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Lot 2596
A modern carved marble head and shoulders bust of a young lady wearing a coloured headscarf and dress, raised on a contemporary black marble display pedestal, total height 180cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2810
An Indian magenta silk mirror-work yoke or dress front with overall inset mirrored panels, 62cm x 45cm, framed. Provenance: from the estate of a West Sussex collector.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 274
A late 18th or early 19th Century Bilston type enamel box of rectangular form decorated to the slightly domed cover with a lady and gentleman in Regency dress against a black painted landscape, the base with a lady to the front panel and a gentleman to the reverse against similar black landscapes, the cover interior decorated with a hand painted portrait of a lady holding a basket of flowers, 8cm x 6cm x 4cm.
Lot 471
Museale, seltene gotische Marienfigur mit Betpult – VerkündigungsmadonnaHöhe der Figur: 108 cm, hinten gehöhlt. Pult: Höhe: 64 cm; Breite: 46 cm.Wohl Schwaben, Ende 15. Jahrhundert.Figur und Pult separat gearbeitet. Maria stehend, in weiß gefasstem Kleid mit breitem Gürtel unter rotem, innen blau gefasstem Mantel. Der Kopf leicht nach links geneigt, mit nachdenklichem, nach Innen gerichtetem Gesichtsausdruck. Beide Hände vorgestreckt, in feiner Schnitzqualität. Das mittelgescheitelte braune Haar, mit goldenem Band über der Stirn, fällt seitlich in lockigen Wellen über die Schultern und nach vorne herab. Das Betpult an der Vorderseite mit eingelassenem, geschnitztem gotischem Maßwerk, darunter zwei vergoldete kleine Wappen. Auf dem Pult ein offenes, geschnitztes Gebetbuch, die Seiten mit Text in Majuskeln bemalt. Erg. (insbes. Pult). (1291631)Rare gothic figure of Madonna and prayer stool in museum-quality – Annunciation Madonna Height of figure: 108 cm, hollowed at the back. Prayer stool: Height: 64 cm; Width: 46 cm.Probably Swabia, end of 15th century.Figure and prayer stool worked separately. The Virgin depicted standing, in a white dress with a wide belt under a red coat with blue lining. The front of the prayer stool with inset carved Gothic tracery, including two small gilt coats of arms. A carved prayer book on top of the desk, the pages painted with a text in capitals. Mended (especially prayer stool).
Lot 233
A Vintage Waltham dress pocket watch crown wind, etched gold gilt case, black Arabic numerals with blue steel hands, signed movement no22916964, circa 1917 together with a American Hampden gold gilt cased pocket watch with Arabic numerals, sub second dial, nickel plate movement no2136718 circa 1905 (2).Condition reports are offered as a guide only and we highly recommend that you inspect any lot to satisfy yourself as to its condition. Plymouth Auction Rooms do not guarantee the working order or accuracy of any watches sold. Please refer to clause 15 on our terms of business.
Lot 55
Colin Middleton RHA RUA MBE (1910-1983)The Trojan Horse (1942)Oil on canvasboard, 36 x 26cm (14 x 10¼'')Signed with monogram Exhibited: Belfast, Colin Middleton, Belfast Museum and Art Gallery 1943, where lent by Mrs W.A. Wood Although it was painted in the middle of the Second World War, The Trojan Horse seems to belong to the series of works that emerged from Colin Middleton's reaction to the Spanish Civil War and perhaps this is the reason why such a powerful image was borrowed back from its purchaser to be included only in the 'Miscellaneous' section of Middleton's solo exhibition at the Belfast Museum and Art Gallery in 1943. The female figures of Middleton's early surrealist paintings were often incomplete or altered in some way, but by 1942 they appear to have become closer to ciphers, identifiable through their clothing or through some anthropomorphic features. In this desert landscape, a dress and gloves hang off this scarecrow figure that has an expressionless mask for a face; her single leg is staked through an old pram without wheels, its paint blistering, that sits beside a toy soldier on a horse. There is the suggestion of a lost family in an inhospitable world; the imagery in many ways is reminiscent of Nevill Johnson's post-war paintings, but Middleton's title also recalls his interest in Jung and in using painting to explore symbols and archetypes often rooted in the imagery of classical literature. While this gives a broader resonance to the painting, coming as it does soon after the death of Middleton's first wife and the blitz of Belfast it remains deeply personal. Dickon Hall
