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Lot 521
* JAMES MCDONALD (SCOTTISH b. 1956),GIRL WITH A SEASHELLoil on board, signed, titled and dated 2011 versoimage size 23cm x 16.5cm, overall size 31cm x 25cm Framed.Note: James McDonald studied at Edinburgh College of Art 1974-78, and completed his postgraduate year there in 1979. McDonald has painted full-time since studying at Edinburgh, and his work has won numerous awards including the Andrew Grant Travelling Scholarship, British Council Travel Grant and the Alexander Stone Foundation Award. He has exhibited widely throughout the U.K. and overseas and is in private and public collections including the Victoria & Albert Museum, London; BBC; STV and all major Scottish banks. The two most recent small examples of James McDonald's exquisitely detailed paintings we've offered achieved hammer prices of £800 (Sep 2020) and £950 (Aug 2021).
Lot 619
* ANNE REDPATH OBE RSA ARA LLD ROI RBA (SCOTTISH 1895 - 1965),CABBAGE AND KALEoil on board, signed, titled label versoimage size 51cm x 61cm, overall size 64cm x 74cm Framed. Handwritten artist's label verso.Label verso: Stone Gallery, Newcastle Upon Tyne.Provenance: Sold by Sotheby's, London, 29th August 1995 lot 954.Note: Anne Redpath was born in Galashiels, Scotland, in 1895, the first daughter of a textile designer. She went on to study at the Edinburgh College of Art, where she was described as the most promising student of her year and won a travel scholarship to Italy. Her time in Italy was to have a profound influence on her career. Having spent her early years as an artist immersed in the respectable Calvinist tradition, the opulent sense of the divine in Roman Catholic art proved to be a revelation, with the religious tranquillity of the early Renaissance masters informing her subsequent paintings. In 1920 she moved to France with her husband, an architect, and her art took a back seat as she focused on raising three sons. She did not revisit painting in earnest until she returned to Scotland when the relationship ended in 1934. When she did so, however, it was with renewed vigour. From 1942 onwards, as her confidence in her abilities returned, her palette became more vibrant. She was a central figure in the group of painters known as The Edinburgh School, sometimes described as the heirs to the Scottish Colourists. Redpath was a habitual traveller in her later years, her journeys across Europe becoming the subject of her work; she was well-known for her landscapes, still lifes and pictures of church interiors. Anne Redpath was president of the Scottish Society of Women Artists from 1944-47, working tirelessly to promote the paintings of women who had been ignored by the British establishment. In 1952 she became the first woman artist to be elected to the Royal Scottish Academy as an Academician. UK Public Collections boast 116 examples of Redpath's work including at The National Galleries of Scotland, The Scottish National Gallery of Modern Art, Glasgow Museums & Galleries, The Hunterian, The Fleming Collection, The Tate, Kelvingrove, The National Trust and at Edinburgh, Aberdeen, Kirkcaldy, Manchester and numerous others.
