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Lot 8
English School. Midlands. Nottingham. Gothic. Circa 1350 - 1375."Mary Magdalene"Alabaster sculpture with remnants of polychrome and gilding.Measurements without plinth: 46.5 x 14.5 x 13.5 cm.Height with plinth: 57 cm.From the mid-14th century until the iconoclastic crisis, which occurred with the Anglican Reformation in the 16th century, alabaster sculpture workshops flourished in central England, especially around Nottingham. There was a great boom in monumental and funerary sculptures, as well as in reliefs or altarpieces intended for the local market and for export.Alabaster carving, mainly extracted from the quarries of Tutbury and Chellaston near Nottingham, took on industrial proportions in England between the mid-14th and early 16th centuries. The market for altarpieces and small devotional images was very extensive. It included not only religious foundations but also bourgeois classes. Hundreds of English alabaster sculptures were exported, some as far as Iceland and Santiago de Compostela.Similar examples to this one, representing saints in sculpture rather than the more usual reliefs, include, for example, the wonderful Virgin and Child, which is part of the collection of the British Museum in London, inventory number 2016,8041.1 (https://www.britishmuseum.org/collection/object/H_2016-8041-1) with a face very similar to that of this Mary Magdalene.As indicated in the Museum's description of the sculpture we are comparing, regarding dating: "This places the statue at the very beginning of the period when alabaster began being used as a luxury material for sculptural compositions. The raw material was quarried in Derbyshire and Staffordshire and there is sufficient evidence to suggest that many of the early workers of the stone were based in the Midlands. The condition and technical finesse of this figure represents the highest levels of English sculpture in alabaster.The early artists who worked alabaster in the Midlands attracted the attention of King Edward III who in 1363 ordered a carved alabaster altarpiece from Peter the Maceon of Nottingham. These sculptures from the King’s chapel at Windsor, along with the majority of comparable pieces in situ were destroyed during the English Reformation.."Another sculpture from the mid-14th century, The Virgin and Child, is preserved in the collections of the Victoria & Albert Museum in London, with inventory number A.140-1946. (https://collections.vam.ac.uk/item/O70632/standing-virgin-and-child-statuette-unknown/)Other comparable pieces, although from the 15th century and already characteristic of Nottingham production, would be, for example: the mid-15th-century Saint Fiacre, which is part of the collections of the Metropolitan Museum of Art in New York, inventory number: 25.120.227. (https://www.metmuseum.org/art/collection/search/472307) or Saint Jude, which is kept in the Victoria & Albert Museum in London, inventory number A.60-1946 (https://collections.vam.ac.uk/item/O70146/st-jude-statuette-unknown/) Bibliography:Cheetham, Francis. English Medieval Alabasters. Oxford: Phaidon-Christie's Limited, 1984. p. 191 (cat. 118)
Lot 209
Claire Mary Newton Zest for light (1), 2023 Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire Mary Newton has a passion for oil paint and still life, for portraying beauty, light, capturing a moment of stillness that penetrates into the heart and soul of the beholder, a sense of divine presence. Education Wimbledon Art School Falmouth Art School Select Exhibitions/Awards The Royal Academy summer exhibition 2023 Green and Stone Gallery summer exhibition 2020 Statement about AOAP Submitted Artwork Both these little pieces are in oil. Still life painting captures a moment in time and yet somehow, as one gazes upon the painting, one also pauses and reflects, taking a breath, beholding, like a window or glimpse into another stillness that recreates, refreshes, revives. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 210
Claire Mary Newton Zest for light (2), 2023 Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire Mary Newton has a passion for oil paint and still life, for portraying beauty, light, capturing a moment of stillness that penetrates into the heart and soul of the beholder, a sense of divine presence. Education Wimbledon Art School Falmouth Art School Select Exhibitions/Awards The Royal Academy summer exhibition 2023 Green and Stone Gallery summer exhibition 2020 Statement about AOAP Submitted Artwork Both these little pieces are in oil. Still life painting captures a moment in time and yet somehow, as one gazes upon the painting, one also pauses and reflects, taking a breath, beholding, like a window or glimpse into another stillness that recreates, refreshes, revives. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 229