Lot 54
Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London)Portrait of Jane Allnutt with her pet spaniel, within a painted oval oil on canvas, unlined61 x 50.4cm (24 x 19 13/16in).Footnotes:ProvenanceLeft by the sitter to her half-brother John Allnutt (1803-1881)Violet Susannah Knox, his daughter Vicesimus John Knox, her sonHolliss Allnutt Knox, his son, and thence by descent to the present ownerThe enchanting subject of this unrecorded portrait by Lawrence is Jane Allnutt (1818-1845), the daughter of one the artist's more significant patrons whose family had made their fortune in the wine and brandy trade in the 18th century. John Allnutt (1773-1863) lived in some style in a palatial home in then-rural Clapham, and used his considerable wealth to buy from the great artists of the day; works by Constable and Turner graced the walls of the family home including the latter's The Devil's Bridge, St. Gothard of circa 1803-4 which bore a label in John's hand recording that he had gifted the painting 'to my daughter Jane.' In addition to a full-length portrait of John by Lawrence, we know he painted several other portraits of the family, amongst which a second study of Jane painted in 1826. Judging from that unfinished portrait (K. Garlick, Sir Thomas Lawrence, 1989, no. 21) we can assume that the present study was painted around 1821-22 when Jane was three or four. Like the 1826 portrait, it has descended through the sitter's family after her death in 1845, the year of her marriage to Henry Carr (1817-1888) at Holy Trinity Church, Clapham. Lionized by the aristocracy, Lawrence was known for his good nature and charm, although his closest friendships were amongst the professional men and their families who were his earliest patrons. Not least of these were the families of John Julius Angerstein, Sir Francis Baring and indeed John Allnutt, who is known to have helped Lawrence in his financial difficulties: £5,000, for example, is said to have been paid to Allnutt following the artist's death.Many of Lawrence's best portraits during the last decade of his life were of children: indeed, his importance in this regard was recently recognised when the National Gallery in London agreed to buy the artist's celebrated Red Boy for £9.3 million. This dazzling tour de force (which was the first painting to be displayed on a British postage stamp) was described by the Gallery this year to be a unique opportunity 'to acquire an exceptionally important painting by one of the finest European portraitists of the early 19th century, which is of outstanding significance for British national heritage.' Previously dismissed as superficial, owing to the apparent facility of his technique, none of Lawrence's followers matched the fresh immediacy of his brushwork, with the possible exception of John Singer Sargent, and today, especially following the 1979 exhibition at the National Portrait Gallery, this great artist's stature has been reappraised: he is now widely believed to have been the finest portrait painter of his generation in Europe. Lawrence's achievement as a painter was based largely on his confidence in his largely self-taught powers as a draughtsman. As appears to have been the case with the present portrait, he usually drew the figure directly on his canvases before applying the paint, rarely producing separate preliminary sketches. His admiration of the great draughtsmen of the past influenced his own work as well as stimulating him to acquire outstanding examples of the work of the Old Masters. Unlike such artists as Sir Joshua Reynolds, who delegated such chores to studio assistants, Lawrence was also remarkable for insisting on choosing the dress, accessories and settings of his sitters with particular regard to the age and concerns of the sitter. This intimate depiction of a close family friend is the perfect example of Lawrence's extraordinary ability and dedication to his art.We are grateful to Peter Funnell and Brian Allen for their assistance in cataloguing this lot.For further information on this lot please visit Bonhams.com
