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Click here to subscribeA white metal diamond four-stone ring, comprising four round brilliant cut diamonds in a channel setting, with a diagonal cut-out section either side, diamond dimensions each approx 3.1 x 2mm, total weight estimated as 0.44 carats, assessed mounted collectively colour I to J and clarity VS1 to VS2, size O, gross weight 5.4g, stamped and tested as 18ct
A yellow metal multi-stone fringe necklet, featuring oval faceted garnet, amethyst, peridot, topaz, citrine, lemon quartz and prasiolite, all in bezel settings with 1mm trace link chain in between and an S hook clasp, stone dimensions between approx 4.85 x 4.1 x 2.85mm and 6.5 x 5.1 x 2.71mm, overall length 403mm, gross weight 10g, stamped and tested as 14ct
A white metal diamond single stone ring, featuring a round brilliant cut diamond in an eight claw setting, with a trefoil of Old European and single cut diamonds grain set in each shoulder, diamond dimensions approx 6.15 x 6.2 x 3.15mm, weight estimated as 0.73 carats, assessed mounted colour K to L and clarity SI2 to I1, Old European cut diamond diameters approx 1.65mm, total weight estimated as 0.12 carats, size P, gross weight 2.7g, not marked but tested as 18ctCondition report: One claw is distorted.Hairline crack in bezel under setting.Sizing area visible.
A pair of white metal emerald single stone stud earrings, each featuring a step cut emerald in a four claw setting, with post and scroll fittings, emerald dimensions each approx 8.05 to 8 x 6 x 3.8mm, total weight estimated as 2.73 carats, colour assessed as very slightly bluish-green with medium tone and moderately strong saturation, gross weight 1.5g, not hallmarked but stamped and tested as 9ctCondition report: The stones test as emerald, but may be of synthetic origin due to the lack of inclusions. They would need to be sent to a gem lab to confirm.
An early 19th century yellow metal stomacher brooch, having open scrollwork detail and enamel to the front set with a centre 2.5mm Old European cut diamond, four 4.2mm round sapphires, four 3.9mm red paste stones, five 4.5 x 3.7mm green paste stones, and two 4.6mm pearls, with a loose pendant drop with a 7 x 5mm red paste stone, dimensions 45 x 50mm, gross weight 19.4g, not marked but tested as 15ctCondition report: Two stones deficient.Diamond is chipped.Enamel is worn.Unable to test the stones due to closed back settings.
A yellow metal, ruby and white stone tennis bracelet, comprising 23 oval faceted rubies alternating with twenty-three 2mm round brilliant cut white stones, all in claw settings, with box clasp and figure of eight safety catch, ruby dimensions each approx 5.15 x 3.25 x 2.15mm, total weight estimated as 8.28 carats, length 178mm, gross weight 9.6g, stamped and tested as 14k.Note: We suspect the white stones as being Laboratory Crown diamonds, but would require confirmation by a gem-testing laboratory.
A yellow metal openwork multi-stone pendant, featuring an oval faceted amethyst with two pear cut articulated pink tourmaline drops suspended below, and a circular citrine with three rose cut garnets leading to two oval pink tourmalines and a square cut citrine in a fleur de lys setting, amethyst dimensions approx 11.5 x 9.3 x 5.9mm, weight estimated as 3.85mm, citrine dimensions approx 7 x 4.5mm and 5.2 x 5.15 x 3.7mm, total weight estimated as 1.91 carats, pink tourmaline dimensions approx 7.5 x 3.75 x 2.6mm and 5.6 x 3.9 x 1.95mm, total weight estimated as 1.46 carats, garnet dimensions approx 3.8 x 1.88mm, total weight estimated as 0.63 carats, pendant length 50mm, attached to a curblink chain with bolt ring clasp, length 510mm, width 1.5mm, gross weight 7.9g, not marked but tested as 9ct
{} John Roddam Spencer Stanhope (1829-1908)"Autumn"Watercolour heightened with white, 39cm by 53.5cm Exhibited: Institute of Painters in Watercolours, date unknown, no.2Victoria Art Gallery, Bath and City of Manchester Autumn Exhibition 1911Provenance: Messrs Christie, Mason & Woods, London Saturday, December 17th, 1904, "Watercolour Drawings formed by Wickham Flower Esq", lot 25Thos. Agnew & Sons, LondonThe Stone Gallery, Newcastle upon TyneCondition report: General surface dirt and minor bits of debris trapped under surface glass. Maintains good colour depth, although likely slightly tempered by time staining/oxidization to painting most evident in areas of the sky. Also, considerable foxing is evident within the sky, but not exclusively. Slight cockling to the paper. Top right-hand corner, possibly backboard showing exposing an area of text (see images). Minor areas pigment?/bloom likley trapped to the underside of glass most noticeable within the central passage of trees. This may have settled onto/progressed into the sheet itself. Possibly positioned in a property with some environmental moisture in general with resulting considerations as described. Not examined out of the frame. For further information please contact the department.
