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Lot 646
A graduated pearl single strand necklace with diamond flower head clasp, the centre stone approx 0.2 carat CONDITION REPORTS Close up images on condition report. Gross weight in grams 18g. Largest pearl 0.7cm to 0.6cm. Not known if the pearls have a high medium or low lustre - see images. Skins appeasr smooth to the naked eye with no visible signs orf cracking or peeling. Not known if natural or cultured. Dia. of diamond clasp approx 0.8cm see images of diamond re white/bright/clarity. NB we are not gemologists. Max length 50cm.
Lot 662
A five stone graduated diamond dress ring, the centre stone approx 1 carat total, 3.3 g, size T CONDITION REPORTS Diameter of central diamond 0.4cm. Cannot see any inclusions in the diamonds with a x10 lens though this is not a guarantee that there are no inclusions. The diamonds appear to be white and bright without any sign of yellow in their coklour but thiis is nota guarantee of any kind. See images for further detail
Lot 686
A ladies 18 carat gold cased half hunter pocket watch, the movement by A Golay-Leresche & Fils of Geneva, No. 16313, the outer case with blue enamel Roman numerals, together with an 18 carat gold and platinum chain, 7.3 g and blood stone seal of horn form CONDITION REPORTS Weight including fob with seal is approx. 54.3 g. Diameter is approx. 3.5 cm
Lot 891
19TH CENTURY ENGLISH SCHOOL "Figures Outside a Thatched Stone Cottage, Further Figures in the Background with Mountains Rising in the Distance", oil on canvas, indistinctly signed on label verso, approx 81 cm x 112.5 cm CONDITION REPORTS Some surface scratches and crazing throughout. Some areas of loss to the paint to the top on the sky. There is also a scratch in the bottom left hand corner and scuffs to the edge of the painting. Some small flecks of white paint present, accretions, etc. Under UV light there appear to be some areas of over-painting. Painting could do with a clean and has general wear and tear commensurate with age and use. Painting does come with a frame although it is not housed in the frame at the moment. See photos for more details.
Lot 110
Rowling, J.K. Harry Potter and the Philosopher's Stone, first edition, first issue, London: Bloomsbury, 1997, paperback, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents very good, clean, bright; binding tight and solid; very faint wear to extremities, laminate peeling at edges/corner; slight discolouration to spine; owner inscription to title page
Lot 163
Rowling, J. K. Harry Potter and the Philosopher's Stone, London: Bloomsbury, 1997. Six copies of the first edition hardback, comprising: third impression ('10 9 8 7 6 5 4 3'); fourth impression ('10 9 8 7 6 5 4'); fifth impression ('10 9 8 7 6 5'); eighth impression ('10 9 8'); ninth impression ('10 9'); tenth impression ('10'). Condition generally very good, unclipped dust-jackets. The eighth and ninth impressions include the '1 wand' error on p.57 (6)
Lot 214
Collection of printed material relating to Staffordshire, including an engraved copper plate by W. J. Cornall of Bristol (armorial bookplate for Richard Sneyd); Cottrill's Police Directory of Newcastle-under-Lyme, 1836; 'A Stepping-stone to Homeopathy' by Edward Ruddock (medical book published in Hanley); guide books (including several street guides to Stoke-on-Trent); rule books; membership books; Romantic Beauties of Dovedale and Ilam, a guide by Henry Moore, published in Ashbourne, 1829; Potteries 1936 bus timetable; NSR 1923 rules & regulations book; motor touring maps; Realities and Reflections, by Ann Catharine Holbrook, Burton-upon-Trent, 1822; Jaques 'Counties of England' card game, and later printed material relating to sports, schools, pottery. In two small boxes (2)
Lot 309
Collection of magazines, including four volumes of International Times, three volumes of Oz, two volumes of Friends/Frendz, numerous volumes of Honey and 19, numerous volumes of Rolling Stone, predominantly 1970s, together with Tarantula, by Robert Zimmerman [Bob Dylan], in one box. Counter Culture Interest
Lot 101
the hand with lightly splayed fingers set throughout with vari-shaped rose cut diamonds (one lacking, and another - probably coloured stone - lacking from a ring on the little finger), at the wrist a lacy cuff with inner line of coloured gem stones and outer line of further diamonds, unmarked yellow metal, clasp with safety catch and also attached safety chain, length 3.7cm
Lot 109
the first with a galloping race horse set with rose cut diamonds, the jockey in red, white, blue, black and pink enamel, pin length 3.1cm, in period fitted oval case; also a vintage chrysoberyl and seed pearl heart set on a similar pin, length 4.0cm, and single stone sapphire bar brooch, with a round cut mid blue sapphire on a lazy S bar with crossover twisted ribbon, hallmarked 9ct gold, length 5.0cm (Qty: 3)
