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Lot 271
A SYNTHETIC COLOUR CHANGE SAPPHIRE RING, yellow metal ring set with a circular cut colour change synthetic sapphire in an eight claw setting, approximate stone diameter 12mm, also set with four accent circular cut spinel's, stamped 18ct, ring size M 1/2, also including a singular scroll earring, back stamped 750, approximate gross weight 5.8 grams, (condition report: general light wear, overall condition good)
Lot 49
A 14CT GOLD FIVE STONE RING, designed with a row of claw set, graduated colourless cubic zirconia, to a plain polished band, hallmarked 14ct gold London, ring size M, approximate gross weight 3.4 grams (condition report: the stones have some general light wear and abrasion in places, slight wear to the shank, overall condition good)
Lot 57
AN 18CT GOLD THREE STONE DIAMOND RING, the three graduated diamonds in illusion settings, leading on to a polished yellow gold band, stamped diamond weight 0.25ct, hallmarked 18ct gold Birmingham, ring size L 1/2, approximate gross weight 4 grams (condition report: general moderate wear, secure setting, would benefit from a gentle clean and polish)
Lot 60
THREE LATE 19TH TO EARLY 20TH CENTURY GOLD BROOCHES AND A CARNELIAN PENDANT, one brooch set with a circular cut ruby and two seed pearls, hallmarked 9ct gold Chester, one brooch set with seed pearls and an oval cut purple stone, stamped 9ct, one brooch set with a faceted heart assessed as citrine, hallmarked 9ct gold Chester, approximate total gross weight 7 grams, also including an oval carnelian pendant fitted with a yellow metal bail (unmarked), approximate gross weight 2.4 grams, (condition report: general moderate wear, purple stone brooch mount is loose, requires attention)
Lot 63
TWO LATE VICTORIAN GEM STICKPINS, one pin set with a red oval cabochon stone assessed as garnet, also featuring an additional rose gold coloured metal star set into the centre of the stone with a rose cut diamond, unmarked, one large oval stickpin set with small circular turquoise cabochons varying in size, surrounded with a rope detail, unmarked, approximate gross weight 8.4 grams, (condition report: overall good condition, general wear in keeping with the age of the pieces, three small chips to the garnet cabochon, the turquoise cabochons vary in colour tone)
Lot 64
TWO EARLY 20TH CENTURY GOLD DIAMOND DRESS STUDS, the first a single stone stud set with an old European cut diamond in a star setting and outer rope twist surround, together with a single stone stud, the old cut diamond slice in an eight claw setting, approximate gross weight 3 grams, (condition report: both stones have surface reaching fractures, secure in their setting, would benefit from a gentle clean)
Lot 673
THREE BOXES AND LOOSE CERAMICS, GLASS, PICTURES, LUGGAGE, BAGS, HATS AND SUNDRY ITEMS, to include a grey Antler suitcase and matching travel case, a wheeled suitcase measuring approximately 60cm x 37cm x 26cm, a sixteen piece Arklow, Ireland Honey Stone part dinner set, a Swarovski swan ornament, a Royal Worcester Scottie Wilson 16cm plate, a Portmeirion Variations planter, a sealed Ravensburger 1000 piece jigsaw puzzle of two children, assorted purses, handbags, scarves and hats, pictures to include prints, needlework, completed jigsaw, pressed flowers etc (sd) (3 BOXES + LOOSE)
Lot 73
THREE LATE 19TH TO EARLY 20TH CENTURY GEM SET BAR BROOCHES, to include a floral design opal set bar brooch, hallmarked 9ct gold Chester, approximate gross weight 1 gram, a polished yellow metal bar brooch set with a round cabochon coral bead, stamped 9ct, approximate gross weight 1.4 grams, also including a yellow metal and turquoise pave set heart bar brooch, unmarked, approximate gross weight 2 grams, (condition report: general moderate wear, setting around the opals is slightly damaged, requires attention, one turquoise stone missing)
Lot 10
A YELLOW METAL SINGLE STONE DIAMOND RING, centring on a four claw set, old cut diamond, estimated diamond weight 0.20cts, raised gallery, floral detailed shoulders leading onto a textured band, stamped '18k', ring size K, approximate gross weight 1.9 grams (condition report: there is a chip to the diamond under a claw, would benefit from a gentle clean, general light wear, overall condition good)
Lot 11
A YELLOW METAL FOUR STONE DIAMOND RING, designed with four illusion set single cut diamonds, crossover shoulders, to a plain polished band, stamped '18ct & PT' rubbed, ring size Q, approximate gross weight 2.5 grams (condition report: all diamonds are present, general light wear, would benefit from a gentle clean, overall condition good)
