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Lot 317

Large stone planter

Lot 318

Nice stone planter

Lot 319

Large stone garden bench

Lot 321

Large stone garden bird bath

Lot 324

3 stone garden ornaments

Lot 4

Gents 9ct gold stone set ring. Featuring 13 round light purple stone and opal set in centre 7.4g size T

Lot 5

Ladies 9ct gold fire opal and diamond cluster ring, comprising of oval centre stone surrounded by 8 round brilliant cut diamonds all claw set 3.14g size M

Lot 58

A pair of silver and red stone cuff links

Lot 6

Ladies 9ct gold Stone set pendant and 9ct gold fine chain. Pendant set with oval citrine, round blue topaz, round peridot, round aquamarine and amethyst

Lot 7

Ladies 9ct gold blue stone and diamond cluster ring, comprising of oval blue stone set in centre surrounded by 16 round brilliant cut diamonds 4.49g size L1/2

Lot 79

Vintage 18ct gold and white stone Torpedo shaped ring 3.1g size O

Lot 82

9ct gold white stone heart pattern half eternity ring size M 1.5g

Lot 107

A pair of carved stone bookends each with circular applied pewter roundel's one bearing the wording this stone came from the House's of Parliament and the other with RAF insignia

Lot 257

A cast composite stone birdbath, modelled as a transverse log section on a naturalistic log base. 64 cm high, 46 cm diameter.

Lot 263

A cast composite stone garden ornament as a large boot. 42 cm long

Lot 299

An 18 ct gold and carnelian ring with claw set oval stone +/- 3 carats. Size O.

Lot 302

A yellow metal (one hallmarked) diamond three stone crossover ring, 0.20 carts approximately, ring size O

Lot 304

A white metal filigree and mottled green stone brooch and earrings

Lot 311

A George Jensen silver ring, model no 46A (lacking inset stone cabochon, but retaining the original George Jensen box), ring size L/M

Lot 318

A white metal black stone and marquise set pendant and earrings of near matching design

Lot 321

An Eastern carved green stone (jade type), fish pendant with gilt metal loop, 3.5 cm

Lot 335

A 19th century .935 Swiss silver cased ladies pocket watch, a gilt metal metal pocket watch and a blood stone and agate swivel watch winder

Lot 343

A 9ct gold multi stone gem set ring, to include emerald, garnet, amethyst and illusion set diamond, ring size N/O, 1.9 grams

Lot 344

A 9ct gold blue stone and diamond set ring, marked 375, ring size N (bending to shank) 2.7 grams

Lot 345

A 9 ct gold and diamond three stone ring, the diamonds totaling 0.20 carats, ring size N and a weight of 2.8 grams

Lot 347

A 9ct gold white and purple stone ring, size K, (bending to shank), 2.2 grams

Lot 355

A suite of 925 grade white metal blue stone and white stone jewellery, comprising necklace, ring, pendant and clip on earrings.

Lot 367

A silver mounted amethyst oval pendant, the faceted pale stone +/- 5 carats in pierced claw setting with chain.

Lot 370

A white metal mounted agate circular Celtic shield brooch, with cabochon central stone, 3.5 cm diameter.

Lot 372

A mid century white metal mounted smoky quartz brooch of modernist design, the central stone +/- 3 carats, 4 cm high.

Lot 397

A 9 ct gold mounted garnet five stone ring of Victorian design, the textured shank set with five graduated oval stones Size M.

Lot 398

A silver gilt mounted garnet five stone ring, Size O.

Lot 400

A 9 ct gold and citrine ring, the baguette cut stone +/- 2 carat. Size P.

Lot 530

An Eastern carved stone cup with cover, carved with dragons (boxed).

Lot 175

An 18ct gold and CZ ring. Central square cut stone in a four claw setting. 1.5g Size K.

Lot 177

An 18ct gold and single stone diamond ring in an illusion setting. 1.5g. size J.5.

Lot 184

Two silver brooches and a white metal hard stone brooch.

