Bank of Elegance, Loughboro’, a note promising to ‘accept the Challenge of any Man in England to Cut and Dress any Lady’s or Gentleman’s hair in a Superiour style or forfeit on Demand the Sum of Fifty Pounds’ 18 October 834, serial number 20, signature of Pyke & Son, thinned a little at right, overall good fine, and nicely engraved Outing unlisted £80-£120 --- This is the same Mr. Pyke who appears on other skit notes in Shrewsbury, dated 1826. Other than that, little is known about him.
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Five vintage dresses comprising a c.1950s ivory taffeta evening dress with bateau fur-trimmed neckline and full panelled skirt, a 1960s full-length sequinned evening gown with spaghetti straps, peplum and full-length straight skirt, a c.1960s white chiffon evening/bridesmaid's dress with double scarf, pink trimmed neckline and pink faux rose, with full A-line skirt, a c.1960s day dress with all-over black and forest green floral decoration, cap sleeves and three large buttons to one side, a full-length grey lurex evening dress and a vintage Chinese silk-effect brocade gown with Chinoiserie decoration throughout of village scenes, peonies and prunus blossom (6).
Six 1960s-80s dresses comprising a c.1960s psychedelic full-length crimplene dress with multicoloured floral and abstract design, a Laura Ashley knee-length dress with abstract red and blue design, an African-inspired black full-length gown with tapestry inset sleeves, pockets, yoke and skirt, a blue, yellow and cream thick cotton full-length dress with covered buttons and button loops, a three-piece African-inspired costume comprising full-length skirt, tunic top with short sleeves and small cape, tie-dyed fabric with brown circular embroidery and a Wright Design silk day dress with cross-over front, long shirt-style sleeves and gathered skirt, burnt orange ground with violet floral abstract decoration (6).
Six vintage ladies' dresses and evening dresses comprising a c.1990s black chiffon full-length evening dress with cross-over top to empire bustline and single lace panel to the front, a c.1950s/60s cocktail dress with coffee-coloured lace over peach chiffon, bateau neckline and bow to back, a c.1980s bubblegum pink chiffon full-length evening dress with V-neck, ruffle and velvet ribbon to the waist, a 1980s satin crepe cocktail dress in 1920s style, with fishtail bottom and a matching three-quarter length sequinned jacket, a vintage Laura Ashley electric blue satin cotton embossed midi dress and a Horrockses Fashions vintage dress with V-neck and fold-back collar, full sleeves and pleated skirt, coffee-coloured ground with floral panel decoration (6).
Ten c.1970s-80s dresses comprising a Laura Ashley grey two-piece suit with brown and black floral silvered pattern, comprising a full-length waisted dress with full skirt and a fitted jacket, a full-length A-line brown sequinned evening dress, a Varon navy lace and pleated chiffon full-length evening dress with chiffon sleeves and lace cuffs, a Lady Dorby turquoise fitted dress with waist-length jacket and ribbon trim, a purple full-length evening dress, an Arabian-inspired kaftan-style dress, a Trina Lewis & Marjon Couture black and purple cocktail dress with black waterfall top and full purple and black spotted skirt, an ice blue sleeveless empire line evening dress with chiffon overlay, an electric blue and black sequinned and beaded top with batwing sleeves and a blue and silvered cocktail dress (10).
Six c.1970-80s items of vintage clothing comprising a Looking Glass Original red crimplene trouser suit, long fitted jacket with flared trousers and gilded buttons, a Laura Ashley midnight blue velvet fitted dress with bodice top and gathered skirt, a Laura Ashley black crepe long sleeveless evening dress with V-neck, an Ann Green cocktail dress with sequinned exotic bird to the top, a Radley black crepe cocktail dress with embossed top and waterfall floral and diamanté brooch to the bottom, with matching jacket and a Louis Ortoni black lace cocktail dress with full-length sleeves and chiffon flare to the bottom (6).
