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Lot 53
Collection of tie pins, including a 9ct goldstone tiepin, 9ct amethyst tie pin, 9ct lozenge tie pin on base metal pin, banded agate tie pin in yellow-metal setting on a 9ct pin, 9ct opal 6 x 4mm together with eleven other tiepins (not gold), together with six tie pin boxes. This lot includes a Victorian 9ct gold and turquoise sweetheart brooch (steel pin), 28mm, 2.7gms, together with a gold stone cross pendant and a yellow-metal jade pendant, 25mm, 4.85 gms.
Lot 93
18ct gold and white spinel ring, size O 1.77 gms, 18ct wedding band size O approx 3.87 gms together with a 9ct cubic zircon ring (two stones missing) size P 2.23 gms, a pendant in the form of a cross approx 12 x 8mm suspended from a fine 9ct gold chain, a 9ct gold necklace 36 cms, small quantity of gold ear studs, 9ct anchor and heart pendant 1.36 gross weight of 9ct 8.7 gms together with a silver paste eternity ring (stone missing).
Lot 175
An early George III mahogany toilette mirror, with pierced and shaped cresting above a cross-grain moulded frame, the base fitted three short moulded drawers and one long frieze drawer on a shaped base. Bearing a James Reeve antique dealer (Birmingham and Currently Warwick) label verso. 47.5 cm wide x 26 cm deep x 80 cm overall height. Together with a cast stone recumbent lion door stop. 29 cm long.From the estate of renowned Warwickshire antiques dealer Felicity 'Flick' Haynes.
Lot 066
An 'Art Deco' style ring set with central oval cut emerald approx. 1.25 carats (stone measures approx. 8mm x 6mm x 4mm) surrounded by a total of 64 round brilliant cut diamonds total weight approx. 1.00 carats, weight 8g, size O 1/2, (please note the metal is not hallmarked & has not been tested).
Lot 103
A mixed lot of antique brooches to include a bar brooch set with amethyst & seed pearls, a fancy bar brooch set with a blue oval stone (possibly aquamarine?) & seed pearls, a 9ct yellow gold brooch set with a round cut garnet, a 15ct yellow gold bar brooch set with a blue zircon & pearls an a 9ct yellow gold scroll design bar brooch, all with safety chains, total weight 17.31gm, (please note some of the brooches are not hallmarked & have not been tested).
Lot 104
A mixed lot of brooches to include a bar brooch set with a cabochon cut carnelian, a 9ct yellow gold twisted brooch, a small brooch with a cat's eye stone, a 9ct yellow gold brooch set with a red stone & seed pearls, an ornate 9ct yellow gold brooch with flower design, and a metal brooch with black enamelling & seed pearls, total weight 22.00gm, (please note some brooches are not hallmarked or tested).
Lot 108
An antique yellow gold three stone ring set with a central older round cut diamond, approx. 0.50 carats, with an old pear shaped diamond set to each side, total weight approx. 1.00 carats, approx. colour H-I & SI2 clarity, 4.35gm, size K to K 1/2. (please note the stones were measured & assessed within the restrictions of the settings and the ring is not hallmarked or tested).
Lot 52
Sliman Mansour (Palestine, born 1947)Shaheda Min Tel al-Zaatar (The Witness of Tel al-Zaatar) oil on canvas, framedsigned 'Sliman Mansour' in Arabic and English and dated '1976' (lower left), executed in 197694 x 77cm (37 x 30 5/16in).Footnotes:The Witness of Tel al-ZaatarA rare and poignant 1976 painting by Sliman Mansour in memory of the Tel al-Zaatar Massacre, and the earliest work by the artist to come to auctionProvenance: Property from the collection of a Diplomat at the Embassy of Qatar, London, thence by descent to the present ownerNote: The authenticity of the present work has been confirmed by the artistBonhams is proud to present this rare painting by one of the most sought-after Palestinian artists of our generation, Sliman Mansour. Mansour was born in 1947 and spent his childhood around the verdant hills and fields of Birzeit and then spent his adolescence in Bethlehem and Jerusalem. His childhood experiences left a significant mark on his work, heightening a sense of gradual loss in Palestine, notably after the occupation of the West Bank and Jerusalem in 1967. His early encounters also presented him with the symbols and images he would later use to preserve and highlight the Palestinian identity.The present work was executed in 1976, widely considered Mansour's artistic prime and shortly after he produced his critically acclaimed and widely known masterpiece Jamal Al Mahamel. The painting depicts a sorrowful and ghoulish figure playing a shebbabeh or traditional Palestinian shepherd's flute. The figure is a witness to the harrowing Tel el-Zaatar Massacre which happened in the very same year, one of the greatest tragedies to befall Palestinian refugees during the Lebanese Civil War. The siege of the Tel el-Zataar refugee camp began in January of 1976 with an attack by Christian Lebanese militias led by the Lebanese Front as part of a wider campaign to expel Palestinians, especially those affiliated with the opposing Palestine Liberation Organization (PLO) from northern Beirut. After five months, the siege turned into a full-scale military assault in June and ended with the massacre in August 1976 which resulted in the death of over 2,000 civilians. The green figure in the current work is both noble and ghoulish, representing the mixture of dignity and sorrow which characterises the Palestinian plight for freedom and making use of red and green colour palettes which Palestinians at the time were banned from using by Israeli authorities. She stands against a backdrop of typically Palestinian brick dwellings and possibly ancient ruins, Indicating the rich tapestry of civilisations that Palestine historically harboured. As a female the figure also pays tribute to the increasing role of women in Palestinian activism during the period and also highlights the particular tragedy of the massacre which saw women as the principal survivors. By using symbols derived from Palestinian life, culture, history, and tradition; Mansour uniquely illustrates Palestinians' resolve and connection with their land. His paintings epitomize art as a form of resistance. With orange trees, he represents land lost in the Nakba of 1948. With olive trees, he represents land occupied in 1967. With women wearing traditional embroidered dresses, he represents Palestinian land and the Palestinian revolution. With the landscape of Palestine and its stone terraces, he represents the mark of Palestinian farmers on the land. With images of Jerusalem, and the glistening Dome of the Rock, he represents the Palestinian homeland and the dream of return.For further information on this lot please visit Bonhams.com
Lot 75
Mahmoud Moussa (Egypt, 1913-2003)Dove stoneexecuted circa 1982Footnotes:Provenance:Property from the Artist's EstateThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 299
An antique wood-sculptured Madonna with child, original polychrome paint. The second half of the 19th century.Signed F. Vermeylen, probably for Frantz VERMEYLEN (1857-1922), a Belgian Sculptor. A similar stone sculpture can be found in Antwerp, Kerk Onze-Lieve-Vrouw van Gratie, Frankrijklei 89. (L: 33 x W: 43 x H: 138 cm)
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