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Lot 66
18ct White Gold - Superb Quality Two Stone Diamond Ring with Baguette Diamond Shoulders From the 1930's. The Two Round Brilliant Cut Diamonds of Excellent Colour and Clarity. Est G - H Colour, VSI Clarity. Est Weight of Diamonds 1.00 ct. Ring Size - P. All Aspects of Condition Is Excellent Including the Shank and Setting. Please See Photo.
Lot 10
Brooch. A Victorian gold brooch, s et with a faceted amethyst stone, with safety chain and indistinctly marked, 5cm long together with a cameo brooch carved with a classical female profile with lyre, in an 18ct gold mount stamped '750', 4cm long (Qty: 2)The Victorian brooch has been acid tested, therefore 15ct gold or higher
Lot 120
Anglo Saxon Pendant. An Anglo Saxon copper gilt pendant, 6th or 7th century A.D., the thin circular plate of copper gilt with bead raised border, with a cross of two-ply twisted wire arranged in lines from a central set purple stone, the top with a small thin loop of wire for suspension, approximately 25mm diameter, together with blue glass spindle whorl, approximately 8mm diameter, and a copy of Transactions of the Bristol and Gloucestershire Society Journal for 1937, Volume 59, The Manor and Parish of Burnett (Qty: 3)Provenance: Both pieces were found during road widening between Keynsham and Corston, South of Bristol, in July 1922 (100 yards south of Burnett Cross Roads). The book included in this lot refers to the finding of the two pieces (pages 244-245). "During the road improvements a Saxon gold pendant, with some beads which crumbled on exposure, and a few fragments of bone, were found near the cross roads in the village. This ornament, which is in possession of the trustees of the Manor, is made of a thin circular plate of gold [sic], and is ornamented of two-ply twisted wire arranged in triple lines radiating from a central set stone of a dark purple colour. At the top is a small thin loop of wire from which it is suspended." There is also an article on this object (with illustration) in the Antiquities Journal, 1922, volume II (page 383). A printed copy of the article is included.
Lot 122
Gandhara Carving. Large carved schist stone head of Bodhisattva, from the Ancient Buddhist Kingdom of Gandhara, Pakistan 2/3rd Century, well carved with characterful face and elongated earlobes on integral block base, 21cm high (Qty: 1)Provenance: James Koo Galleries, Singapore. Found in the Swabi District, Northern Pakistan.
Lot 123
Gandhara Carving. A small carved schist stone head of Bodhisattva, from the Ancient Buddhist Kingdom of Gandhara, Pakistan 2/3rd Century, well carved with characterful face, halo and elongated earlobes, 14cm high (Qty: 1)Provenance: James Koo Galleries, Singapore. Found in the Peshwar District, Northern Pakistan.
Lot 128
Alabaster tablet. A Sabaean South Arabian alabaster stela, circa 1st-3rd century A.D., carved with three male faces in shallow relief, the face at centre flanked by left & right profile heads possibly of the same personage , with inscription beneath in sabaean script, with paper label attached to side with manuscript caption 'Sabaean. South Arabian carved limestone stela 200BC-100AD', with pitted sides where previously 'keyed' into wall or structure, 14 cm (height) x 26 cm (width) x 9 cm (depth, varying) (Qty: 1)The Sabaeans were a civilisation of people of South Arabia in pre-Islamic times, originally entering from the north. They were founders of the kingdom of Saba? the biblical Sheba, being mentioned in the books of Job, Joel, Ezekiel, and Isaiah. Excavations in central Yemen suggest that the Sabaean civilization began as early as the 10th–12th centuries BC. Saba? was rich in spices and agricultural products and had great trading routes by inland caravan and by sea. For centuries it controlled B?b el-Mandeb, the straits leading into the Red Sea, and also established many colonies on the African coast. The Sabaeans disappeared by the 6th century, as they were successively overrun by Persian adventurers and by the Muslim Arabs. A stele or occasionally stela is a stone or wooden slab, erected in the ancient world as a monument. Generally they were taller than their width, often being used for funerary or commemorative purposes. They were also used in ancient Greek and Roman government notices or as boundary markers. Private Collection, London.
Lot 13
Jewellers Stones. A vast collection of semi-precious stones, including 30 facet cut Sapphires, various sizes; 4 Ci trine 3 Aquamarines, 2 pink Sapphires, 1 Garnet, 1 Emerald, 4 Amethyst, 102 polished Opal cabochon, various sizes; 41 Tigers Eye cabochon, 47 Carnelian cabochon, 94 Black Onyx; 63 Blood Stone; 10 Aventurine cabochon and a large amount of additional stones, all stored in small plastic tubes or paper envelopes (Qty: a carton )
Lot 173
Plummer (Ivor, 1927-2018). Euphrosyne Resting, cast bronze sculpture, showing a nude female seated on a block of stone with a further square marble base beneath, 38cm high (Qty: 1)One of the original edition of 10, first exhibited in 1992 and included in the Royal Academy Summer Exhibition the same year.