An early/mid 20th century German bisque head doll with closed mouth, open-and-shut eyes, mohair hair and fabric body, in original clothes, petticoat pants, circa 1930s orange flapper dress with rosebuds, felt shoes with leather soles, later plastic arms, impressed to the neck Germany 4 1/2, length 58cm.
Three 9ct gold ladies' dress rings comprising an example set with emerald cut red stone, an example set with amethyst and tiny white stones and an example with cabochon amethyst in a floral frame, together with a yellow metal ring with single pearl, various sizes, combined weighable gold approx. 6.2g (4).
Two 9ct gold dress rings comprising an example with three claw set white stones, size O and a crossover ring with double pear-shaped claw set white stones and square pierced shoulders, size N, combined approx. 7.2g (2).Condition Report: The white stones are Cubic Zirconia or similar, they are not diamonds.
An antique gold & red pink paste stone dress ring. The ring having a central oval cut red pink faceted paste stone in a closed back fancy prong setting to pierced scrolling shoulders & tapering shank. Makers mark to band BS, no gold marks however surface tests indicate high carat gold. Total weight approx 8.5g. Approx size Q.
An assorted collection of silver & white metal jewellery. The lot to include a pair of 9ct gold on silver cufflinks united by chains with engine turned decoration together with a 925 fret worked black stone set ladies dress ring and hallmarked silver buckle design ring (Birmingham 1882, TM - Thomas Marples). Together with a sterling silver christening bangle. Total weight approx 20.9g. Bangle measures 16.5cm.
A 9ct yellow gold & white stone dress with together with three watches. The Rotary 17 jewel ladies dress watch with champagne dial. Case London hallmarked, stamped 375. Set to an expanding yellow metal bracelet. Together with an H Samuel yellow metal bark effect watch and 2 others (Sekonda & Constant). Total weight of Rotary gold watch 15.3g. Gold weight estimated 3g.
An assorted collection of vintage & later costume jewellery. The lot to include; gold, silver & brass tone metals, beads, belt buckles, simulated tortoiseshell, scarf clips, various coloured stones, white stones, comb, butterfly, mother of pearl, tie clip, jewellery fragments, abstract design, art deco style, chains, collar clips, shell, hair clips, enamel, flowers / floral design, Sophos, ring, necklace pendant, heart, Ronson pen, keyring, hematite, earrings, filigree, abalone, dress buttons & more. Various sizes. Total weight approx 642g.
vintage fashions to include a crepe georgette cheongsam style dress in a gold colourway with orchid print,Eryu, a turquoise georgette dress Ayres by E EYSEN label, and a turqoiuse georgette dress, mid 60s with lined body and sheer sleeves by Carnegie, labelled to fit 35-37 bust and 37 1/2 -39 hips (3)all in good condition, some wear around cheongsam neck
Antique clothing to include an Edwardian coat or wrapper in black silk with a gold lame lining, an Edwardian bodice in purple silk, a Victorian cotton bodice, boned and a white cotton Edwardian blouse (4)vic bodice looks to have been taken from an 1880s dress, purple bodice has splits to the sleeves and a few small splits on the front, Edwardian coat is generally strong there is some damage to the lace/ tulle fillings and the lame looks to be e replacement lining (great quality fabric)
A 1920s coat in black with integral scarf and Gorringes, London label and an early 30s lace dress with underdress, sailor collar and belt that appears to be unworn, still having a little size tag pinned at the back of the neck. (2)dress is excellent, coat has some scattered moth damage, mostly very small holes but a couple of larger and a start to covering them between the shoulder blades, lining has torn around the neck
A beaded 1920s flapper dress and a later 1910s silk coat with french jet beading (2)dress is 38 inch/107 cm chest. generally good condition overall, some repairs to the outer tulle. there are a couple of breaks in the tulle along the hem where the beads (still on tulle) need stitching back to the main part of the dress. Silk coat is generally strong, wear to silk at cuffs and back of neck, lining has some spots and colour variation
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228188 item(s)/page