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Lot 148T
Ola Marie Gorie of Kirkwall Orkney silver Norse dragon beast pendant Edinburgh 1978 and another of entwined beasts with dependant cabochon tigers eye stone Edinburgh 1979, also three pairs of earrings and a pendant "OMG" Condiiton Report:Dragon has dark patiha, but no damage. Earrings dirty but no damage. All items need cleaned and most have dark Patina throughout
Lot 148U
Ola Marie Gorie of Kirkwall Orkney six silver dress rings including one with cabochon tigers eye, each stamped OMG, (6) Condiiton REPORTRing 1: stone has crack beneath surface, otherwise okayRing 2: Tigers eye, clean stone, silver needs cleanedRing 3: Blue stone good, needs cleaned.All good order but silver needs cleaned.
Lot 316
Small Chinese silver mounted coat clip, with carved jade panel in the form of a butterfly, marked silver No.2.3, China, 3.5cm and another small carnelian brooch carved with a shou character, 2.5cm Condition Report:Carnelian brooch: three natural reddish flaw/cracks radiating from central darker area of the stone, which at the back is almost clear.Butterfly clip: Jade slightly moving in mount, one clasp slightly bent away from jade. Jade and mount appear in good condition. Silver has previously been gilded and some remnants.
Lot 103
Portrait of a lady, presumed to be Sarah, wife of Charles Johnstone of Pontefract, head and shoulders, in white with red-lined shawl, in a painted oval stone cartouche indistinctly signed or inscribed lower right on the stone cartouche oil on canvas 75 x 62cmFootnote: The sitter was the great-grandmother of John Gardner of Chatteris, who died in 1804. Provenance: By descent from the sitter to the Gardners of the Manor House, Chatteris, until removed in 1908 by Algernon Dunn Gardner (1853-1929), great-grandfather of the present owner, to Denston.Condition report: Oil on canvas which has been lined, the picture is in plane with good tension. There are a few small losses in the background above the sitter's head. Old retouchings to the left of the sitter have darkened. The varnish is dull, yellowed and collected in the texture of the paint surface creating a slightly mottled effect to tee flesh tones. There is a light layer of surface dust. The frame is in a good condition.
Lot 2
The Entombment of Christ oil on panel, in a feigned stone oval cartouche 27 x 20.5cmFootnote: The present painting derives from a composition by von Aachen known principally from the print by Raphael Sadeler after the original in the Alte Pinakothek, Munich. Several versions of the composition are known, both in oil and on other supports and most, including one on vellum sold at Sotheby's on 4th of July 2007, lot 194, include in the foreground a female figure seen from behind, which is to be seen in the Sadeler print, though absent here. Another derivative in oil, also in the Munich Alte Pinakothek, is without the foreground female figure as is the case in the present painting.Condition report: 17 / 09 / ??, lot 62 marked to the reverse Oil on panel. The panel is very thin, formed from a single board in vertical orientation is has a slight warp which is accommodated by the frame. The paint layers have a network of cracks which are raised and vulnerable in areas. There are small scattered losses and some slight pitting in the foreground. There are some localised areas of retouching covering small losses and cracks, well matched to the original. The varnish is clear, even and semi-glossy. The frame is in a good condition but the panel is not adequately supported, being held on the reverse with clips, possibly being restrained, leading to the raised paint.
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400965 item(s)/page