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Click here to subscribeBritish School, mid 19th Century, portrait of James Evans, eldest son of David Evans and Mary Ann Griffiths as a boy, full length in a red dress holding a riding crop and hat, in a wooded landscape, signed with initials W.J.C and dated 1841 l.l., oil on canvas laid down on board, 28 by 25cm, framed
Assorted jewellery comprising: 18ct gold dress ring set celadon jade-coloured hardstone panel of navette form, together with a white metal dress ring stamped 18k and a yellow metal ring set large pearl stamped 18ct, 9ct gold swivel fob with bloodstone and carnelian matrixes and pair of Art Deco-style 9ct gold ear studs, 24g gross approx, together with sundry marcasite jewellery
the oval half length portrait of a young man in early 19th century dress, with brown eyes and powdered hair, in a plain narrow mount, the back with a glazed panel of hairwork, with a lock of chestnut hair tied with a seed pearl band like a sheaf of corn, with gold work wheat stalks and ribband, in a broad mount of very dark blue thick guilloche enamel; the mount has formerly had a suspensory loop; length 7.2cm
circa 1964, ref. 166.020, the signed and 'double branded' silvered dial, 30mm diameter, with silvered batons, hands and centre seconds and date window at 3 o'clock, the signed front loading 24 jewel mechanical automatic movement with two stage stem (outer stage and crown lacking), calibre 562, number 21874211, the stainless steel case, verso with Seamaster logo, signed to the interior and numbered 166.020, to an aftermarket 'fixo-flex' stainless steel expanding bracelet, presented within a signed cream cardboard outer box, no case or documentsFootnote: Other notes: Omega first introduced the 166.020 model in 1962 and their double branding of the model as a Seamaster 'De Ville’ emphasised the watch’s sporty nature (for which the Seamaster models were well-known) - whilst also drawing on the watch’s classic, dress-style look which the De Ville range was introduced to represent.
ARMAND MARSEILLE; an early 20th century German bisque porcelain headed doll with blonde wig, open/close blue glass eyes, open mouth with four upper teeth and painted features on composition body wearing pink dress, socks and shoes, impressed marks and no. 390 to head reverse, length approx 75cm.Additional InformationBlonde wig patchy in places, possibly trimmed, very dry and frazzled, head does appear ok with usual surface scuffs and dirt, ears are not pierced, usual deterioration to eyelids, joints of the body very loose, these will need attention, surface scuffs, marks and dirt, some losses to the painted surface, the dress also stained, spotted and discoloured, her shoes quite worn, socks also quite stained.
SASHA; a boxed 4-107 Gingham blonde doll in blue dress and white shoes, length 39.5cm, and male blonde doll wearing navy blue knit jumper and blue trousers with belt and sandals (2).Additional InformationBox heavily worn, light general wear to the dolls with some minor fraying to clothes, unevenness to hair, surface scuffs, etc.
MEISSEN; a late 19th century figure of a savoyard with a baby, painted marks to base, with incised no.22 and impressed no.140, height 14.25cm.Provenance: from a private Worcestershire collection.Additional InformationRestoration to both her hands, the strap around her shoulder leading to the bow has also been restored as had her right wrist. Some touch up around the face area. Restoration to a small area of the dress at the lower section as well as both her feet.
BOW; an 18th century figure group of a young boy and young girl in Turkish attire with arbor behind, painted crescent mark and traces of paper label to base, height 20cm.Provenance: from a private Worcestershire collection.Additional InformationThe scrolling base is restored as are all four of the feet. Restorations to her dress and a small section to his turban, both of their raised hands and losses and restoration as expected to the bocage and trees.
A 19th century Continental oval porcelain plaque well painted with the bust of a lady in an elaborate dress and hat against gold leaf ground, unsigned, faint impressed marks and various price inscriptions/numerals verso, 19.4 x 16.4cm.Additional InformationSome small areas of loss to the gold leaf, also some craquelure to the gold leaf, some minor paint losses to the lady, general light wear.
IN MANNER OF JACOB HUYSMANS (Dutch, 1633-1680); oil on canvas, portrait of a young girl in a black hat and red dress holding wreath standing on chequerboard floor, unsigned, faint stencil to stretcher, 74.5 x 62cm, in gilt frame.Additional InformationPlease note; this painting is clearly 17th or 18th century and not modern. This has been relined but this was some time ago.
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