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Lot 285
A diamond three stone 18ct white gold and platinum set ring, the centre cushion shaped old cut diamond, weighing approximately 1 carat, two round brilliant cut diamonds one each side weighing a combined weight of approximately 0.36 carat, assessed clarities SI2, assessed colours I/J, carre settings, ring size L 1/2Condition Report: No obvious damage to diamonds, settings intact, wear and tear to shank
Lot 335
A group of three gold rings, comprising one 18ct gold gentlemen's signet ring with the initials F.A.J to the square detail centre, size S, a 9ct square style signet with engraved detail and initials to the square, size Q½, along with a 9ct stamped, emerald cut blood stone ring, size U½, with a combined total gross weight of approx 12 grams
Lot 344
A collection of gold rings comprising; a 22ct gold wedding band, size L, along with a 9ct rose gold boat style ring with five white stones, size N, an 18ct gold eternity ring set with white stones, size L1/2, (af (stone missing) a 9ct gold cluster ring, set with blue and red paste stones, af (stone missing), size L and one 9ct gold and oval smoky quartz ring, size P1/2 with a combined total gross weight of approx 13.2gms(5)
Lot 345
A collection of four 18ct gold rings (some stamped 18ct) to include a three stone sapphire and diamond ring , size Q1/2, a ruby and diamond cluster ring, size O1/2, a solitaire old cut diamond ring (af diamond badly chipped), size K1/2 and a turquoise five stone ring with ornate detail possibly Victorian, size S, with a combined total gross weight approx 11.7gms (4)
Lot 362
A collection of three gold rings, comprising of a 9ct gold boat style ring set with clear stones, size N, a 9ct gold, three stone ring claw set with white stones, size L along with an emerald and diamond dress ring, set in 14ct gold, size Q, with a combined total gross weight approx 6.7 grams
Lot 363
An 18ct gold and blue stone (possibly zircon) solitaire ring, size N1/2, an 18ct gold, sapphire and diamond half eternity ring set with alternate square sapphires and brilliant cut diamonds, size U, a 9ct wedding band, with chevron detail to the centre, with a combined total gross weight of approx 7.7gms (3)
Lot 378
A collection of three Edwardian bar brooches to include one yellow metal seed pearl and peridot leaf detail bar brooch (af) a 9ct gold sapphire and seed pearl foliate detail brooch with safety chain, along with a 9ct stamped bar brooch with red stone and seed pearl floral detail brooch, with a combined total gross weight approx 6.2 grams
Lot 380
A 9ct blue stone and diamond bracelet, with eleven round cut claw set blue stones with double row, diamond set bars in between, with a length of approx approx 8'' and a total weight of approx 9.7gms; together with a 10k purple stone bracelet, set with square claw set stones and small round blue stones, total length approx 7'' and a total gross weight of approx 4.1gms (2) (with one box)
Lot 397
An attractive Victorian diamond floral motif detail (from cravat pin),claw set with numerous graduated old cut and rose cut diamonds, including cushion cut diamond of approx 0.25 ct and a further stone of approx 0.20 ct. There are three similar size diamonds missing from the piece which is set in white and yellow metal. Approx size of the pin approx 20mm x 24mm. (af)
Lot 474
A collection of five pendant charms including a 9ct gold tri stone fob; together with a yellow metal cuboid incase bust seal with the heads of Byron, Victoria, Wellington, Cromwell, etc a jade and gold pendant (af), a 9ct gold fish feal fob with bllod stone, a yellow metal lion hard stone fob, a yellow metal heart fob with hard stone and a yellow metal snuff pendant with chain.7
Lot 481
A collection of brooches and pins comprising a 9ct Rose gold walking cane brooch, along with a a 9ct cameo bar brooch, a yellow metal and seed pearl horseshoe cravat pin, a yellow metal foliate brooch, a yellow metal and agate brooch, a white metal boat brooch and a white stone set pin. three other 19th century brooches/stick pins A white metal rowing boat brooch(7)
Lot 572
A collection of silver costume jewellery to include a silver nurses belt, glass beads, paste butterfly brooch, a silver and blue john, a gilt metal Siamese brooch, silver brooches, a 1903 NCM brooch, two boxed faux pearl necklaces, a variety of paste and enamel brooches and chains and a plastic 1940s style box containing men's dress buttons and cufflinks and a rolled gold cameo brooch and a Victorian green stone gold fronted brooch and Carnelian bracelet (af)