Johann Nepomuk Mayrhofer (1764-1832) AustrianA still life of variegated Tulips, Narcissus, Roses and Convolvulus arranged in a wicker basket on a stone ledge with butterflies feeding and in the surroundingInitialled, oil on canvas, 44cm by 36.5cmFootnote: Mayrhofer, whose work often reveals the influence of early Dutch masters such as Ambrosius Bosschaert, was highly regarded in his time for fruit and flower pieces which, according to The Dictionary of 19th Century Austrian Painters, ‘he managed to render with great realism and an extraordinary freshness in the colours thanks to his great technical skills’.Condition report: In fully restored condition, relined, cleaned and revarnished. The brown to rust coloured butterfly at the top of the arrangement is likely strengthened throughout. The dark green and shadowy leaves approx. 1/3 down of the arragnement on the left hand side have likely been strengthened as have some of the corresponding dark green silohuettes of foliage between Delphiniums and the prominent Tulip forming the finial of the display. The upper right hand side of the monogram on the horizonal has been delicately retouched. There are approx. 3 tiny retouches within the outer petals of the prominent central pink Rose laid on the stone top and within the leaf right and below of this. There is little further to discern under a UV light but it does not exclude the possiblity of further considered intervention - for example there is a subtle but slightly incongrous looking essentialy rectangular patch of darker paint at the tip of the delicate sprig on the right hand side of the decoration and detailing to denote the dark purple Tulip on the right hand side which could have also recvied a degree of restoration. A band of medium sized craquelure to centre of stone ledge which is beginning to show signs of lifting. Light surface dirt and discoloured varnish.
Rex John Whistler (1905-1944) "Pilgrims Hall, Essex" Signed and dated 1936, inscribed with title to stretcher verso, oil on canvas, 39cm by 54.5cmSold together with a copy of "The Private Life of a Country House (1912-39)", Lewis, L, David & Charles (1980), and "Rex Whistler, His Life and His Drawings", Whistler, L, Art & Technics Ltd (1948) and copy correspondence between patron and artist. Provenance: Pilgrims Hall, near Brentwood, Ongar Road, Essex, commissioned by JFN Lawrence, whose family lived at the property 1913-1968Thence by descent to NW LawrenceThence by descent Lesley Lewis nee Lawrence in 1991 Footnote: The artist's visit to Pilgrims Hall and the commission is recorded by the Lawrence family as follows :"Rex Whistler was pale dark-haired young man, friendly but evidently shy, sitting out on the lawn on a very cold June day making a detailed pencil drawing, subsequently squared up for transfer. He ( Rex Whistler) spent the night and was very agreeable company. Delivery of the finished painting was considerably delayed by James Lawrence, a determined man, managed to get it from him a few months later. Possibly feeling rather contrite, the artist sent him two tickets for the dress rehearsal of "Victoria Regina" a delightful show for which he designed the scenery""James Lawrence, who frequented picture galleries and bought paintings, usually watercolours, went to an exhibition of pictures of country houses by Rex Whistler, and possibly others, and gave the commission there. At that time Pilgrims Hall, on which great care and imaginative planning were exercised, was perhaps at its very best. No more improvements were made to the garden before the war, and after that much of it had to be let go. The house is now (as written 1991) externally little altered however". Condition report: General surface dirt and discoloured varnish. Slightly loose in frame. Slight stretcher shadow most notably to top edge. Transfer of paint from frame to bottom edge. Pinholes to top and bottom edges. Slight scuff to paving stone, bottom left edge. Canvas slightly uneven to left and right edges. Small light scuff to treetop right of building no more than 1cm in length. Small area of restoration to tree above end of loggia showing slightly cloudy to the naked eye. Otherwise appears sound.