Lot 315
RUSSIAN NECKLACE WITH 17 MINIATURE EGG PENDANTS17 egg pendants on a gunmetal chain; length of chain: 37 cm (14 5/8 in.), smallest pendant: 2 cm (3/4 in.), including loop, largest: 2.7 cm (1 in.)comprising:a) an orange agate pendant with metal loopb) an enamelled pendant, possibly chalcedony, with blue, white, red and yellow striations, with brass loopc) an enamel Easter pendant in white and light blue with gold loop, marked with 56 standard and partly effaced workmaster markd) an enamel pendant featuring pink flowers with brass loope) an enamelled robin's egg-colored stone with red and gold swirls, with silver loop, marked with 84 standard, workmaster's mark F.A in Cyrillicf) a red guilloche enamel pendant with gold loop, marked with 56 standard and maker's mark KF in Cyrillic for Karl Fabergeg) a purpurine pendant with gold Russian imperial eagle mount and loop, work master's mark OP in Latin for Oskar Pihlh) an oyster white guilloche enamel pendant with gold loop, marked with 56 standard and assayer's mark AR in Cyrillic for Aleksandr Romanov, workmaster's mark FA in Cyrillic for Feodor Afanassievi) a bright blue guilloche enamel pendant with gold loop, marked with 56 standard and maker's mark KF in Cyrillic for Karl Fabergej) a silver pendant opening to reveal a snake with ruby eyes, marked with 84 standard and assayer's mark AR in Cyrillic for Aleksandr Romanov, workmaster's mark FB in Cyrillick) an ovoid silver pendant with an cloisonne enamel band of blue, white and red with silver loop, marked with 84 standardl) a blue glass pendant with brass loopm) a rock crystal pendant with gadrooned gold cap, marked with 56 standard and maker's mark KF in Cyrillic for Karl Fabergen) a mottled green enamel pendant with red swirlso) a dark orange agate pendant with metal loopCONDITIONObserved with a loupe the necklace appears in good condition. Save for minor light surface scratches and wear.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 747
CIRCA 800-200 BCE LIKELY MEZCALA STONE FIGUREdepicting a standing figure with arms at the hips, with articulated eyes, nose and mouth, flattened, of carved and polished andecite, supported by a modern lacquer base with metal rods; height of figure only: 31.5 cm (12 3/8 in.)PROVENANCEWilson Galleries, Santa FePrivate collection, New York, acquired from the above. (Copy of invoice available upon request)CONDITIONThe figure appears in age-appropriate condition. Minor discoloration the figures proper left side of the face. Scattered rubbing and chipping resulting in losses, most notably to the head. A portion of the proper right leg is missing.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 622
A CONTEMPORARY METAL AND BRASS CONSOLE TABLEthe console table of elongated rectangular form, with a brown and black fabricated stone top, with a brass foliate and floral centered motif, the legs of rounded form capped with a brass foliate motif, the stretcher formed from wrought iron arrows; 92 (h) x 44 (w) x 134 (l) (36 1/4 x 17 3/8 x 52 3/4 in.)CONDITIONThe console appears in age-appropriate stable condition. The legs and stretcher with visible light surface scuffs and scratches. Visible craquelure to the legs. The brass detailing has patinated with age.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 656
A PAIR OF ITALIAN PIETRA DURA PANELSthe pair each of rectangular form, the motif of birds, hardstone fruits, berries and foliage designed with stones of different variations, texture and color; dimensions: 66 x 48 cm (26 3/4 x 18 7/8 in.)CONDITIONThe pair appears in good condition. A scuff visible to the lower edge of one. Endemic cracking present at the stone border of each. With no significant issues to report otherwise.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 733
CIRCA 3RD CENTURY CE STONE HEAD OF A GODDESSin Hellenistic taste, with intricately coiffed hair, parted lips, eyes cast slightly downward, mounted on modern wood base; height of head only: 19 cm (7 1/2 in.), including base: 30 cm (11 3/4 in.)PROVENANCEPrivate collection, New York, since circa 1960sCONDITIONThe head appears in age-appropriate condition. Overall surface dust, rubbing and roughness. Small scattered chips to the cheeks and neck.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 30
