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A 19th century clock garniture in blue porcelain, the clock mechanism with 8-day striking movement set within a lyre shaped case flanked by a pair of vase shaped candelabra, each to hold three candles, with paste stone borders and simulated pendulum, overlaid with gilt brass and other detail
A carved alabster Corinthian capital, the white stone with red fleck detail, 18cm tall approx together with a carved white alabster study of a seated female nude inspecting her foot, 21 cm tall approx, also together with a ceramic two handled urn with moulded ivy leaf detail and hand painted foliate deoration and an Ironstone type pedestal bowl of circular form with moulded acorn and further detail
A pastel by Christine Russell of a still life with vase of red roses and shells against a dark green background, signed bottom right C G Russell and with label verso "Chianti Roses and Shells", pastel, Christine Russell, and with Stone, Berkeley address details, 29cm x 36cm approximately, in a cream painted frame with gilt slip and further inner cream painted slip
A George III oak 8-day longcase clock, 14in. circular enamelled dial signed Hugh Knight, Stone, with subsidiary seconds and date aperture, Arabic numerals, hood with brass-mounted swan-neck pediment, cross-banded oak case with fluted quarter-columns, with winding crank handle, pendulum and weights, 7ft. - dial glass cracked
A collection of ceramics including two 19th century cheese dishes and covers, a German stone ware vase, a 19th century majolica inkwell, a box and cover in the Tiffany Tulips pattern, marked to base Made for Tiffany & Co, a miniature cabaret set with pink and gilt finish comprising tray, teapot, milk jug, sugar bowl and a pair of cups and saucers, a Royal Worcester boxed Millenium "Time" plate etc.
A silver plated tray of oval form with pierced and raised gallery sides, a four divisional cruet set with cut glass flasks, a pair of Chinese metal work incense burners in the form of four tier buildings, a brass inkwell and pen standish with embossed scallop shell detail, a chamber stick with inset cabochon faux gem stone detail, silver plated lidded serving tray of rectangular form, a substantial silver plated wine coaster of circular form with embossed fruiting branch border, etc
Ancient Roman Empire, ca. 2nd to 3rd centuries CE. A depiction of a Roman goddess, perhaps Tellus, from a sarcophagus carved from striated, grey marble. Her sensitively modeled naturalistic features and flowing locks display the Roman taste for Greek and Hellenistic sculpture. However, the Romans were known for appreciating realism even more, a fact that is so evident in the lifelike quality of this subject's eyes and brows. The sculptor of this piece truly understood how to turn marble to flesh! Sarcophagi became more common at the beginning of the 2nd century CE when burial grew more favorable than cremation. Carved from stone, in this case marble, the panels were adorned with high and low relief mythological scenes, and by the 2nd century, it was also common to include a portrait of the deceased in a heroic guise. A rare and beauteous piece from ancient Rome! Custome stand. Size: 6.75" W x 6.75" H (17.1 cm x 17.1 cm); 10-1/4" high (26 cm) on stand Provenance: Ex-private L. Nathan, acquired from a Belgian antiquities dealer on the European Art Market Condition: Clearly a fragment, but oh what a fragment! Expected surface wear with earthen remains scattered across the surface. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111156
Egypt, New Kingdom, 18th Dynasty, 1479 to 1401 BCE. This is a pale turquoise faience pendant in the form of a lion strung as the center of a necklace with ancient banded agate barrel beads interspersed with ancient round stone beads. The lion head symbolizes Sekhmet, an important goddess in the Egyptian pantheon, who is associated with war, healing, and the sun. Size: 18" L (45.7 cm). Provenance: ex-Sotheby's, NY, June 5, 2005, Lot 147/7 part lot but this necklace was illustrated Condition: All pieces are intact and with bright colors and clear details; the restringing is modern. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111323
Nepal, 18th to 19th century CE. Well-worn carved stone image of Buddha, seated in full lotus position, right hand in proper Bumisparsa mudra, left hand holding medicine bowl, all seated atop lotus throne. Remnants of red Tika blessing powder in low lying areas, double dorje symbol on the base. Size: 6-1/4"H (15.9 cm). Provenance: Ex-private northern Colorado collection acquired at Green Tara Gallery, Boulder, CO. Condition: Intact and excellent. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #110903
Laos, Neolithic, ca. 1000 BCE. This is a pair of axe heads / adzes (sometimes known as celts). One is a dark chert-like stone and the other is a smooth red and cream sandstone. Size of largest: 3" L (7.6 cm). Provenance: Ex-Historia Antiques, James Caswell, Santa Monica, CA Condition: Both have chipping and tool marks but are intact. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #110862