Lot 12
George Romney (Beckside 1734-1802 Kendal)Portrait of Mrs Anne Barnes (1741-1829), half-length, in a blue dress with a red sash and white silk wrap oil on canvas76.2 x 63.1cm (30 x 24 13/16in).Footnotes:ProvenanceThe sitter, and thence by descent to Mr G. Barnes, by whom given to his distant cousinLiteratureA. Kidson, George Romney. A Complete Catalogue of his Paintings, London, 2015, p. 51, cat. no. 55, ill.See the note for lot 9.For further information on this lot please visit Bonhams.com
Lot 9
George Romney (Beckside 1734-1802 Kendal)Portrait of Miss Mary Barnes (1745-1822), half-length, in a blue dress with white lace trim, within a painted oval oil on canvas77.1 x 63.9cm (30 3/8 x 25 3/16in).Footnotes:ProvenanceThe sitter, and thence by descent to Mr G. Barnes, by whom given to his distant cousinLiteratureA. Kidson, George Romney. A Complete Catalogue of his Paintings, London, 2015, p.51 cat. no. 56, ill.The following 5 lots depict members of the Barnes household, all painted by George Romney and all of which have remained in the family since they were executed in the 1760s. Pater familias in this group was Henry Barnes (1702-1793); a successful lawyer who was Clerk of the Errors in the Court of Common Pleas and a Commissioner of Bankruptcy and who was also known as Secondary Barnes. This portrait is mentioned by Richard Cumberland in his obituary of George Romney published in 1803 in which he states that it was made shortly after his move to Gray's Inn (see Lit. lot 11). A later inscription on the portrait of Secondary Barnes suggests a date of 1768 for the portrait but Kidson believes the whole group to be a little earlier in the 1760s and, if as Cumberland suggests, they were executed after his move to Gray's Inn they would date to after Romney's return from his trip to Paris in the autumn of 1764. The remaining paintings of Mrs Anne Barnes, wife of Secondary Barnes, and their children and daughter-in-law presumably date to not long after the portrait of the father – Kidson suggests that these were most probably commissioned once the initial portrait had been completed and approved. In a note in the Royal Academy sketchbook (no. 2), Romney made a note those who still owed him money. In this list there is a mention of a 'Mrs Barnse' who still had 6gns outstanding. However, it is not clear whether this refers to Anne, wife of either Secondary Barnes or his daughter-in-law, Anne (née Phillips). For further information on this lot please visit Bonhams.com
Lot 10
George Romney (Beckside 1734-1802 Kendal)Portrait of Mrs Anne Barnes (1708-81), half-length, in a salmon pink dress and a lace bonnet oil on canvas77.2 x 64.1cm (30 3/8 x 25 1/4in).Footnotes:ProvenanceThe sitter, and thence by descent to Mr G. Barnes, by whom given to his distant cousinLiteratureA. Kidson, George Romney. A Complete Catalogue of his Paintings, London, 2015, p. 51. cat. no. 53, ill.See the note for lot 9.For further information on this lot please visit Bonhams.com
Lot 64
An oval sapphire (7mm x 5mm) cluster ring surrounded by two tiers of brilliant-cut white sapphires on a 9ct yellow gold basket setting, stamped, 4.4g; a gold and diamond flower ring, stamped 18ct, 2.74g and an emerald-cut, gem-set dress ring in a 9ct yellow gold claw setting, hallmarked, 4.15g, sizes P, N, P (3)
Lot 23
SAPPHIRE AND DIAMOND-SET DRESS RINGSet with brilliant and princess-cut diamonds, and calibré-cut sapphires, Portuguese assay marks, ring size approx. T Footnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 149
BULGARI: BZERO.1 RING; SAPPHIRE AND DIAMOND DRESS RING1st: The sprung band engraved Bulgari to the side, 2nd: The reeded mount set with an oval-cut sapphire and brilliant-cut diamonds, 1st: signed Bulgari, ring sizes approx.: M½ (leading edge), and M (2)For further information on this lot please visit Bonhams.com
Lot 206
