We found 400965 price guide item(s) matching your search
There are 400965 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
400965 item(s)/page
A 19th century amethyst and seed pearl pendant and other amethyst jewels, the pendant of Holbeinesque form with a central large oval cut amethyst in a close set border of seed pearls and a flying knife-edge border with alternating and spaced round cut amethysts and seed pearls, and an articulated pear cut amethyst drop and a seed pearl set bud bale, to a belcher link chain with barrel clasp, lengths of pendant and chain respectively 5.0cm and 55cm; together with a single stone amethyst ring, the large oval cut amethyst claw set above a carved and scrolling gallery and carved fleur-de-lys shoulders, plain shank size N½; and a pair of amethyst and seed pearl earpendants, composed of early 19th century oval pierced bead and scroll drops each with an oval cut amethyst between two seed pearls in closed back settings, to later bead-headed posts, length 2.1cm (3)
Circle of Mary Beale (British, 1633-1699) Portrait of a young man, presumably a member of the Alington family, half length, with lace jabot, within a painted and stone cartouche oil on canvas 74 x 63cm (29 x 25in) Provenance: By descent within the Alington family to the Little Barford branch and thence to the present owner Frame has worm. Oil on canvas which has been lined. The painting is in plane and the paint layer is stable. There are darkened areas of retouching. The painting is compromised by a degraded varnish which is discoloured, matte and no longer saturating the paint layers below. There is mould and surface dirt on the varnish.
A two strand cultured pearl necklace with a diamond cluster clasp together with a pair of single pearl screwback earrings, the slightly graduated 8.0-10.5mm pearls to a 2.3cm diameter sunburst clasp densely set with round brilliant cut diamonds (one small stone lacking), in unmarked white precious metal, hinged and spiked safety catch; length of shorter strand 48cm, total estimated weight of diamonds approximately 2.0cts; in period soft red leather case; also a pair of 10mm pearl earrings with screwback fittings of white precious metal stamped '9ct'; pearls not tested for origin in either item (2)
A vintage multi-gem set bracelet, each hinged link with a collet set round, oval or cushion cut stone in a graduated multi-coloured line, including blue, peach and golden zircons, blue spinel, pyrope and hessonite garnets, brown andalusite and different coloured sapphires, trigger clasp and integral safety chain, yellow precious metal tests for 15ct gold; length 19cm
Attributed to Henry Stone (known as "Old Stone") (British, 1616-1653) Portrait of King Charles I, head and shoulders, wearing the Garter Star and George Medal oil on panel 70 x 58cm (27 x 23in) Provenance: By inheritance in the Alington family to the Little Barford branch and thence to the present owner Other Notes: The following thirty lots consisting mostly of portraits of members of the Alington Family and their immediate relations, come from that family's collection at Little Barford, near Bedford. The Alingtons were settled at Horseheath near Cambridge by 1397. A William Alington in the time of Henry VI married Elizabeth, the sole heiress of Sir William Argentine of Halesworth in Suffolk and Great Wymondley in Hertfordshire. In the seventeenth century, their descendant William Alington - still of Horseheath - was in 1642 elevated to the Peerage as Baron Alington of Killand, Co. Cork. An earlier younger brother of the Baron Alington's forbear, called George, was the progenitor of the Alingtons of Swinhope in Lincolnshire where they held extensive estates. In the eighteenth century a second son of this Swinhope branch, The Reverend William Alington (1761-1849) married Sarah Williamson of Baldock and they were founders of the Little Barford line of the family. At much the same time in the early 18th century, the original peerage and senior male line became extinct on the death of the 5th Baron in 1712. The sister and ultimately sole heir of the 4th Baron, Catherine, married in the time of William III, Sir Nathaniel Napier Bt. of Crichel in Dorset. Their daughter Diana married Humphrey Sturt in 1717/18 and it was their descendant Henry Gerard Sturt (1825-1904) who became the 1st Baron Alington of the 2nd creation in 1876. This later title was also to become extinct in 1940. At some point in time, it is clear that portraits of the seventeenth century baronial line were transferred from Horseheath to their nearby cousins in the junior branch at Little Barford. This almost certainly took place when Horseheath Hall which had been built for the 3rd Baron Alington by Sir Roger Pratt in 1663-5 (and which was until its tragic demolition in 1792 one of the greatest houses in the country, let alone in East Anglia) was leased by the Alington heiress Catherine, Lady Napier on a 999 year tenure, to John Bromley a Barbados sugar-planter. The present group of pictures from Little Barford does, however, include an early nineteenth century portrait of a Sturt of Crichel - evidence of ongoing contact between the two branches of the family." Dirty. On three panels. 17th century. Oil on canvas which has an early lining. The canvas is in plane. There are localised areas of damage which have been repaired. The paint layer is stable. Areas of overpaint are slightly mismatched to the original. The painting is compromised by a poor varnish which is matte, yellowed and patchy. There is surface dirt on the varnish. There is wear to the gilding a few scattered losses.