Rebecca Holton 9 3/4, 2023 Graphite on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About This summer Rebecca was selected by David Remfry RA to exhibit in the Royal Academy's summer exhibition. The drawing (sold during the exhibition) was one of six artworks picked out in The Times article, reviewing by Lead Art Correspondent, Laura Freeman. Rebecca exhibits regularly at the Mall Galleries, London, including both the ROI and the Royal Society of British Artists, and she was selected for the Ruth Borchard Self Portrait Prize (2021). In 2022 she was awarded The Surgeon's Prize by the Royal Society of British Artists, and in August 2021, she was awarded the Michael Harding First Prize in Oil Painting by the Gallery at Green & Stone, Chelsea, London. She was subsequently invited to have her first solo show with the gallery, 'Returning to London' in December 2022. She has recently had the privilege of painting a selection of notable sitters, including Lady Alison Scott Deeny and Paul Mayhew Archer MBE. Rebecca works as a full-time portrait and figurative artist between Bath and London, and she is fortunate to have a regular stream of commissions through both private clients and collectors. She juggles these around independent projects for exhibition. Her work is in private collections in the UK, Europe, US and Asia. Following her MA Fine Art, Rebecca followed a successful 10-year career in advertising in London at a senior level. She lived in Asia for 6 years before returning to full time Art in London in 2017. Education MA (Hons) Fine Art - Edinburgh University & College of Art (5 year course) - 2001 BTEC Foundation - Distinction - Oxford College of Art and Design Select Exhibitions/Awards Royal Academy of London, Summer Exhibition 2023 The Gallery at Green & Stone, London (Solo exhibition) 2022 Mall Galleries, London. Royal Society of British Artists. Awarded The Surgeon's Prize 2022 Mall Galleries, London. Royal Institute of Oil Painters. 2021 Ruth Borchard Self Portrait Prize, Highly Commended and online exhibition 2021 The Gallery at Green & Stone, London. Awarded First prize for Oil Painting 2021 Mall Galleries, London. Society of Women Artists 2019 Statement about AOAP Submitted Artwork Rebecca enjoys capturing everyday moments - not the 'special' moments which are easily noticed or remembered, but rather those that we take for granted and give little or subliminal attention. By immortalizing these through art, she raises their importance and encourages the viewer to relook at them. Her figures are captured in very familiar surroundings and absorbed in their own environment, which makes them easy to relate to and empathize with; as a viewer, we are encouraged to add stories and background to the characters. "My artwork acts as a time-capsule or visual diary of contemporary routines and culture. I am interested in encouraging people to reflect on the way we live today." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 230
Rebecca Holton 31 and Sunny, 2023 Oil paint on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About This summer Rebecca was selected by David Remfry RA to exhibit in the Royal Academy's summer exhibition. The drawing (sold during the exhibition) was one of six artworks picked out in The Times article, reviewing by Lead Art Correspondent, Laura Freeman. Rebecca exhibits regularly at the Mall Galleries, London, including both the ROI and the Royal Society of British Artists, and she was selected for the Ruth Borchard Self Portrait Prize (2021). In 2022 she was awarded The Surgeon's Prize by the Royal Society of British Artists, and in August 2021, she was awarded the Michael Harding First Prize in Oil Painting by the Gallery at Green & Stone, Chelsea, London. She was subsequently invited to have her first solo show with the gallery, 'Returning to London' in December 2022. She has recently had the privilege of painting a selection of notable sitters, including Lady Alison Scott Deeny and Paul Mayhew Archer MBE. Rebecca works as a full-time portrait and figurative artist between Bath and London, and she is fortunate to have a regular stream of commissions through both private clients and collectors. She juggles these around independent projects for exhibition. Her work is in private collections in the UK, Europe, US and Asia. Following her MA Fine Art, Rebecca followed a successful 10-year career in advertising in London at a senior level. She lived in Asia for 6 years before returning to full time Art in London in 2017. Education MA (Hons) Fine Art - Edinburgh University & College of Art (5 year course) - 2001 BTEC Foundation - Distinction - Oxford College of Art and Design Select Exhibitions/Awards Royal Academy of London, Summer Exhibition 2023 The Gallery at Green & Stone, London (Solo exhibition) 2022 Mall Galleries, London. Royal Society of British Artists. Awarded The Surgeon's Prize 2022 Mall Galleries, London. Royal Institute of Oil Painters. 2021 Ruth Borchard Self Portrait Prize, Highly Commended and online exhibition 2021 The Gallery at Green & Stone, London. Awarded First prize for Oil Painting 2021 Mall Galleries, London. Society of Women Artists 2019 Statement about AOAP Submitted Artwork Rebecca enjoys capturing everyday moments - not the 'special' moments which are easily noticed or remembered, but rather those that we take for granted and give little or subliminal attention. By immortalizing these through art, she raises their importance and encourages the viewer to relook at them. Her figures are captured in very familiar surroundings and absorbed in their own environment, which makes them easy to relate to and empathize with; as a viewer, we are encouraged to add stories and background to the characters. "My artwork acts as a time-capsule or visual diary of contemporary routines and culture. I am interested in encouraging people to reflect on the way we live today." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 231
