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Lot 26

A citrine single stone dress ring, the rectangular step-cut citrine in four claw setting, to a tapered abstract mount with textured shoulders, yellow precious metal mounted, indistinctly marked, ring size K½Scuffs, scratches and chips/nicks to citrine and mount, commensurate for use. The citrine has areas of whiteish colour zoning and measures approx. 16.2mm length x 12.3mm width (depth unknown due to closed-back setting). The mount tapers from 18.4mm width at the shoulders to 5mm at the back of the shank. Metal standard of the mount is unknown and untested. There are rubbed indistinct marks to the outer shank. Gross weight approx. 13.7gm.

Lot 33

A diamond five stone ring, the graduated old-cut diamonds in millegrain collet settings, two colour precious metal mounted, stamped '18CT PLAT', total diamond weight approximately 0.40ct, ring size NDiamonds are lively but with variable clarity, some stones with chips and fractures, estimated SI2 to P2 clarity and I to L colour, assessed mounted. Diamonds graduate from approximately 0.05ct to 0.10ct in size. The ring mount has general surface wear with solder joins/repairs at the shoulders. Metal standard is untested. Gross weight approximately 2.3gm.

Lot 32

Three dress rings, comprising a flowerhead cluster ring, set with a lasque-cut diamond bordered by turquoise-coloured cabochons, with foliate engraved shoulders, 15ct gold mounted, a red stone, half pearl and diamond dress ring, with foliate scroll engraved shoulders and hoop, and a garnet cabochon single stone ring, stamped '15 .625', ring sizes K½, N and N respectively (3)Approximate gross weights only: first ring 1.6gm, second ring 1.6gm, third ring 2.4gm.

Lot 108

A late Victorian half hoop ring, alternately set with coral cabochons and half pearls, 15ct gold mounted, (half pearls untested for origin), together with a white stone cluster ring, two colour mounted, stamped '9CT', a pair of lorgnettes, and two further items (5)Approximate gross weights only: half hoop ring 1.7gm, cluster ring 1.6gm.

Lot 41

A diamond single stone ring, the old-cut diamond in four claw setting, between single-cut diamond set shoulders, stamped 'PLAT 18CT', together with a ruby and diamond cluster ring, 9ct gold mounted, and a white stone half hoop ring, also 9ct gold mounted, first ring total diamond weight approximately 0.25ct, size M½ (3)Approximate gross weights only: first ring 2.3gm, second ring 1.6gm, third ring 1.9gm.

Lot 12

Three gem set dress rings, comprising a diamond and half pearl half hoop ring, a 'Dearest' half hoop ring, and an opal five stone ring, 18ct gold mounted, inscribed to interior, (half pearls untested for origin), ring sizes J, M and N½ respectively (3)Qty: 2Approximate gross weights only: first ring 2.4gm (marks are heavily worn but possibly for 18ct), second ring 1.4gm, third ring 3.1gm

Lot 78

An opal three stone ring, the slightly graduated oval cabochon opals in claw setting, with scrolled gallery and foliate shoulders, stamped '375', together with an opal cluster bar brooch, stamped '9CT', ring size M, brooch length 4.7cm (2)Ring: the opals have subtle plays of green and blue to a whiteish ground, with surface wear, nicks and scuffs. The largest opal measures approx. 8mm length x 6mm width. The ring mount is of light gauge, with general surface wear throughout and re-sizing joins to the shank, which has worn thin. Metal standard is untested. Gross weight approx. 2.3gm. Brooch: the opals have subtle plays of pink, orange, green and blue to a whiteish ground. Most of the opals have small chips and all have surface wear, nicks and scuffs. The brooch mount has dings/dents and surface wear, with patchy tarnishing. Metal standard is untested. Gross weight approximately 2.1gm.

Lot 101

A collection of jewellery, comprising an amber bead necklace, the single stand of amber beads graduating from approximately 31mm to 11.4mm in length, a strand of four further amber beads, a carnelian bead necklace, two further bead necklaces, an aventurine quartz single stone ring, and three pairs of earrings, first necklace length 68cm (9)First necklace only: sizeable chips and fractures to some of the beads, all have surface wear, scratches, scuffs and chips/nicks with areas of crazing. Gross weight approx. 71gm.Four further amber beads only: all beads have surface wear, scratches, scuffs, chips and fractures, with areas of crazing. Gross weight approx. 28gm.

Lot 110

A collection of jewellery and watches, to include a moonstone fringe necklace, (two stones deficient), a green stone dress ring, stamped '9CT', a white metal 'Grand Prix Paris 1900' hunter pocket watch by Omega, the dial and case signed, case numbered 3239571, a late Victorian silver open face pocket watch, a blue and white paste bar brooch, assorted further brooches, rings and other items, first necklace length 40.5cm (qty)

Lot 18

An amethyst single stone pendant on chain, the oval mixed-cut amethyst in millegrain collet setting, suspended within an angular openwork pendant frame, on a belcher-link chain, together with three similar belcher-link chains, pendant length 4.2cm, chain lengths 45.5cm, 45cm, 39cm and 38cm respectively (4)Approximate gross weights only: pendant 2.4gm, chains individually 5.1gm, 3.7gm, 5.1gm and 4.2gm (all are untested as gold/gilt metal)