Miguel Ortiz Berrocal (1933 Algaidas, Spanien - 2006 Antequera) (F)3-tlg., 'Christina', um 1969, Metall, vernickelt, demontierbar, mit in Emaille eingelassenem Buchstaben 'B', Maße 15 cm x 8 cm x 6 cm, signiert, 2332 nummeriert; Mini-Maria, um 1968, Metall, vernickelt, demontierbar, mit Steincabochon, auf Sockel, Höhe (mit Sockel) 7,5 cm, signiert, 1136 nummeriert, partiell zerkratzt; 'Michèle', Metall, vernickelt, demontierbar, mit Emailplaque und Farbstein, auf Sockel, Höhe (mit Sockel) 10,5 cm, signiert, 02458 nummeriert, Emaille partiell beschädigt, minimal zerkratztDer spanische Bildhauer Miguel Ortiz Berrocal ist besonders für seine sogenannten "Puzzle-Skulpturen" bekannt. Diese teilweise an Spielzeuge erinnernden Arbeiten wurden in verschiedensten Materialien und Formaten ausgeführt. Sie enthalten zum Teil eingebaute Schmuckstücke. Manche sind sogar klein genug, um selber als Anhänger oder Armbänder getragen zu werden. Berrocal zeigte schon früh ein Talent für künstlerische und wissenschaftliche Arbeit. Er entwarf eigene Spielsachen aus recycelten Materialien und bemalte diese mit selbst zusammengestellten Farben. Er studierte unter anderem an der Academia de Bellas Artes de San Fernando und an der Escuela de Artes Graficas in Madrid, wo er häufig das Museo del Prado besuchte, um sich neue Inspiration zu suchen. Miguel Ortiz Berrocal (1933 Algaidas, Spain - 2006 Antequera) (F)3 works, 'Christina', around 1969, metal, nickel plated, puzzle sculpture, with enamelled letter plaque ''B'', dimensions 15 cm x 8 cm x 6 cm, signed, numbered 2332; Mini-Maria, around 1968, metal, nickel plated, puzzle sculpture, with a stone cabochon, on stand, height (with stand) 7.5 cm, signed, numbered 1136, slightly scratched; 'Michèle', metal, nickel plated, puzzle sculpture, with enamel and stone cabochon, on stand, height (with stand) 10.5 cm, signed, numbered 02458, the enamel slightly damaged, with some minor scratchesThe Spanish sculptor Miguel Ortiz Berrocal is especially well-known for his so-called ''puzzle sculptures''. These works, at times reminiscent of children's toys, were carried out in various materials and formats. Some of them incorporate jewellery or are themselves small enough to be worn as pendants or bracelets. Berrocal showed a talent for art and science early in his youth and often created his own playthings out of recycled materials or painted with pigments he mixed together himself. Among other places, he studied at the Academia de Bellas Artes de San Fernando and the Escuela de Artes Graficas in Madrid, where he often visited the Museo del Prado in search of inspiration.
Lot 31
Miguel Ortiz Berrocal (1933 Algaidas, Spanien - 2006 Antequera) (F)2-tlg., 'La mini Cariatide', um 1969, Metall, vernickelt, demontierbar, auf Sockel, Höhe (mit Sockel) 15 cm, signiert, 2029 nummeriert, partiell leicht zerkratzt; 'Mini-Zoraida' (Homage a Paloma), 1969, Metall, vernickelt, demontierbar, mit zwei Farbsteinen, auf Sockel, Höhe (mit Sockel) 5,5 cm, signiert, 2475 nummeriert, partiell zerkratztDer spanische Bildhauer Miguel Ortiz Berrocal ist besonders für seine sogenannten "Puzzle-Skulpturen" bekannt. Diese teilweise an Spielzeuge erinnernden Arbeiten wurden in verschiedensten Materialien und Formaten ausgeführt. Sie enthalten zum Teil eingebaute Schmuckstücke. Manche sind sogar klein genug, um selber als Anhänger oder Armbänder getragen zu werden. Berrocal zeigte schon früh ein Talent für künstlerische und wissenschaftliche Arbeit. Er entwarf eigene Spielsachen aus recycelten Materialien und bemalte diese mit selbst zusammengestellten Farben. Er studierte unter anderem an der Academia de Bellas Artes de San Fernando und an der Escuela de Artes Graficas in Madrid, wo er häufig das Museo del Prado besuchte, um sich neue Inspiration zu suchen. Miguel Ortiz Berrocal (1933 Algaidas, Spain - 2006 Antequera) (F)2 works, 'La mini Cariatide', around 1969, metal, nickel plated, puzzle sculpture, with stand, height (with stand) 15 cm, signed, numbered 2029, with some minor scratches; 'Mini-Zoraida' (Homage a Paloma), 1969, metal, nickel plated, puzzle sculpture, with two coloured stone cabochons, on stand, height (with stand) 5.5 cm, signed, numbered 2475, slightly scratchedThe Spanish sculptor Miguel Ortiz Berrocal is especially well-known for his so-called ''puzzle sculptures''. These works, at times reminiscent of children's toys, were carried out in various materials and formats. Some of them incorporate jewellery or are themselves small enough to be worn as pendants or bracelets. Berrocal showed a talent for art and science early in his youth and often created his own playthings out of recycled materials or painted with pigments he mixed together himself. Among other places, he studied at the Academia de Bellas Artes de San Fernando and the Escuela de Artes Graficas in Madrid, where he often visited the Museo del Prado in search of inspiration.
