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Click here to subscribeA sapphire and diamond three stone ring, the cushion-shaped sapphire weighing 3.51 carats set within trapeze-cut diamond shoulders in platinum, size N Accompanied by SSEF report no.121517, dated 25th November 2022, stating that the sapphire is of Kashmir origin, with no indications of heat treatment.
A Victorian diamond and 18ct gold double stone set ring, comprising two rows of old cut diamonds, total diamond weight approx 0.60ct, width approx 17mm, size J, total gross weight approx 3.3gms Further details: stones present, chips and nibbles to diamonds and wear to shank thinning, evidence of sizing, wear and missing claws
A 9ct gold and diamond three-stone ring, size M, gross weight approx 2.1gms; a 9ct white gold and sapphire seven-stone ring, size L, gross weight approx 2.6gms; a 9ct gold and white spinel eternity ring, size J, gross weight approx 2.6gms (3)Further information: wear and tear commensurate with age, all stones and settings intact, white gold ring needs re-rhodium plating; diamond ring misshapen
A 9ct gold, diamond and sapphire ring, size Z, gross weight approx 2.2gms; a 9ct gold and garnet ring, size N, gross weight approx 4.8gms; a 9ct gold, garnet and white spinel ring (stone lacking), size L, gross weight approx 1.5gms; and a 9ct gold and garnet signet ring, size L1/2, gross weight approx 3.1gms (4)Further information: wear and tear commensurate with age, sapphire and diamond ring been resized; one white stone missing from the half eternity
An 18ct gold ruby and white stone square cluster ring, the four oval-cut rubies surrounded by round cut stones probably CZ, head approx 11mm x 18mm, size M, maker AMG, Birmingham 2001, gross weight approx 9.4gmsFurther information: good condition, wear and tear commensurate with age, all stones present, some of the white stones have slipped from their settings
A three stone diamond and 18ct gold ring, comprising a central claw set princess cut diamond approx 0.30ct with two smaller princess cut diamonds set one to each side, combined total diamond weight approx 0.30ct, to an 18ct gold band, size M, total gross weight approx 3.4gms Further details: good all stones present and intact, minor wear and tear commensurate with age
A sapphire and diamond pendant, comprising an oval stone partially rub over set with a diamond set top, length approx 15mm, to a fine link 9ct gold chain, 18'', along with a pair of matching earrings, suspended from pear shaped topaz, on post and scroll fittings, (one is silver) combined total gross weight approx 4.7gms Further details: all stones present and intact, wear and tear commensurate with age
A collection of 9ct gold jewellery to include a chain with swivel clasp, length approx 21'', weight approx 17.6gms unmarked assessed as 9ct gold, along with an amethyst and 9ct gold ring, two 9ct gold and CZ pendants and a single 9ct gold stone set earring combined total gross weight approx 3.9gms (1 bag)Further details: wear and tear commensurate with age
A collection of 9ct gold rings to include a three stone garnet ring, size Q, garnet set serpent ring, size Q1/2, ruby set ring, size N, along with four others set with various stones a/f as stones missing, a 9ct gold band, size O, combined total gross weight approx 22.8gms, along with two 18ct gold rings set with gems, size Q1/2, and an 18ct gold and platinum band, size O, combined total gross weight apprpox 8.5gms (1 bag)Condition report: some with missing stones, wear and tear commensurate with age
A collection of 9ct gold dress rings to include a synthetic blue spinel solitaire (slight chip to stone, size Q1/2, a 9ct gold opal and garnet dress ring, size R1/2, (shank bent) garnet and 9ct rose gold ring, size R, diamond set 9ct cluster ring (one stone missing) size Q, total gross weight approx 11gms and an 18ct gold and diamond set cross over ring (one diamond missing) size S, total gross weight approx 2.4gms Further details: wear and tear commensurate with age
A garnet and diamond 18ct oval cluster ring, size M, total gross weight approx 4.0gms, a 9ct oval cut garnet ring, size L, a 9ct opal and garnet oval cluster ring and a 9ct garnet cluster ring combined total gross weight approx 8.7gms and a white metal and garnet set large cluster ring set with oval stones, size R1/2, (5)Further details: stone missing to cluster ring, wear and tear commensurate with age