Lot 14

A stone set bangle, of hollow hinged oval form, the heart-shaped panel centred with a turquoise-coloured cabochon, (clasp deficient), together with a similar bangle, with knot-shaped panel, stamped '9CT', (clasp deficient), inner diameters 6.4cm and 6.3cm respectively (2)First bangle: the mount is out of shape and has shallow dings, with general surface wear throughout. The tongue clasp is missing. Length of heart panel 1.8cm. Metal standard is untested. Gross weight approx. 7.7gm. Second bangle: substantially damaged, with several large dents and creases to the back section. The mount is out of shape and the tongue clasp is missing. Metal standard is untested. Gross weight approx. 6.7gm.

Lot 20

A collection of gem set brooches, comprising a Victorian amethyst single stone panel brooch, the octagonal step-cut amethyst framed by textured leaves and wirework tendrils, an amethyst and seed pearl cluster brooch/pendant, stamped '9', (later fitting), a similarly set brooch, with oval cluster pendant drop, and a citrine and cultured pearl spray brooch, 9ct gold mounted, (all seed pearls and half pearls untested for origin), brooch lengths 5.75cm, 2.4cm, 2.85cm and 4.9cm respectively (4)Approximate gross weights only: first brooch 17gm (untested as gold/gilt metal), second brooch 5.7gm (metal standard untested), third brooch 4gm (metal standard untested), fourth brooch 5gm.

Lot 68

A stone set dress ring, the twisted panel with foliate and bead accents, highlighted with a trio of circular-cut red stones, yellow precious metal mounted, stamped '18kt', ring size POccasional dings to the twisted panel. General surface wear, scuffs and nicks/chips throughout the mount. Diameter of panel 1.65cm. The red stones have surface wear and are too small to test. Metal standard is also untested. Gross weight approx. 6.5gm.

Lot 84

A stone set pendant on chain, the oval mixed-cut orange stone in foiled closed-back setting, bordered by leaves and beaded clusters, with later brooch fitting, on a trace-link chain, together with a 9ct gold cased wristwatch, hallmarked for London 1944, on a fabric strap, and a belcher-link chain with swivel clasp, pendant length 5.2cm, watch case width 2.8cm (3)Approximate gross weights only: pendant 11.8gm (untested as gold/silver-gilt/gilt metal), trace chain 3.3gm (untested as gold/gilt metal), watch case 6.3gm (excluding dial/movement), belcher chain 6.5gm (untested as gold/gilt metal)

Lot 51

A diamond five stone ring, the graduated old, brilliant and single-cut diamonds in claw setting, two colour precious metal mounted, stamped 'PLAT 18CT', total diamond weight approximately 0.25ct, ring size LDiamonds are bright and lively, with slightly variable colour, all stones with chips/nicks. Estimated SI2 to P2 clarity (due to chips) and I to L colour, assessed mounted. Approximate diamond sizes 0.10ct, 0.05ct and 0.025ct. The mount has general surface wear, with solder joins/repairs to the shoulders and back of the shank. Length of setting 1.5cm. Metal standard is untested. Gross weight approximately 1.7gm.

Lot 16

Two gem set dress rings, the first modelled as a horseshoe of graduated half pearls, adapted with later ring mount, stamped '18CT', the second a carnelian single stone ring, yellow precious metal mounted, ring sizes P and S respectively (2)Approximate gross weights only: first ring 4gm, second ring 2.8gm

Lot 55

A diamond single stone pendant, the round brilliant-cut diamond in four claw setting, suspended from a snake-link chain, 18ct white gold mounted, diamond weight approximately 0.22ct, pendant length 0.95cm, chain length 41.5cmOf modern manufacture, with light surface wear to pendant and chain. Occasional shallow kinks to chain and a small pull to the chain, near to the clasp. The clasp is functioning. The diamond is fairly bright, containing pale fracture inclusions to the side crown facets, with estimated SI3 to P1 clarity and I to J colour, assessed mounted. Diamond dimensions approx. 4.1mm diameter x 2.4mm depth. Combined gross weight approx. 2.7gm.

Lot 34

An opal and diamond half hoop ring, the graduated oval cabochon opals spaced by pairs of round brilliant-cut diamonds, 9ct gold mounted, together with a red stone and diamond half hoop ring, 18ct gold mounted, hallmarked for Chester 1911, and a further stone set dress ring, ring sizes L, L½ and K½ respectively (3)Approximate gross weights only: opal ring 1.8gm, red stone ring 2.5gm, green stone ring 2.6gm

Lot 2

A charm bracelet, the fancy-link bracelet with fluted hollow bead spacers, stamped '750', suspending a collection of assorted charms, to include a cabin, a clock and a carriage, some examples stamped '750', length 21cmGeneral surface wear, scuffs and nicks/chips throughout, commensurate for use. Some of the charms are stone set. The clasp is functioning. Metal standards of the bracelet and individual charms are untested. Combined gross weight approximately 37gm.