Egypt, Late Period, ca. 700 to 30 BCE. A miniature faience amulet depicting the striding lion-headed goddess Sekhmet with hands held to her sides, donning a tightly fitted garment, of saturated turquoise color, with a loop hole atop for suspension. This piece was exhibited at San Diego Museum of Man, CA, in 1968. According to Carol Andrews, Egyptologist at the British Museum for over 28 years who played an integral role in the Tuthankhamen exhibition held there in 1972, Sekhmet was the fierce goddess of the Memphite area who symbolizes the burning heat of the sun as well as the sun's watchful eye over Egypt's enemies. Stone mount. Size: 2" H (5.1 cm) + mount Provenance: ex-Collection of Goddard Dubois, acquired on Mr. Dubois's trips to Egypt between 1900 and 1907. Exhibited at the San Diego Museum of Man, CA, 1968. Condition: Intact. A superb example. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111305
North America, Southwestern Native American, ca. 20th century CE. This is a large piece of raw turquoise set into a sterling silver ring with the form of a rattlesnake wrapped around the stone. Size: 1.5" L x 1.5" W (3.8 cm x 3.8 cm); ring size 6.5. Provenance: Collection of Stephen R Primoff, Houston, TX Condition: Intact, everything clear. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111260
Pre-Columbian, Northern Peru, Moche, ca. 100 to 800 CE. The beads and copper spacers from this Moche period collar were found together; the beads are made of Spondylus shell, stone, and other natural products. The pattern of the necklace is a later reconstruction. Stone and Spondylus shell beaded necklaces have been found in elite level Moche tombs and Moche copper work is considered among the finest metalwork of the cultures of the central Andes. Size: 12-3/4”L x 4”W (32.4 cm x 10.2 cm). Provenance: Ex-private Rousseau collection acquired before 1984. Condition: The original Moche materials, the beads and copper spacers, are in excellent shape with patina. However, the necklace is a reconstruction and the original pattern is unknown. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #108019
Europe, French, Rococo, ca. 18th century CE. An impressively large and exceptionally fine tapestry sewn to a satiny cotton fabric backing of golden hues from the Rococo period, depicting a leisurely outing for the four individuals featured in the foreground of the pastoral countryside setting, that once graced the walls of the Schonbrun Palace in Vienna. The name Schonbrunn means "beautiful spring," a sensuous name worthy of this remarkable textile work of art. We see all the trappings of French Rococo art, cotton candy pastel hues in shades of blue, pink, lavendar, and green against a golden ground, a relaxed and carefree scene of figures, including at least one couple, enjoying leisurely activities such as hunting and simply lolling about in the lavish outdoors, elements of architecture including stone bridges, cottages, and to the right a building with gargoyles adorning the exterior, all framed by an elaborate floral border. Characteristic of the Rococo period, the artist who created this piece used a delicate pastel color palette and curving forms, a relatively delicate approach that departed from the Baroque stylings of serious dramatic religious and historical themes. Akin to the great Rococo painters Jean-Antoine Watteau, Francois Boucher, and Jean-Honore Fragonard, this composition connotes the sensuousness and frivolity of the wealthy aristocratic class of the period. The word Rococo derives from the French rocaille (stone) and coquilles (shell) stemming from the Rococo taste for these objects in their decoration and the embrace of shell-like curves and ornament. Just imagine this tapestry in a typical Rococo interior with its elegant furniture, elaborate gilded mirrors, wall paintings, pastel painted walls with gold and silver reliefs, and sumptuous sculptures adding to the ambviance and exemplifying the synthesis of all the arts (Gesamtkunstwerk) of the period! Size: 83"L x 105"W (210.8 cm x 266.7 cm)According to paperwork that accompanies the piece, "Schonbrunn Palace is a former imperial 1,441-room Rococo summer residence in modern Vienna, Austria. One of the most important cultural monuments in the country, since the 1960s it has been one of the major tourist attractions in Vienna. The palace and gardens illustrate the tastes, interests, and aspirations of successive Habsburg monarchs. In the year 1569, Holy Roman Emperor Maximilian II purchased a floodplain whre a former owner, in 1548, had erected a mansion called Katterberg. The emperor orderd the area to be fenced and put game there such as pheasants, ducks, deer and boar, in order to serve as the court's recreational hunting ground. Ina small separate area, "exotic" birds such as turkeys and peafowl were kept. Fishponds were built too. . . Provenance: Ex. Tiernan Collection, Colorado, Purchased directly from Schonbrun Palace during renovation.sd Condition: In superb condition with brass loops sewn to back for suspension. Expected wear with some fading, staining, and fraying, but overall in remarkably excellent condition. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111219
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400830 item(s)/page