Lot 123
the first with a pear-shaped cabochon garnet in a foiled closed back setting with an open surmount of trailing leaves and flowers set with small rose cut diamonds, a lower termination in the same style (one diamond lacking), verso with a vacant glazed compartment, hanging from a later fine curb link chain, marks obscure, length of pendant with suspensory loop 3.2cm, of chain 46cm; also a five stone diamond ring, with central round brilliant cut diamond claw set in a raised square pierced mount with two single cut diamonds on each shoulder, plain shank size Q, unmarked white on yellow metal tests for 14-18ct gold (Qty: 2)
Lot 148
the first with an oval concave chalcedony embellished with an arched forget-me-not stem with flower and two leaves, set with round cabochon turquoises within an open geometric frame, unmarked yellow metal tests for 9-10ct gold, length 3.5cm; also an oval chalcedony with carved intaglio of a bust length man with long hair, perhaps Milton or another poet, length 2.3cm; and a three stone diamond ring with graduated old round brilliant cut diamonds, the central one in a square field, the outer ones claw set, thin band size O, stamped '14k'; together with a box link chain with engraved barrel clasp, tests for 9ct gold, length 39cm plus an extra 2.7cm of loose chain, weight 7.0g (Qty: 4)
Lot 152
the oval portrait, probably of King George III, in left profile, with powdered, curled and pigtailed hair, red jacket with blue sash and the Order of the Garter badge, the mount with a border of white round cut pastes, the back with a glazed panel of neat mid-brown hair in a crossed pattern, with gold initials GR superimposed, to a bright cut scalloped border, the mount engraved on the back 'Sophia from G'; small suspensory loop, now with safety chain; length 3.7cm (Dimensions: h: 3cm w: 2cm d: cm )(h: 3cm w: 2cm d: cm )Footnote: Other notes: There are many portraits of George III but the one on which this miniature is based has not been traced - though it is very like one by Allan Ramsay circa 1762 (Ramsay, and his studio, are known to have produced about 150 portraits of the King, from 1757 until the painter's death in 1784). The Sophia to whom the portrait was given may possibly have been Queen Charlotte, George III's wife, whose first name was Sophia, or their fifth daughter Princess Sophia, or perhaps his niece Princess Sophia Mathilda of Gloucester: by the mid 18th century the name was popular in aristocratic and royal circles, so the choice is wide.Condition report: One stone loose in the frame.
Lot 185
the ring with graduated oval cabochon turquoises, flying claw set with little fleur-de-lys between unmarked yellow metal tests for 18ct gold, ring size L-M; the earstuds of 'blackberry' boss form set with a cluster of small round cabochon turquoises (one stone lacking, one replaced with simulant), to a pierced frill edge, diameter 1cm (Qty: 2)
Lot 2
the necklace designed as a spiga link chain suspending a graduated line of twenty-nine oval cabochon moonstones, claw set to pierced coronet galleries, length of necklace 40cm, lengths of longest and shortest moonstones 11.5 and 5.7mm; also a similar period open crescent brooch set with a line of graduated round cabochon moonstones (two lacking), length 5.2cm; and a single stone bar brooch, with a 13mm long oval cabochon moonstone collet set in the middle of a knife edge bar, length 7.6cm (Qty: 3)
Lot 245
the bracelet with each oval cabochon lapis collet set with D rings either side, and joined by ribbon links, with further circular links and toggle clasp, white metal stamped '925', length 22cm, length of each lapis lazuli 2.0cm; the cufflinks with each end collet set with an oval cabochon stone, closed back, chain connections, white metal stamped '925' and tests for silver, length of each end 1.5cm (Qty: 2)
Lot 297
the oval locket with raised central section embellished with a line of five differently sized rectangular cushion cut rubies separating two seed pearl delineated hearts, the back with similar raised area plain polished, integral tapered bale, the interior containing two period photographs of a young woman and an older woman with veiled hat; unmarked yellow metal tests for 18ct gold, length with bale 4.3cm; presently on a snake link chain stamped '15', length 45.5cm; the brooch / pendant designed as a flowerhead of nine oval flat cut garnets in foiled closed back pinch collet settings, with a bead on each petal extremity, the back with a suspensory hook so that it may be hung from the centre of a necklace in typical Georgian fashion, or when worn as a brooch may in turn suspend a pearl or other small stone, maximum diameter 2.3cm (Qty: 2)
Lot 46
