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Lot 1787
A WHITE GOLD AND PLATINUM, DIAMOND SINGLE STONE RINGClaw set with a cushion shaped diamond, detailed 18 CT & PLAT, ring size M, gross weight 3.4 gmsCondition Report;Diamond diameter 7.2mm, approx depth 4.5mm. There is a central pique inclusion beneath the table facet, ring would clean up well. Fairly white stone,
Lot 1842
A GOLD AND PLATINUM, SAPPHIRE AND DIAMOND THREE STONE RINGClaw set with the oval cut sapphire at the centre, between two circular cut diamonds, detailed 18 CT PLAT, ring size R, gross weight 3.8 gms, with a caseCondition Report;The sapphire is of dark colour saturation, the diamonds are attractive white stones and look to be fairly clear, one of the diamonds has an edge chip near to one claw, slight wear to the sides of the ring, would benefit from careful professional cleaning
Lot 1869
A PLATINUM, DIAMOND AND GREEN GEMSTONE SET RINGMounted to the centre with two cushion shaped diamonds, between two oval cut pale green gemstones, indistinct mark, ring size L and a half, gross weight 2.7 gmsCondition Report; Not sure what green gemstones are. Instinct is that they are not paste. They may be replacements, look a bit gappy around the edge.length of one green stone 6.7mm x width 4.2mmRefractive index reading 1.74, The diamonds are old cut stones, one at the side has a surface reaching inclusion, reasonably white, not well matched
Lot 1870
TWO RINGS AND A PENDANTComprising; a gold ring, mounted with a cushion shaped diamond, between two cushion shaped rubies, detailed 18 CT, ring size N, gross weight 2.3 gms, a 9ct gold and colourless gem set seven stone half hoop ring, ring size J and a half and a 9ct gold, sapphire and colourless gem set marquise shaped cluster pendant, combined gross weight of the last two items 3.9 gms
Lot 305
NICHOLAS MONRO (BRITISH, B. 1936) (3)Stone Circlesigned in pencil 'N Monro' (lower right) and inscribed in pencil 'AP' (lower left)screenprint62.5 x 87.5cm(unframed)together with two other screenprints by the same hand, Igloos, and Craters, both signed artist's proofs, 56 x 76cm and 62.5 x 87.5cm, (both unframed)(3)ARRCondition reportVarious marks and foxing to margins, some creases, mostly to corners or edges. Stone Circle has a small amount of damage to the shadow of the far right stone and a few small crease marks in places. Craters appears to have a few small minor marks/spots in places. Igloos has a small white mark to image upper right.
Lot 752
An Alt Beck & Gottschalck bisque shoulder-head doll, with blue painted eyes, black eyeliner line to top lid, closed pink painted mouth with darker pink line between, ears pierced into the head, blonde painted and moulded elaborate hair held with a black painted stone head band, two large plaits down the size of the head and tumbling curls down the middle of the back, unusual moulded blouse and Germanic cross necklace, stuffed body with white kid arms, cream cotton dress printed with brown and pink leaves, underclothes and brown kid shoes —22in. (56cm.) high - known by some collectors as Augusta Kaiserina
Lot 784
The fine mid-19th century childhood Dolls' House of Katherine Jeffray (1841-1929), an important English simulated stone painted wooden dolls' house, on detachable wooden stand with four turned legs terminating in lacquered brass castors, the breakfront three-bay façade with two storeys, the central key-lockable wood-grained four-panelled front door with brass knob, opening, with concealed hook releasing to open the whole front of the house, the door framed by pilastered Tuscan portico and painted glass Adam-style semi-circular fanlight above, roof pediment, five large twelve-light windows to the front and two to each end, grey-painted tiled pitched roof, trough gutter, stone painted chimney at each end with two angled upper sections, two flues to each chimney, the front opening to the left of the front door in two parts to reveal four large rooms with original decoration and furnishings, the ground floor on the left, kitchen with wooden fitted blackened range, burgundy, black and cream plaid wallpaper, painted paper marblised ceiling paper, blue and brown patterned glazed cotton chintz curtains, rush-effect embossed oil-cloth floor, a tin spit with 'clockwork' bottle jack on stand with drip tray, basting spoon and skimming spoon, Evans & Cartwright painted tinplate - yellow rush seat chair, yellow log basket and green kettle, six tin graduated meat covers, two copper kettles, six pewter platters with embossed food and a similar basket, a wooden birdcage with yellow feather canary and two Grödnerthal female servants (one missing legs); to the right on the ground floor, dining room with grey marblised wood fireplace with black Evans & Cartwright tinplate embossed surround with gilt-painted grate and fender, green and red wavy water simulated