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Lot 573
Mixed silver, white metal and other jewellery, to include, coral necklace, silver bangle, silver and white stone set lizard brooch, silver cross pendant hung to fine link chain, miniature silver goblet, brooches, rings, necklaces, porcelain mounted hat pin etc., together with, eastern white metal three piece cruet set, (qty)
Lot 286
Mixed Victorian and later stick pins, to include, 15 carat gold diamond set example, yellow metal amethyst and pearl, yellow metal and opal, Victorian yellow metal and amethyst, set within a flower shaped head, pearl set example of flower head form, 9 carat gold set with amethyst and green stone set stick pin, (7)
Lot 1180
A 19th Century Bowie knife, clipped back blade 6¾”, marked “Dobby”, WM hilt embossed with fruit and foliage, also a skean dhu, blade 3¾”, wooden hilt carved with strapwork, amber stone in pommel, WM mounts. In its WM mounted leather covered sheath. GC (one grip on Bowie knife partly detached). (2)
Lot 52
Circle of Sir Godfrey Kneller (1646-1723), PORTRAIT OF A LADY OF THE DOWNES FAMILY OF POTT SHRIGLEY HALL, CHESHIRE, HALF LENGTH, IN A WHITE AND PINK DRESS, IN A PAINTED STONE CARTOUCHE Oil on canvas 76 x 63cm, in an 18th century gilt carton pierre frame CONDITION REPORT: Relined. Extensive overpainting throughout face, hair, folds of dress and chest. Craquelure throughout. Frame with losses.
Lot 247
Seven various collectors' boxes, 19th century, comprising: a circular box with papier mâché top with a print 'Les 3 Pacificatuers De L'Europe', a circular pressed horn box inscribed 'The Sensitive Plant', by Wilson, a circular oak box inscribed 'This box is formed out of wood taken from the ruins of the Royal Exchange, built 1669 Destroyed by Fire January 10th 1838', a circular horn, burr wood and silver three-part portrait box, an oval copper, brass and pudding stone box, a composition box and a pair of cased cut throat razors, label for 'H P Truffitt' (7) CONDITION REPORT: Generally ok.
Lot 385
Circle of John Riley (1646-1691), PORTRAIT OF A GENTLEMAN OF THE DOWNES FAMILY OF POTT SHRIGLEY HALL, CHESHIRE, BUST LENGTH, IN ARMOUR AND A GOLD CAPE, IN A PAINTED STONE OVAL CARTOUCHE Oil on canvas 76 x 63cm, in an 18th century gilt carton pierre frame CONDITION REPORT: Extensive overpainting. Relined. Frame with extensive wear and repairs.
Lot 548
*William Pye (b.1938), MAQUETTE FOR 'KINGS CROSS I' Stainless steel, signed and dated 1974 on side of base 97cm wide 88cm high Literature: 'William Pye his work and his words', Brown & Brown, 2011. On Bobby Chapman's advice, a group of young property developers, headed by Stuart Lipton, provided William Pye with his first major commission in 1972. The developers, in conjunction with architects Chapman Taylor, were undertaking an office development on Pentonville Road, and 'Kings Cross I' was conceived to stand on the corner of Pentonville Road and Killick Street. Installed in 1974, it was the first large scale, tensioned cable sculpture that Pye had undertaken and, consequently, required all manner of stress tests before installation. It led to many more commissions for tension cable structures, both in the UK and California. In 2008, the area was redeveloped as 'Nido' independent student accommodation by the Blackstone Group. Thirty years after the original, William Pye was involved in resiting a new version 'KX200'. He borrowed this maquette from Mr and Mrs Chapman to refresh his memory of the original project. William (Bill) Pye was born in London in 1938. He studied at Wimbledon School of Art (1958-61) and then spent three years in the sculpture school of the Royal College of Art, graduating in 1965. He had an eight year series of successful one-man shows at the Redfern Gallery, before breaking out independently and concentrating on large scale sculpture. He has taught at the Central School of Art and Goldsmith's College, amongst other institutions, and in 1978 a major retrospective of his work was held at the Yorkshire Sculpture Park. He is renowned for using metal, stone and above all water, and is fascinated by the reflective surface. He is both a masterful sculptor and engineer. *Artist's Resale Right may apply to this lot. CONDITION REPORT: A couple of shallow dents to base. Some scratches to top surface of base.
Lot 559
*Duncan Grant (1885-1978), 'VENETIAN CANAL' Signed and dated 57 l.l., oil on board 78 x 56cm Provenance: with the Mayor Gallery, London; with the Stone Gallery, Newcastle. *Artist's Resale Right may apply to this lot. CONDITION REPORT: Thinly painted to sky, board visible in places. Pin holes to corners.
Lot 614
*Laurence Stephen Lowry RA (1887-1976), A GROUP OF FIGURES WITH ANIMALS Signed and dated 1970 l.r., felt tip pen 35.5 x 25.5cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Provenance: Purchased by Mr Chapman from The Stone Gallery, Newcastle in the 1980s (original receipt unavailable). Has been stuck down in corners. Appears to be an inscription to reverse of paper that you can see coming through. Creases, smudges and dirt to paper surface. Not viewed out of frame.
Lot 615
*Laurence Stephen Lowry RA (1887-1976), FOUR GIRLS Signed and dated 1970 l.r., felt tip pen 35 x 25cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Provenance: Purchased by Mr Chapman from The Stone Gallery, Newcastle in the 1980s. Has been stuck down in corners. Appears to be an inscription to reverse of paper that you can see coming through. Creases, smudges and dirt to paper surface. Not viewed out of frame.
Lot 619
Follower of John Ruskin, 'PILLAR STONE' Inscribed and dated 1881 l.r., pen and watercolour 14 x 19.5cm; and another by the same hand, STUDY OF A MOUNTAIN Indistinctly inscribed 'High(?)' l.l., pencil and watercolour 16 x 24.5cm (2) CONDITION REPORT: Pillar stone: has staining. The second has staining from edge of mount. Not viewed out of frames.
Lot 719
James Abbot McNeil Whistler (American 1834-1903), 'THE MANAGER'S WINDOW, GAIETY THEATRE' (Way 114) Lithograph, signed with butterfly motif in the stone 34 x 20cm Exhibited: P & D Colnaghi & Co. Ltd., London, 'Exhibition of Prints by James McNeil Whistler', 1971, no. 249. CONDITION REPORT: Slight foxing and staining from mount. Not viewed out of frame.
Lot 885
Ernesto Cali (Italian 19th century), a marble bust of Diana, signed 'Ernesto Cali, Napoli -1869', 58cm high, on a later tapering three-piece plinth, 95.5cm (2) CONDITION REPORT: Plinth: Chips to corners and top edges. Stand is reconstituted stone. Bust: Hair area chipped, nose is slightly flattened, eyelid with chip, face small chip to area above lips. The back of the base is chipped. Please view additional images.
Lot 902
A large carved keystone, 19th century, modelled as a green man, 65cm wide approximately 94cm deep 85cm high approximately CONDITION REPORT: Has been covered with moss and ivy for many years. Apparently off a building in Newcastle (no further details). In three parts. Definitely stone - no idea what type.
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