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Lot 920

A 9ct gold ring set with amethyst and white stone, weight 1.3gms

Lot 103

A West German stone flagon and a studio pot.

Lot 149

A lead figure of a pigeon mounted on a stone base

Lot 290

A heavy stone doorstop with side decoration simulating an ammonite, also a face carved to the front.

Lot 638

A 9ct gold diamond ring, a 9ct gold wishbone ring and a 9ct gold green heart stone dress ring.

Lot 2440

A 9ct gold Ring set with 6 white stones (but one missing) and a central cornflower blue stone, ring size P/Q

Lot 1280

A detailed Fossil of a Trilobite approximately 10cm set in stone.

Lot 1301

A quantity of Miscellanea including a Kenyan local stone Tray Carved with Elephants and Rhino, plus Treen paper Knife and Spoon and Enamelled Elephants, etc.

Lot 1693

An early 19th century Stone china oval Drainer with chinoiserie decoration, painted mark to reverse (with old staple repair).

Lot 2213

A framed well executed watercolour of a continental town scene with a quiet pathway leading past a stone building with steps and overhanging lanterns, and a Gothic arch visible beneath the ox overhanging yellow blossom draped branches of a tree. 12 1/4`` x 9 3/4`` approx.

Lot 72

A yellow metal (tests 15 ct gold) stone set ring, with enamel and pearl motif, c. 1900.

Lot 83

A white metal (tests 14 ct gold) blue topaz ring, the stone measuring approx. 14 x 14.3 mm

Lot 446

Lead figure depicting Mercury, 117cm high on a `stone` base. Overall height 188cm

Lot 559

Large Edwardian Scottish silver mounted horn snuff mull, the elaborately embossed globular hinged cover having thistle decoration and inset with an amber coloured cut glass stone, also having a pierced and engraved interior cover, maker William Robb of Ballater, Edinburgh 1907, 20cm high

Lot 596

Late 19th/early 20th Century Scottish embossed silver coloured metal circular brooch inset with a foil backed amber coloured stone

Lot 203

An Edwardian 18ct gold and four stone diamond ring,

Lot 239

An 18ct cubic zirconia stone ring, set with five stones, brilliant cut

Lot 273

A three stone sapphire ring, gold and garnet ring and matching earrings and a 9ct gold necklace

Lot 334

A 9ct gold seven stone ring

Lot 388

An 18ct gold five stone diamond ring, ring size "O", 1960`s

Lot 421

A Rotary gold plated wristwatch, with stone enhanced bezel, in box

Lot 551

An Edward VII Trinket Box in the form of a St Moritz curling stone, Birmingham 1907

Lot 221

An Amethyst Ring the oval-cut stone claw-set in ornate white metal mount, two 9ct gold Pendant Crosses on fine chains, an amber type bead Necklace, Edward VIII Medallion, pair Neillo Cufflinks, a collection simulated pearls and other Costume Jewellery

Lot 236

An Art Deco Diamond Cluster Ring collet-set step-cut stone within double frame of brilliant cut stones

Lot 268

* A Rainbow Moonstone Ring set large rectangular stone and a Rose Quartz Pendant set large domed stone in silver frame stamped 925, on silver curb-link Chain

Lot 274

A 9ct gold Ring set cultured pearl and a small Pendant claw-set pear shaped blue stone within a frame of white stones

Lot 296

A Garnet three stone Ring pavé-set three oval-cut stones with points between in 9ct gold

Lot 323

An Art Deco Diamond Ring claw-set old-cut stone, approx 1.25cts, between pavé-set baguette and brilliant-cut stones in double sided mount in platinum

Lot 329

A Diamond single stone Ring claw-set brilliant-cut sotne, approx 1ct, in 18ct gold, size H 1/2

Lot 338

A pair of Garnet Earrings each with collet-set circular-cut stone suspending pear-cut stone with screw fittings stamped 9ct, a matching Brooch and Eternity Ring

Lot 339

A pair of Amethyst and Diamond Ear Pendants each with claw-set brilliant-cut diamond suspending collet-set smaller stone and three loops millegrain-set graduated stones terminating with large claw-set step-cut amethyst in 18ct white gold

Lot 346

A pair of Aquamarine Ear Studs each claw-set mixed-cut stone, approx 1ct, in 9ct gold and a pair of Amethyst Drop Earrings each claw-set two marquise-cut stones with double lozenge link between in 9ct gold