Lot 77
Clemens Pasch (1910 Sevelen - 1985 Düsseldorf) (F)Mädchen im Mantel, 1962, Bronze, grün-braun patiniert, auf Steinsockel, Höhe (mit Sockel) 76 cm, signiertLiteratur: Wvz. Gertz/Günther 73Der Düsseldorfer Bildhauer Clemens Pasch schuf überwiegend Figuren in betont gelängter Statur, die in statuarischer Positur, oft mit gestreckten Gliedmaßen, oder in lässiger Beiläufigkeit dastehen. In späteren Arbeiten finden sich Körperrundungen wie Oberschenkel und Hüften des weiblichen Körpers stark betont. Eine Reihe seiner Arbeiten finden sich als Großskulpturen im öffentlichen Raum. Es geht dem Künstler nicht um die Abbildung individueller Figuren und Modelle, sondern um den Körper als plastische Erscheinung in seiner Beziehung zur räumlichen Umgebung. Das sitzende "Mädchen im Mantel" setzt dazu gewissermaßen einen Kontrapunkt. Ihr Körper ist von einem Kapuzenumhang vollständig verhüllt, der in seiner ästhetischen Beschaffenheit die Grenze zwischen Abbildfunktion und der reinen schrundigen Materialität der rohen Bronze markiert, während die im Schoß ruhenden Hände und das Gesicht naturalistisch ausgebildet sind. Materialität, Bearbeitungsspuren und aufgerissene Oberflächen sowie der rohe Natursteinsockel treten in ein spannungsgeladenes Verhältnis zur grazilen Ausarbeitung der offenen Körperpartien des Mädchens. Clemens Pasch (1910 - 1985)Girl in a cloak, bronze with greenish brown patina on a stone base, height with base ca. 74 cm, signedLiterature: Wvz. Gertz/Günther 73The Düsseldorf sculptor Clemens Pasch mainly created elongated figures of statuesque posture, often standing in casual poses. In later works, curves of the body such as thighs and hips of the female body are strongly emphasized. A number of his works can be found as large sculptures in public spaces. The artist is not concerned with the depiction of individual figures and models, but with the body as a sculptural form in its relationship to its spatial environment. The sitting ''Girl in a Coat'' sets a counterpoint to this, so to speak. Her body is completely enveloped by a hooded cloak, which in its aesthetic quality marks the boundary between the function of the image and the pure, rounded materiality of the raw bronze, while the hands resting in the lap and the face are naturalistically formed. The materiality, the traces left by tools, the roughness of the surface as well as the raw natural stone base are placed in a tense relationship to the gracefully rendered uncloaked parts girl's body.
Lot 66
Fritz Wotruba (1907 Wien - 1975 ebenda)'Kopf', 1958, Bronze, schwarz patiniert, auf Steinsockel, Maße 14,5 cm x 13 cm x 10,5 cm, signiert, 95 nummeriert, Sockel partiell beschädigtProvenienz: Privatsammlung HannoverLiteratur: Wvz. Janett 212Fritz Wotruba wurde am 23. April 1907 in Wien als Sohn eines tschechisch-ungarischen Imigrantenpaares geboren. Er gilt als einer der bedeutendsten österreichischen Bildhauer der Moderne. Der Wiener Künstler löste in seinen Werken zunehmend figürliche Komponenten zu geometrischer Abstraktion auf und trug durch seine blockhaft wirkenden und mit strenge behafteten Plastiken maßgeblich zur Erneuerung der österreichischen Kunstszene nach 1945 bei. 1926 studierte er an der Kunstgewerbeschule Bildhauerei in der Klasse von Anton Hanak. Anschließend nahm er von 1928 bis 1929 an der Klasse von Eugen Steinhof teil. Schon in der Frühphase seines künstlerischen Schaffens neigte er dazu seine menschlichen Darstellungen, ähnlich wie Egon Schiele und Anton Hanak, deutlich zu strecken und zunehmend auf die Ausführung von Details zu verzichten. Für Wotruba war die Gesamterscheinung des Werkes entscheidend, so spielten die Details nur eine sekundäre Rolle. Besonders geprägt wurde die Kunst Wotrubas von Anton Hanak, Egon Schiele, Gustav Klimt, Wilhelm Lembruck, Georg Minnes und Oskar Kokoschka. 