SHELL CAMEO, BANDED AGATE AND HALF PEARL BROOCH AND FOUR BANDED AGATE DRESS STUDS, CIRCA 1890The shell cameo depicting the back of a male bust, profile facing right, within a half pearl surround, accented by four square banded agate cabochons, together with four dress studs set with square banded agate cabochons, four unmounted banded agate cabochons, ten loose half pearls and one drilled seed pearl, cameo detached from brooch mount, lengths: cameo 4.0cm, brooch 5.7cm, studs 0.8cm (21)For further information on this lot please visit Bonhams.com
Lot 27
COLOURED DIAMOND AND DIAMOND DRESS RINGThe pear-shaped diamond of brown tint, within a mount pavé-set with brilliant-cut diamonds, pear-shaped diamond approx. 1.50cts, Portuguese assay marks, ring size approx. T (leading edge)Footnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 115
EMERALD AND DIAMOND DRESS RINGSet with a central row of cushion-cut diamonds, between step-cut emeralds, diamonds approx. 1.20cts total, ring size approx. T½Footnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 290
EMERALD AND DIAMOND DRESS RINGThe sugarloaf emerald, within a tiered cluster surround set with brilliant and marquise-cut diamonds, diamonds approx. 2.85cts total, ring size approx. MFootnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 216
COLLECTION OF PORTRAIT MINIATURES, 19TH CENTURY1st: A portrait miniature of a lady, traditionally identified as Lady Emma Hamilton (1765-1815), wearing white dress and veil, (after John Barry, British, active 1784-1827, mid 19th century), painted on ivory, 2nd: A pair of portrait miniatures depicting a young boy and girl, painted on ivory (English School, mid 19th century), 3rd: A tinted photograph of a gentleman called Thomas Hale, circa 1860, by C. T. Newcombe of 135 Fenchurch Street and 109 Regent Street, London, 4th: A 19th century miniature profile of a lady, painted on card, 5th: An early 19th century gold and blue glass enamel portrait miniature frame, 1st, 2nd and 3rd: gilt-mounted within leather travelling cases, 5th: glass chipped and reverse deficient, lengths 8.8cm - 11.0cm (5)Footnotes:The principal miniature is a copy after John Barry's miniature which was derived from George Romney's 1785 oil portrait of Lady Hamilton in which she is seated at a spinning wheel, wearing a white veil (Iveagh Bequest, Kenwood, cat. no.108).Please note, it is not possible to export ivory to the United States.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Lot 130
A PERSIAN TWO-PRONGED SPEAR, QAJAR, LATE 19TH CENTURYwith wavy blades of watered steel each formed with a reinforced tip, chiselled with a figure in traditional dress within a gilt cartouche at the base on each side, and tapering socket decorated with silver scrollwork56.7 cm; 22 3/8 in overall
Lot 172
ËœA GERMAN DRESS HUNTING-SWORD AND COMPANION BALDRICK (GALABANDELIER), EARLY 20TH CENTURY AND LATER comprising a well made copy of a hunting sword, with blade etched and gilt against a blued panel with scenes from the chase and foliage, silver-coloured hilt including quillons with gilt hound~s head terminals, and down-turned shell with reclining deer, and ebony grip applied with a crowned coat-of-arms, in its scabbard with mounts en suite, including locket bearing signature ~Stroblberger in München~, together with early dress baldrick, of leather threaded with silver wire lace, with elaborate full German silver mounts in the manner of the German rococo revival, including a large stag~s head boss cast in the round, and with a later coat-of-arms 57.7 cm; 22 3/4 in blade (2)
Lot 181
‡ A GERMAN ETCHED HALBERD, CIRCA 1580-90, PROBABLY BRUNSWICK with broad leaf-shaped central blade formed with a reinforced point, small crescentic axe-blade, slender rear fluke struck with a mark on one side, faceted socket and a pair of plain straps, decorated throughout with etched patterns of scrolling foliage involving a male and female figure in contemporary dress on each side of the blade and a warrior rondel on one side (etching worn extensively on one side, chemically cleaned), on a carved wooden haft 39.0 cm; 15 3/8 in head Provenance The Royal House of Hanover, sold Sotheby~s Marienburg, 5th October 2005, lot 260. An etched halberd struck with the same mark was sold Sotheby~s Olympia, 4th December 2003, lot 104.