Rebecca Holton 32 and Sunny, 2023 Oil paint on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About This summer Rebecca was selected by David Remfry RA to exhibit in the Royal Academy's summer exhibition. The drawing (sold during the exhibition) was one of six artworks picked out in The Times article, reviewing by Lead Art Correspondent, Laura Freeman. Rebecca exhibits regularly at the Mall Galleries, London, including both the ROI and the Royal Society of British Artists, and she was selected for the Ruth Borchard Self Portrait Prize (2021). In 2022 she was awarded The Surgeon's Prize by the Royal Society of British Artists, and in August 2021, she was awarded the Michael Harding First Prize in Oil Painting by the Gallery at Green & Stone, Chelsea, London. She was subsequently invited to have her first solo show with the gallery, 'Returning to London' in December 2022. She has recently had the privilege of painting a selection of notable sitters, including Lady Alison Scott Deeny and Paul Mayhew Archer MBE. Rebecca works as a full-time portrait and figurative artist between Bath and London, and she is fortunate to have a regular stream of commissions through both private clients and collectors. She juggles these around independent projects for exhibition. Her work is in private collections in the UK, Europe, US and Asia. Following her MA Fine Art, Rebecca followed a successful 10-year career in advertising in London at a senior level. She lived in Asia for 6 years before returning to full time Art in London in 2017. Education MA (Hons) Fine Art - Edinburgh University & College of Art (5 year course) - 2001 BTEC Foundation - Distinction - Oxford College of Art and Design Select Exhibitions/Awards Royal Academy of London, Summer Exhibition 2023 The Gallery at Green & Stone, London (Solo exhibition) 2022 Mall Galleries, London. Royal Society of British Artists. Awarded The Surgeon's Prize 2022 Mall Galleries, London. Royal Institute of Oil Painters. 2021 Ruth Borchard Self Portrait Prize, Highly Commended and online exhibition 2021 The Gallery at Green & Stone, London. Awarded First prize for Oil Painting 2021 Mall Galleries, London. Society of Women Artists 2019 Statement about AOAP Submitted Artwork Rebecca enjoys capturing everyday moments - not the 'special' moments which are easily noticed or remembered, but rather those that we take for granted and give little or subliminal attention. By immortalizing these through art, she raises their importance and encourages the viewer to relook at them. Her figures are captured in very familiar surroundings and absorbed in their own environment, which makes them easy to relate to and empathize with; as a viewer, we are encouraged to add stories and background to the characters. "My artwork acts as a time-capsule or visual diary of contemporary routines and culture. I am interested in encouraging people to reflect on the way we live today." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 232
Rebecca Holton Hatching a Plan, 2023 Oil paint on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About This summer Rebecca was selected by David Remfry RA to exhibit in the Royal Academy's summer exhibition. The drawing (sold during the exhibition) was one of six artworks picked out in The Times article, reviewing by Lead Art Correspondent, Laura Freeman. Rebecca exhibits regularly at the Mall Galleries, London, including both the ROI and the Royal Society of British Artists, and she was selected for the Ruth Borchard Self Portrait Prize (2021). In 2022 she was awarded The Surgeon's Prize by the Royal Society of British Artists, and in August 2021, she was awarded the Michael Harding First Prize in Oil Painting by the Gallery at Green & Stone, Chelsea, London. She was subsequently invited to have her first solo show with the gallery, 'Returning to London' in December 2022. She has recently had the privilege of painting a selection of notable sitters, including Lady Alison Scott Deeny and Paul Mayhew Archer MBE. Rebecca works as a full-time portrait and figurative artist between Bath and London, and she is fortunate to have a regular stream of commissions through both private clients and collectors. She juggles these around independent projects for exhibition. Her work is in private collections in the UK, Europe, US and Asia. Following her MA Fine Art, Rebecca followed a successful 10-year career in advertising in London at a senior level. She lived in Asia for 6 years before returning to full time Art in London in 2017. Education MA (Hons) Fine Art - Edinburgh University & College of Art (5 year course) - 2001 BTEC Foundation - Distinction - Oxford College of Art and Design Select Exhibitions/Awards Royal Academy of London, Summer Exhibition 2023 The Gallery at Green & Stone, London (Solo exhibition) 2022 Mall Galleries, London. Royal Society of British Artists. Awarded The Surgeon's Prize 2022 Mall Galleries, London. Royal Institute of Oil Painters. 