1939 musste der Künstler zusammen mit seiner Frau vor den Nationalsozialisten fliehen und für mehrere Jahre in die Schweiz emigrieren. Als er 1945 nach Österreich zurückkehrte gelang es ihm eindrucksvoll an frühere Erfolge anzuknüpfen. Seine Werke fanden auf internationalen Ausstellungen in Europa und den USA Beachtung. Fritz Wotruba (1907 Vienna - 1975 ibid)'Kopf', 1958, bronze on stone plinth, dimensions 14.5 cm x 13 cm x 10.5 cm, signed, dated 95, plinth slightly damagedProvenance: Private collection, HanoverLiterature: Cat. rais. Janett 212Fritz Wotruba was born in Vienna on 23rd April 1907, the son of a Czech-Hungarian immigrant couple. He is considered one of the most important Austrian sculptors of modernism. The Viennese artist increasingly dissolved figurative components into geometric abstraction in his works and made a significant contribution to the renewal of the Austrian art scene after 1945 through his austere, block-like sculptures. In 1926 he studied sculpture at the Kunstgewerbeschule in the class of Anton Hanak. He then took Eugen Steinhof's class from 1928 to 1929. Even in the early phase of his artistic work, he tended to stretch his human representations considerably, similar to Egon Schiele and Anton Hanak, and increasingly abandoned the execution of details. For Wotruba, the overall appearance of the work was decisive, so the details played only a secondary role. Wotruba's art was particularly influenced by Anton Hanak, Egon Schiele, Gustav Klimt, Wilhelm Lembruck, Georg Minnes and Oskar Kokoschka. In 1939 the artist had to flee from the Nazis together with his wife, and the couple emigrated to Switzerland for several years. When he returned to Austria in 1945, he succeeded impressively in continuing the successes of his earlier career, and his works attracted much attention at international exhibitions throughout Europe and the USA.
Lot 804
Full title: A Chinese semi-precious stone embellished gilt-bronze wall clock, Canton workshop and George Prior of London for the Chinese market, QianlongDescription:H.: 21,5 cm (the clock)L.: 3,5 cm (the key)The dial signed George Prior. He was active from 1765 until 1812, working from his English workshop located at 31 Prescot Street, Goodman's Fields, London. As a clock and watch maker, he specialised in clocks and watches for the Turkish market.Ê Ref.:- Christie's, Paris, June 22, 2016, lot 306, for a related example. (link available on our website)- Christie's, London, Nov. 10, 2015, lot 75, for a related example. (link available on our website)- Sotheby's, London, July 12, 2006, lot 463, for a related example. (link available on our website)The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
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Lot 253
Lidded white enamel bucket, stone glazed urn with two handles, lidded satsuma jar decorated with pink and yellow floral pattern on blue ground, another smaller blue and white satsuma jar, ceramic ewer and basin decorated with landscape on blue and white ground, blue and white Copeland Spode Italian dinner plate, Cauldon fruit bowl with floral decoration (8)
Lot 892
A miscellany to include a boxed Waterman Paris fountain pen, purple glass goblet 11.5cms, a cut glass decanter 26cms h, Royal Doulton stone ware to include a silver rimmed 2 handled bowl Birmingham 1906, brass opera glasses military brass buttons etc.Condition ReportAn unmarked stoneware jug with chip to rim, others in fairly good condition. Decanter stopper not original.
Lot 934
A mixed lot to include Spode's Florentine blue and gilt vase, 34cms h, glass fish bottles, green glass fish vase, 24cms h, Cow Parade tattooed Bovine, 9cms h, Kaiser, West German bisque figure of horse, 19cms h, carved polished stone of Eskimo in canoe, 27cms l, large matchbox, chrome thermos jug and Royal Norfolk dinner plate.Condition ReportAll appear to be in good condition, Eskimo sphere appears broken.
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