Lot 14
THREE GEM SET RINGS, the first designed as a half eternity ring, set with a row of seven circular cut blue sapphires, to a plain polished band, hallmarked 9ct gold London, ring size Q, the second designed as a 'Dearest ring' set with diamond, emerald, amethyst, ruby, emerald, sapphire and topaz, to a plain polished band, hallmarked 9ct gold London, ring size P, approximate gross weight 5.1 grams, together with a yellow metal ring set with an oval cut red stone assessed as paste, textured shoulders to a plain polished band, stamped '9ct', ring size M fitted with a yellow metal ring size adjuster, approximate gross weight 3.8 grams (condition report: each has some general light wear, all would benefit from a gentle clean)
Lot 157
A YELLOW METAL AQUAMARINE DRESS RING, designed with a four claw set, rectangular cut aquamarine, raised openwork gallery, textured tapered shoulders, plain polished band (unmarked), ring size N, rubbed marks to the outer shank (condition report: wear to the gold-plate around to claws and band, the stone has some small chips and nibbles to the girdle)
Lot 164
AN 18CT GOLD SINGLE STONE DIAMOND RING, centring on an illusion set round brilliant cut diamond, estimated diamond weight 0.25cts, tapered shoulders leading onto a plain polished band, rubbed and scratched 18ct gold hallmark, ring size J 1/2, approximate gross weight 1.9 grams (condition report: general light wear, diamond in good condition, would benefit from a gentle clean, overall condition good)
Lot 267
A trio of Gandharan stone figures from the Indus Valley, ca. 4th - 6th Century AD. They range from 2-1/4" to 3-3/4" high and are carved from the blue-gray schist typical of the area. The first depicts a figure with hands held in prayer, the second is wearing a draped garment that retains much of its red decorative paint and the third is a nicely detailed torso showing a beautiful draped and belted garment. All are individually mounted. (IV442)
Lot 268
A collection of five rare Gandharan stone heads from the Indus Valley, ca. 3rd - 4th Century AD. They are 1-1/4 to 1-1/2 inches high and are carved from the blue-gray schist characteristic of the region. Each depicts a different individual; one portrays Buddha, another a man with a mustache, all have good mineral deposits. The group comes displayed in a Riker mount. (IV545A)
Lot 271
A rare Chavin-Cupisnique stone vessel from Peru, ca. 800 - 200 BC. It is 3-7/8 in. wide, 2-5/8 in. high, is carved from highly polished, colorful stone and features four human heads facing outward from the corners. The chamber is covered with deeply carved glyphic symbols and shows good mineral deposits. Intact. (CV88)
Lot 411
David K Stone (Oregon, 1922 - 2001) "District of Columbia circa 1800" Signed lower left. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Fleetwood First Day of Issue Maximum Card for the U.S. 29c District of Columbia stamp issued September 7, 1991. After the Revolutionary War, Congress decided that the federal government needed a permanent home. Secretary of the Treasury Alexander Hamilton suggested that the capital be built on federal land, and in 1791 President George Washington selected territory along the Potomac River -- ceded from both Maryland and Virginia. In 1800 the federal government took up residence in Washington City, in the newly-established District of Columbia. The city -- initially governed by Congress and later by Congressionally-appointed commissioners -- underwent massive changes during the next one hundred years. The British set fire to the city in 1814, burning both the Capitol and President's Residence. Enormous growth following the Civil War and both World Wars expanded the city's population base, and local clamors for equal political participation were finally heard in 1964 -- when District residents cast their first Presidential election ballots. Image Size: 17.75 x 24.75 in. Overall Size: 23.75 x 27 in. Unframed. (B13236)
Lot 412