2021 Ruth Borchard Self Portrait Prize, Highly Commended and online exhibition 2021 The Gallery at Green & Stone, London. Awarded First prize for Oil Painting 2021 Mall Galleries, London. Society of Women Artists 2019 Statement about AOAP Submitted Artwork Rebecca enjoys capturing everyday moments - not the 'special' moments which are easily noticed or remembered, but rather those that we take for granted and give little or subliminal attention. By immortalizing these through art, she raises their importance and encourages the viewer to relook at them. Her figures are captured in very familiar surroundings and absorbed in their own environment, which makes them easy to relate to and empathize with; as a viewer, we are encouraged to add stories and background to the characters. "My artwork acts as a time-capsule or visual diary of contemporary routines and culture. I am interested in encouraging people to reflect on the way we live today." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 296
Matthew Stone Untitled (1) Inkjet (giclee) on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Matthew Stone (born 1982 in London, England) is a London-based artist. He is part of the South London art collective !Wowow!. Matthew graduated from Camberwell College of Arts, London in 2004. He currently stages performances and films. In 2007, his first solo show, entitled "Futurehindsight", took place at UNION in London. In November 2009, Stone topped the arts section in a "Power players Under 30" list compiled by the Sunday Times. Matthew frequently collaborates with FKA Twigs and created the album artwork for 2019's Magdalene. In November 2011, Matthew had an exhibition at Kathy Grayson's "The Hole" Gallery entitled Optimism as Cultural Rebellion, the same name as his blog. Stone has had subsequent exhibitions at the Hole in 2018, 2020 and 2023. Matthew paints with AI. In a uniquely hybrid process, Matthew begins with hand-painted brushstrokes, which he first paints onto glass before photographing and cutting them out to establish a digital archive of individual painterly marks. These brushstrokes then imprint and drape around Stone's virtual 3D models who populate his vibrant and ethereal canvases as painted avatars. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 297
Matthew Stone Untitled (2) Inkjet (giclee) on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Matthew Stone (born 1982 in London, England) is a London-based artist. He is part of the South London art collective !Wowow!. Matthew graduated from Camberwell College of Arts, London in 2004. He currently stages performances and films. In 2007, his first solo show, entitled "Futurehindsight", took place at UNION in London. In November 2009, Stone topped the arts section in a "Power players Under 30" list compiled by the Sunday Times. Matthew frequently collaborates with FKA Twigs and created the album artwork for 2019's Magdalene. In November 2011, Matthew had an exhibition at Kathy Grayson's "The Hole" Gallery entitled Optimism as Cultural Rebellion, the same name as his blog. Stone has had subsequent exhibitions at the Hole in 2018, 2020 and 2023. Matthew paints with AI. In a uniquely hybrid process, Matthew begins with hand-painted brushstrokes, which he first paints onto glass before photographing and cutting them out to establish a digital archive of individual painterly marks. These brushstrokes then imprint and drape around Stone's virtual 3D models who populate his vibrant and ethereal canvases as painted avatars. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 298
Matthew Stone Untitled (3) Inkjet (giclee) on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Matthew Stone (born 1982 in London, England) is a London-based artist. He is part of the South London art collective !Wowow!. Matthew graduated from Camberwell College of Arts, London in 2004. He currently stages performances and films. In 2007, his first solo show, entitled "Futurehindsight", took place at UNION in London. In November 2009, Stone topped the arts section in a "Power players Under 30" list compiled by the Sunday Times. Matthew frequently collaborates with FKA Twigs and created the album artwork for 2019's Magdalene. In November 2011, Matthew had an exhibition at Kathy Grayson's "The Hole" Gallery entitled Optimism as Cultural Rebellion, the same name as his blog. Stone has had subsequent exhibitions at the Hole in 2018, 2020 and 2023. Matthew paints with AI. In a uniquely hybrid process, Matthew begins with hand-painted brushstrokes, which he first paints onto glass before photographing and cutting them out to establish a digital archive of individual painterly marks. These brushstrokes then imprint and drape around Stone's virtual 3D models who populate his vibrant and ethereal canvases as painted avatars. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 376