Lot 38

A synthetic ruby, diamond and enamel cluster ring, the possibly later replaced cushion-shaped synthetic ruby in collet setting, bordered by rose and lasque-cut diamonds, above a scroll pierced gallery with diamond accents, between foliate shoulders of old, rose and lasque-cut diamonds, the tapered hoop with black enamel foliate accents, two colour mounted, (some diamonds deficient), ring size approximately MTypical curved striations and bubble inclusions to the synthetic ruby, with abrasion and scattered small chips to its surface - this is possibly a later replaced stone. Synthetic ruby dimensions approximately 11mm length x 9mm width. Diamonds have varaible colour and clarity, some stones with chips/fractures, some stones of greyish appearance. Five diamonds are missing and occasional diamonds appear to be later replaced. The old-cut diamonds weigh approximately 0.12ct each. The edges of the settings are worn and have fine splits/creases. The pierced gallery has some splits and possible solder repairs. Enamel to the hoop has chips and losses. The shank has been re-sized and the mount has general surface wear. Metal standard is untested but appears to be a gold and silver combination and the setting appears to be antique. Length of setting 17mm. Gross weight approximately 7gm.

Lot 104

A collection of jewellery, comprising a hardstone seal fob, with hinged compartment, an opal single stone stick pin, a yellow and white metal calendar pendant, a white precious metal slim wedding band, stamped 'PT', a 9ct gold ingot pendant, a 9ct gold ballet shoes charm, two further pendants, and a 9ct gold coffee spoon, seal fob length 2.1cm (9)Approximate gross weights only: seal fob 4gm, stick pin 0.8gm, calendar pendant 5.5gm, wedding band 2.4gm, ingot pendant 5.3gm, ballet shoes charm 5.3gm, figural charm 3.7gm, other pendant 0.5gm, coffee spoon 9.5gm

Lot 13

A 19th century single stone ring, centred with an oval cabochon red stone in closed-back setting, to a floral engraved surround and tapered hoop, gold and silver mounted, ring size N½The red stone is possibly a garnet, but is untested as such, and has surface wear, scuffs and nicks. The mount has general surface wear, with patchy rubbing to the engraved decoration. The shank is a little mis-shapen and has been re-sized to the back, with areas of whiteish solder and porosity, and a fine seam/split associated with one of the solder joins. Further fine seams are present to the back of both shoulders. Gold standard is untested. Gross weight approx. 4.7gm.

Lot 100

A collection of jewellery, comprising a 9ct gold hollow ropetwist-link chain, a lady's 9ct gold cased wristwatch by Longines, with unassociated gilt metal bracelet, a garnet insect brooch, a 9ct gold stone set panel brooch, (fitting deficient), a 9ct gold half hoop ring, a graduated malachite bead necklace, two stick pins, assorted ear studs, a green hardstone panel brooch, and a costume butterfly brooch by Trifari, chain length 47cm (qty)Approximate gross weights only: ropetwist chain 9gm, insect brooch 7.2gm, stone set panel brooch 2.3gm, half hoop ring 0.8gm, ear studs 7.2gm combined.

Lot 85

A late Victorian diamond set Mizpah ring, 18ct gold mounted, hallmarked for Birmingham 1886, and an Edwardian diamond and gem set cluster ring, also 18ct gold mounted, hallmarked for Birmingham 1907, (two stones deficient), ring sizes O½ and M respectively (2)First ring: the rose-cut diamond has fractures and chips. General surface wear to mount. The band is slightly off-round, with a shallow dent to the back, and has been re-sized. Band tapers in width from 7.5mm to 4.3mm. Hallmarks are clearly struck, maker's mark 'E.V'. Gross weight approx. 2.6gm. Second ring: one red stone and one diamond are missing. The remaining diamonds have a greyish fractured/chipped appearance and the red stones have surface wear. The mount has thinning to the edges of the settings and shank, with general surface wear throughout. The shank has been re-sized. Hallmarks have light wear, the maker's mark is indistinct. Gross weight approx. 2.8gm

Lot 99

A collection of jewellery, comprising a half pearl set memorial brooch, applied with a foliate spray to a black ground, with foliate scroll border, glazed verso, (later fitting), two diamond set ring mounts, stamped '18' and '18CT' respectively, (diamonds deficient), a cultured pearl dress ring by Mikimoto, signed and stamped 'K14', (one cultured pearl deficient), an 18ct gold wedding band, a 9ct three colour gold necklace, of tapered textured design, a ropetwist-link chain, two single stone dress rings, and a cultured pearl necklace, brooch length 4.7cm (10)Approximate gross weights only: memorial brooch 26.5gm, two diamond set ring mounts combined 3.7gm, cultured pearl dress ring 4.2gm, 18ct gold wedding band 2gm, 9ct gold necklace 11.2gm, ropetwist-link chain 11.3gm (untested as gold/gilt metal), two single stone dress rings combined 13.2gm, cultured pearl necklace 22gm (broken)