A 20th Century large scale model of Bounty showing the Mutiny, coloured figures on realistic seascape (AF - damages), the case 98cm wide x 65cm high, the lot also includes black and white image of William Bligh's grave stone; an print of Fletcher Christian; a copy of the booklet by J (Jess) E Chandler - The Story of the Mutiny of the Bounty together with a condolence letter addressed to Mrs Rose Chandler from MGM HMS Bounty's Jess Frank (4)
A collection of gold rings to include a diamond and 18ct gold cross over ring, set with a single round brilliant cut diamond weighing approx 0.10ct, size K1/2, along with an 18ct gold diamond weighable ring, damaged with stone missing, total gross weight approx 1.5gms and a 9ct gold synthetic blue sapphire set cluster (AF stone missing) combined total gross weight approx 2.2gms
A Edwardian diamond and 18ct gold two stone ring, comprising two old cut diamonds rub over set, total diamond weight approx 0.20ct, size N, total gross weight approx 2.5gms, along with a diamond and 18ct gold three stone illusion set ring, size N, total gross weight approx 2gms, together with three 9ct gold and gem set rings including an emerald and opal cluster, (setting damaged) size I, a cameo ring, size I1/2, and a garnet cluster, size I1/2, combined total gross weight approx 6gms all cased Further details: wear and tear commensurate with age
An early 20th century 9ct gold ladies wristwatch on leather strap, pair of 9ct gold two tone earrings along with a pair of onyx set 9ct gold stud earrings and pair of 9ct gold drop earrings, 9ct gold pin along with cubic zirconia gold plated pendant and chain and gilt stone set drop earrings (1 bag)
A collection of three gold rings to include a Victorian ruby and pearl 15ct gold double row ring, size M, total gross weight approx 2.8gms, along with a three stone opal and gold ring possibly 18ct gold, size L, 2.6gms and a pearl set goold ring, possibly 18ct gold, size I, all in vintage cases and an Egyptian themed silver and enamel locket (1 bag)Further details: wear and tear, sizing to shanks, one opal broken, some replacement stones abrasions
A collection of costume jewellery comprising a 9ct gold cross and broken chain, weight approx 3gms, gold back and front plated seal pencil, locket, silver jewellery, including silver gilt necklace, brooches with leopard motif set mother of pearl and onyx, silver charm bracelet, chains, stone set earrings, pendants etc, white metal and gilt metal jewellery, vintage paste set brooches, sporting medal, dress watches, brass sovereign case along with Constabulary faithful service medal, commemorative coins and etc (1 bag)
I.W.C- a vintage International Watch Company stainless steel gents watch, round cream stone dial with applied gold tone Arabic/baton and pyramid number markers, dial approx 29mm, case approx 33mm, inscribed Schaffhausen, on later stainless steel American articulated woven link strapFurther details: winds and working at time of report, foxing/discolouration to dial, scratches to glass, replacement crown, wear and tear commensurate with age
A collection of silver and white metal jewellery to include Scottish silver hardstone brooch, silver Victorian locket, fob pendants, chains, brooches, early 20th century pendant set with amethyst, silver gem set rings including butterfly wing, marcasite, paste, cameo, etc, (some stone stones missing to some) replica Art Nouveau silver brooches, along with white and continental metal chains, locket, filigree jewellery including bracelet set with enamel details and turquoise set bracelet, silver nail file (1 bag)Condition report: wear and tear commensurate with age
A collection of contemporary stone set silver jewellery including four coral pendants and coral set bracelet along with two similar drop pendants one set with onyx and the other with amethyst comprising oval and pear cut stones and a agate bead and silver bracelet (1 bag)Further details: wear and tear commensurate with age
A collection of silver jewellery to include a ladies early 20th century silver open faced pocket watch, white enamel dial, case approx 38mm, key wind along with key, along with a silver organic shaped necklace, bracelet and earrings set, together with a silver charm bracelet along with various rings, white metal items, silver stone set bracelet, brooches etc (1 bag)