Sophie Coe Coverack (Cornwall) Charcoal on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About I find inspiration almost anywhere but particularly in nature. Whether it's the power of the sea, wind through a grove of bamboo, sunlight through a canopy, the detail and structure of a leaf. There's so much beauty around us, both the big views and the details, I'm in awe of it. I try to capture the mood, the wonder, the feeling of being there, the elements perhaps less visible with a passing glance. I have always loved design and creating things, and sometimes work collaboratively to solve a design brief for artwork specific to a project. Mostly though I work alone inspired by the beauty in nature, often with my own creative enquires: How to express the rain? Or the wind as it blows sand along a sea drenched beach... as it makes botanical shadows dance on a wall. How to express the movement of a wave or the still timeless eternity of a mountain... there's inspiration everywhere. Sophie Coe was born in the UK in 1971. She studied fine art and architecture and worked in the UK, Asia and Australia, before settling in London in 2009. Fine art was always a passion which over the years grew to take over as a full-time occupation. Sophie studied fine art at the Slade in London but is largely self-taught. She works with charcoal, paint and various printmaking techniques to create images mostly inspired by nature. The freedom in her mark making gives immediacy and energy to her work, which itself exudes the simple calmness and beauty of the environment that inspired it. Having a background in architecture gives her an in-depth understanding of buildings, interiors, client/designer relationships and collaborative design. Commissioned pieces have ranged in scale from 60cm to 6.5m wide. Her work sells worldwide for both private collections and commercial interiors. She lives and works in Twickenham. Education 2007 The Slade, Summer Foundation in Fine Art 1995 Oxford Brookes University, Postgraduate Diploma in Architecture 1992 Oxford Brookes University, Bachelor of Arts (Architecture) Select Exhibitions 2023 The Summer Exhibition, Royal Academy. London ING Discerning Eye, Mall Galleries. London Royal Society of Marine Artists annual exhibition. Mall Galleries London Summer Exhibition, The Gallery at Green and Stone, London Untitled. Gallery on the Green, London The Old Courthouse Gallery, Ambleside. Lake District. 2019 Memories, shadows, reflections... Gallery on the Green, London 2018 Tricks of the Light, Riverside Gallery, London 2017 A Personal Portrait, Riverside Gallery, London 2015 Reflections, The Chapel, London 2015 Untitled, Staffords Gallery, London 2012 Memory, The Chapel, London 2009 Made (2009), Morley Gallery, London 2006-07 Andrew Crawford Gallery, Sydney. Australia 2005-07 Waywood Gallery, Byron Bay. Australia 2007 XO Gallery, Kingscliff. Australia Gallery Representation Old Courthouse Gallery, Ambleside Statement about AOAP Submitted Artwork These are pieces about the sea, about light and memories. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 377
Winnie Hall Good Luck From Stone Henge 1 Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Winnie Hall lives and works in London. Hall graduated in 2020 with a BA in Fine Art from Chelsea College of Arts and went on to have a studio and take part in Conditions Studio Programme based in Croydon. In 2022 she was selected for Bloomberg New Contemporaries, showing works in Ferens Art Gallery, Hull and South London Gallery in Peckham. In September 2022, Hall was granted funding to develop her practice from the Arts Council. In January 2023, Hall's work was acquired by the Government Art Collection. She recently finished a 6-month residency at OOF Gallery, situated in Tottenham football stadium, exploring the crossovers of art and football. Education BA Chelsea College of Arts 2017 - 2020 Select Exhibitions/Awards Awards/Prizes/Grants: New Contemporaries 2022 Awarded Develop Your Creative Practice Arts Council Funding Sep'22 Selected Exhibitions 2023: 'Gate Keeper' - Plinth Online Exhibition 20th June - 21st August 3D Women: 'Works That Never Came To Life' - Art Hub,Deptford (Curated & Exhibited) Royal Academy Summer Exhibition - Royal Academy, 21st June - 21st August 'The World Of Gazza!!' - OOF Gallery, Tottenham, London - April - September '23 'It's Like That' - Coleman Projects, Bermondsey,London Twenty Nineteen - Campbell Works, Stoke Newington,London 2022: New Contemporaries - South London Gallery, London New Contemporaries - Humber Street Gallery and Ferens Art Gallery, Hull Conditions Group Show - Whitgift Centre, Croydon Oasis Academy Shirley Park, Workshop Outcome Exhibition - Turf Projects,Croydon StaffShow - Green and Stone,Fulham Sugarcoated - Changing Room Gallery,Soho 2021: Curated and exhibited : 3D Women! - Platform Southwark, London Mascot - Best Wishes,Camberwell,London Conditions Group Show, - Whitgift Centre,Croydon Are You Lonesome Tonight - WhitGift Centre (solo) - Croydon Work In Progress:Elvis - Project Space,Croydon Statement about AOAP Submitted Artwork For this years Art On A Postcard auction, I enjoyed playing with the idea of a postcard, finding humour in sending a postcard 'from Stone Henge' and a postcard for a wisdom tooth lost. Considering who it might go to and who might be sending it. I am someone who often sends postcards, and also collects a selection of Good Luck postcards from different counties in Kent. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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