Lot 21

Stone animals and a gnome. Animals include: deer, owls, frogs and a otter.

Lot 211

An unmarked platinum and diamond three stone diamond ring. centrally set with 5mm old brilliant cut diamond with two 4mm diamond accents.

Lot 22

A stone bird bath of a cherub holding up a dish. H:60cm.

Lot 23

A decorative garden stone castle H:62cm

Lot 233

A Scottish hard stone claymore brooch.

Lot 24

A stone figure of a seated wizard H:60cm

Lot 245

An 18ct gold seven stone diamond ring set with line of brilliant cut diamonds each approximately 3.5 mm. 2.2g Size M.

Lot 26

A stone shell shaped bird bath being held up by three cherubs. H:52.5cm

Lot 27

A stone pedestal bird bath or planter. H:69cm

Lot 28

A stone bird bath or planter base of female figures. H: 68cm

Lot 286

Four 9ct gold rings to include a single stone diamond ring, half set diamond eternity ring and two ruby set rings. 8.4g

Lot 29

A stone statue of a lion. H:54cm

Lot 31

A stone garden gnome with wheelbarrow. W:30cm x H:42cm

Lot 561

A hard stone Cornish lighthouse. H:20cm

Lot 204

Gérard Mannoni (French, 1928-2020), an aluminium coffee table,with rectangular plate glass top, signed and numbered III/VIII 34 x 113 x 70cmFootnote: Provenance: From the collection of Claudine Auger (1941-2019), Belgravia, London Sculptor and designer Gérard Mannoni was born in 1928 to a rapidly mutating material world, at a time when new technologies and resources were being keenly explored by creators across all disciplines. This context would prove important for Mannoni’s career as, after his formal training at several important institutions and his apprenticeships in the workshops of Ossip Zadkine and Marcel Gimond, Mannoni would join Groupe Espace. Led by André Bloc, the members of Groupe Espace included sculptors, artists, and architects, all of whom were united in their belief that art and architecture should be a social, rather than an individual, phenomenon. Mannoni’s early works were chiefly worked in steel, concrete, and stone, though from 1968 these materials were largely abandoned in favour of glass and aluminium. Through their architectural and neo-plastic forms, Mannoni’s sculptures and designs clearly demonstrate both the influence of the Groupe Espace and the 20th century preoccupation with the exploitation of new technologies and materials.

Lot 301

§ Dennis Creffield (British 1931-2018)Ripon Cathedral: The West Front, 1987 charcoal 76 x 56cmFootnote: Provenance: United Oxford & Cambridge Universities Club, London With Flowers East, London Exhibited: London, Hayward Gallery, English Cathedrals: Creffield, 1988-1990, cat.no.53 "No artist has ever before drawn all the English medieval cathedrals - not even Turner. I've dreamed of doing so since I was a student" - Dennis Creffield Dennis Creffield’s artistic abilities were recognised from an early age and in 1947, aged just 16, he was offered a place to study under David Bomberg at the Borough Polytechnic. Under Bomberg, Creffield flourished, developing his own distinctive style and in 1949, he was made an official member of the Borough Group. Between 1957 and 1961, Creffield trained at the Slade School of Art, where he was awarded the Tonks Prize for Life Drawing and the Steer Medal for Landscape Painting. Upon the recommendation of Herbert Read, from 1964 to 1966 Creffield was the Geography Fellow in Art at the University of Leeds. In 1987, the South Bank Board, known today as the Arts Council, commissioned Creffield to record the twenty-six medieval cathedrals of England produced between 1040 and 1540. Although the commission took two years and a 10,000-mile cross-country journey in a caravan to complete, Creffield, having become captivated by ecclesiastical architecture, was not satisfied and continued to produce charcoal drawings of churches and cathedrals, both in the UK and on the continent, until the late 1990s. Describing the structures as being like “giants (or angels)” (English Cathedrals, South Bank Centre: London, 1987, p.6), Creffield aspired not to capture the buildings simply as they appeared, but rather aimed, through his spirited and intuitive mark making, to express the feeling of being in the presence of these behemoths, now naturalised like sleeping giants into the English landscape. Unrestricted by the limitations of commission, the charcoals created post-1987 demonstrate Creffield’s increased proclivity towards abstraction. Largely unrestricted by medium and subject, Creffield’s works are reliably vigorous, energetic and marked by their sense of immediacy. Today his work is held in major collections across the globe, including the Tate Gallery, the British Museum, and The Los Angeles County Museum of Art.Condition report: The West front is supberb and massy - like the outcrops of millstone grit you find in Yorkshire. Even Scott's complete refacing of it with a nasty workhouse grey stone hasn't spoilt it because its proportions are spot on.