A large collection of silver jewellery to include bangles and cuffs, various lengths of snake chains, stone set jewellery including cubic zirconia set pendants and earrings, rose and yellow gold plated silver heart charms, bangles, bracelets, stone set jewellery including turquoise, rhodonite, blue lace agate, peridot, citrine, Lapis, coral, Dalmatian stone, moonstone and onyx, along with a glass jewellery to include a Pistachio pendant on silver collar etc (1 bag)
A Victorian Scottish hardstone knot brooch, length approx 70mm, C scroll and pin (possible modification) unmarked assessed s silver, along with a Lalique red glass heart and ribbon pendant in original case (2)Further details: good stones to brooch present one stone cracked wear and tear and tarnish, Lalique good
A glass filled ruby and diamond three stone 18ct gold ring, claw set oval stone with single round brilliant cut diamonds set either side, weighing a total approx 0.50ct, size N, total gross weight approx 3.4gms Further details: the glass filed ruby with crazing to surface, chips to girdle, heavily marked
A three stone sapphire and diamond ring, comprising a central round cut sapphire approx 5mm, with single old cut diamonds set either side, total diamond weight approx 0.40ct, size J, total gross weight approx 2.4gms Further details: stones present, sapphire abraded to facet edges, thinning to shank wear and tear commensurate with age
Hugh Keays Byrne signed 12x8 Mad Max colour photo. Hugh Keays-Byrne (18 May 1947 - 2 December 2020) was a British-Australian actor and film director. A former member of the Royal Shakespeare Company, he was best known for playing the main antagonist in two films from the Mad Max franchise: Toecutter in Mad Max (1979), and Immortan Joe in Mad Max: Fury Road (2015). He also played Toad in the 1974 biker film Stone, and Grunchlk on the science fiction series Farscape. Good condition Est.
Joanna Lumley signed 10x8 colour photo. Dame Joanna Lamond Lumley DBE FRGS (born 1 May 1946) is an English actress, presenter, former model, author, television producer, and activist. She won two BAFTA TV Awards for her role as Patsy Stone in the BBC sitcom Absolutely Fabulous (1992-2012), and was nominated for the 2011 Tony Award for Best Featured Actress in a Play for the Broadway revival of La Bête. In 2013, she received the Special Recognition Award at the National Television Awards, and in 2017 she was honoured with the BAFTA Fellowship award. Good condition Est.
Sharon Stone signed 10x8 colour photo. Sharon Vonne Stone (born March 10, 1958) is an American actress. Known for primarily playing femme fatales and women of mystery on film and television, she became one of the most popular sex symbols of the 1990s. She is the recipient of various accolades, including a Primetime Emmy Award, a Golden Globe Award and a nomination for an Academy Award. She received a star on the Hollywood Walk of Fame in 1995 and was named Officer of the Order of Arts and Letters in France in 2005 (Commander in 2021). Good condition Est.
Sir George James Frampton, RA (British, 1860-1928): A rare and apparently unique patinated bronze bust of St. Georgedated 1905the young male saint clad in armour with downcast eyes, his helmet with deep visor adorned with chain mail, his breastplates with two buckled straps, his backplate with a single buckled strap, his right shoulder raised, the arms erased, the rear signed and dated G.FRAMPTON, 1905, 38.5cm high overallFootnotes:Provenance: By family repute gifted by the sculptor to the vendor's great grandfather, John Henry Frederick Bacon, ARA (British, 1865-1914)Thence by descent to the vendor.Frampton and St George:The present lot, dated 1905, appears to be a cast bust reduction study for the smaller than life size bronze figure of St George on the King Edward VII Memorial in Northampton which was unveiled by King George V in 1913. The warrior saint is depicted on the monument as a slender, beautiful young man in elegant armour and there are undoubtedly influences of Frampton's contemporary Albert Gilbert who produced his own figure of St George for the Prince Albert memorial in the chapel at Windsor, dating from some ten years earlier. Frampton's full length figure of St George for the Northampton monument holds his right arm aloft as if indicating a weapon being raised above his head (originally the figure held a long sword, almost the height of the figure - now lost) and includes full armour and shield. Although the offered bust mirrors the pose of the full figure with the indication of an upheld right arm, these are not included in the composition. As such the feature of the neatly erased arms to the bust perhaps suggests that the cast, as