Lot 88

A collection of jewellery, comprising a diamond five stone ring, stamped '18CT & PLAT', a diamond half hoop ring, 18ct gold mounted, (one diamond deficient), a stone set half hoop ring, 18ct gold mounted, (two stones deficient), a 9ct gold owl brooch, with red stone eyes, a further brooch, 9ct gold mounted, (fitting deficient), and an open face fob watch, first ring size I (6)Approximate gross weights only: diamond five stone ring 1.8gm, diamond half hoop ring 3.5gm, stone set half hoop ring 1.6gm, owl brooch 5.3gm, other brooch 0.8gm

Lot 62

A diamond five stone ring, the graduated round brilliant-cut diamonds spaced by smaller single and brilliant-cut diamond points, to a scroll decorated hoop, 18ct gold mounted, maker's mark AJW, total diamond weight approximately 0.70ct, ring size approximately J½ - KThe principal diamonds have variable clarity, most stones with fracture inclusions, surface-reaching fractures/chips and dark spotted mineral inclusions, with estimated SI2 to P2 clarity and H to J colour, assessed mounted. These diamonds graduate from approximately 0.20ct to 0.08ct in size. The diamonds points have a typically greyish, fractured appearance. The ring mount is relatively modern with general surface wear and patchy thinning to the tips of the setting. The shank has been re-sized. Gross weight approx. 3.9gm.

Lot 112

A collection of Victorian and later jewellery, comprising a half pearl set panel brooch, with beaded drop, a turquoise set panel brooch, of knot design with bead accents, four further stone set brooches, two agate panel brooches, an initial 'B' brooch, stamped '750', a coral corallium rubrum set stick pin, an oval shell cameo brooch, 9ct gold mounted, a white metal locket pendant on chain, and further items, (half pearls untested for origin), first brooch length 5.5cm (qty)Approximate gross weights only: half pearl set brooch 7.5gm, turquoise set brooch 4.7gm, purple paste brooch 15gm, red stone set brooch 6.1gm, turquoise-coloured cabochon set brooch 2.3gm, 'B' brooch 3.2gm, stick pin 2.5gm, cameo brooch 4.5gm (all items untested as gold/gilt metal), locket pendant on chain 37.6gm

Lot 58

A diamond single stone bar brooch, the old brilliant-cut diamond in millegrain collet setting with scalloped gallery, to a uniform bar, white precious metal mounted, length 6.1cm Accompanied by a Diamond Mini Report issued by AnchorCert, stating that the diamond weighs approximately 2.54ct, with VVS clarity and L - M colour, (assessed mounted), report no. 20063152, provided June 2023The diamond is bright and lively, drawing a yellowish tint. Light surface wear to mount, which has a slightly off-white hue. Solder seams visible at junctions within the setting and mount, presumed to be part of manufacture. The pin and safety clasp are functioning. Metal standard is untested. Gross weight approx. 4.4gm.

Lot 47

A sapphire and diamond five stone ring, alternately set with circular mixed-cut sapphires and single-cut diamonds, 18ct gold mounted, together with a lozenge-shaped diamond panel ring, stamped '18CT & PT', and a diamond three stone ring, similarly stamped, ring sizes L½, K½ and L respectively (3)Approximate gross weights only: first ring 2.7gm, second ring 2.4gm, third ring 1.3gm

Lot 77

A collection of jewellery, comprising a 9ct gold Egyptian figural pendant on chain, a 9ct gold commemorative locket pendant, on a figaro-link chain stamped '9KT', a curb-link bracelet, suspending two charms, a 9ct gold curb-link bracelet, suspending a crescent moon charm stamped '14K', a 9ct gold coffee bean pendant, on a fine trace-link chain, and a pair of stone set earrings, first pendant length 2.6cm (6)Approximate gross weights only: Egyptian figural pendant on chain 4.6gm, locket pendant on chain 4.8gm, curb-link bracelet with two charms 3.8gm, curb-link bracelet with crescent moon charm 2.3gm, coffee bean pendant on chain 0.7gm, stone set earrings 3.5gm

Lot 67

A diamond set panel brooch, designed as two old-cut diamond clusters, each centred with a cushion-shaped blue stone, spaced by a scrolled openwork panel of further old-cut diamonds, two colour precious metal mounted, total diamond weight approximately 0.60ct, length 2.45cmDiamonds have an overall lively appearance but with variable colour and clarity, some stones with chips and fractures, estimated SI2 to P2 clarity and H to K colour, assessed mounted. Diamonds graduate from approx. 0.01ct to 0.04ct in size. The blue stones are possibly simulated/synthetic/composite stones and have surface wear, scuffs, chips and fractures, each measuring approx. 5.5mm diameter. The brooch mount is possibly late 19th/early 20th century in date with general surface wear throughout and patchy thinning to the tips of the claw settings. Metal standard is untested but possibly a gold/silver combination. The brooch pin is functioning. Width of panel 1.4cm. Gross weight approx. 3gm.