the twenty round brilliant cut diamonds in white claw and channel settings, total estimated diamond weight 2.00 carat approximatelyfinger size OCondition report: The ring was valued for insurance purposes in 2013 at £3400. The ring is in fair condition, two diamonds are chipped (one with 1/4 of the stone lacking) and there is an area visible where it has been re-sized. It bears no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 4.0 grams. CR made 04.01.21.
the graduated round brilliant cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 1.25 carat approximatelyfinger size N1/2Condition report: The ring is in fair condition, one stone is chipped to the pavilion. It is stamped '18CT' and in our opinion would test as gold. The approximate qualities of the diamonds are; colour H/I/J, clarity SI1/SI2/I1. Gross weight 3.7 grams. CR made 23.12.21.
the round brilliant cut diamond flanked by trios of graduated baguette cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 3.40 carat approximatelyfinger size PCondition report: The ring is in good condition. It is hallmarked with sponsor's mark 'DOM', Birmingham. The central diamond measures 9.33mm x 9.27mm x 5.64mm approximately. The approximate qualities of the diamonds are; colour K/L/M, clarity I1/I2/I3 (central stone I3). Gross weight 6.7 grams. CR made 29.12.21.
A large collection of assorted CDs, mainly being rock/blues, to include AC/DC - Ball Breaker, Black Sabbath - Paranoid, Aerosmith - Permanent Vacation, Alice Cooper - Along Came a Spider, Arthur Brown - Fire, Bon Jovi - Destination Anywhere, Eric Clapton - From the Cradle, Pink Floyd - Wish You Were Here, Fleetwood Mac - Say You Will, Whitesnake - Restless Heart, ZZ Top - Afterburner, Stone Temple Pilots - Core, and Robin Trower - In the line of Fire (approx 280) (two boxes)
J.K. Rowling, Harry Potter and the Order of the Phoenix, 1st edition hardback, signed by various cast members to include Rupert Grint (Ron Weasley), Tom Felton (Draco Malfoy), Josh Herdman (Gregory Goyle) and James Phelps (Fred Weasley), together with The Philosopher's Stone 3-D Movie Book, Jigsaw Sticker Book x2 and Movie Colouring Book. (5)
A Victorian graduated diamond set crescent brooch, width 65 mm, 5.6g. CONDITION REPORT: Old round cut stones the largest central stone approximately 4.5 mm. Total diamond weight approximately 1.5ct. Some inclusions under magnification to the larger stones, the smaller rose cuts to the edges are too small to grade. Colour is quite uniform and white. The stones are set in white metal. The stones which are large enough to view under low magnification look in good condition without anything clear that could be defined as chipped or damaged.
Boxing. Christian Giudice 1st Edition paperback Book Titled 'Hands Of Stone The Life and Legend of Roberto Duran'. Published in 2006 by Milo Books. 320 pages. Spine in good condition. Overall Condition is good. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Actor Kenneth Cope signed 10x8 colour photo from the 1972 British comedy film Carry On Matron. Kenneth Charles Cope is a retired English actor and scriptwriter. He is best known for his roles as Marty Hopkirk in Randall and Hopkirk, Jed Stone in Coronation Street and Ray Hilton in Brookside. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Ab Fab, Joanna Lumley signed 10x8 colour photograph pictured as her role as Patsy Stone in the hit comedy series Absolutely Fabulous. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Star Wars 8x10 photo from Return of the Jedi, signed by actor David Stone as Wioslea and Eileen Roberts as Mosep. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A platinum set diamond solitaire ring, approximately one carat, 3.4g, size MCondition report: We do not have a certificate for the diamond. The stone has a cloud across approximately 1/4 of the table and several carbon specks. The edges have several tiny chips. Stone measures approximately 7mm and shows 1.0 carats on a flat scale.
A Special Force Knife, made in Taiwan, contains a Bowie style knife, 18.5 cm blade, 12.5cm grip, pocketed sheath, nylon bags, sharpening stone and survival kit, boxedThis bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
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