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An Art Deco style diamond set ring, set in 18ct gold, set centrally with a round brilliant cut diamond, concentric elliptical panels extending down shoulders set rows of round cut diamonds with four raised round cut diamond set panels radiating from principal stone, hallmarked 18ct gold, size M1/2, total gross weight approx 4.4gms
A quantity lot of 9ct hallmarked seven purple amethyst and paste stone set rings, 9ct opal and sapphire set ring, 18ct hallmarked garnet and diamond cluster ring, 18ct Art Deco diamond solitaire ring, two pairs 9ct gold purple stone set earrings, combined total gross weight approx 33.81 grams (12)
A Victorian 9ct gold bar brooch, hair window to reverse, total gross weight approx 1.7gms along with a seed pearl and blue stone oval locket unmarked yellow metal (probably 9ct) a 9ct and paste set bar brooch stamped 9ct, a Charles Horner silver thimble Chester 1890, 0.13ozt, in gilt metal thimble case, a silver, marcasite and purple stone bar brooch and gilt metal locket and chains (one bag)
A diamond cluster ring set with garnet centre set in 18ct gold, total gross weight approx 3.2gms, a white stone solitaire set in 14ct gold, total gross weight approx 2.2gms, along with nine, 9ct gold gem set rings with a combined total gross weight approx 19.2 gms, including a sapphire and diamond ring, diamond daisy cluster ring and dress rings (11)
A 9 ct rose gold fruit knife marked B&C, engraved 1907; a 9 ct gold slave bangle angled form, metal core, along with two other rolled gold bangles, 9 ct gold chain, cross, bracelet combined gross weight approx 5 gms along with a Tigers eye pendant and white metal stone ring; an enamel silver brooch and rolled gold, gold stone Victorian brooch (1 bag)
A diamond cluster ring set in 18ct white gold, designed as a tiered target of round brilliant cut diamonds, with a central stone to a pierced double border of similar diamonds, claw set to a cage gallery, raised shoulders and tapered shank size N, London hallmarks for 18ct gold, 1975; total estimated weight of diamonds approximately 0.90cts
A RARE JAPANESE CLOISONNE ENAMEL SQUARE TRAY BY NAMIKAWA YASUYUKI (1845-1927) c.1903 The shallow body decorated in silver and gold wire with a wooden pavilion amongst trees, with stone steps meandering through the bushes, the rim with a band of stripes and diamond patterns in yellow, green, white, red and blue, the reverse a deep apple-green colour mirroring the front and raised on four short rounded feet, with a four character seal mark reading Kyoto Namikawa for Namikawa Yasuyuki, 11.8cm. Provenance: from the Weber Family collection, Bristol, acquired in the early 20th century. Two large Komai-style models of pagodas from the same collection sold in these rooms on 15th November 2017, lots 787 and 788. Cf. The Nasser D. Khalili Collection of Japanese Art: Meiji no Takara, Treasures of Imperial Japan, vol.III Enamel, p.37, fig.13 for a related tray by Namikawa Yasuyuki from a private Kyoto collection. Also the Baur Foundation, inventory n.CB.CLJ.1964.28 for another example decorated with Karasaki shrine on the shores of Lake Biwa. During the late 19th century, Namikawa Yasuyuki grew to become a highly successful artist, both in Japan and in the West. The Emperor Meiji appointed him Imperial Craftsman to the Court in 1896, an honour only bestowed upon a handful of artists. He regularly took part in International Exhibitions, winning countless awards, and Westerners travelling to Japan often visited his studio in Kyoto. Famous customers include King Edward VIII, Sir Rutherford Alcock and Rudyard Kipling, who was particularly taken by the lengthy process of making cloisonné: "... I saw a man who had only been a month over the polishing of one little vase [...] When I am in America he will be polishing still, and the ruby-coloured dragon […] will be growing more lovely…"
A RARE JAPANESE CLOISONNE ENAMEL SQUARE TRAY BY NAMIKAWA YASUYUKI (1845-1927) C.1903 The shallow body decorated in silver and gold wire with the peaceful scene of a fishing boat drifting away from the shore at dawn, with a weeping willow and a stone lantern, toro, to the side, the horizon lit with a pinkish tinge and a light teal colour reflecting in the sea, the reverse a deep sage colour and raised on four short rounded feet, with a four character seal mark reading Kyoto Namikawa for Namikawa Yasuyuki (1845-1927), 11.8cm. Provenance: from the Weber Family collection, Bristol, acquired in the early 20th century. Two large Komai-style models of pagodas from the same collection sold in these rooms on 15th November 2017, lots 787 and 788. Cf. The Nasser D. Khalili Collection of Japanese Art: Meiji no Takara, Treasures of Imperial Japan, vol.III Enamel, p.37, fig.13 for a related tray by Namikawa Yasuyuki from a private Kyoto collection. Also the Baur Foundation, inventory n.CB.CLJ.1964.28 for another example decorated with Karasaki shrine on the shores of Lake Biwa. During the late 19th century, Namikawa Yasuyuki grew to become a highly successful artist, both in Japan and in the West. The Emperor Meiji appointed him Imperial Craftsman to the Court in 1896, an honour only bestowed upon a handful of artists. He regularly took part in International Exhibitions, winning countless awards, and Westerners travelling to Japan often visited his studio in Kyoto. Famous customers include King Edward VIII, Sir Rutherford Alcock and Rudyard Kipling, who was particularly taken by the lengthy process of making cloisonné: "... I saw a man who had only been a month over the polishing of one little vase [...] When I am in America he will be polishing still, and the ruby-coloured dragon […] will be growing more lovely…"
FOUR JAPANESE IVORY NETSUKE MEIJI 1868-1912 Variously carved as a man with a hammer seated in front of a large circular stone, signed Tomonobu to the back; another depicting a turtle, frogs and insects climbing over small pomegranate fruits, a four character signature; the third a figure lying with a small Daruma doll in his hands, unsigned; the last a group of masks including Hannya, signed Kounsai, 4.8cm max. (4) Provenance: an English private collection, Hampshire, acquired in the early 20th century.