Lot 196
AN OFFICER~S MESS DRESS OF THE 4TH BENGAL CAVALRY, CIRCA 1900-1922 A good scarlet jacket by Hamburger Rogers, with collar and cuffs and piping of blue velvet. The jacket edged all round with one-inch gold lancer lace and with gilt studs to left front and plaited gold shoulder-cords. The same lace on the pointed cuffs. Sleeve buttons bearing crowned BL and crossed lances. Companion waistcoat of blue cloth, also with studs to front, edged with lace as on jacket, traced on the inner edge with gold Russia braid eyes. Pocket openings also edged with Russia. Tailor~s label named to Captain R Johnston (date of year illegible). Slight fading and minor moth damage (2) Captain Johnston appears as a squadron commander in the 4th Bengal Cavalry in the 1914 Army List
Lot 197
AN OFFICER~S MESS DRESS OF THE 11TH PRINCE ALBERT VICTOR~S OWN CAVALRY, 1938 A good blue jacket with scarlet collar and cuffs. Rankin tailor~s label inscribed to C.L.E. Du Vivier and dated 23/8/38. The jacket edged all round with one-inch gold Vandyke lace, forming dummies at the back, and the same lace on the pointed cuffs. Gilt studs to left front and plaited gold chain gimp shoulder-cords, bearing Captain~s rank badges. Plain gilt buttons to sleeves. Companion waistcoat of scarlet cloth, also with studs to front, edged with lace of same pattern as on jacket, traced on the inner edge with gold Russia braid eyes. Ornate pocket openings, also edged with Russia. Lace slightly dulled (2)
Lot 198
AN OFFICER~S MESS DRESS OF THE 17TH POONA HORSE, 1933 A blue jacket by Hawkes & Co, named to A.D. Drew Esq and dated 16/12/33, with light blue collar and cuffs. The jacket and cuffs edged with one-inch gold Vandyke lace. Gilt studs to left front, plaited gold chain gimp shoulder-cords, and gold Russia braid ornaments to backseams. Plain gilt buttons to sleeves. Companion waistcoat of light blue cloth, also with studs to front, edged with lace as on jacket, traced on the inner edge with plain gold Russia braid. Pocket openings also edged with Russia. Severe moth damage to left sleeve of jacket, minor damage to waistcoat (2)
Lot 199
INFANTRY OFFICERS~ MESS DRESS UNIFORMS OF THE INDIAN ARMY, 1936 A scarlet jacket, bearing tailor~s label of John Jones & Co, inscribed to Major T.S. Emery and dated 24/3/36. Buff roll collar, fitted with badges of a crown above an interlocked white metal quoit and gilt circle. Buff shoulder-straps and pointed cuffs. Scarlet waistcoat fastened by four gilt buttons mounted with 15 in silver, and a pair of blue overalls with scarlet welt in seams; a Lieutenant Colonel~s scarlet jacket with yellow facings and white piping, the roll collar fitted with silver badges in the form of a katar below a small cypher, a white Marcella waistcoat with four brass buttons mounted with silver device of the VIIth Rajput Regiment, and blue overalls; and another scarlet mess jacket, with green facings and white piping, Rankin label inscribed 2Lt N.R. Kaiser (?) 3/10/30, lacking collar-badges but otherwise very good condition (qty)
Lot 246
A GERMAN ENGRAVED COW HORN POWDER-FLASK, EARLY 17TH CENTURY with curved flattened body, the inner face engraved with a pattern of concentric circles, the outer face decorated with a centrally divided woodland scene, the left showing a warrior in contemporary dress and the right with a similar figure, holding a hound at bay and reclining against a demon mask, iron mounts including long belt hook, nozzle with pivot closure and two suspension rings 37.0 cm; 14 1/2 in
![[AP] A RARE 24 BORE SCOTTISH FLINTLOCK BELT PISTOL BY ALEXANDER MURDOCH, CIRCA 1780 with brass barrel formed in three stages](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/d8dd3827-ca08-49c0-9f03-ade200c3ee9e/468x382.jpg)
Lot 283
[AP] A RARE 24 BORE SCOTTISH FLINTLOCK BELT PISTOL BY ALEXANDER MURDOCH, CIRCA 1780 with brass barrel formed in three stages and engraved with traditional Celtic scrolls and foliage, flared at the muzzle, signed ~Alexandr Murdoch~ in capitals within a series of flutes at the breech and incorporating the back-sight behind, etched iron lock decorated with thistle flowers and foliage, full brass stock decorated en suite with the barrel, inlaid with a pair of engraved silver panels beneath the lock, lobe shaped butt decorated en suite, silver-capped brass trigger, iron belt hook and associated iron ramrod 18.5 cm; 7 1/4 in barrel This appears to be the second extant pistol by this maker, the other, formed of steel, is preserved in the National Museum of Scotland, Edinburgh (Museum reference H.LH 5). See Kelvin 1996, p. 99 and Whitelaw 1923, p. 105. The lock appears to have been decorated and updated in the mid-19th century for dress purposes. Part proceeds to benefit Westminster Abbey
