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A Russian birch cigarette case with applied silver decoration depicting a crown above foliate, ribbon and panel with white stone, bears marks for Fabergé and 88, length 11cm.Additional InformationGeneral wear to case exterior with scratches, scuffs and small nicks and gouges into the wood. Light tarnishing to the metal. Metal bearing similar wear bar to the lower section where there is heavier wear. Looks like it may have been filed and tested at some point to the right hand side. Some small chips and nibbles to the hinged lid, corners and edges where it has been open/closed and subsequent wear over the years.
An 18ct yellow gold ring set with purple colour stone (two missing), size M, and a yellow metal dress ring also set with purple colour stone, unmarked, size N 1/2, approx 5.1g (2).Additional InformationThe first ring is missing two stones as stated and is misshapen, general wear including chips to stones.
A 14ct yellow gold floral decorated ring, a blood stone set signet ring, a ring set with carved intaglio, a wedding band and a further ring, marks indistinct, combined approx 16.3g.Additional InformationBloodstone ring: ring size L, weight approx 3.8g. General surface scratches and wear, but generally in good condition.
A gilt metal bracelet set with six different coloured oval cabochons carved as scarab beetles including tigers eye and blood stone, length approx 14cm, a heart shaped blue stone pendant in yellow metal mount with indistinct stamp to loop, a gold plated dolphin and an oval lace agate brooch (4).
A circa 1900 French veined marble and brass three-piece clock garniture, the drum head eight day clock with white enamel dial set with Arabic numerals flanked by a pair of urns, height of clock 35cm.Additional InformationHeight of clock 34cm, width 21cm, depth 12cm. Dial with some rubbing to the details as well as small nibbles and chips to the dial rim with a hairline crack above the 12 numeral. Further surface scuffs, marks, dirt. Some small chips to the body, mostly to the rear section and some tiny nibbles to the front./ The applied gilt metal mounts are all quite loose in their fittings. General tarnish and wear to the metal work. Both garnitures with several cracks in the stone and both with quite large cracks to the upper sections. Runs when wound, but no guarantees that this is in working order.
* Ford (Henry Justice, 1860-1941) . Queen Elizabeth I, watercolour on artist's board, depicting Queen Elizabeth I dressed in a blue robe and cloak and a white ruff, standing in a grotto and holding a long bow, with a young woman in a green robe kneeling in supplication before her, an overturned casket on the ground, and a stone pillar and pool beside, signed in red lower right, 29 x 19.5 cm (11.5 x 7.75 ins), together with another watercolour on artist's board by Henry Ford, depicting a gentleman in doublet and hose holding a sword, leaning against a tree clasping a letter and lock of hair, whilst two young men observe at a distance, signed in red lower left, 28 x 18 cm (11 x 7.25 ins), matching gilt mounts and frames, both with old gallery label on backboard 'Frank Hall, Cardiff' (Qty: 2)
Hughes-Stanton (Penelope). The Wood-Engravings of Blair Hughes-Stanton, Pinner, Private Libraries Association, 1991, monochrome illustrations, original quarter black crushed morocco gilt, with slipcase, 4to, limited deluxe edition of 112 copies, with 8 wood engravings by Hughes-Stanton for Primeval Gods by Christopher Sandford, printed by I.M. Imprimit (this copy numbered 70), together with others on wood engravers and related, including Reynolds Stone, The Wood Engravings of Gwen Raverat, 1st edition, 1969, Bernard Sleigh, Wood Engraving Since Eighteen-Ninety, 1932, Margaret Dobson, Block-Cutting and Print-Making by Hand: from wood, linoleum and other media, circa 1930, Reynolds Stone Engravings, 1977, David Chambers, Joan Hassall Engravings & Drawings, 1985, Clair Leighton, Wood-Engraving and Woodcuts, Studio How To Do It series, number 2, reprinted 1948, Christine Battye, The Brewhouse Private Press, 1963-1983, Sycamore Press, 1984, etc. (Qty: 13)
Lees-Milne (Patrick). Ancestral Voices, 1st edition, 1975, portrait frontispiece, light spotting to fore edges, original boards, price-clipped dust jacket by Reynolds Stone, slight toning at head of rear panel, 8vo, together with Prophesying Peace, 1st edition, 1977, portrait frontispiece, original cloth, dust jacket,8vo, plus Caves of Ice, 1st edition, 1983, portrait frontispiece, original cloth, dust jacket, spine a little faded, 8vo, with 14 others by Lees-Milne, a couple of duplicates including Another Self, 1970, Harold Nicolson. A Biography, 2 volumes 1980-81, Midway on the Waves, 1985, and 8 volumes of diaries (Qty: 17)
Steadman (Ralph, illustrator). Inspector Mouse, by Bernard Stone, 1st edition, London: Andersen Press, 1980, colour illustrations throughout, verso of front free endpaper inscribed by the artist 'From Ralph Steadman 21 Oct 85, and facing leaf with sketch of a mouse incorporating the printed illustration of eye and magnifying glass, original pictorial boards, 4to, together with Emergency Mouse, A Story by Bernard Stone, 1st edition, London: Andersen Press, 1978, colour illustrations throughout, signed by the artist in gold ink across the front endpapers, original pictorial boards, 4to, plus two copies of Treasure Island by Robert Louis Stevenson, illustrated by Ralph Steadman, 1985, both original boards gilt in dust jacket, one copy with small closed tear in rear panel of jacket, both signed by the artist in gold ink across the front endpapers, small folio (Qty: 4)
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400965 item(s)/page