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Evangelical / Motoring Interest: Four Sets of 2"x2" Slides, Approx 80,Box 1 Labelled 1956 SAVW - Approx 20 B&W positives, titles include "Honiton", "Stoke", "Moreton", "Ottery", "Honiton Fair", "Stoke GAB", "Hennock", "Chudleigh K", & others, some including posed street scenes with 50s cars, a car reg reads "ARD 515", candid scenes, etc. approx 20 slides Box 2 Labelled SAVW 1959 SET - Numbered set from 1 - 38 - to include: 1 - Ottery St Mary 1959 - 7 People stand outside a shopfront - Cater R on window 2 - Ottery St Mary 1959 - 7 People stand outside a shopfront - Shop Title Geo. Ellis 4 - Heathfield 1959 - Children wait for a roll call before a trip 5 - Heathfield 1959 - Children on adult bikes 8 - Talaton & Whimdle 1959 - Four gentleman stand next to a large van marked "Evangelistic Mobile Unit" 9 - North Bouley - The "Evangelistic Mobile Unit" van is open, with a crowd gathered round 12 - Broadhembruy 1959 - Men wait in a cul-de-sac with three cars, one particularly modern for the time 22 - Tedburn & Cheriton Bishop - A group of men pose around a large tractor & scoop 23 - A man poses with his early Invacar 15 - Whiddon Down & Drewsteignton 1959 - The van is in use, with people aboard reading 28 - Islington & Iverton 1959 - a child stands on top of a porch, & is facing the first floor external wall, assumedly as a punishment 30 - Chagford 1959 - People enjoy a picnic 32 - Chagford 1959 - Women ride horses down the street 35 - Tent Campaign Teign Village 1953 - Three men stand outside a caravan 38 - CSSM Minehead Tom Moore 1959 - A man addresses a crowd with another playing the acordion Box 3 Labelled SAW 1960 - Set of approx. 25 slides 1A - North Bovey 1960 - Picnic Party 4 - Ottery's Mr Wells At. Mike - Men prepare cars for their journey 5 - Ottery - The cars are prepared 7 - Heathfield 1960 - A mixed audience - children play with toys & balloons in the street 12 - Moreton Hampstead - Housing Estate - a great photograph of classic car 14 - Drewsteighton 1960 - The Square - Including the original pub sign for the Drewe Arms 18 - Tawton 1960 - Resting at the Cross - two ladies sit on a stone bench outside the church 19 - South Lendal - Spiritley Youngsters - children climb an iron post in the centre of the village 20 - Hennock - Mr Mayling "Agnostic" 21 - Drewsteignton - Spinsters Rock 25 - Bridford 1960 - Quakers MTG Place Box 4 Labelled Grittleton - 11 slides Grittleton 1952 - People line up to play rounders Large groups of people picnicking A woman explores the model village Women rest outside a lawn tennis club
JOSEP MARIA SUBIRACHS SITJAR (Barcelona, 1927 - 2014)."Sidero 268. 1958.Iron sculpture.Signed.Size: 85 x 170 x 15 cm.Thanks to his uninterrupted participation in the October Salon from 1949 to 1957 and his subsequent period in Belgium (where he lived from 1954 to 1956), Josep Maria Subirachs gained public recognition for his work. From that moment on, he understood the possibilities of being able to make a living from his work, becoming a professional sculptor. He began to experiment with language, moving from expressionism to expression and becoming interested in iron. During this same period - around 1958, the year our piece was made - he worked with other materials (such as stone, bronze and wood, among others), trying to highlight the plastic qualities of their varied colours, structures and textures.After entering the workshop of a gilder who was fond of sculpture at the age of fourteen, where he modelled his first works in clay, in 1942 José María Subirachs entered the workshop of the sculptor Enrique Monjó as an apprentice. Five years later he began to work as an assistant to Enrique Casanovas. In 1948 he showed his work for the first time at the Casa del Libro in Barcelona, and in 1950 he founded, together with other artists, the group Postectura. In 1951 he travelled to Paris to complete his training, with a grant from the Institut Français in Barcelona. He returned to Barcelona in 1953 and was awarded the Sculpture Prize at the Salon del Jazz. After two years working and exhibiting in Belgium he returns to Spain, and in 1958 he is awarded the Gran Premio San Jorge by the Diputación de Barcelona and the "Julio González" by the Cámara Barcelonesa de Arte. Since then he has been commissioned for a succession of public works, among which his important sculptural work on the façade of the Passion of the Sagrada Família stands out. He has held numerous solo and group exhibitions in various Spanish cities, as well as in Lisbon, Geneva, Antwerp, Brussels, Taipei, Chicago, Paris, New York, Zurich, Stockholm and Copenhagen, among others. His awards include the Ynglada-Guillot Drawing Prize (1966), the San Martín Prize (1971) and the Medal of Merit in the Fine Arts (1988). In 1980 he was elected member of the Royal Academy of Fine Arts of San Jorge. He has participated in the main international biennials, such as São Paulo, Venice, Havana, Antwerp, Cairo, Alexandria, Lausanne and Budapest. He is represented at the Centro Reina Sofía, the MACBA Museums in Barcelona, Ibiza, Seville and New York, the Fine Arts Museums of Bilbao, Birmingham, the Vatican, Taipei and Nebraska, the Museo al Aire Libre del Paseo de la Castellana in Madrid, the Petit Palais Museum in Geneva and the Millesgärden in Stockholm, among others.
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