![[AP] A 1796 PATTERN ROYAL IRISH DRAGOON GUARDS OFFICER~S DRESS SWORD, CIRCA 1820 of regulation type, with straight double-edg](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/b0136c06-ae08-477e-b44e-ade200c3f7ae/468x382.jpg)
Lot 292
[AP] A 1796 PATTERN ROYAL IRISH DRAGOON GUARDS OFFICER~S DRESS SWORD, CIRCA 1820 of regulation type, with straight double-edge blade formed with a short fuller on each face, etched over the greater part of its surface with trophies-of-arms, the crowned Harp of Erin, regimental motto, ~4th Or~, ~RID~, an allegorical figure, ~Osborn and Gunby Warranted~ and scrolling foliage on one face, and trophies-of-music, allegorical figures, further trophies and the crowned Royal Arms on the other, gilt-brass hilt with boatshell-guard incorporating a heart-shaped aperture on one side, a pair of straight quillons, knuckle-guard and ovoid pommel, and the grip bound with sheet silver in imitation of silver wire (losses), in its iron scabbard with two rings for suspension, with red and silver bullion sword knot 84.0 cm; 33 in blade Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] A HIGHLAND OFFICER~S BROADSWORD BY HENRY WILKINSON, PALL MALL, NO. 2602, MID-19TH CENTURY of regulation type, with broad](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/a295636d-06e8-4d7b-ad34-ade200c4180e/468x382.jpg)
Lot 330
[AP] A HIGHLAND OFFICER~S BROADSWORD BY HENRY WILKINSON, PALL MALL, NO. 2602, MID-19TH CENTURY of regulation type, with broad fullered blade signed and numbered at the forte, nickel-plated basket hilt involving rectangular and square panels pierced with hearts and circles, fluted pommel, early red doeskin liner, in its brown leather field service scabbard, complete with its silk tassels and associated dress hilt comprising cross-guard with pointed quillon terminals, fluted pommel and fishskin-covered grip 82.5 cm; 32 ½ in blade Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] A PIPERS DRESS DIRK AND SKEAN DHU, LATE 19TH/20TH CENTURY the first with tapering blade formed with a notched back-edge,](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/4cd6c9f7-64dd-494f-998a-adf30140789b/468x382.jpg)
Lot 363
[AP] A PIPERS DRESS DIRK AND SKEAN DHU, LATE 19TH/20TH CENTURY the first with tapering blade formed with a notched back-edge, hardwood grip carved with basket weave designs and enriched with white metal nails, white metal cap pommel and ferrule, in its leather-covered wooden scabbard with white metal mounts and matching extra pieces; the second of characteristic form, basketweave grip with German silver mounts, in its scabbard the first: 28.2 cm; 11 1/8 in blade (2) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] OFFICER~S SERVICE DRESS CAPS, MID-20TH CENTURY OR LATER the first of the Royal Engineers with good QEC badge, minimal mo](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/324d6b98-fee4-4862-a84c-adf301408a59/468x382.jpg)
Lot 411
[AP] OFFICER~S SERVICE DRESS CAPS, MID-20TH CENTURY OR LATER the first of the Royal Engineers with good QEC badge, minimal moth damage; the second a fine Royal Leicestershire example, of khaki whipcord, with bronze badge; the third of the Royal Army Medical Corps, with bronze badge; the rest of the Royal Artillery, two with bronze QEC badges and anodised chinstrap buttons, one with bronze buttons but lacking badge (6) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] A KHAKI SERVICE DRESS CAP OF AN OFFICER OF THE 16TH LANCERS, CIRCA 1903-14 by F.A. Stone, with stiffened crown and regim](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/51565506-2a03-4822-8a58-adf301408ed6/468x382.jpg)
Lot 416
[AP] A KHAKI SERVICE DRESS CAP OF AN OFFICER OF THE 16TH LANCERS, CIRCA 1903-14 by F.A. Stone, with stiffened crown and regimental buttons to narrow chinstrap, with moth damage to peak, and badge removed Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] AN OFFICER~S UNIFORM OF THE 15TH HUSSARS, VICTORIAN a magnificent and largely complete uniform with a fine blue tunic tr](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/7775c423-8285-4b25-ab6b-ade200c461d4/468x382.jpg)