Lot 25

A citrine single stone pendant, the rectangular step-cut citrine in claw setting, to an openwork foliate surround, together with a matched citrine single stone ring, with tapered wirework hoop, each yellow precious metal mounted, pendant length 3.3cm, ring size approximately M (2)Pendant: the citrine has a brownish-yellow hue with areas of straight colour zoning, scattered small chips and scuffs/nicks throughout, measuring approx. 17.7mm length x 14.9mm width x 11.7mm depth. The mount has general surface wear and is untested for metal standard. Gross weight approx. 8.1gm. Ring: the citrine has a brownish-yellow hue with faint areas of straight colour zoning, a chip to one corner and scuffs/nicks throughout, measuring approx. 15.5mm length x 11.9mm width x 7.8mm depth. The mount has general surface wear and is untested for metal standard. Length of setting 2.4cm. Gross weight approx. 9gm.

Lot 83

Three 9ct gold signet rings, each with a monogrammed rectangular panel, together with a carnelian single stone ring, yellow precious metal mounted, and a 9ct gold ring mount, largest ring size Z (5)Approximate gross weights only: three signet rings combined 14.5gm, carnelian ring 7.2gm, ring mount 6.8gm

Lot 65

A sapphire and diamond half hoop ring, the graduated cushion-shaped sapphires spaced by pairs of old-cut diamonds, between scrolled shoulders, 18ct gold mounted, ring size OQty: 1Sapphires have slightly variable light to mid blue hues with surface wear and facet edge abrasion, the largest sapphire measuring approx. 4.5mm length x 3.5mm width. Diamonds are fairly lively, with occasional small chips/nicks, and one stone contains multiple fracture inclusions. Total diamond weight approx. 0.10ct. The ring mount has surface wear, with patchy thinning to the tips of the claws. There is a hallmark to the back of the shank for Birmingham 1906 and a further 18ct gold mark to one shoulder that appears to be a more modern mark. The maker's mark is possibly 'CHC' or 'CHG' and the mount is numbered 197. Gross weight approx. 3.8gm.

Lot 57

A diamond single stone ring, the cushion-shaped brilliant-cut diamond in millegrain collet setting, between old brilliant-cut diamond set shoulders, white precious metal mounted, accompanied by a shaped diamond set wedding band, millegrain set with a line of old brilliant-cut diamonds, platinum mounted, first ring total diamond weight approximately 0.70ct, both rings size I (2) Accompanied by a diamond grading report issued by GIA, stating that the cushion brilliant-cut diamond weighs 0.63ct, with F colour, VVS1 clarity and no fluorescence, report no. 15241873, dated 24 July 2006. Please note that this report is over 10 years old and may require updating. Accompanied by a purchase receipt for the cushion brilliant-cut diamond issued by Blue Nile, dated 24 July 2007. Single stone ring: the principal diamond has a bright and lively appearance. Shoulder set diamonds are fairly bright and lively with slightly variable colour and clarity. The mount is hand finished and has general surface wear, scuffs and chips/nicks, commensurate for use, and the shank is slightly off-round with a faint solder join to the back. The mount is presumed to be platinum but is untested as such. Gross weight approx. 2.9gm. Wedding band: diamonds are fairly bright and lively, with slightly variable colour and clarity, total diamond weight approx. 0.10ct (diamonds are too small to grade). The mount is flat section in profile with general surface wear, scuffs and chips/nicks throughout, commensurate for use, and has been shaped to be worn with the single stone ring. Hallmarks are clearly struck, for Birmingham 2007, sponsor's mark BMS. Gross weight approx. 3gm.

Lot 87

A collection of dress rings, comprising a diamond cluster ring, 9ct gold mounted, a ruby and diamond cluster ring, also 9ct gold mounted, a diamond and red stone half hoop ring, 18ct gold mounted, a diamond and yellow stone half hoop ring, 9ct gold mounted, a further half hoop ring, 9ct gold mounted, and a pink stone dress ring, also 9ct gold mounted, first ring size M½ (6)Approximate gross weights only: diamond cluster ring 2.7gm, ruby and diamond cluster ring 2.2gm, diamond and red stone half hoop ring 2.3gm, diamond and yellow stone half hoop ring 2.3gm, half hoop ring 2.2gm, pink stone dress ring 2.9gm

Lot 6

Hand painted glossy Art Deco figure of a woman in an verdant green attire, standing on a stone stage with a landscape backdrop.'Artist original proof by John Michael for Kevin Francis' handwritten in pink. #KevinFrancis #Ceramic #Figurine #ArtDeco Artist: John MichaelDimensions: 4.5" L x 3" W x 9.25" HManufacturer: Kevin FrancisCountry of Origin: EnglandCondition: Age related wear.

Lot 229

A Chinese Carved Stone Ink-bed Qing Dynasty Dimensions: Length 8 5/8 inches, Width 5 7/8 inches (22 cm x 15 cm)

Lot 185

Ca. 100-300 AD.A restrung necklace composed of variously shaped stone beads in hues of cream, pink, and red. The majority of the beads are spherical in shape, exuding a sense of elegance and harmony. However, there are also tubular-shaped beads interspersed throughout, adding variety and visual interest to the necklace's composition. Size: L:470/940mm / W:mm ; 55.5g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 405

Ca. 1700-1800 AD.A silver ring exhibiting a harmonious blend of refined elements. Characterized by a round hoop, this captivating piece of jewelry features a rounded exterior, gracefully curving to form flaring shoulders. These shoulders, embellished with ribbed features, serve a dual purpose, not only enhancing the visual allure of the ring but also providing structural support for the splendid bezel setting. The bezel houses a black stone intaglio, meticulously engraved with a script, evoking a sense of historical and cultural significance. Size: D: 17.73mm / US: 7 1/2 / UK: O 1/2; 7.82g Provenance: Private London collection; ex. UK art market prior to 2000.

