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Lot 210
DIAMOND SINGLE-STONE RINGThe emerald-cut diamond, set East to West, weighing 3.02 carats, within a brushed mount, ring size approx. I Footnotes:The Gem Testing Laboratory of Great Britain: F colour, VS2 clarity. Report number 9498, 6 September 1996.Please note this report is over 20 years old and may require updating.For further information on this lot please visit Bonhams.com
Lot 479
A NEO-CLASSICAL BLACK PAINTED IRON AND PARCEL-GILT ARMILLARY SPHERE decorated with ribbon-tied bows and swags, 168cm high x 45cm diameterThis armillary sphere appears in a photograph published in Country Life in 1909. The stepped stone base does not form part of the lot. The sphere is secured with simple metal pegs and is not fixed to the ground.
Lot 474
A STONE TROUGH 16th century or later, of rounded rectangular form, 70cm x 60cm; a reconstituted stone circular urn, 60cm diameter; and a collection of four quern stones, the largest 43cm diameter (6)The trough, the urn and two quern stones are located against the wall on the left as you come through the gatehouse with the church beyond. The two other quern stones are to the left of the white door in the stable cottage facing you as you come through the gate house.
Lot 28
AMBROSIUS BOSSCHAERT THE YOUNGER (1609-1645) A still life with flowers in a basket with a caterpillar and a beetle crawling along the stone ledge, monogrammed and dated 1645, oil on panel, 45cm x 60cm, in a mid-18th century giltwood frame carved and pierced with scrolls, rocaillework, leafy fronds and flowersProvenance: Ven House, Milborne Port, and with a label on the reverse indicating that it was originally hung in the study opposite the window at Ven.
Lot 24
A mid-20th century single stone diamond ring, the brilliant cut diamond measures approx. 7.7mm x 4.8mm deep, claw set in white metal to diamond set shoulders, the white metal shank not stamped, estimated diamond weight of principle stone approx. 1.80cts, clarity estimated VS2-SI1, colour estimated J/K, ring size M, weight approx. 3.7gCondition:Some general wear commensurate with age but no significant visible damage, refer to images
Lot 37
A late 19th / early 20th century three stone emerald and diamond ring, designed as a central square faceted emerald flanked to each side by an old cut diamond, all claw set in yellow metal to carved stylised heart gallery with engraved shoulders, the yellow metal shank not stamped, ring size K 1/2, weight approx 5gCondition:Emerald measures approx 7mm x 6.5mm x 4.5mm, some abrasion to the facet edges and a couple of small surface reaching fractures, small chip to the girdle on one edge, some internal inclusions, diamonds each measure approx 6mm diameter x 3.8mm deep, each estimated approx 0.90cts, clarity estimated approx SI1, colour estimated approx G-H, wear to claws and mount commensurate with age, general wear, refer to images
Lot 33
An early-mid 20th century single stone diamond ring, the cushion cut diamond measures approx. 8.3mm x 7.5mm x 5.5mm deep, claw set in white metal to split shoulders, the white metal shank not stamped, clarity estimated VVS2-VS1, colour estimated F-G, ring size Q, weight approx. 3.2gCondition:General wear but no obvious damage, estimated diamond weight approx. 2.60cts, refer to images
Lot 71
Braveheart Foundation RAF Squadron print. Approx 44 x 29cm. The Stone of Destiny returned to Scotland on 30th November 1996, St Andrews Day. As it crossed the esplanade of Edinburgh Castle 4 Tornado F3 aircraft of No. 43(F) Squadron flew overhead. The callsign was Braveheart Formation and crewed by 8 Scotsmen. . Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
![* Fishing. Messrs. Fores (publishers), Two Fishing Scenes: A Strong Stream and a Lively Fish [and] With the May Fly, March 1s](https://cdn.globalauctionplatform.com/910db78b-cd1e-4760-a5d0-b0dc011def41/3a354f35-114a-44e2-9052-b11e011e8812/468x382.jpg)
Lot 159
* Fishing. Messrs. Fores (publishers), Two Fishing Scenes: A Strong Stream and a Lively Fish [and] With the May Fly, March 1st 1886, two hand-coloured lithographs after R. M. Alexander, slight marginal spotting to the second image, each approximately 370 x 470 mm, uniformly framed and glazed, together with Giles (J.). To the Lovers of Angling, This Print of a Veteran of the Angle is with Respect, Dedicated by one of their Brethren, Isaac Walton, Thos. Mclean, September 1st. 1845, tint stone lithograph after James Inskipp, very slight staining, 365 x 455 mm, framed and glazed in a contemporary birds-eye moulding, with Tabertier (J.). Falls of the Cummel, A Fishing Scene in the Highlands, E. Gambert June 1st. 1852, tint stone lithograph after J. D. Harding, proof before title, 410 x 530 mm, framed and glazed in a near-contemporary stained oak moulding, plus Whymper (Charles). Six etchings of Fishing scenes, Leggatt Bros. 1891, six uncoloured etchings by Frank Paton on India wove, signed below the image by the artist and the etcher, slight spotting to the margins, each approximately 225 x 290 mm, uniformly framed in near-contemporary stained oak mouldings, with Clark (J.). Fishing in a Punt [and] Pike Fishing, Thomas McLean 1820 [ but later 19th-century impressions], two lithographs after H. Alken with contemporary hand-colouring, slight staining and spotting, each approximately 220 x 300 mm, framed with verre eglomisé glass, plus another six fishing related engravings and lithographs by or after Thomas McLean, R. Seymour and Newton Fielding, one duplicate, various sizes and condition, all framed and glazedQTY: (18)
Lot 174
* Hunt (George). View on the Thames, shewing Goding's New Lion Ale Brewery, The Wharfs, Shot Factories, and the Lambeth end of Waterloo Bridge, London: John Moore, December 30th, 1836, uncoloured aquatint by George Hunt after Francis Calcraft Turner, slight spotting, occasional marginal closed tears, slight creasing, 450 x 640 mmQTY: (1)NOTE:John Hickman. The Engravings of Charles & George Hunt 1820 - 1880. page 184.Goding's Brewery (or Lion Brewery) was built in 1836, to a design by Francis Edwards. The Goding family brewery, headed by Thomas Goding, was very successful during the nineteenth century. The site was particularly desirable as there was a waterworks nearby, which the Godings bought and incorporated into the brewery in 1853. The water used for brewing was sourced from the five wells inside the building. The brewery was taken over in 1924 by the brewers Hoare and Co., of Wapping, and was badly damaged by fire in 1931. It remained derelict until it was demolished in 1949. The Royal Festival Hall stands in its place today and the only evidence of the original brewery is the large lion visible on the top of the building, made of artificial Coade stone and is known as the South Bank Lion.