An important archaeological Roman intaglio set necklace. 27 Roman hardstone intaglios, mainly of the 1st century CE, set in a later 19th century yellow gold necklace. The rub over “Roman” style settings with gold jump ring separators between each, tongue snap fastener, approx. 42cm long, containing from left to right the following intaglios (see image); Amethyst – Bird on branch and star (Henig, Britain 671)Cornelian – LionGreen Chrome Chalcedony - Palm with two cornucopiaeBanded Agate – Cow (second half of 1st century BCE, Augustan )Cornelian – CowAmethyst – CowCornelian – Pair of Cows within borderCornelian – Cow beneath a tree (Cf. Maaskant-Kleibrink, Hague, no.559)Banded Agate – A palm, a horn of plenty and a globe (representing world rule) (second half of 1st century BCE, Augustan ) (cf Henig and MacGregor, Ashmolean 11.27)Cornelian – Dolphin and a palm of victoryBanded Agate – Dioscuri, the two heavenly twins of Greek mythology with their horses (Maaskant-Kleibrink, Hague, no.824)Cornelian – Charioteer with large 2 horse chariot (biga), initialled AV (presumably part of the name of the owner) (Henig, Britain nos 516-518)Sardonyx truncated cone - Bird perched on globe; the bird is pecking from a cornucopiaCornelian – Sphinx (the emblem adopted by Augustus for his first seal) (cf Sena Chiesa, Aquileia 1224); (Henig, Britain no.654; Maaskant-Kleibrink, Hague, no.531)Amethyst – A satyr, part of the entourage of Dionysus (thiasos)Sardonyx, truncated cone – CupidCornelian – Two horses, one with riderBanded Agate – A Boar (second half of 1st century BCE, Augustan ) (cf Sena Chiesa, Aquileia 1092)Cornelian – LionSard – Pegasus [I think this might alternatively be a lion griffin. . The head was not totally clear to me as being equine]Cornelian – Hand holding corn and poppy head cf (Sena Chiesa, Aquileia nos 1454-1456)Nicolo (blue onyx) – Dolphin (cf Sena Chiesa, Aquileia 1404)Cornelian – Goat nibbling on ear of cornCornelian – Cow beneath a treeCornelian – A hound chasing a hare (cf Henig and MacGregor, Ashmolean 9.50)Green Chrome Chalcedony – Goat with a corn ear (symbol of prosperity)Cornelian – 4 corn ears (symbol of prosperity) (cf Sena Chiesa, Aquileia 1410) Please note the 27 intaglios above have been authenticated as 1st century Roman, they are consistent as having been found and probably acquired from Italy prior to having been set in the necklace.and were clearly selected to portray animals and plants. Identifications by Dr. Martin Henig of the Institute of Archaeology, Oxford. Sena Chiesa, Aquileia. G. Sena Chiesa, Gemme del Museo Nazionale di Aquileia(Aquileia 1966)Henig,Britain M. Henig, A Corpus of Roman Engraved Gemstones from British Sites (BAR 8., Oxford1974, 1978 and 2007 editions)Henig and MacGregor,Ashmolean M.Henig and A.MacGregor, Catalogue of the Engraved Gems and Finger-rings in the Ashmolean Museum.II.Roman (Beazley Archive and Archaeopress,Oxford 2004) Intaglios ranging in size, smallest being 7mm x 6mm and largest (centre stone) 15mm x 12mm.