Lot 424
[AP] AN OFFICER~S UNIFORM OF THE 15TH HUSSARS, VICTORIAN a magnificent and largely complete uniform with a fine blue tunic trimmed with gilt chain gimp, the collar and sleeves braided for a Captain, a pair of levee pantaloons with a row of gold lace edged with Russia, gold cord cap-lines with acorn finials, a gold-laced shoulder-belt and embroidered pouch of regimental pattern, a Full Dress sabretache in its foul weather cover, with gold-laced sword-belt and slings, a scarlet Torin cap with regimental badge, a gold-laced scarlet pill-box forage cap, and a cloth of red silk, edged with gold |Austrian| lace and bearing the gold-embroidered ornaments from the forecorners and hindcorners of a 15th Hussars shabracque; together with a leather case, named to M Allfrey and containing a blue glass bottle inscribed POISON, all contained in a contemporary metal case (qty) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] A LATE VICTORIAN STAFF OFFICER~S FULL DRESS TUNIC an example of the uniform worn by Staff Officers until circa 1895, sca](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/96a836b5-1e14-4601-95d6-adf5010918eb/468x382.jpg)
Lot 425
[AP] A LATE VICTORIAN STAFF OFFICER~S FULL DRESS TUNIC an example of the uniform worn by Staff Officers until circa 1895, scarlet tunic, edged all round and trimmed with gold cord, four loops of cord each side in front forming double eyes and drops, cord ornament to backseams, lace edging to collar and cuffs, trimmed with Russia braid figuring, olivets missing, minor moth damage, together with a pair of blue overalls with wide scarlet cloth stripes Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] UNIFORMS OF THE ROYAL ARTILLERY a late Victorian blue Full Dress tunic of Artillery Volunteers, with silver lace and cor](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/1a8fdc9c-a7e2-4f5b-b798-adf20103e3ec/468x382.jpg)
Lot 426
[AP] UNIFORMS OF THE ROYAL ARTILLERY a late Victorian blue Full Dress tunic of Artillery Volunteers, with silver lace and cord decoration to collar and sleeves, QVC white metal Gun buttons and embroidered crown to shoulder-cords. heavily tarnished; together with a Gunner~s Full Dress jacket of the King~s Troop, Royal Horse Artillery, the front bearing 13 loops of yellow worsted cord, now with anodised buttons, and a pair of overalls with scarlet stripes (3) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] A UNIFORM OF THE HONOURABLE ARTILLERY COMPANY LIGHT CAVALRY, MODERN the senior NCO~s blue Full Dress tunic with scarlet](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/49f23b6d-fc14-4e13-92ac-adf5010919ec/468x382.jpg)
Lot 428
[AP] A UNIFORM OF THE HONOURABLE ARTILLERY COMPANY LIGHT CAVALRY, MODERN the senior NCO~s blue Full Dress tunic with scarlet facings, trimmed as for hussars with silver gimp edging, six loops each side in front, Austrian knots to sleeves and ornaments to backseams, badges of rank to right sleeve, and gold grenades to collar (all olivets now removed); together with a pair of overalls with double scarlet stripes, and a blue frock, also of the Light Cavalry, cut as for No.1 Dress but with scarlet collar and cuffs, and chain mail to shoulders; plus six pillbox caps trimmed with silver lace of various widths, three stable belts, a scarlet busby bag with silver braid trim, and a quantity of white over red busby plumes (qty) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] UNIFORM OF THE COUNTY OF LONDON YEOMANRY (SHARPSHOOTERS), MODERN comprising a Trooper~s No.1 Dress Jacket, with shoulder](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/cd2d0a16-a16e-4e36-a5e6-adf501091c08/468x382.jpg)
Lot 430
[AP] UNIFORM OF THE COUNTY OF LONDON YEOMANRY (SHARPSHOOTERS), MODERN comprising a Trooper~s No.1 Dress Jacket, with shoulder-chains, anodised buttons, collar-badges, and Parachute wings on right shoulder (severe moth damage); a pair of green No.1 Dress trousers with double yellow stripes; a No.2 Dress khaki tunic and trousers of the Sharpshooters; another pair of No1 Dress trousers with double yellow stripes; a pair of pantaloons with double-stripes of gold |Bias and Stand| lace; a pair of trousers with silver Thistle lace stripes; an officer~s side cap with scarlet body and flaps, and yellow cloth top, with anodised buttons and embroidered badge; and a Trooper~s scarlet forage cap with a QEC badge (8) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] INDIAN ARMY OFFICER~S MESS DRESS, EARLY 20TH CENTURY the first a drab cloth jacket of Rifles style, with drab braid edgi](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/a3fd60b7-4f02-4ab5-a943-adf501091e48/468x382.jpg)
