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Lot 15
A high-quality photo print depicting Debbie Harry, taken by photographer Martyn Goddard in 1978. The photo depicts Debbie Harry posing in a revealing dress in a NYC cocktail bar. Measures 20 x 16". Signed by the photographer. Numbered 15/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive rock bands and musicians.
Lot 32
V Discs: The First Discs were shipped 1 October 1943 from the Victor pressing plant in Camden to New Jersey. The initial shipment included 1,780 boxes each containing 30 records. A variety of sources were used for V-Discs: Commercial recordings (both issued and unissued alternative takes), radio broadcasts, dress rehearsals, film tracks, and special recording sessions, often at odd hours and including unusual combinations of musicians. Although most of the unused V-Discs and their masters were dutifully destroyed, discs in the hands of service personnel found their way into various 'bootleg' collections.V Discs selection:No 1, No 7, No 30, No 32, No 34 x2, No 5, No 81, No 108, No 109, No 116, No 144, No 148, No 152 x3, No 157, No 163, No 178, No 180, No 183, No 197, No 200, No 201, No 202, No 205, No 206 x 2, No 211, No 212, No 214, No 229, No 233, No 234, No 237, No 241, No 243, No 247, No 248, No 252 x2, No 253, No 255, No 268, No 270, No 277, No 282, No 285, No 286, No 289, No 299, No 312, No 314, No 317, No 322, No 323, No 325, No 328, No 329, No 330, No 333, No 334, No 336, No 337, No 342, No 344, No 354, No 355, No 336, No 369, No 375, No 381, No 383, No 384, No 385, No 390, No 394, No 399, No 404, No 411, No 418, No 419, No 423, No 424, No 428, No 434, No 435, No 437, No 451, No 454, No 456, No 458, No 470. No 473, No 475, No 482, No 483, No 484, No 491, No 496, No 499, No 504, No 507, No 516, No 519, No 522, No 524, No 527, No 528, No 529, No 560, No 564, no 568, No 569, No 573, No 574, No 575, No 587, No 595, No 597, No 602, No 603, No 604, No 605, No 610, No 611, No 612, No 615, No 617, No 619, No 620, No 626, No 627, No 630, No 634, No 648, No 656, No 657, No 665, No 669, No 677, No 694, No 695, No 700, No 701, No 704, No 711, No 713, No 714, No 724, No 740, No 741, No 742, No 743, No 744, No 749, No 750, No 759, No 763, No 770, No 771, No 772, No 774, No 775, No 782, No 784, No 790, No 793, No 795, No 800, No 801, No 803, No 804, No 805, No 858, No 880, No 902.V Discs: Artist Signed:No 12, No 281, No 792, No 242, No 611, No 799, No 381, No 812, No 781, No 564, No 466, No 308, No 188, No 451.Viewing highly recommended as too many artists to list.
Lot 332
Circle of Theodore Roussel Portrait of a lady, possibly a member of the Godolphin family, wearing a white satin dress with blue bows and a pearl necklace Oil on canvas 71 x 59.6cm; 28 x 23½in According to an old inscription, the sitter is one of the daughters of Sir Francis Godolphin (1605-1667). The costume suggests a date of c.1635.
Lot 334
After Sir Anthony van Dyck Portrait of Queen Henrietta Maria (1609-1669), three-quarter length, wearing a silk dress and pearl necklace and earrings Oil on canvas 127.4 x 101.2cm; 50¼ x 40in Provenance: Nicholas M. Acquavella Gallery, New York, New York, c.1934; Acquired from the above by Mrs Dorrance, Philadelphia, Pennsylvania, c.1934; William B. Horley Auction, Philadelphia, Pennsylvania, 16 October 1953, lot 1120 ($400), where acquired by Noel Cortes; By family descent; Private Collection, Philadelphia, Pennsylvania; Freeman's, Philadelphia, 6 December 2009, lot 15 After the original in the Royal Collection (Inv. no.RCIN 404430).
Lot 363
Sir Godfrey Kneller Bt. (1646-1723) Portrait of Lady Anne Walpole (1657-1722), three-quarter-length, wearing a gold dress and blue cloak, seated in a wooded landscape Oil on canvas 127.1 x 103.3cm; 50 x 40½in Provenance: The Dukes of Leeds, Hornby Castle, and by descent to the previous owner; By whom sold, Christie's, London, British Pictures, 14 November 1997, lot 8 Literature: Historical and Descriptive Catalogue of Pictures Belonging to His Grace the Duke of Leeds (1902), no.79., in the first oak parlour, Hornby Castle The sitter was the daughter of Sir Thomas, 1st Duke of Leeds, Lord High Treasurer of England, and his wife Bridget, daughter of Montague Bertie, Earl of Lindsey, Lord Great Chamberlain of England. She married, firstly, Robert Coke of Holkham and later Horatio Walpole.
Lot 401
James Northcote RA (1746-1831) Portrait of Sir Bourchier Wrey, 7th Bt. (1757-1826), half-length, wearing a fur-lined coat, standing in a landscape by a table with plans and books, Tawstock Court beyond; Portrait of Lady Anne Wrey (née Osborne) (d.1816), wearing a white dress and red headdress, holding a green parasol. seated in a landscape with Tawstock Court in the distance A pair, both oil on canvas 127 x 101.7cm; 50 x 40in; 49¼ x 40 (2) Provenance: Commissioned by the sitters for 30gns each (with gilt frames for 10gns each), in 1805; And by descent Literature: Stephen Gwynn, Memorials of an Eighteenth Century Painter (James Northcote) (1898), nos.421 & 422; Jacob Simon, 'The Account Book of James Northcote' in Walpole Society, Vol.LVIII (1995-96), p.80, nos.437 & 438 According to James Northcote's account book, the present works were painted in 1805. Tawstock Court, home of the Wrey baronets, burnt down in 1787, and Sir Bourchier rebuilt the house with the assistance of Sir John Soane.