Lot 499

Western Sahara, ca. 8000-6000 BC.Rock engraving/petroglyph with shallow trails across the surface. Covered in desert patina. On the back, the uncorroded original stone material and the tool marks were left. The piece comes from the former Spanish Sahara from the border area between Southeast Morocco and Algeria. Comes with a certificate of authenticity of the famous expert Thomas Bartz. Bibliography: Afrikanische Felsbilder; David Coulson und Alec Campbell; Sahara – Art Rupestre; Henri Hugot und Maximillien Bruggmann; Zehntausend Jahre Sahara; Henri Hugot und Maximillien Bruggmann; Tikatoutine – 6000 Jahre Felsbilder in der Sahara; Alain Sebe. Size: L:280mm / W:470mm ; 7.7kg Provenance: Private German collection.

Lot 447

Ca. 540-330 BC.A buff stone cylinder seal crafted with meticulous detail, it showcases a compelling scene of a hero engaged in a combat with lions, while flanked by a schematic representation of a life tree. The hero depicted on the seal exemplifies courage and strength, as he fearlessly confronts the powerful and symbolic adversaries. The imagery of a hero fighting lions carries deep cultural and mythological significance, often associated with themes of bravery, conquest, and the triumph of good over evil. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:24.2mm / W:12.1mm ; 6.82g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.

Lot 453

Ca. 2600-2200 BC.A stone cylinder seal showcases a captivating array of animals. Among the depicted animals, a feline creature stands out, commanding attention with its graceful and powerful presence. The seal's composition exhibits a remarkable range of animals, suggesting a connection to the natural world and the significance of fauna in the ancient society's beliefs and daily life. The inclusion of various animals may symbolize traits such as strength, agility, wisdom, or even spiritual associations, reflecting the cultural values and perspectives of the time. Functionally, this stone cylinder seal would have served as a personal or official stamp, allowing individuals to authenticate documents, assert ownership, or convey their authority. By impressing the seal onto clay or other writing materials, individuals would leave behind a distinctive mark, signifying their endorsement or identification. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:36.7mm / W:18.3mm ; 22.26g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.

Lot 451

Ca. 9th-8th century BC.A black stone cylinder seal portrays a gripping scene of a hero engaged in combat with a wild animal, showcasing the strength and valor of the protagonist. The depiction of the hero engaged in battle reflects the warrior culture and martial prowess of the Neo-Assyrians. This scene symbolizes the struggle between human strength and the untamed forces of the natural world, highlighting themes of courage, dominance, and triumph over adversity. In the exergue of the seal, an eight-pointed star is depicted, representing the goddess Ishtar. Ishtar, associated with love, beauty, and war, was a prominent deity in the Assyrian pantheon. The inclusion of the eight-pointed star signifies the presence and favor of Ishtar, further reinforcing the hero's divine protection and strength. This cylinder seal would have served as a personal or official stamp, allowing individuals to authenticate documents, assert their authority, or invoke the divine blessings associated with the hero and the goddess Ishtar. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:29.8mm / W:12.8mm ; 8.21g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.

Lot 421

Ca. 2nd millennium BC.A stone bowl, notable for its tall and gracefully flaring form, emerges from a flat circular base with an air of refined elegance. Its wide opening, designed to accommodate various contents, embodies both practicality and aesthetic sophistication. The striking veining that graces the stone surface adds an element of captivating beauty to the bowl's overall composition. These intricate patterns of veining, delicately intertwined and reminiscent of nature's own artwork, bear witness to the geological processes that shaped the stone material. Size: L:145mm / W:200mm ; 2.29kg Provenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 41

New Kingdom, ca. 1550-1070 BC.A stone vessel, crafted from a captivating natural stone material. Its foundation is defined by a flat base, serving as a stable support for the vessel's ascending structure. Gradually, the body ascends and expands to form an elegant shoulder, imparting a sense of refined proportionality. Adorning the summit of this vessel is a corseted neck, which culminates in a circular mouth possessing a flat rim, accentuating the vessel's overall harmonious composition. Remarkably, the exterior of this vessel bears witness to the mesmerizing veins inherent in the natural stone. These veins, resembling intricate brushstrokes on a canvas, add a distinctive visual allure, enhancing the vessel's aesthetic appeal. Stone vessels of this type in ancient Egypt were renowned for their multifaceted utility, serving various functional and symbolic purposes. With their exceptional durability and impermeability, stone vessels were predominantly employed in storing precious commodities such as oils, perfumes, and cosmetics, safeguarding them from spoilage and evoking a sense of opulence. Moreover, these vessels often played an integral role in ceremonial and religious rituals, symbolizing offerings and embodying the revered connection between the earthly and divine realms. Size: L:160mm / W:105mm ; 555g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 186