Lot 432
[AP] INDIAN ARMY OFFICER~S MESS DRESS, EARLY 20TH CENTURY the first a drab cloth jacket of Rifles style, with drab braid edging, loops and braided olivets to front (some missing, others frayed), scarlet collar and cuffs; the second another drab cloth mess jacket, probably of the same regiment, but of later style, with scarlet roll collar, cuffs and shoulder-straps; the third a pair of drab overalls with scarlet welts in outer seams; the fourth a scarlet mess jacket with pale green roll collar, bearing badges of the 3rd Madras Regiment, cuffs and shoulder-straps (4) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] A WORLD WAR TWO PERIOD ROYAL ENGINEER OFFICER~S BATTLEDRESS AND OTHER UNIFORM comprising a Khaki serge blouse with shirt](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/242986ef-0c1d-4b92-bad2-adf501092799/468x382.jpg)
Lot 443
[AP] A WORLD WAR TWO PERIOD ROYAL ENGINEER OFFICER~S BATTLEDRESS AND OTHER UNIFORM comprising a Khaki serge blouse with shirt-style collar, fly front and Corps shoulder-flashes, unidentified formation-sign to right sleeve, rank badges removed, with trousers, khaki Service Dress cap with bi-metal badge, and webbing drawing case, some moth damage; together with a Lieutenant Colonel~s No.1 Dress Jacket with good gilt collar and rank badges, anodised buttons and WW2 medal-ribbons, and a pair of trousers with red stripe (qty) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] A WORLD WAR TWO PERIOD SERVICE DRESS TUNIC OF THE ROYAL FUSILIERS in whipcord khaki, with bronze collar grenades, bronze](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/51f8710a-4ce9-40b3-ae48-adf50109289c/468x382.jpg)
Lot 444
[AP] A WORLD WAR TWO PERIOD SERVICE DRESS TUNIC OF THE ROYAL FUSILIERS in whipcord khaki, with bronze collar grenades, bronze Lietenant-Colonel~s badges of rank, KC badges and buttons; together with a pair of khaki trousers and a Trooper~s crimson trousers of the 11th Hussars (minor moth damage) (3) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] OFFICERS~ SERVICE DRESS TUNICS, WORLD WAR TWO PERIOD OR LATER the first a good example, in khaki whipcord, named to Bamf](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/58bdca7c-6a46-4836-a014-adf5010929cd/468x382.jpg)
Lot 445
[AP] OFFICERS~ SERVICE DRESS TUNICS, WORLD WAR TWO PERIOD OR LATER the first a good example, in khaki whipcord, named to Bamford-Smith, mixed buttons and medal ribbons of OBE, WW1, Defence Medal, 39-45 War Medal and Jubilee medals; the second a post-1953 khaki tunic of the Royal Military Police with white metal collar-badges and anodised buttons, together with a forage cap and SD cap also of the RMP (4) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] A FIELD DRESS BOW CASE OF THE ROYAL COMPANY OF ARCHERS the green cloth belt, edged with black braid and crimson velvet,](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/d6608f64-621e-46db-bdc3-adf30140988b/468x382.jpg)
Lot 469
[AP] A FIELD DRESS BOW CASE OF THE ROYAL COMPANY OF ARCHERS the green cloth belt, edged with black braid and crimson velvet, bearing a gilt metal badge of crossed arrows on the front, and the star of St Andrew (patent leather backing partly detatched) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
![[AP] BADGES AND BUTTONS, CIRCA 1902-14 a board with badges and some 61 buttons of KC period, mainly of officer quality in gil](https://cdn.globalauctionplatform.com/5810e383-7ca3-4676-b7c8-ade200b9947a/a2a86827-d1aa-4122-b339-ade200c48108/468x382.jpg)
Lot 475
[AP] BADGES AND BUTTONS, CIRCA 1902-14 a board with badges and some 61 buttons of KC period, mainly of officer quality in gilt/white metal, plus some 19 Officer~s Service Dress (OSD) badges in bronze; and another board, with approximately 70 KC vintage cap badges of county regiments (qty) Property from the David Jeffcoat Collection (1945-2020) Part proceeds to benefit Westminster Abbey
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