THREE DIAMOND SET RINGS, comprising a single stone ring, the old brilliant-cut diamond collet set between raised shoulders of single and old-cut diamonds, white precious metal mounted, a diamond half hoop ring, the round brilliant-cut diamonds in claw setting, 18ct gold mounted, (one diamond deficient), and a cluster ring, bordered by single-cut diamonds, 18ct gold mounted, (centre stone deficient), first ring size M½ (3)
THREE BROOCHES, comprising a cultured pearl wreath brooch, white precious metal mounted, stamped '18k' and signed GF & Co, an oval shell cameo brooch, 9ct gold mounted, and a mabe pearl and blue stone doublet cluster bar brooch, stamped '9ct', with later pin fitting, first brooch diameter 4cm (3)
A VICTORIAN ENAMEL AND DIAMOND SET SERPENT PANEL, later adapted as a bracelet, the serpent's scrolled body heightened in shades of red and green enamel, its head highlighted with an old and rose-cut diamond cluster and cabochon red stone eyes, principal diamond weight approximately 0.25ct, panel length 3.6cm
A COLLECTION OF JEWELLERY, comprising an oval enamel monogrammed locket pendant, an amethyst three stone clasp, of hinged form with central tongue snap, the oval mixed-cut amethysts in foiled closed-back settings, edged by ropetwist decoration, a heart locket pendant, with engraved decoration, a black and white enamel memorial pendant, glazed verso, a ropetwist chain, with T-bar suspension stamped '15', and further items, first locket pendant length 3.8cm, clasp width 3.7cm
A COLLECTION OF OPAL SET JEWELLERY, comprising an opal and diamond set panel brooch, the oval cabochon opal claw set to an openwork panel with rose-cut diamond set foliage, between bead and scroll terminals, a Victorian gypsy ring, alternately set with opal cabochons and rose-cut diamonds, 18ct gold mounted, hallmarked for Chester 1896, and a single stone ring, the oval cabochon opal in collet setting, brooch length 5cm (3)
A COLLECTION OF DRESS RINGS, comprising a five stone ring, with graduated old and single-cut diamonds to a scroll decorated hoop, stamped '18ct', two diamond half hoop rings, each 9ct gold mounted, an amazonite single stone ring, stamped '9ct', and two white stone set rings, each stamped '9ct', first ring size 0 (6)
A CITRINE AND HALF PEARL CLUSTER PENDANT ON CHAIN, the oval mixed-cut citrine in millegrain collet setting, bordered by similarly set half pearls, stamped '9ct', suspended from a ropetwist-link chain, stamped '15', and a citrine single stone brooch, the oval mixed-cut citrine in claw setting, (pearls untested for origin), pendant length 3.5cm (2)
A SMALL COLLECTION OF JEWELLERY, comprising a citrine and half pearl oval cluster brooch, with later fitting, a half pearl and hairwork glazed memorial pendant, a cabochon red stone and diamond cluster bar brooch, white precious metal mounted, and a black enamel and cultured pearl wreath brooch, stamped '14k', (all pearls untested for origin), first brooch length 3.4cm (4)
TWO VICTORIAN MEMORIAL RINGS, the first with a navette-shaped hairwork panel, bordered by half pearls, to a tapered hoop with traces of black enamel and interior inscription dated 'May 16th 96', stamped '18', the second a band ring, with raised half pearl set foliate panel and traces of black enamel, 15ct gold mounted, (all pearls untested for origin), together with a diamond set ring mount, (one stone deficient), first ring size K (3)
A SMALL COLLECTION OF JEWELLERY, comprising a baroque pearl set stick pin, modelled as a claw, with white stone highlight, the fitting stamped '333', a seed pearl torsade necklace, with diamond set spherical clasp, stamped '585', and a white stone set brooch, of scroll design, (all pearls untested for origin), stick pin terminal length 2.2cm (3)
FOUR GEM SET DRESS RINGS, comprising a sapphire and diamond three stone ring, the central round brilliant-cut diamond collet set between two circular-cut sapphires, yellow precious metal mounted, a similarly set diamond single stone ring, stamped '585', a further sapphire and diamond three stone ring, and an emerald and diamond set ring, first ring size I½ (4)
A COLLECTION OF VICTORIAN AND LATER BROOCHES AND STICK PINS, comprising a sapphire and diamond set dragonfly bar brooch, stamped '15ct', a diamond and green stone cluster bar brooch, (adapted with later pin fitting), a similar half pearl example, (later fitting), an opal single stone bar brooch, a gem set insect bar brooch, a Victorian citrine set panel brooch, four further brooches, a French half pearl set stick pin, with horse's head mark, and a further pearl stick pin, (all pearls untested for origin), first brooch length 6.3cm (12)
A COLLECTION OF PENDANTS, comprising a half pearl set heart-shaped pendant, a circular glazed locket pendant, framed by blue garnet-topped doublets, suspended from a trace-link chain stamped '9c', two further glazed locket pendants, and a stone set heart-shaped pendant, (pearls untested for origin), first pendant length 2.1cm (5)
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400965 item(s)/page