Lot 257
Roberts (David). Picturesque Sketches in Spain, taken during the years 1832 & 1833, 1st edition, London: Hodgson & Graves, 1837, 26 tinted lithograph plates (including pictorial title), lithograph dedication, publisher's advertisement leaf at end, armorial bookplate of Bibliotheque du Bon J. De Rothschild to front pastedown, lightly spotted, all edges gilt, contemporary purple half morocco, spine in compartments enclosing elaborate gilt foliation, purple morocco onlay bearing James De Rothschild's armorial to upper cover, extremities scuffed, folio (52 x 35 cm)QTY: (1)NOTE:Abbey Travel 152.According to Abbey Roberts 'worked on every stone, the figures of in many of them being entirely his own drawing; 'some' of the stones he erased entirely, so that the work took him seven months, instead of two as he had planned'.
Lot 404
Folio Society. His Dark Materials, 3 volumes, by Philip Pulman, 2008, 8vo Alice’s Adventures in Wonderland & Through the Looking Glass, 2 volumes, by Lewis Carroll, 1961, 8voTo Kill a Mockingbird, by Harper Lee, 1996, 8voThe Spanish Inquisition, by Henry Kamen, 1998, 8voThe Rosetta Stone, by Robert Sole, circa 2006, as new in original plastic wrapper, 8vo, together with 82 further Folio Society publications, 69 volumes in original cloth & slipcases, 13 vomlumes lacking slipcases, 4to/8vo, G/VGQTY: (90)
Lot 361
* English playing cards. Standard pattern type I, Henry Hart, circa 1780, a complete deck of 52 stencil coloured woodblock playing cards (French suits), single figure courts, KH with faint initials HC to axe-haft, Exportation Garter type A8 ace of spades with QVI (die no.44, 1st recut), one way pips, browned, rubbed and soiled, 3 pip cards & JC with worming centrally (that to JC not full thickness), 2 pip cards & KC with single worm hole centrally, 2 pip cards & KS with small surface loss (from single worm graze), some slight delaminating (interestingly revealing 4 layers, not the 3 expected), versos plain white, each card 94 x 64 mm, together with: Standard pattern type II, Josiah Stone, circa 1812, 51 (of 52, without 10 of diamonds) stencil coloured woodblock playing cards (French suits), single figure courts, KH with initials HM to axe-haft, Garter type A5 ace of spades (die no.9, not recut), browned, soiled and worn, some creases and corner losses, larger loss to 5S (one suit sign lost), additional 5D (from another similar pack), versos plain white, each card 93 x 64 mm, with contemporary two-piece box covered in patterned paper, plus: Standard pack extension cards, unknown makers, circa 1810?, three sets of 24 woodblock playing cards, each apparently made to extend a standard pack for an as yet unknown game, each set with 3 suits of 8 (French suits), comprising pip cards 11-18 in hearts, clubs and diamonds only, the first set with the usual layout of pip signs and an additional central X to each card (ie. 10 + a number of pips from one to 8), one set with a single pip sign to each card and the Arabic numerals 11-18 beneath, and the final set similar to the second but cards 11 & 12 each with 11 or 12 pip signs instead of a numeral, the first set browned and soiled, second set with very scarce minor spots, third set lightly toned, a little dusty, very scarce minor spots, versos plain white, each card 93 x 64 mm (1st set) or 92 x 63 mm (2nd & 3rd sets), with: Standard pattern pack, James English, circa 1880, a complete deck of 52 colour lithographed playing cards (French suits), double-figure type E2 courts, English type E2.2 ace of spades, indices, toned, soiled and worn, some tears and losses, rounded corners, versos with portrait of a Victorian army general (possibly Wolseley) within decorative border, in pale burgundy, each card 88 x 63 mm, and with a pack from the Peerless Card Co., circa 1885, 48 (of 52, without K & JC, Q & 10D), poor condition, plus a deck by Hunt's Card Manufacturing Company Ltd, circa 1875, 52 complete, type H1 courts, soiled, a quantity of cards from each deck mounted with photo corners onto 6 display boards/cards, encapsulated in clear plastic (not examined out of boards), the remainder in plastic bags, the boards 54.5 x 42 cm and similarQTY: (8)NOTE:Provenance: Collection of Dudley Ollis.First item: Plainbacks A30. Hart aces of spades can often be found with cards made by other (sometimes American) makers. However this appears to be a genuine Hart deck and therefore an relatively uncommon survival from this 18th century card maker. Second item: Fournier, British 107; Plainbacks B7.Third item(s): These cards apparently were produced for an unknown card game in which the spades and court cards would be discarded from a standard pack, and the remaining suits extended to 18 by using these cards.
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