Lot 349

A 19th Century Continental Emerald Bracelet the front with ornate scrolled and pierced plaque close-set principle step-cut stone, estimated weight 1ct within four step-cut and two pear-cut emeralds on flexible link chain with box clasp

Lot 355

A Sapphire and Diamond five stone Ring pavé-set two circular-cut sapphires and three diamonds in 18ct gold

Lot 380

A Diamond three stone Ring claw-set old-cut stones, stamped 18K, an 18ct gold Knot Ring, an 18ct gold Ring set seed pearls and a Seed Pearl Cluster Ring close-set central square-cut green stone

Lot 347

EDWIN T. AND EDWIN S. HALL FOR LIBERTY & CO., LONDON PAIR OF OAK OCCASIONAL TABLES, CIRCA 1924 each with octagonal moulded tops above curved crossed supports linked by a facetted pendant and cross stretchers (2) 60.5cm wide, 63cm high Provenance: Liberty & Co. London Literature: Calloway, Stephen `The House of Liberty`, London 1992 Note: These tables were made for the new café at Liberty & Co`s Tudor building in 1924. The café, which no longer exists, was located in the basement and had as its focal feature a large stone fireplace with distinctive conical canopy. Their design reflects the arched buttresses and roof pendants in the main atriums. The chairs which surrounded the tables, also in oak, were designed by Richard Riemerschmid, who had started to supply designs to Liberty`s in the 1900s. The tea wares were made by Moorcroft, a regular supplier of wares to the shop, and were glazed in powder blue. This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.

Lot 350

EDWIN T. AND EDWIN S. HALL FOR LIBERTY & CO., LONDON PAIR OF OAK OCCASIONAL TABLES, CIRCA 1924 each with octagonal moulded top (one cracked) above curved crossed supports linked by a facetted pendant and cross stretchers, raised on scrolling iron feet (2) 60.5cm wide, 71cm high Note: These tables were made for the new café at Liberty & Co`s Tudor building in 1924. The café, which no longer exists, was located in the basement and had as its focal feature a large stone fireplace with distinctive conical canopy. Their design reflects the arched buttresses and roof pendants in the main atriums. The chairs which surrounded the tables, also in oak, were designed by Richard Riemerschmid, who had started to supply designs to Liberty`s in the 1900s. The tea wares were made by Moorcroft, a regular supplier of wares to the shop, and were glazed in powder blue. This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.

Lot 351

EDWIN T. AND EDWIN S. HALL FOR LIBERTY & CO., LONDON OAK OCCASIONAL TABLE, CIRCA 1924 the octagonal moulded top above curved crossed supports linked by a facetted pendant and cross stretchers, bears later paper label `Scarves/ Regent St` 60.5cm wide, 63cm high Note: This table was made for the new café at Liberty & Co`s Tudor building in 1924. The café, which no longer exists, was located in the basement and had as its focal feature a large stone fireplace with distinctive conical canopy. Their design reflects the arched buttresses and roof pendants in the main atriums. The chairs which surrounded the tables, also in oak, were designed by Richard Riemerschmid, who had started to supply designs to Liberty`s in the 1900s. The tea wares were made by Moorcroft, a regular supplier of wares to the shop, and were glazed in powder blue. This lot forms part of a collection of Arts & Crafts furniture made in the early 1920s for Liberty & Co`s magnificent Tudor building in Great Marlborough Street. The building was completed in 1924 and was built so that trading could continue while renovations were being completed on their adjacent premises in Regent Street. It was designed by Edwin Thomas Hall and his son Edwin Stanley Hall at the height of the 1920s fashion for the Tudor revival and constructed from the timbers of two 19th century men-of-war battleships: HMS Impregnable and HMS Hindustan. After the First World War a more reactionary attitude towards architecture and design was understandable and the Liberty board recognized the marketing advantage and reassurance to their customers of building in the sixteenth century manner. The new building would demonstrate craft of the highest quality and attention to detail and would be a reflection of the Arts & Crafts values of "truth to material" which had played such an important part in the foundation of the company and the goods that it sold. The shop was engineered around three galleried light wells that formed the main focus of the building and emulated the great atrium spaces of Bon Marché and Printemps in Paris. Sir Arthur Liberty, who founded Liberty & Co. in 1875, wanted to create the feeling that you were walking around your own home so surrounding these wells were more intimate rooms which reflected the warren of rooms found in the original shop in Regent Street. Liberty`s own workshops in Highgate made the wood panelling and a team of twenty carvers worked for eighteen months on the woodwork alone. Under the supervision of the architects a collection of furniture was made for the rooms and galleries to display the textiles, clothes and luxury goods the shop was so famous for. It is represented by a series of tables, chests and display cabinets, all made in the sixteenth century style, with pegged construction and decorative details complimenting the design details in the building. The finish is either a dark fumed, natural or limed finish, also a characteristic of the wood finishes of the rooms in which they once stood. The first group is designed in a Tudor style, with substantial oak planked tops above pegged supports pieced with decorative panels, also seen on paneling and staircases in the main shop (figure 2). The second group also displays a 16th century aesthetic, with identical planked tops raised above cross framed supports. The chests of drawers and the magnificent hexagonal centre table have distinctive hand wrought iron handles and linenfold panelling, found in other furniture still in situ. All the furniture was made in the firm`s workshops in Highgate and demonstrates the same high levels of craftsmanship and attention to detail as the building itself. A photograph of the workshop in the 1920s (figure 3) shows a chest of drawers and a display cabinet being produced. Liberty & Co. has retained a core of pieces for its collection; however a substantial selection of this historic furniture, now unsuitable for contemporary retailing, is offered here. Lyon & Turnbull will sell the furniture designed by Sir Robert Lorimer as part of their sale of Scottish Design on June 15th, 2011.

