtesy name of Zhong Quan) Zhong Quan (1816-1886)`. ??????? ????®??¯?? ??:????? ??????????? ?????, Three tiny white blemish marks on rim of seal. Otherwise no obvious faults.
A large jade gui, 20th century, the cylindrical body with a band of stylised birds on diaper, between high-relief studs, the sides with archaic dragon and tongue handles, the grey/green stone with brown inclusions, 23cm , lots of abbraissian and cut marks to interior base of bowl, tiny but smooth chips to rim.
An unusual celadon-ground Vase, early 19th century, painted in underglaze blue with the `Hundred Boys` at various pursuits including bird fancying, lighting fireworks and the legend of Sima Guang, and enhanced in bright enamels and gilding with flowers, butterflies, birds and fruit, the neck with seeded blue dragon handles, slight wear, 62.3cm Sima Guang was a Song sage who, in his boyhood, had saved a young companion who had fallen into a large jar, by smashing it with a stone. While frequently found on Kakiemon, Chelsea and Meissen, it is uncommon on Chinese porcelain. ?????? ??????????????, Losses to gilded decoration. Some small areas of enamel loss.
A Chinese ornamental jade Group, late Qing dynasty, carved in 18th century style with a vessel amongst leafy branches of Buddha`s finger citron with large and small fruits, and with a feng perched on a lingzhi, the head turned back and biting on a branch of peach, the stone of green-grey tone with russet speckling, one chip, 16.5cm, silver wire-inlaid hardwood stand (2) This scholar`s desk object may have originally had a cover on the vase - or it may have been intended as a brush pot. ?? ????????, Chip to one frond of a fruit tendril, a hairline inclusion running laterally through the base of the carving. Vessel probably lacking a cover. Brown discolouration. Some slight abrasions and some sharp edges. Stand has missing end section and large deposits of soft composition (possibly to stick jade to stand). Possibly some old repairs, but hard to tell.
A hardstone Table Screen, late 19th century, the pale green bowenite slab well onlaid with various colourful stones with rocks, flowers and leaves, 15.4 x 10.6cm, wood stand ?????? ??????????, One bracket to stand repaired. Bottom right hard stone chipped. One small twig missing on the left hand side.
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400830 item(s)/page