Lot 224
Attributed to Francis Alleyne (1750-1815). Portrait of a Young Gentleman, oil on canvas, full-length portrait of a young man in grey wig, pale yellow waistcoat and breeches tied at the knee, navy frock coat, and white cravat, holding a black wide-brimmed hat in one hand and a whip in the other, against a stone pillar, with garden vista beyond, small area of paint loss to left of figure, re-lined, 46 x 33 cm (18 x 13 ins), framed, with later printed attribution label on verso (Qty: 1)Similar to a portrait of two Eton schoolboys in ad Montem dress by Alleyne sold at Christie's New York in 2018.French émigré Francis Alleyne was an itinerant portrait painter who made his living by taking his skills to the wealthy inhabitants of country houses and estates, particularly in the south east of England. Such clients were ready commissioners of Alleyne's distinctive small format, highly finished works in the French style which was so fashionable at the time. The artist exhibited a few paintings in London: at the Society of Artists of Great Britain, the Free Society of Artists, and at the Royal Academy. His works were often signed and inscribed on the back.
Lot 230
English School. Portrait of a Gentleman, believed to be David Peloquin (1699-1766), merchant & mayor of Bristol, circa 1740s, three quarter length oil on canvas portrait, relined, 127 x 102 cm (50 x 40 ins), gilt moulded frame (Qty: 1)David Peloquin was a wealthy merchant, the son of Stephen Peloquin and member of one of the Protestant Huguenot families that settled in England after they were expelled from France in 1685. He held the office of High Sheriff of Bristol in 1735 and Mayor of Bristol in 1751. He laid the foundation stone of St. George's Church, Kingswood in 1752. Peloquin died in 1766 at the age of 66 and there is a tablet in his memory in St Stephen's Church, Bristol, erected by his sister Mary Ann Peloquin (1706-1778).
Lot 267
Morley (George, active 1832-1863). Race horse in a stable, 1856, oil on board, depicting a bay horse with saddle and double bridle, before a stone wall with lattice mullioned window to right and part of an arched wooden door to left, signed and dated lower left, 23.5 x 30.5 cm (9.25 x 12 ins), framed (Qty: 1)
Lot 286
Harraden (Richard Bankes, 1778-1862). Two views in Cambridgeshire, 1823, two watercolour views, one of an attractive parsonage or country home, signed and dated 1823 lower right, 17.5 x 27 cm (6.9 x 10.6 ins), the second showing fisherman and rowers on a river with old stone bridge, unsigned, 17.7 x 27 cm (7 x 10.6 ins), matching old oak frames with gilt slip (Qty: 2)
Lot 287
Müller (William, 1812-1845). Woman in a Porch, 1831, watercolour, with traces of pencil, depicting a woman dressed in a black bonnet and gown, with a red scarf, seated in a large stone porch next to an oak door, signed and dated lower right, mounted, framed and glazed, together with another watercolour landscape, of a young woman feeding chickens in farmstead beneath the walls of a ruined castle, lightly toned and a few marks, 24.5 x 34 cm (9.75 x 13.5 ins), mounted, framed and glazed, backboard with printed label of The Horner Galleries, Sheffield, and modern manuscript label attributing the work to John Wykeham Archer (Qty: 2)NB: The second named item is thought to depict a woman feeding chickens beneath the walls of Rochester Castle.
Lot 320
Stone (Reynolds, 1909-1979). The Old Rectory, seventeen engravings by Reynolds Stone, Warren Editions, 1976, title, colophon, and seventeen wood engravings, each signed in pencil and numbered 139/150, each separately mounted, together with accompanying pamphlet entitled `Litton Cheney 1877, a poem by F T Colby', Warren Editions, 1976, 16pp., signed by Reynolds Stone and numbered 139/150, all contained in orig. cloth gilt drop-over bookbox, 4to (Qty: 1)'In addition to superb examples of craftsmanship and design, Reynolds Stone has done a number of wood engravings that record his delight in the trees and streams that surround his home. He has put his heart into them and I think they are the most beautiful things he has done. Seventeen of the original engravings are available in this perfectly produced portfolio' (Kenneth Clark).
Lot 64
Irish Hussars. An interesting presentation piece, made from a substantial piece of iron-ore, probably late 18th century, of rectangular form, the top inset with a semi-precious stone probably agate, with the front side with a Royal Coat of Arms, another with the badge of the 8th Royal Irish Hussars and the initials C G, the other side with a miner striking a rock with a hammer, signed M. Rodriguez and similarly but indistinctly inscribed on the base, approximately 8cm high x 9cm wide x 6cm deep and extremely heavy (Qty: 1)A curious item which could well have been made as a presentation gift for General Charles Grey, 1st Earl Grey, KB, who commanded the regiment from 1787-89 and from 1797-98.
Lot 627
Current SA80 Bayonet And Spare Scabbardssingle edged clipped point blade with lower wirecutter key. Blackened one piece socket with side release catch. Complete in its black composite scabbard with lower wirecutter mount. Front sharpening stone and side fold out saw blade ... Camo bayonet cover with internal frog ... White nylon dress scabbard and frog. 3 items.
Lot 669
Post WW2 US Aircrew Style Survival Knife.This example with 5 inch bowie style blade with serrated back edge. Hilt with steel crossguard and leather grip. Complete with leather scabbard incorporating sharpening stone. GC. ... Accompanied by a WW2 all metal 'Jack' knife. The blade dated 1941 and cutler's details of 'J. Rodgers & Son Sheffield' (2 items)
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