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Lot 831
BILDHAUER/-GIESSER 19./20. Jh., 6 Antikenrepliken, 1x "Reiterstandbild des Marc Aurel", Bronze, dunkel patiniert, Marmorsockel (beschädigt), H: gesamt ca. 37 cm; 1x "Apollon vom Belvedere", Metallguss, auf der Plinthe bezeichnet 'Musee du Vatican', H: ca. 51; 1x "Venus", Metallguss, grüntonig patiniert, Steinsockel, H: gesamt ca. 31 cm; 1x "Adelige in Gewand", Bronze, grüntonig patiniert, Steinsockel, H: gesamt ca. 19,5 cm; 1x "Hirtenknabe, ein Schaf auf den Schultern tragend", Metallguss, Steinsockel, H: gesamt ca. 18,5 cm; 1x Schenkkanne in Löwenform, Kupfer, H: ca. 30 cm. Je Altersspuren, teilw. Witterungs- oder Beriebspuren.| SCULPTOR/FOUNDER 19./20. Century, 6 Antique replicas, 1x "equestrian statue of Marc Aurel", bronze, dark patina, marble base (damaged), H: total approx. 37 cm; 1x "Apollon vom Belvedere", cast metal, inscribed 'Musee du Vatican' on the plinth, H: ca. 51; 1x "Venus", cast metal, patinated in green tones, stone base, H: total approx. 31 cm; 1x "Aristocrat in robe", bronze, patinated in green tones, stone base, H: total approx. 19.5 cm; 1x "shepherd boy, carrying a sheep on his shoulders", cast metal, stone base, H: total approx. 18.5 cm; 1x lion-shaped jug, copper, H: approx. 30 cm. Depending on signs of age, partly. Weather or signs of wear.
Lot 368
The Beatles - Weston Super Mare - July 1963 - a collection of x5 candid photographs of The Beatles during their time in Weston Super Mare (near Bristol), on July 26th 1963. Taken by the vendor, the images show The Beatles having their photograph taken alongside Birnbeck Pier (a well known photograph of the group) and leaving the beach thereafter.In detail, the images comprise:3.5" x 3.5" photograph showing Paul McCartney and John Lennon leaving the rocks, McCartney with his jacket over one shoulder, having just removed it for the famous photograph. Annotated to rear by vendor at the time.x2 further enlargements (from the period) of this photograph, both cropped. One annotated to reverse by vendor at the time.3.5" x 3.5" photograph of all members walking the stone steps up the rocks after having their picture taken. The photographer can be seen at the end of the line. Annotated to the rear by the vendor at the time. 3.5" x 3.5" wide-shot photograph showing Birnbeck Pier and The Beatles in the lower left corner preparing for the famous photograph. Three of the band appear to be looking at the camera. Annotated to the rear by the vendor at the time. The photographs represent a unique snapshot of The Beatles during their time in Weston Super Mare, where they played twice-nightly for six days in 1963. The photographs were taken personally by the vendor at the time. The photographs are offered with full copyright (buyer to arrange the relevant forms) although the original negatives have been lost / destroyed.From the Sandra Woodruff (née Blaken) collection
Lot 113
HATTORI TOSHIO: A SMALL BLACK AND GOLD LACQUER SUZURIBAKO WITH CARTWHEELS IN WATERBy Hattori Toshio (b. 1943), signed ToshiJapan, Kyoto, second half of 20th century, Showa period (1926-1989)Of rectangular form with rounded corners, bearing a lustrous roiro ground throughout, the exterior sides of the box and exterior of the cover finely decorated in gold and little silver takamaki-e with cartwheels flowing in a dynamically executed body of water with many swirls and gushes as well as scattered dew drops, the interior tray fitted with a rectangular ink stone and silver suiteki (waterdropper), the underside of the suzuribako signed TOSHI.SIZE 25 x 11.5 x 3.5 cmCondition: Excellent condition with minor wear. Provenance: Dutch collection.With the original wooden tomobako with hakogaki reading Namikuruma makie suzuribako (The writing box set, with a design of wheels in water), as well as a leaflet written in Japanese with the artist's biography up to 1987.Hattori Toshio (b. 1943), art name Hattori Shunsho, was first selected for the Nitten exhibition in Showa 38 (1963). Since then, he has exhibited more than twenty times at the Nitten and other exhibitions, winning numerous prestigious awards. In 1995, he had an audience with Pope John Paul II and presented the Pope with a lacquer reading table. In 2004, he created the shelves for the guest room of the Kyoto State Guest House of the Government of Japan. He is a member of the Kyoto Crafts Artists Association, the Kyoto Lacquer Artists Association, and the Sokokai.Literature comparison: Compare an earlier tebako with a closely related depiction, dated 17th-18th century, in the collection of the Tokyo National Museum, accession number N-93.Auction comparison: Compare a related roiro lacquer suzuribako and cover by Odawara Toshio (1915-1968), also dated Showa period, at Bonhams, Fine Japanese Art, 10 November 2011, London, lot 97 (sold for 2,000 GBP).