Lot 59

John Spielman (British, born 1944), Space 4,a carved wooden sculpture, signed to the underside of ebonised plinth base, 41cm high; together with another abstract carved sculpture on a circular stone base, signed 'J SP' to base, 18cm high

Lot 199

Bank of England, Jasper Q. Hollom, £5, housed in a blue leather presentation wallet, 21 February 1963, serial number A01 000003, Queen Elizabeth II at right, reverse blue, seated Britannia at centre, exceptionally minor handling and with a hint of toning in some marginal areas but overall uncirculated and a wonderful note. The wallet has a few scuffed areas but is in superb condition inside and out. EPM B297 £12,000-£16,000 In 1956, The Queen agreed to her portrait appearing on forthcoming Bank of England notes. The 10/- and £1, issued in 1960, were the first, followed by this new £5 in 1963. The note was designed by Reynolds Stone and is very much in keeping with the 10/- and £1 already designed by Robert Austin. This serial number A01 000003 note was presented to Harold Macmillan, shortly before the premature end of his second term as Prime Minister in 1963. Serial numbers one and two are housed in the Royal Collection, having been presented to The Queen and the late Duke of Edinburgh. This lot represents the lowest serial number for any £5 Bank of England note featuring The Queen available to commerce, making it an important and remarkable piece of numismatic history. Along with the previous lot in this auction, this is the first time that a serial number three note, for a new design, has ever been offered on the open market.

Lot 297

Harry Potter and the Philosopher's Stone, Bloomsbury, 1997, by J.K. Rowling, uncorrected proof copy of the first edition book in original white and yellow wrappers, one of approximately 200 copies produced, includes error to title page "J.A Rowling", 224pp, numbered 10 9 8 7 6 5 4 3 2 1.

Lot 344

Film premiere brochures, press kits and scripts including Star Wars Episode 1 Premiere Brochure (limited edition of 3000), press kits/brochures for My Fair Lady, Harry Potter and the Sorcerer' Stone and Chamber of Secrets, 2001: A Space Odyssey, Monsters Inc, Moulin Rouge, The Matrix, Trainspotting, Spider-Man,Fargo, Eyes Wide Shut, Joan of Arc, Batman Begins, Planet of the Apes (2001), Sin City, O Brother Where Art Thou, Miller's Crossing, The Barber, Bound, The Fifth Element, scripts for Memento and The Professional (Leon).

Lot 84

Huge collection of well over 650 dance / indie related vinyl, mainly made up of 12 singles along with a few vinyl LPs and compilations. Massive range of artists and styles to include everything from The Stone Roses and Spacemen 3 through to The Orb, Jamiroquai and Kylie Minogue. Plenty of promos and white labels alongside the commercial releases. Condition is hugely varied with many in poor condition through to Ex.

Lot 12A

18 Vinyl LPs including King Crimson Lark's Tongues In Aspic 1st pressing, In The Court of the Crimson King 2nd pressing, Lou Reed Transformer, Jimi Hendrix Stone Free and Band of Gipsies, Geordie Don't Be Fooled by the Name, David Bowie Aladdin Sane, Beatles Love Songs and others. (18)

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