silk wallpaper, a pair of blue and white printed cotton patterned curtains with pelmet, silk blue rosette and white fringing, marblised painted paper ceiling, painted grey floor with teal silk velvet fitted carpet printed with pink roses, a pair of Evans & Cartwright painted wood-grained tinplate console tables in manner of William Kent, a simulated 'tortoiseshell' covered card gilt paper trimmed bookcase bon-bon or sewing box in the form of a glazed bookcase, a working pewter urn of spherical form with brown spirit-wash, a mahogany tilt-top circular table, a gentleman Grödnerthal doll in white jacket with a blue zig-zag line decoration, red waistcoat, cotton shirt and black britches, a lady Grödnerthal doll, a china shoulder-head doll, skirt made into a pin-cushion, in cream evening dress with train, five blown stemmed wine glasses, a gilt painted wooden clock in dome, a Waltershausen work-table and green paper covered circular box with various card discs with applied printed images, probably a game; the first floor left, sitting room with Siena marblised painted wood fireplace with black painted tinplate Evans & Cartwright embossed surround and gilt-painted grate and fender, red, black and cream plaid wallpaper, burgundy, pink and cream printed pattern curtains with pelmet and white fringing, painted marblised paper ceiling, blue and brown cotton chintz fitted carpet, a large Waltershausen Biedermeier style bureau with mirrored niche, a German eleven piece chromolithographed wood grain and inlay paper covered suite of furniture with purple velvet upholstery including sofa, unusual elaborate floor standing clock, square piano and six chairs, four currently in the dining room (one chair missing two legs), a china shoulder head doll with jointed wooden body, china limbs and green dress with lace trim, five Grödnerthal children (various limbs missing), Murano glass vases under glass domes, one with original glass roses (some damage), a turned painted wooden tea set on tray and a stack of handwritten calling cards for 'Miss Jeffray'; and the top floor right, bedroom with deep and light pink wavy stripe simulated water silk wallpaper, grey painted marblised fireplace with black painted tinplate Evans & Cartwright embossed surround with gilt painted grate and fender, painted marblised paper ceiling, grey, burgundy, pink and cream printed cotton curtains with pelmet and white fringing, a teal silk velvet fitted carpet printed with pink roses, grey and white printed cotton bed curtains with white fringing hung on left wall, an Evans & Cartwright painted tinplate washstand with green tinplate jug and basin and a toilet mirror, an interesting set of nine Biedermeier style blonde wood furniture with black ink decoration comprising sleigh bed, day bed, two tables, chest of drawers and four chairs, a china shoulder head doll with jointed wooden body, china limbs and green dress (missing one china leg) a washstand with bone shaving brush, cut throat razor, two nit combs and strap, a home-made card and pink silk half-tester bed, a German pink painted tinplate three piece bath set, two gilt metal leaf shaped chamber sticks, two bottles of Patchouly oil (for clear skin) and a bottle of Ambroisie; two small beds with tiny Grödnerthal babies and seven calling cards, two printed for Gnr Tom Thumb and five handwritten for Aunt Henrietta, Aunt Mary, Aunt Elisa and Aunt Caroline (who were Katherine's aunts on her mother's side) and a Miss Whitehead --57½in. (146cm.) high x 39½in. (100.5cm.) wide x 19in. (48.5cm.) deep (slight damage to house, crack down right hand side and top front left window broken, some slight damage to contents); and sold with an original painted portrait of Katherine Jeffray circa 1864 (aged 23) in gilt frame in leather carrying case --8¾in. (22cm.) height of image --16¾in. (42.5cm.) x 14¾in. (37.5cm.) size of case (case worn) Provenance - this house and contents have come directly down a female line of the family from Katherine; the house appeared on the BBC Antiques Roadshow in Dorking in 1998 and Homes & Antiques magazine in December 1998. Family tree - Grandparents Paternal - James Jeffray 1759-1848 was a Professor and born in Aberdeen, his wife was Margaret Lockhart 1775-1864 born in Stirling, Grandparents Maternal - Thomas Millar (Preston), 1767-1840 and his wife Catherine May, 1775-1844, Parents - Rev Lockhart William Jeffray, rector at Aldford, Cheshire (1815-1862) and Catherine Millar (1809-1900) born in Preston, Catherine Millar’s siblings - Anne Marshall (1800), Elisa Horrocks (1804), Thomas (1811-1865) married Henrietta Pitt (Winckley Preston), Mary Cairns (1812) and Henry (1813) married Caroline Robbins (Thistleton), Katherine Jeffray who owned the dolls' house was born in 1841 and died in 1927.Married Archibald Hamilton, 29th May 1867 at St Mary’s, Windermere.Children - Alexander Cairns Hamilton (1878-1928), Lilihs, Elsie (1869-1960) and Stella (1872-1955)