Lot 309
SHOZUI: A FINE HAMANO SCHOOL SENTOKU TSUBA WITH SNAILSSchool of Hamano Shozui, signed Otsuryuken Shozui Japan, Hamano school, 19th century, Edo period (1615-1868)Of rounded rectangular form with two hitsu and a slightly raised edge, finely decorated in iro-e takazogan, sunken relief, and subtle incision work to depict a snail on one side, trudging along and leaving behind a trail of slime, the feelers inlaid in gold. The reverse with a smaller snail clambering on a hyotan-shaped stone lantern to the reverse, and signed OTSURYUKEN SHOZUI.HEIGHT 7.9 cmWEIGHT 144 gCondition: Very good condition with expected surface wear, traces of use, and few minor nicks.Provenance: From a private collection in southern Germany.With a padded wood storage box.
Lot 130
A BLACK AND GOLD LACQUER SUZURIBAKO WITH THE MOON, HO-O BIRDS AND KIRI MONSJapan, late 19th century, Meiji period (1868-1912)Of rounded rectangular form, the domed overhanging cover bearing a roiro ground decorated in gold hiramaki-e and takamaki-e with pewter and silver takazogan as well as highlights in aogai, gold foil, and silver kirikane to depict a flowering prunus branch under a crescent moon in a starry sky, the interior of the cover with a nashiji ground similarly decorated, adding silver takamaki-e, e-nashiji, and scattered gold kirikane, depicting a magnificent ho-o bird in flight surrounded by clusters of kiri (paulownia) mons. The interior of the box with a sparser nashiji ground similarly decorated with another ho-o bird and kiri mons, the depiction partly obscured and at the same time continued on the fitted tray holding the rectangular ink stone and copper suiteki (waterdropper) in the form of a stylized persimmon.SIZE 21.5 x 19.5 x 4.6 cmCondition: Good condition with some surface wear, minor age cracks, small nicks, occasional light scratches, minor flaking to lacquer, small losses to gold foil. The base with extensive scratching as well as small nicks and losses to lacquer.Provenance: Dutch collection.According to legend, the ho-o bird will only nest in paulownia trees, and only in peacetime and when a virtuous ruler is in power. With hopes of attracting the auspicious birds, the trees are planted in courtyards and gardens across Japan.
Lot 132
KOMA KORYU: A LACQUER SUZURIBAKO DEPICTING GEESE, RICE DRYING, AND SNOWBy Koma Koryu, signed Koma Koryu sakuJapan, late 18th to early 19th century, Edo period (1615-1868)The rectangular suzuribako with a lustrous roiro ground, decorated in gold and silver takamaki and hiramaki-e depicting a scene with geese in flight above a gnarly tree, two further geese perched on a snow-covered tree and another picking rice grains from the ground which is also partly covered in snow and highlighted with gilt and silver kirigane. Rice straw bundles are hanging from the tree and lying on the ground. The interior decorated with reflections of an inlaid silver full moon amongst clouds on a sparse nashiji ground. The edges of gold fundame. The box fitted with a suzuri (ink stone), suiteki (water dropper) and an ink container with a pierced floral motif.SIZE 20.6 x 24.5 x 4.3 cmWith a wooden tomobako storage box inscribed: 時代蒔絵、御寿々利箱、古満巨柳作 "Jidai makie, on-suzuribako, Koma Koryu saku" [An old piece, maki-e lacquer, a suzuribako, made by Koma Koryu]Condition: Overall very good condition with associated minor wear and traces of use, mostly to the lacquer, and a few surface scratches. A crack to the lacquer on the interior of the cover.Provenance: British private collection.Auction comparison:Compare a related lacquer suzuribako, in gold and silver hiramaki-e, depicting a similar scene, dated 19th century, Edo period, at Christie's, An Inquiring Mind: American Collecting of Japanese &Korean Art, 25 April, New York, lot 37 (sold for 6,250 USD).