Lot 402
Attributed to Arthur Pond (c.1705-1758) Portrait of Lady Dixie Pickering, half-length, in a white dress and a pink straw hat, in a feigned oval Oil on canvas 76.4 x 63.6cm; 30 x 25in Provenance: Christie's, 9 February 1990, lot 105; Dreweatts, Newbury, The Collection from Plaish Hall, Church Stretton, Shropshire - The Property of Mrs Roy Merley and Family, 15 May 2019, lot 36 (as Circle of Bartholomew Dandridge)
Lot 414
George Romney (1734-1802) Portrait of a lady, possibly Lady Jane Lawley (1743-1816), wearing a crimson dress and white fichu, with a landscape beyond, in a painted oval Oil on canvas 76.7 x 63.5cm; 30¼ x 25in Provenance: The Collection of Mrs M. W. Sylvester, The Grange, Trowbridge; Christie's, London, 14 December 1934, lot 130 (as Romney); Private Collection, Yorkshire, until purchased by the present owner Literature: Possibly, T. Humphrey Ward and W. Roberts, Romney: a biographical and critical essay, with a catalogue raisonné of his works (London, 1904), Vol. II, p.92; Possibly, A. Kidson, George Romney: A Complete Catalogue of his Paintings (New Haven and London, 2015), p.354, no.777 (as destroyed) A label to the reverse, which appears to postdate the 1934 sale, reads Madame de Laurley. The painting is possibly one of the pictures left out in the open air by Romney at Hampstead, some of which were destroyed. Stylistically the painting dates from the 1780s, and Lady Jane Lawley sat for Romney in 1783. We are grateful to Alex Kidson for his assistance cataloguing the present work. It will be included in the next addenda of his catalogue raisonné of Romney's paintings.
Lot 415
Sir Martin Archer Shee PRA (Irish 1769-1850) Portrait of Thomas Netherton Parker (1772-1848), three-quarter length, wearing a black coat and white waistcoat, standing in a landscape; Portrait of Sarah Parker (née Browne) (1779-1854), three-quarter length, wearing a yellow dress, holding a porte-crayon and album, standing by a column A pair, both oil on canvas 127.3 x 102cm; 50 x 40¼in; 128.2 x 101.7; 50½ x 40in (2) Provenance: Purchased from the artist by Thomas Netherton Parker, Hatton Grange, Shifnal, Shropshire, and later of Sweeney Hall, Shropshire, 1796; And by descent According to the labels, which are transcribed from Thomas Netherton Parker's account book, Martin Archer Shee painted this pair of portraits in 1796, the year the sitters were married. Parker paid £31.10, half of Shee's fee for the two portraits. Thomas was the son of John Parker, the noted goldsmith known for his partnership with Edward Wakelin (for a portrait of John Parker see cat. no.390). The couple moved to Sweeney Hall, Shropshire c.1816, upon the death of Sarah's mother.
Lot 62
Circle of Thomas Forster Portrait of a lady, bust-length, wearing a dress and shawl Plumbago on paper, oval, in a wooden frame 122 x 94mmProvenance:Robert Lane Bayne-Powell (1910-1994);his executor's sale, Sotheby's, London, 11 October 1994, lot 5 (as R.Haskins);Property from the collection of the late Timothy Clowes
Lot 64
Christian Richter (Swedish 1678-1732) Portrait miniature of a lady wearing a blue dress On vellum, oval, in a gilt metal frame 80 x 69mm Provenance: Bonhams, London, The Harman Collection of Silhouettes - Portrait Miniatures, 30 June 1998, lot 171; Property from the collection of the late Timothy Clowes
Lot 68
Circle of Bernard Lens III Portrait miniature of a lady, traditionally identified as Maria Clementina Sobieska, wife of James Stuart 'The Old Pretender', wearing a green dress and red cloak, and standing in a landscape Watercolour on vellum, rectangular, in a gilt metal frame 150 x 112mm Provenance: Henry George Bohn (1796-1884); Property from the collection of the late Timothy Clowes Literature: Henry George Bohn, Catalogue of the Pictures, Miniatures and Art Books, Collected during the Last Fifty Years, (London, 1884), p.317, no.638
Lot 83
λJoseph Daniel (c.1760-1803)Portrait miniature of a lady wearing a white dress with a lace collar Oval, in a gilt metal frame, the reverse with a lock of hair tied with gold thread and initials BS over an opalescent back 72 x 58mm Provenance: Property from the collection of the late Timothy Clowes
Lot 84
Henry Spicer (1743-1804) Portrait miniature of Ann Elizabeth Henniker, Countess of Aldborough (d.1802), wearing a purple dress with yellow shawl, and pearls in her powdered hair Signed, dated and inscribed Countess of/Alborough/Spicer pin*t/1787 (to the counter enamel) Enamel on copper, oval, in a gilt metal frame 39 x 34mm Provenance: Property from the collection of the late Timothy Clowes
Lot 116
λAttributed to Daniel Dodd (act.1761-1780) Portrait miniature of a lady wearing a blue dress, and pearls in her powdered hair Signed with initials and dated DD/79 (lower right) Oval, in a gilt metal frame, the reverse with locks of hair over an opalescent glass back 84 x 68mm Provenance: Property from the collection of the late Timothy Clowes
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228188 item(s)/page