Art Deco large smoky quartz single stone 14ct rose gold pendant brooch, the smoky quartz approx. 28mm x 20mm, four claw corner setting to step-down octagonal rose gold border surround, hinged pendant loop to reverse and pin and pull out barrel brooch fittings. The brooch approx. 4cm x 3cm, stamped 14k. Condition Report: Very good, no obvious sign of damage or repair. Brooch and pendant fittings intact. Condition report: see terms and conditions
A yellow sapphire single stone 18ct yellow gold ring with diamond set shoulders, the rectangular cushion mixed cut yellow sapphire approx. 13.4mm by 9.7mm, four small round brilliant cut diamonds, claw and bead setting, size M. Condition Report: No damage to stones, settings intact, minor wear and tear only to shank. Condition report: see terms and conditions
A circa 1900 oval opal and diamond set brooch, the opal flat polished blue-green colour, measuring approx. 28mm x 23mm, natural stone back, split claw setting, a surround of 8 small round rose cut diamonds in rub over collet mounts, hinged pin and rollover loop brooch fittings (rollover safety loop a later replacement). Condition report: see terms and conditions
A pair of Georg Jensen silver stone set rings. The crossover tape ring tubular design with oval cabochon cut stones (one to each end) comprising garnet and rose quartz, and moonstone and black onyx. Design number stamped to inside shank 263, intertwined G and J mark. Condition Report: Very good, no sign of damage or repair. Condition report: see terms and conditions
A spectacle set moonstone necklace, with nine oval cabochon moonstones separated by short lengths of fine belcher link chain, and suspending from the central stone a slightly larger drop shaped moonstone on a similar length of chain, trigger clasp, unmarked rose precious metal; length of necklace 40.5cm, of pendant drop 4.6cm
An aquamarine and sapphire fringe necklace, set to the front with a graduated line of pear cut aquamarines each suspending a short chain with a round cabochon sapphire and a reciprocating pear cut aquamarine, and the central stone suspending a third, all spectacle set, to a fine curb link back chain; length of necklace and length of central drop 43cm and 5.6cm
A pair of 18ct gold cultured pearl and diamond ear studs together with a two-stone diamond ring, each earstud designed as a 7mm pearl in an arch of round brilliant cut diamonds, the remaining third of the border broader with three polished gold twists, maximum diameter 1.2cm, Sheffield import hallmarks 1990; the ring with two round brilliant cut diamonds claw set with smaller single cut diamonds on the tapered crossover line, set in unmarked white on yellow precious metal, tests for 18ct gold (2)
A pair of emerald, sapphire, diamond and ruby drop earrings, double graduated cross body encrusted with emeralds, blue sapphires, cabochon rubies and round cut diamonds, each suspending tapering multi stone emerald, sapphire and ruby beaded droplets, 18ct gold mounts, stamped 750, 67mm drop, 40.8g gross (2)
Diamond Factory - a diamond solitaire engagement ring and conforming wedding ring suite, principle solitaire quarter claw set diamond approx 0.30ct, above seven stone channel set diamond accented shoulders, total estimated diamond weight approx 0.70ct, 18ct white gold shank, size K; conforming full eternity ring, estimated diamond weight approx 0.98ct, platinum shank, size J/K boxed with paperwork dated 20th March 2015
A diamond, pale blue aquamarine and amber coloured citrine three stone double drop pendant, amber coloured crescent moon cabochon, suspending a pale blue topaz teardrop faceted stone, divided by a round brilliant cut diamond accented link, white metal mount and chain, spring loop stamped 750, 47mm drop, chain 38cm long, 9g gross
-
400965 item(s)/page