Ca. 100-300 AD.A restrung necklace composed of small stone and glass beads. It exhibits a captivating combination of materials that reflects the Romans' appreciation for diverse textures and colours. The use of stone beads adds a touch of natural elegance, while the inclusion of glass beads introduces a captivating translucency and vibrancy. The necklace features sections of blue beads interspersed with single red ones, creating a visually pleasing contrast and rhythm. Blue was a highly valued colour in Roman culture, symbolizing wealth, power, and divinity. The presence of large, disc-shaped beads on both sides of the necklace further enhances its visual appeal. These beads, with their substantial size and distinctive shape, serve as focal points and contribute to the overall balance and harmony of the design. Size: L:305/610mm / W:mm ; 23.19g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 448

Ca. 2350-2200 BC.A central hero holding gazelles is depicted, that are being attacked by lions. A stone cylinder seal portrays a central hero who is depicted holding gazelles while being attacked by lions, creating a dynamic and engaging scene. The hero depicted on the seal stands as a symbol of strength, bravery, and mastery over the animal kingdom. By triumphantly holding gazelles, the hero demonstrates dominance and control over these graceful creatures, while simultaneously fending off the attacking lions. The presence of the lions in the scene adds an element of danger and conflict, highlighting the hero's courageous struggle against formidable adversaries. Lions have long held symbolic significance in many ancient cultures, representing power, ferocity, and sometimes even divine attributes. The seal would have been used as a personal or official stamp, allowing individuals to authenticate documents or assert their authority. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:28.5mm / W:17.9mm ; 15.75g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.

Lot 79

New Kingdom, ca. 1550-1070 BC.A nice vessel crafted from alabaster, a stone cherished by the ancient Egyptians for its exquisite beauty and versatility. Its horizontal veins, like a mesmerizing dance of light and shadow, adorn the surface of this vessel, elevating it to an unparalleled level of elegance. The vessel boasts a short cylindrical form, with a circular and flat base that provides a stable foundation. The wide mouth of the vessel is flanked by an everted rim, adding a touch of fluidity and grace to the vessel's overall design. In ancient Egypt, alabaster was a precious material reserved for the creation of objects of the highest value and importance. Its use was widespread, from funerary objects to luxury items that adorned the homes of the wealthy and powerful. Size: L:100mm / W:140mm ; 1.65kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Lot 446

Ca. 2350-2200 BC.A hematite stone cylinder seal exhibits a notable depiction of a row of standing figures, among which deities are prominently featured. Each figure is carefully rendered, displaying unique attributes and characteristics. Functionally, this hematite stone cylinder seal would have served as a personal or official stamp, providing authentication and authority to documents or correspondences. By impressing the seal onto clay tablets or other writing materials, individuals could leave a distinct impression, signifying their ownership or endorsement. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:27.3mm / W:11.8mm ; 9.97g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.

Lot 42

The Third Dynasty, ca. 2650-2575 BC.A tall cylindrical vessel with a flaring rim, featuring a flat circular base and a hollow interior. Crafted from alabaster, this vessel showcases the distinct and captivating veins inherent in this remarkable material, adding to its allure and aesthetic appeal. These vessels were widely utilized in various domains, ranging from religious ceremonies to domestic settings. As symbols of wealth, prestige, and refinement, alabaster vessels were often crafted with meticulous attention to detail, reflecting the mastery of Egyptian artisans. Alabaster, a type of translucent and often banded or veined mineral, possesses a captivating beauty due to its unique natural patterns. The veins of alabaster, ranging in color from pale white to golden hues, form intricate networks within the stone, creates visually striking designs. When light passes through the semi-translucent material, it produces a soft, diffused glow, further enhancing the vessel's overall appearance and captivating the viewer with its ethereal charm. Cf. The Brooklyn Museum, Accession Number: 34.976. Size: L:190mm / W:80mm ; 1.23kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Lot 450

Ca. 2600-2300 BC.A stone cylinder seal presents a captivating depiction featuring both ibexes and fowl, offering an intriguing glimpse into the artistic and cultural landscape of the time. The imagery of ibexes holds significance as these animals were revered in ancient societies for their agility, strength, and association with the rugged terrain. Their inclusion on the seal may symbolize traits such as vitality, wilderness, or even mythical connotations. The presence of fowl alongside the ibexes adds an element of diversity to the composition. Fowl, often associated with concepts such as fertility, abundance, and divinity, may introduce symbolic layers to the seal, reflecting the cultural beliefs and values of the era. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:29.6mm / W:15.3mm ; 11.38g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.