a finished composition, may have been taken from the working model, perhaps as a gift. This is also confirmed by its earlier date (1905) in comparison to the monument (1913). In addition the use of St George as figural theme was not unique to the Northampton monument. Frampton's interest in St George as a theme however dates back to the late 1890s as he adapted his figure of the saint from a statuette of St George that surmounted the orb held by Queen Victoria on his famous and highly acclaimed Calcutta Memorial commissioned to commemorate the Diamond Jubilee. Although the statuette differs from the Northampton figure in that the right arm of the former is not raised, its influence is still undoubted. The importance of this small statuette to the overall composition is certainly felt by the writer of The Introduction to Royal Academy Pictures in 1899 who stated that statuette 'is the one power in the art world that sees irresistible, and its influence is daily becoming more convincing.Similarly, Frampton later used his figure of St George from the Northampton monument as the basis of his Maidstone War Memorial, with a near identical St George used in similar pose but holding a flagpole in place of a sword which was inaugurated in 1922. Sir George James Frampton, RA (British, 1860-1928):A key figure in the New Sculpture movement that championed dynamism and physical realism in sculpture, Sir George Frampton is best known today for his statue of Peter Pan, installed in Kensington Gardens.Frampton was born into a family of stone carvers. He initially worked in an architect's office before deciding to follow his father's profession. He studied sculpture at Lambeth School of Art and the Royal Academy Schools, where he met the artist Christine Cockerell. The two married in 1893 and their son, the painter Meredith Frampton, was born the following year. Frampton's reputation rose rapidly and he attracted early acclaim for his skilled use of many different materials, such as in his 1899 polychromatic bust, Lamia. Together with Lord Leighton, Sir Alfred Gilbert and Hamo Thornycroft, his work was seen as part of the 'New Sculpture' movement and was characterised by a sense of dynamism and layers of rich symbolism. After Queen Victoria's death in 1901, Frampton was commissioned to produce a bronze portrait bust to be installed in Calcutta and a full-length statue for memorials in Winnipeg, Merseyside and Leeds. He was elected a Royal Academician in 1904 and knighted two years later. Frampton enjoyed collaborating with architects and carried out decorative friezes for many public and private buildings, including Lloyd's Registry of Shipping, London (1898- 1901).In 1912, Frampton was commissioned by J.M. Barrie to produce a sculpture of Barrie's beloved character Peter Pan, who had first appeared on the stage eight years earlier. Barrie saw the sculpture as a gift for the children of London, and took out an announcement in The Times on the morning of its instalment, reading: 'There is a surprise in store for the children who go to Kensington Gardens to feed the ducks in the Serpentine this morning ... a May-day gift by Mr J M Barrie, a figure of Peter Pan blowing his pipe on the stump of a tree.' Frampton died in 1928 and his son Meredith took over his studio. Two years later, a memorial to him was installed in St Paul's Cathedral, showing a child holding a miniature version of Frampton's beloved Peter Pan.John Henry Frederick Bacon, ARA (British, 1865-1914)The second son of the well-known lithographer, John Cardanall Bacon, John Henry Frederick Bacon established himself in his teenage years as a gifted black-and-white illustrator and undertook a professional tour of India and Burma. He studied at Westminster School of Art, under the painter and art teacher Frederick Brown (British, 1851-1941), and at the Royal Academy Schools, winning the Creswick Prize for Landscape Painting in 1888. A year later, he began to exhibit regularly at the Royal Academy of Art. He was elected an associate of the Royal Academy in 1903.Bacon and his wife lived at Pillar House, Harwell, Berkshire but returned to London in 1899, living in Hampstead before moving to St John's Wood. It was during the 1890s that Bacon moved back to illustrating, working on books and contributing to periodicals. Bacon contributed to some significant editions of the works of Charles Dickens, including Dombey and Son, Little Dorrit and Martin Chuzzlewit for Gresham's Imperial Edition of 