the first a three stone diamond ring with graduated round brilliants, claw set, plain tapered shank size N, stamped '18ct & Pt', and engraved with initials and the date 25.12.32, total estimated weight of diamonds approximately half a carat; also a 19th century diamond ring with three old cushion cut diamonds, the central one in a diaper recess within a square motif, each shoulder similarly set with a smaller diamond, tapered shank size L½, stamped '18', total estimated diamond weight approximately 0.25cts; and an 18ct gold signet ring set with an oval lapis lazuli, partial hallmarks, ring size L (Qty: 3)
Lot 463
circa 1980, the signed rectangular plain cream coloured lacquered dial with blued sword shaped hands, the signed 17 jewel crown wind mechanical movement calibre 78-1, the crown with synthetic sapphire cabochon end stone, case number 3 124379 signed to the reverse and with the Swiss canard mark for 925/1000 standard silver, to an aftermarket black leather strap with gilt pin buckle and presented in the original red leather and gold tooled case
Lot 477
circa 1980, the signed square white dial with black Roman numerals, blued sword shaped hands, centre seconds, chemin de fer chapter ring and date window at 3 o'clock, the signed 17 jewel mechanical ETA automatic movement calibre 2671 X1, the crown with synthetic sapphire end stone, the satin finished case with polished screw head bezel and crown guards, verso signed and engraved 'automatique', to an aftermarket dark blue crocodile strap by Hirsch, with steel pin buckleFootnote: The Cartier 'Santos' wristwatch was the world's first watch specifically designed to be worn on the wrist and was inspired by the Brazilian aviator, Alberto Santos-Dumont. Santos-Dumont approached Louis Cartier with the idea of a pilot's watch as he was having difficulty accessing his pocket watch whilst flying and wanted to be able to easily read the time without taking his hands off the controls during flight. Introduced in 1904, and on general sale in 1911, the timepiece was considered revolutionary since it was secured to the wrist by a leather strap and was designed to be worn on a daily basis. With the help of his new Cartier timepiece, Alberto Santos-Dumont successfully achieved a personal flight record in the year 1906 with a height of 220 meters over the duration of 21 seconds. The Cartier Santos represented a milestone in the innovative potential of Cartier and today it remains one of the most famous models in the history of fine watchmaking.
Lot 479
circa 1973, reference number 37078, the signed cushion shaped chocolate brown dial with gold coloured lance shaped hands, the signed 17 jewel crown wind mechanical movement calibre 1050, the crown with cabochon end stone, the case, with Birmingham import marks for 18ct gold and sponsor's mark for Fritz Kundert of the Hefik watch company, in addition to Swiss marks for 18ct gold, number 261, verso numbered 510593 37078, to an aftermarket lizard grain strap with base metal pin buckle
Lot 54
the first a short bar horizontally set to the centre with an oval cut amethyst in foiled, closed back mount, length 4.5cm, amethyst measures 20.2 x 15.0m, unmarked yellow metal; the second brooch with an emerald cut purple tourmaline claw set in the centre of a plain bar, unmarked white metal, length 5.8cm; the third a single stone ring with an oval cut pale amethyst in a crimp collet and closed back setting, rose metal stamped '9ct & sil', ring size N (Qty: 3)
Lot 61
the first of 6-7mm white pearls alternating with oval lozenge beads of royal blue stone, possibly howlite, knotted throughout, clasp stamped '925', length 48cm; the second of large cushion shaped blue sunstone beads alternating with similarly shaped speckled blue glazed ceramic beads, all spaced by 5.5mm grey pearls, ring and toggle clasp, length 50cm, boxed (Qty: 2)Footnote: The term 'sunstone' is used to describe aventurine feldspar - a natural stone - with the addition of platelets of hematitie crystals which are responsible for the 'sparkle' effect.
Lot 62
the first ring with a rectangular step cut royal blue sapphire, measuring 10.1 x 5.6mm, estimated weight 2.66cts (faint straight colour banding may be discerned with magnification indicating a natural origin for the stone), in a millegrain edged border of single cut diamonds, the shoulders with similar lines of more diamonds, plain shank size P, white metal stamped 'Plat'; together with an eternity ring set all around with single cut diamonds, hoop not round but size approximately N; the box an oval cylinder with green morocco exterior and red morocco lining, the interior with three compartments, exterior with silver fittings (Qty: 2)
Lot 684
by John Stone, 1839, 'Fiddle' pattern with oval bowl, monogrammed, 8.7ozt (Dimensions: h: 36cm)(h: 36cm)Footnote: Other notes: The Exeter assay office was officially established in 1701, although records of gold and silversmiths marking their items in the town go back as far as 1570. The office closed in 1883.
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400830 item(s)/page