Lot 146

Ca. 100 AD.A splendid carnelian stone, elongated and tubular in shape, serves as the focal point of the piece. Encased within a meticulously crafted gold pendant setting, the carnelian stone takes center stage, evoking an alluring juxtaposition of vibrant color and opulent metalwork. The pendant's gold setting comprises a central band, that elegantly separates two opposing gold caps that enclose the carnelian stone securely. Carnelian, a variety of chalcedony, possesses a rich reddish-orange hue, captivating the eye with its warm and earthy tones. Revered for its natural beauty, carnelian held deep symbolic meanings in Roman culture. It was often associated with vitality, courage, and protection, believed to fortify the wearer's physical and spiritual well-being. Size: L:14.6mm / W:24.2mm ; 2.75g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 441

Western Asiatic/Aegan, ca. 1200-700 BC.A bronze dagger features a triangular blade that tapers to a sharp point, exhibiting a design intended for effective thrusting and cutting actions. The blade also displays a distinctive feature in the form of double grooves along the midsection. The hilt of the dagger is equipped with a flanged design to accept inlay, enabling the addition of decorative elements or materials to further enhance the dagger's visual allure. Bronze weapons were highly valued for their strength, durability, and superior cutting and thrusting capabilities compared to earlier stone and copper weapons. The development and use of bronze as a material for weaponry marked a technological advancement during this period, revolutionizing warfare and hunting practices. Size: L:370mm / W:40mm ; 180g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Lot 455

Ca. 2nd millennium BC.A stone cylinder seal showcases a captivating scene depicting a bowman taking aim at a mythical creature with bird-like attributes. The central focus of the seal is the bowman, poised in action and demonstrating his skill as an archer. The act of shooting symbolizes precision, agility, and the human capacity to overcome challenges. The mythical creature, with its bird-like characteristics, adds an element of mystery and enchantment to the composition, inviting interpretations related to mythology, symbolism, or spiritual beliefs. Crafted with intricate detail, the seal highlights the artistic prowess of the Bactrian civilization during the 2nd millennium BC. The careful rendering of the bowman and the mythical creature captures their distinctive features and conveys a sense of movement and tension within the scene. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:43.4mm / W:17.4mm ; 20.78g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.

Lot 501

Ca. 2500-2200 BC.A stone vessel expertly fashioned from schist features a spherical body with a horizontal and straight beak-shaped pouring nozzle, suggestive of its potential use during libations or ceremonial pouring rituals. Adorned with delicate incisions around the rim and horizontal grooves below, this pouring stone vessel showcases the craftsmanship and cultural significance of schist vessels within the Bactrian world. The utilization of schist as a favored material for Bactrian vessels is attributed to its inherent qualities. Schist, renowned for its durability and resistance to erosion, provided Bactrian artisans with a versatile medium to craft a variety of items. Its unique beauty along with its malleability allowed artisans to create vessels that served both practical and aesthetic purposes. Size: L:55mm / W:105mm ; 170g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Lot 430

Western Asiatic/Aegan, ca. 1200-700 BC.Fashioned from bronze, this sword features a long blade that elegantly tapers to a sharp point, enabling precise thrusting and cutting actions. Notably, the blade is distinguished by a prominent raised mid rib, which not only enhances the structural integrity of the weapon but also adds visual sophistication to its design. The sword's guard exhibits a distinctive curved shape that overlaps the blade, serving to protect the wielder's hand during combat while contributing to the overall elegance of the weapon. The hilt of the sword is skillfully crafted with a round-section shank, characterized by a pair of ribs. These ribs not only provide a comfortable grip but also enhance the wielder's control and maneuverability during combat situations. The sword is beautifully finished with a crescent pommel, adding a touch of uniqueness and functionality to the weapon. Bronze weapons held immense importance in Bronze Age Western Asia, significantly shaping warfare, hunting practices, and societal dynamics. The advent of bronze weaponry represented a remarkable technological advancement, as bronze provided superior strength, durability, and cutting capabilities compared to earlier materials like stone or copper. Size: L:605mm / W:80mm ; 605g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.

Lot 445

Ca. 9th or 8th century BC.A white stone cylinder seal presents a central scene featuring two mythical creatures positioned with upraised arms, directing their attention towards the prominent winged deity Ashur. Between these creatures, a schematic representation of a life tree is depicted, symbolizing the interconnectedness of life and the cycle of nature. The composition is further enhanced by the presence of two larger individuals flanking the central scene, adding a sense of balance and prominence to the overall design. In the exergue, several symbolic icons can be observed, including a rosette, a six-pointed star, and an ankh-shaped symbol. These additional elements contribute to the rich symbolism and significance of the seal. Notably, the personal name "Nergal-aḫu-iddin" is engraved between the flanking individuals, providing insight into the potential ownership or association of the seal. The inclusion of personal names on such seals suggests their role as markers of ownership, authority, or personal identification. Studied by PD Dr. habil. Pieter Gert van der Veen, Johannes Gutenberg-Universität Mainz. Size: L:40.1mm / W:14.9mm ; 15.13g Provenance: Private London collection of an Ancient Art dealer; formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.

Lot 497

Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spear features a leaf-shaped blade that tapers to a sharp point, enabling both piercing and cutting actions. A prominent feature of the blade is the raised midrib, which extends the length of the blade and smoothly transitions into a tang, providing structural reinforcement and facilitating the attachment of the spearhead to the shaft. Bronze weapons held immense significance in Bronze Age Western Asia, serving as vital tools for warfare, hunting, and societal practices. The advent of bronze weaponry represented a technological advancement, as bronze offered superior strength, durability, and the ability to retain a sharp edge compared to earlier materials such as stone or copper. Size: L:385mm / W:50mm ; 365g Provenance: Private UK collection; From an old London collection formed in the 1990s.

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