Lot 140
A RARE LACQUER BUNKO (DOCUMENTS BOX) WITH INTEGRATED SUZURIBAKO (WRITING BOX)Japan, 19th century, Edo period (1615-1868)Of rectangular form, decorated in gold and silver hiramaki and takamaki-e, depicting Tekkai Sennin holding a staff while standing on a rocky outpost amidst crashing waves, a fan tucked into his robe, all against a lustrous roiro ground. The edges finished in gold fundame and with evenly spaced floral sprays. The interior lacquered in nashiji and fitted with a removable compartment including a suzuri (ink stone) and a leaf-shaped suiteki (water dropper).SIZE 28.3 x 22 x 13 cmWEIGHT 1,520 gCondition: Very good condition with little wear, surface scratches, chips and dents, and a few cracks to the lacquer. The object presents very well.Provenance: British private collection.
Lot 136
KORIN: A RINPA STYLE LACQUER SUZURIBAKO WITH UME FRUIT AND BLOSSOMSAfter Ogata Korin (1658-1716), inscribed Hokkyo Korin with kakihanJapan, late 18th to early 19th century, Edo period (1615-1868)Of rectangular form with rounded corners, the overhanging cover bearing a roiro ground decorated in gold hiramaki-e and pewter and aogai takazogan to depict a gnarled plum tree bearing fruits, blossoms, and buds of different sizes, the interiors of the box and cover bearing a silver ground decorated in gold and black hiramaki-e with a stylized swirling stream, the box fitted with an inkstone and suiteki (waterdropper) of rectangular form, the recess for the ink stone with the inscription Hokkyo Korin with a kakihan.SIZE 24.2 x 22 x 4.7 cmCondition: Very good condition with minor surface wear and few minuscule nicks, the base with some scratches.Provenance: Dutch collection.With a wood storage box.Auction comparison: Compare a related gold-lacquer and pewter-inlaid suzuribako, described as "Style of Ogata Korin" and also dated late 18th to early 19th century, 4.5 by 23 by 25 cm, at Bonhams, Fine Japanese Art, 12 May 2016, London, lot 565 (sold for 3,750 GBP).
Lot 129
HARA YOYUSAI: A FINE AND RARE GOURD-FORM SUZURIBAKO AND COVERBy Hara Yoyusai (1769-1845), signed YoyusaiJapan, late 18th to early 19th century, Edo period (1615-1868)The exterior of the gourd-form writing box and cover bearing an ochre ground finely decorated in gold and copper takamaki-e and pewter takazogan with e-nashiji to depict leafy vines, the interior of the box and cover bearing a roiro ground and decorated in gold and silver takamaki-e with e-nashiji to depict maiden flowers (ominaeshi) borne on leafy stems, the box further fitted with brush rests, a pouch-form ink stone, and a rectangular copper suiteki (waterdropper) with a ho-o bird amid clouds in high relief, the interior of the cover with the signature YOYUSAI.SIZE 24.6 x 21.7 x 4.5 cmCondition: Good overall condition with wear, extensive age cracks, flaking, minor losses, small nicks, light scratches, slightly warped. Provenance: Dutch collection.With a fitted silk cushion and dark wood storage box and cover.Literature comparison: Compare a related lacquered gourd, also by Hara Yoyusai and with leafy vines, in the collection of the Minneapolis Institute of Art, accession number 2015.79.425.
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400830 item(s)/page