David K Stone (Oregon, 1922 - 2001) "Robert Frost" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood Commemorative Cover for the Shapers of America Collection produced throughout 1986 and 1987. Robert Frost summed up his own life in a few lines: "I had to have a job. I ran away from college and went to teaching. I got where I wanted to do the telling, instead of being told. My poetry and my teaching are one." And, it was in poetry and teaching he "found the meaning of life only where need and love are one, and the work is played for mortal stakes." He taught first in a small academy, then at Amherst College, then to the whole of America. Reciting poetry everywhere he went, Robert Frost followed his own advice, "You mustn't leave anything the way it was before you touched it." What he touched were the simple things -- the snow-clad hills and the flowing brooks and the elms and the birches; the hardscrabble farms and their hardscrabble farmers and their brave but weary wives. His poems offered simple but profound commentary on the American experience. Frost first won his reputation in England, but in the end, he was happy only in the States. He became, unwittingly, the poet laureate of America - a poet equally loved by the plain people who had no difficulty understanding, and by the critics who knew they were in the presence of truths sometimes too deep to understand. Frost became a national possession. When John Kennedy was inaugurated President, it was Robert Frost who spoke at the inauguration. His was a life of fame and recognition, but as he, himself, put it, all he wished to leave behind "was a few poems it would be hard to get rid of." Image Size: 17.75 x 20.75 in. Overall Size: 23.75 x 26.75 in. Unframed. (B11411)
Lot 413
David K. Stone (American, 1922 - 2001) "New York Statehood" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 22c New York Statehood stamp issued July 26, 1988. In the state of New York, the Anti-Federalists had done a good job of organizing and, but for the timing of their convention, they might have won the vote and kept New York out of the new United States. Thanks to machinery set in motion by the powerful Governor George Clinton and his associates, the Anti-Federalists found a receptiveness to their point of view in New York. There, articles appeared in newspapers against, as well as for, the Constitution, and the opinions and viewpoints of "Cato," "Brutus," "Sidney," and "A Republican" were immortalized in print. In February, a committee of seven Anti-Federalists organized in Albany to help manage the elections of delegates to the state convention. They corresponded with other New York Anti-Federalists, wrote articles for the newspapers, and distributed pamphlets. When the convention convened in Poughkeepsie in the summer of 1788, the vast majority of delegates were opposed to ratification. But soon the news arrived that New Hampshire and Virginia had ratified, and the delegates realized that a failure to ratify now would leave New York outside of an already-existing Union. Aaron Burr put it succinctly, stating that, "after the adoption by ten states, I think it became both politic and necessary that we should also adopt it (the Constitution)." New York ratified the Constitution on July 26, 1788, the eleventh state to do so. Image Size: 20.75 x 18.25 in. Overall Size: 26.75 x 24 in. Unframed. (B11656)
Lot 414
David K. Stone (American, 1922 - 2001) "United States Senate" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 25c United States Senate stamp issued April 6, 1989. The stamp on this First Day Cover was released by the Post Office in honor of the Two Hundredth Anniversary of the first meeting of the Senate. Though the idea for the Senate originated during the Constitutional Convention in 1787, it actually began work in 1789 after ratification of the Constitution. Made up of two Senators from each state, the first Senate convened with only twenty-two members, as two of the original thirteen states had yet to ratify the Constitution. The Constitution provides that a Senator must be thirty years of age, have been a citizen of the United States for at least nine years, and be a resident of the state from which he or she is elected. Traditionally, a Senator is also from a wealthy background, is well educated, likely to be a lawyer, and even more likely a veteran. His or her position in the government, coupled with the structure of the Senate itself, provides a Senator considerable power. The Senate has a complex organizational makeup, relying on committees and subcommittees to process legislation. Each Senator may serve on various committees and virtually every Senator is chairman of at least a subcommittee. Thus, a Senator is likely to influence the decisions made in a number of different committees and subcommittees. This affords him or her the opportunity to be a spokesperson for the Senate as a whole on issues handled in his or her committees. Image Size: 17.75 x 21 in. Overall Size: 23.75 x 27 in. Unframed. (B11952)
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400830 item(s)/page