Lot 88
Vintage Approx. 3.75 Carat Round Brilliant Cut Diamond and 18 Karat Yellow and White Gold Three Stone Ring Set with an Approx. 1.75 Carat Diamond and Flanked by Two (2) Approx. 1.0 Carat Diamonds. Center diamond H-I color, SI2 clarity; flanking diamonds H-I color, SI1 clarity. Stamped 18K. Very good condition. Ring size 8. Approx. weight: 11.6 grams. Shipping $30.00 (estimate $5000-$8000)
Lot 70
DICKENS CHARLES: (1812-1870) English Novelist. A good, unusual A.L.S., Ever Faithfully (albeit once managerially) your noble friend Wilmot [Lord Wilmot, in reference to a theatrical role Dickens had performed], one page, 8vo, Gads Hill Place, Higham by Rochester, Kent, 5th December 1863, to 'My dear Peter' [Cunningham]. Dickens announces 'I am delighted to get the hearty letter of my old Will's coffee House friend [Lord] Le Trimmer; and again the shade of poor dear [The Duke of] Middlesex crosses me, saying ''Here's Peter - won't come on, you know!'' - then, in a ghostly manner, raps gold snuff box, and fades into the other world.' Dickens further confirms the residence of a lady on Monarch Street and concludes 'God bless us all this coming Christmas, and give us Christmas thoughts! Of which your letter is full, and so most welcome.' With blank integral leaf. A letter of fine theatrical content. VG Peter Cunningham (1816-1869) Scottish Writer, son of Allan Cunningham. Dickens signs the present letter as Lord Wilmot, a character he had portrayed in Edward Bulwer-Lytton's Not So Bad as We Seem, Or, Many Sides to a Character: A Comedy in Five Acts in 1851 alongside Peter Cunningham (Lord Le Trimmer, a frequenter of Will's Coffee House) and Frank Stone (The Duke of Middlesex). Bulwer-Lytton's play was performed in 1851 as a charity event to benefit the Literary Guild, a society for struggling authors. As well as Dickens, the cast also included Mark Lemon (Sir Geoffrey Thornside), John Tenniel (Hodge) and Wilkie Collins (Smart, a valet to Lord Wilmot). It was the first time, during the production, that Dickens and Collins met. The performance was attended by Queen Victoria who thought it ''full of cleverness, though rather too long''. The present letter is written in the month and year of the 20th anniversary of the publication of A Christmas Carol on 19th December 1843, which has been credited with restoring the holiday to one of merriment and festivity in Britain and America following a period of Victorian sobriety and somberness.
Lot 37
SPENCER STANLEY: (1891-1959) English Painter. A.L.S., Stanley Spencer, two pages, 8vo, Nursing Home, n.d., to Mr. Holden. Spencer, writing in pencil, informs his correspondent, in part, 'I am so sorry not to have let you know before for certain that I should not be able to come before Christmas but I have had a horrid time with a stone in the ureter which refused to move' continuing, '…now mercifully the stone has freed itself & the surgeon (Mr. Joyce) is taking it out tomorrow morning. I should be fit to leave here just before Christmas. It would not have been possible for me to have come any time between last October & now. I feel happy to be at last free from this complaint which, on and off has menaced me for four years.' With a paper clip rust stain to the upper left edge, partially concealing one word, and four pin holes to the right edge. G
Lot 279
HEANEY SEAMUS: (1939-2013) Irish Poet, Nobel Prize winner for Literature, 1995. Small selection of signed (some inscribed) cards, printed poetry, an 8 x 12 photograph etc. by Heaney comprising, 'Please forgive my oversight in not returning the photo & the poem until now. I'm afraid they got buried on a desk that I am endeavouring to clear for the new year' (in a folding 8vo card publicising Heaney's poem 'The Manager', dated 2nd January 2003); a signed colour postcard, the image depicting a portrait of Heaney by Peter Edwards; a signed printed page, 4to, containing the poem titled 'The Stone Verdict', dated January 2003; a magazine photograph of Heaney signed and inscribed to the verso; two signed photocopied pages containing the handwritten and typed poem 'North Atlantic'. EX, 6
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