1901.Bacon's images helped construct perceptions of nation and empire, as in his most famous paintings – The City of London Imperial Volunteers Return to London from South Africa (1900, Guildhall) and the Coronation Portrait of King George V and Queen Mary (1912, Buckingham Palace). He was awarded the Royal Victorian Order in 1913.It is very likely that Frampton and Bacon were close artistic colleagues and interacted regularly, perhaps especially when Bacon moved back to London. A sketch of Frampton by Bacon dating from 1901 (The Studio Volume 22, The Offices of the Studio Ltd. London 1901) confirms that the sculptor would have sat for the artist around this time. In addition verbal recollections and reminiscences passed down through the Bacon family to the present vendor confirm that members of the Royal Family frequently came for portrait sittings at the family's London home in the early 20th century. As such, given that the bust of St George was probably gifted to Bacon by Frampton, it seems most likely that Frampton and Bacon, with their multiple commissions for Royal monuments and Royal portraits, would have had much in common and may well have even have been close friends if their paths crossed regularly.For further information on this lot please visit Bonhams.com
Morell, Pit (1939 Kassel)"La Moreneta" (Die schwarze Madonna von Lluc, Mallorca). Lithografie, 1997. Unterhalb der Darstellung rechts in Blei signiert und auflagenbezeichnet. In der Darstellung im Stein unten rechts ausführlich bezeichnet und datiert. Exemplar 20/500. Hinter Glas gerahmt. 38 x 52 cm (Ra). Humorvolle motivische Kombination aus einer Gruppe deutscher Touristen, die ein Flugzeug besteigen und dem Abbild der schwarzen Madonna des Klosters Lluc auf Mallorca, der wunderbringende Kräfte zugesprochen werden. La Moreneta - The black Madonna from Lluc, Mallorca. Lithograph, 1997. Signed in pencil below the motif right. Titled and dated in the stone bottom right. Copy 20/500. Framed behind glass. Humoristic combination of a group of German tourists entering a plane and the sculpture of the black Madonna who is said to have magic power.
Pabst, Karl (19./20. Jh)"Jann vom Moor". Lithografie, um 1920. Unten links im Stein monogrammiert. Auf Untersatzpapier, hier unterhalb der Darstellung rechts in Blei signiert, links betitelt. Hinter Glas in Eichenholzrahmen. 53 x 63 cm (Ra). Angebräunt. Leicht genrehafte Szene eines Kahnführers an den Kanälen des Worpsweder Moors. Jann from the moors. Lithograph, around 1920. Monogrammed in the stone bottom left. Mounted on supporting paper, here signed in pencil below the motif right, titled left. Framed behind glass. Tanned brownish. Genre scene of a man handling boats in the canals of the moors around Worpswede.
Heckendorf, Franz (1888 Berlin - 1962 München)Morgenstunde in der Oase. Farblithografie, 1919. Unten rechts im Stein signiert und datiert, unten links mit Blei nochmals signiert. Im Passepartout hinter Glas gerahmt. 51 x 55 cm (Ra). Rahmung angeschmutzt. Aus der Mappe "Sonne", Verlag E. Wasmuth Berlin 1919. Zweifarbige Schilderung einer leicht besiedelten Oase in bergiger Wüstenlandschaft mit expressiver Abbildung des Strahlenkranzes der im Hintergrund aufgehenden Sonne. Morning hour at the oasis. Colour lithograph, 1919. Signed and dated bottom right in the stone, signed again in pencil bottom left. Framed behind glass, frame a bit dirty. From the portfolio "Sun", publ. 1919 at Wasmuth, Berlin. Bicolour illustration of a colony in an oasis surrounded by desert mountains with expressive description of the beams of the rising sun in distance.
Steinabrieb, China, 20. Jh.Mehrfarbige, detaillierte Frottage eines von vier Männern unter Vogelflug gezogenen rituellen Wagens mit Trommler. Auf Japanpapier. Unsigniert. Das Motiv wohl aus mongolischer Zeit Chinas. Hinter Glas gerahmt. 58 x 66 cm (Ra). Stone rubbing, China, 20th century. Multicoloured frottage of a ritual waggon with drummer, pulled by four men. On fine paper, unsigned. The motif pres. from China's mongolian time.
John Piper C.H. (British, 1903-1992)Mareuil-sur-Lay I signed 'John Piper' (lower right), indistinctly titled 'Mareuil-sur-Lay' (lower left)pen and ink, ink and pastel on paper15 x 20cm (5 7/8 x 7 7/8in).Footnotes:ProvenanceWith Stone Gallery, NewcastleSale; Christie's, South Kensington, 6 December 2000, lot 6, where acquired by the present owner Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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