Lot 80

CIRCLE OF WILLIAM PAYNE (1755/60-c1830) A river landscape with stone bridge, cottage and figures within boats and an extensive landscape with travellers on a country road, a pair, watercolours, 14 3/4" x 23" (2) (see illustration).

Lot 1162

Peter Beard (born 1951) a stoneware blade form sculpture, on stone plinth, inset ceramic seal 64cm. high

Lot 1273

A patinated bronze figure of a stylised dancer, probably Russian, on black polished stone base, and a patinated bronze model of a bull applied paper label 29cm. high

Lot 191

A sapphire and diamond 18ct gold ring, oval setting with two sapphires flanked by small diamonds (one missing), and another yellow metal ring with single turquoise stone, inscribed with date 1907.

Lot 217

A five stone diamond ring, on gold band.

Lot 29

An antique South American carved stone fetish decorated with a seated figure, A/F, 6¾" long

Lot 196

A large Pair of stone obelisks, 18" high

Lot 567

A Victorian style 925 silver stone set fob on a silver Albert chain

Lot 622

A silver 925 mark and Svarskuski stone ring. Best Bid

Lot 649

A C19th Maori carved green stone (Nephyrite) Tiki, 2½" high

Lot 660

A 925 mark silver vesta in the form of a Bacchus head, with trigger operating lid and red stone eyes, 42g

Lot 151

Silver and blue stone ring (blue topaz?).

Lot 164

Silver brooch in the form of a Scottish thistle with inlaid agate and yellow stone surmount,with a white metal charm bracelet.

Lot 1110

Natural stone staddle stone

Lot 1116

Cotswold stone long trough, good age and covered in lichen.

Lot 219

A three stone diamond Ring, the three graduating round brilliant cut diamonds each in a six claw setting on tapered shoulders. (stamped 18ct. and PLAT).

Lot 232

A 9ct. gold diamond single stone Ring comprising a central round brilliant cut diamond in an eight claw setting, estimated diamond weight 0.25cts. together with a 9ct. gold plain wedding band.

Lot 360

A sapphire and diamond three stone ring, the cushion shaped mixed cut sapphire claw set between old brilliant cut diamonds, approximately 1.00 carats total, above diamond three stone shoulders, finger size L

Lot 365

An Edwardian garnet and diamond pendant, circa 1910, the large central oval mixed cut garnet millegrain set within a foliate mount of old cut diamonds, with a diamond two stone suspension loop, mounted in platinum flashed gold, 3.5cm long overall

Lot 367

An Edwardian diamond and enamel hinged locket, circa 1910, the centre pavé set with a circular cluster of cushion shaped old cut diamonds, within a green guilloche enamel surround and outer border of white enamel inset with cushion shaped old cut diamonds, with an old cut diamond three stone suspension loop, 3.9cm long over all

Lot 370

An opal single stone ring, the oval opal cabochon opal rub over set above old cut diamond three stone shoulders, stamped ‘Plat’, finger size N

Lot 371

An opal and diamond pendant, the heart shaped opal cabochon rub over set within a surround of brilliant cut diamonds suspended by a brilliant cut diamond four stone loop, approximately 0.60 carats total, 2.8cm long, attached to a fine curb link chain stamped with French import poin?ons

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