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A gold ground furosaki paper screen , Edo period, 18th century A gold ground furosaki paper screen , Edo period, 18th century, with shikishi (applied paper with calligraphy or paintings) showing scenes from The Tale of Genji and poems from Hyakunin Isshu (100 Waka Poems by 100 Famous Poets of Antiquity), 67cm high and 176cm wide The bottom right with Chapter 50 The Eastern Cottage, 'Leaving Ukifune to the place of Nakanokimi, the mother, Chujounokimi, went back to the house of the governor. Then Niou accidentally passed the room and found her there. She was very pretty indeed. He caught her hands, which were holding a fan. He approached her asking, "What is your name?" Ukifune was horrified and wondered whether this man might be Kaoru who was looking for her. Nothing further happened, but it was an unforgettable encounter for Niou' The top right with chapter 29, The Royal Outing, 'In the Twelfth Month there was a royal outing to Oharano. All the ministers and councillors and whole court had turned out for the occasion. The princes and high officials were beautifully fitted out. Their guards and grooms, very good-looking, had put on special dresses. The princes and high courtiers in charge of falcons were in fine hunting dress. The falconers from the royal guards were even more interesting, all in printed robes of most fanciful design. Even the skies seemed intent on favouring the occasion, for there were flurries of snow. The procession left the palace at six in the morning and proceeded south along Suzaku Avenue and west on Gojo. Carriages of viewers lined the streets all the way to the river Katsura. The princes of Rokujo and Tamakazura were among the spectators. Tamakazura paid special attention to the Emperor Reizei, her own father, To-no-Chujo, Prince Hotaru and General Higeguro. The emperor in his red robe, who resembled Genji, attracted Tamakazura. It was her opinion that no one compared with him'.
A hand coloured caricature print “His Royal Highness the Duke of York” a large figure in full dress with bicorne hat, pointing ahead with his sword, mounted on a rather small, anxious looking white horse, in maple frame with gilt inner frame, 12” x 14”; and a half length miniature print of Napoleon, mounted and framed 11” x 9”. GC (2)
A Third Reich National Forestry Service Assistant Forester’s dress cutlass, by Eickhorn, the blade etched with hunting scenes, game birds, etc, the gilt brass hilt with staghorn grips and green portepee, in its gilt mounted leather sheath. GC (small patches of corrosion to hilt, slight wear to gilt). Plate 6
An early Vic officer’s full dress embroidered sabretache of The 12th (Prince of Wales’s) Royal Lancers, red cloth, gilt lace border, embroidered crown, VR cypher on crossed lances, with XII, Sphinx and “Egypt”, and scrolls “Peninsula” and “Waterloo”, 3 suspension rings, black leather pouch, 14½” x 12” overall. GC for age. See front cover
A Vic Midshipman’s dirk, SE blade 17½”, by Matthews, Portsea, Portsmouth, etched with crowned fouled anchor and crowned VR cypher within scrolled foliate panels, regulation copper hilt with acorn finial crossguard and central crowned fouled anchor in wreath, lion’s head pommel and backstrap, wirebound (AF) sharkskin grip, in its brass mounted leather scabbard with 2 opposing rings and dress knot. Basically GC (some wear overall)
An early 19th century Continental naval officer’s dress sword, slender shallow diamond section blade, 36”, with twin central fuller for half length, brass hilt with slightly turn down double shell guard, the outer shell bearing applied fouled anchor, the inner one deliberately bent down to ovoid wear to uniform, knucklebow with stud finial, plain ovoid pommel, solid silver plated simulated wirebound grip.GC (minor wear)
A post 1902 RN officer’s sword, straight slender fullered blade 31”, etched with R Arms, and crowned fouled anchor within rope bordered oak wreath panels, regulation gilt half basket hilt incorporating crowned fouled anchor, and with turn down side guard which locks to scabbard, lion’s head pommel, wirebound sharkskin grip, with blue and gilt dress knot, in its brass mounted leather scabbard and oilskin cover; together with black leather sword belt and slings, gilt WBC. Near VGC, the blade retaining virtually all original polish.
An Ivory Coast Baoule carved hardwood comb, and a carved wood heddel pulley, both with handles in the form of a female head; an African Gurunsi wooden whistle, 14” overall; 2 Baoule fly whisks, the wooden handles terminating in heads with braided coiffures, the whisks of shredded hide; a New Guinea boat shaped wooden bowl, 17” overall, with good age patina (age split to one end); a wooden mask with pierced triangular eyes and mitre type head dress, 11½” overall; and an aboriginal pale hardwood open ended dish, with poker work decoration. Average GC. (8)
A pith Painting,c.1830, of a Mongol lord twirling his moustache and dressed in armour without his encampment and under a dragon banner, a soldier wearing a Yong (courage) badge, kneeling in supplication,28 x 18cm, andAnother,of a court lady in dragon embroidered dress and her attendant,29.5 x 18.5cm,both distressed, framed and glazed (2)清约1830年 佚名 人物故事图 水彩通草纸本 镜框 一组两件
A Kyoto koro, c.1880, the well enameled and gilt globular body with an unusual scene of figures in court dress watching the departing cranes, the reverse with a female immortal presenting a bow and arrow to a warrior in eboshi hat, one handle and all legs repaired, 38.2cm, and another koro, with similar decoration, the domed cover pierced and surmounted by an attractive shi-shi knop, some damage, 46cm (3)
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228188 item(s)/page