Lot 838
An Edwardian large painted wooden town dolls' house by W R Stark exhibited in the Children's Welfare Exhibition circa 1913, of two bays and three storeys, a French door to each bay, five working sash windows, stucco panels, grey tiled roof with three dormer windows, guttering with down pipe, Widow's Walk with twisted wire railings, flag pole and stairwell entrance, two large chimneys at the back, front opening in the middle two reveal six rooms with wood and metal fireplaces, the two ground floor rooms with wooden floors, skirting, picture rail and cornice, the other rooms with linoleum type floors, the first floor rooms with skirting and cornice, the top floor kitchen with range, wood panelling to dado and detailed bathroom with bath, toilet with pull cistern, sink on brackets and painted tiles, detachable front garden with working fountain and five pieces of original plywood furniture --72½in. (84cm.) high including flag pole x 39in. (99cm.) wide x 29½in. (75cm.) deep including garden (exterior repainted cream, original a textured stone colour (see chimneys) and slight damage) - sold with letters and photographs related to the Children's Welfare Exhibition in London circa 1913, the director of the exhibition Nevile Foster communicating with W.R. Stark about his house in 1912, three original photographs of the house, one showing lost contents; this house then was displayed at the Toy and Teddy Bear Museum, St Annes, Lancashire; before being sold by Capes Dunn in 2017
Lot 921
A mid 19th century English naïve wooden dolls’ house, of four bays and two storeys, brick red painted, the central opening front door with faintly painted ‘Please Use the Bell’ sign and two-bay projecting breakfront, central front door with ‘Rickton House’ painted above, painted stone window and door frame, two windows to each side, front opening to reveal six rooms with suitable papers and decorations —36 ¾in. (93cm.) wide x 29in. (73.5cm.) high x 13¼in. (34cm.) deep (some repairs and restoration, new hinges)
Lot 106
A fine Beilby enamelled opaque twist wine glass, circa 1765-70The ogee bowl with a partly deceptive base, painted in opaque white with a handsome peacock standing proudly on a stone plinth adjoining a balustrade, a small urn on the opposite plinth, a flying bird on the reserve of the bowl, perhaps a peahen, the finely constructed opaque twist stem set with a multi-ply corkscrew encircled by a pair of spiral threads, on a conical foot, 15cm highFootnotes:ProvenanceDarell Thompson-Schwab CollectionA popular motif from the age of rococo, a similar wine glass painted with a peacock is illustrated by Martine Newby, Eighteenth Century English Glass from the Collection of Julius and Ann Kaplan (1998), p.15, fig.9 and was sold by Bonhams on 15 November 2017, lot 27.For further information on this lot please visit Bonhams.com
Lot 157
Hope: a stipple engraved goblet by Simon Whistler, executed in 2000The straight-sided bucket bowl engraved with a view of the interior of the Anglo-Saxon Rood set against the interior of Romsey Abbey, the crucifixion with Christ radiating light on the cross, flanked by silhouettes of St. Mary and St. John, flanked by columns beneath a vaulted ceiling, on a plain stem and circular foot, 15.9cm highFootnotes:This goblet was a special commission for Philip Lloyd and intended to portray the notion of 'Hope' springing eternal in the human breast, conveyed through a view of a religious building. The Saxon 'Rood' or Crucifix in Romsey Abbey is a great treasure carved on a stone tablet once encrusted with jewels. Set into the Norman stonework of St. Anne's Chapel, it occupies a central position in the apse immediately behind the altar in the south aisle. The goblet is not recorded in Simon Whistler's catalogue, On a Glass Lightly (2004).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 179
A St. Louis white camomile paperweight, circa 1850The pom-pom flower with multiple frilly petals around a yellow composite cane centre, the stalk with four serrated leaves and a small closed bud, set on a red and white spiral filigree cushion, 7.6cm diam, 5.7cm highFootnotes:ProvenanceWith Bernard J Stone, 1 July 2000Livingston CollectionExhibitedSpink and Son, June 1982For further information on this lot please visit Bonhams.com
Lot 535
An English porcelain plaque by Edwin Steele, dated 1829Of rectangular form, finely painted with an arrangement of fruit and flowers on a stone ledge, including pink roses, forget-me-nots, a peach and berries, signed 'E Steele 1829' 13.4cm x 18.8cmFootnotes:Edwin Steele was apprenticed at the Derby factory in around 1818 and was at Rockingham from 1826 until about 1832.For further information on this lot please visit Bonhams.com
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