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Click here to subscribeLARGE 19THC WAX DOLL a large doll with a Wax head and shoulder plate, with glass eyes and leather limbs and body. With contemporary clothing and undergarments (with an additional dress), hat and leather soled shoes. 25ins (64cms) high# *The doll has a label which refers to the doll as 'Leonora', and was apparently owned by a J Crosfield. This owners name also appears on a clothing tag on the dress.
TWO I970'S MAXI DRESSES - JEAN VARON A long cream taffeta silk maxi dress, with Empire line waist, ribbon detail, Aztec patterned silk bodice and long sleeves. Fully lined, back metal zip and zips at the cuffs. Labelled 'Jean Varon' . 28" Empire line. A sparkly chiffon, beaded maxi dress, back zip, hooks on collar, poppers at the cuffs, belted and lined. Size 14. (2)
A 'HARDY AMIES' CHIFFON BALL GOWN & GRECIAN JERSEY DRESS A floral silk chiffon dress with lined bodice, pulled in waistline with pleated and crimped chiffon detail at the waist, long chiffon sleeves with crimped chiffon cuffs. Heavy crepe silk lining to give wonderful dancing movement. Side metal zip. Labelled 'Hardy Amies 14 Saville row. London W.1.'. Size 10/12. A further Grecian style dark brown slinky jersey cocktail dress with side zip and long attached sash wrapping across the front and round her back. Size 10/12. (2)
A 1960'S HORROCKSES SILK DRESS & JACKET ENSEMBLE SIZE 12/14 A smart silk navy blue and white spotted suit, comprising of a shift dress with low cut front, side metal zip, low waist. 30" waist x 45" long from shoulder to hem. And a box shaped jacket with short sleeves and front original buttons. A further 40's/50's navy heavy vintage crepe day dress with white dots, v neck, long sleeves. 30" waist x 43" shoulder to hem. (2)
A 1960'S SILVER SKIRT & JACKET SUIT & 40'S DRESS The silver fabric has flowers in the weave, the jacket has scalloped edges with small brass buttons down the front. Underarm to underarm 16" The skirt has a scalloped hem with side metal zip and high waistband. A 1940's black velvet and silk evening dress with diamante buckle, side metal zip labelled 'Marlborough dress'. And a pretty silk and lace blouse.(3)
A 1950'S NORMAN HARTNELL SILK DAY DRESS A beautiful tulip shaped, soft silk, rose red silk summer frock. The dress has been structured at the waist with a pleated waist line extending to a bow sash at the hip. The skirt is a double crossover at the front with diagonal pleats. A long back metal zip, inner belt and inner skirt lining. 29" waist. (the dress was washed!). A further 1950's flocked floral organza cream and beige frock. A heavy cotton lining gives a wonderful shape and fullness to the the skirt, the front has a low cut crossover bodice, fitted with side pockets, gold buttons and a long back metal zip. 26" Waist (2)
A 1940'S CREPE EVENING DRESS & 1950'S 'MARY BLACK' DRESS 1940's heavy amethyst crepe, similar to the colour 'Lanvin blue', with horizontal stylised tiers running around the bodice and hips. Falling at the back into a slight train. The long sleeves taper to a point,fastened with poppers and are embellished with sequins and beads. The shoulders are padded, There is a long metal side zip. Labelled 'model by fremau ltd London'. Size 12/14. A further black crepe and beaded, chiffon dress with long chiffon sleeves, a rouched bodice, empire line waist. Side metal zip. Labelled 'Mary Black' Size 14. (2)
THREE 1930/40'S EVENING DRESSES - SIZE 12 An early 1940's satin evening gown, structured from panels of peach, black and blue satin to hold the body form, fastened at the side with poppers, needs a clean. 30" waist. A 1930'S colourful pink and yellow rayon daisy print dress, with front horizontal pleated yoke, and row of pretty fabric buttons down the back. 30" waist. A 1940's rayon purple, blue and green chevron print evening gown, gathered at the bust, high waisted, full skirt and small ruffle detail at the back. 28" waist. (2)
TWO 1940'S SUMMER COTTON PRINT DAY DRESSES A fabulous blue, white and grey cotton paisley print dress from the 1940's. With a cowl neck, short sleeves, fitted waist to the hips, full skirt, back and side metal zip, home made. 26" waist. A further pastel pink, turquoise, grey and red floral cotton dress from the 1940's. Original buttons down the front, side pocket and shaped skirt with back pleat. 28" waist. (2)
CIRCA 1930'S COTTON LAME COCKTAIL DRESS. This dress was bought in France before WWII. Labelled 'Baroque' , A simple, elegant wool, lame, bias cut dress with low cut front and back. Padded shoulders with hooped sleeves, side popper fastenings, silk lining. With a red silk velvet sash and back detail. Waist 28". (1)
A 1930'S BLACK RAYON & DIAMANTE EVENING GOWN This classical dress from the 1930's is made from paper thin, light weight rayon. The bodice is embellished with diamante studs and the low cut back with its curved diamante strap falls to a small peplum waist. the long skirt falls to the front with a star burst of diamante and through clever tailoring has a small back train. Fastened at the side with a few small poppers. 28" waist. (1)
TWO 1930'S LACE BIAS CUT EVENING GOWNS A gold lace bias cut evening gown, with mother of pearl sequins. The dress has diamond cut panels, elegant low cut back, lined in satin and separate bolero jacket. 15" across front underarm to underarm, 32" across hips. A further black lace long bias cut evening dress, panelled. waist 36", 20" underarm to underarm. (2)
TWO 1930'S FLORAL CHIFFON TEA DRESSES A black silk chiffon tea dress with blue and pink hydrangea flower print. A rouched waistband, side hook and eye fasteners, long sleeves, no lining. 29" waist. A blue chiffon tea dress with colourful floral print, with an inner blue rayon slip. This dress has been altered over the years. 28" waist. (2)
TWO 1930'S BIAS CUT EVENING GOWNS A stunning silk bias cut evening gown in red white and blue polka dots. The dress has been structured from diamond panels, gathered at the low V neckline, capelet sleeves, falling to a long hemline, with a pretty sash. No openings. 28" waist. A further black satin bias cut evening gown, structured from panels, with a gathered diamond shaped detail at the front waist falling to a long hem. 22" waist. (2)
A 1930'S GOLD LAME EVENING GOWN The dress is made from a heavy vintage gold lame fabric. The front Empire waist falls to a lower back seam. At the back of the rounded neckline is a small opening and down the side of the dress, with popper fastenings. 3/4 length sleeves, the fabric falls from the waist to a small train at the back. At a later date gold ribbon has been sewn along the seams to strengthen the weight of the fabric. 24" waist. (1)
A '1946' EMBROIDERED CREAM CREPE BIAS CUT WEDDING GOWN This dress was made for an Aristocrat's wedding just after the war in Lincoln Cathedral on 14th December 1946. Embroidered cream silk bias cut o create a beautiful silhouette, with pretty v neck, diamond waistband, pleating down the back of the dress to a slight train. Attached belt with three fabric covered buttons, fastening at the side with poppers. Long sleeves running to a point at the wrist, fastening with poppers at the cuff. Waist 26". (1)
TWO 1930'S BIAS CUT LACE EVENING DRESSES These dresses were owned by an Aristocrat and are remembered to have been worn whilst serving in the war as a FANY (SOE) in North Africa and later in Italy. A pretty light blue needle-run lace, long evening dress with shoulder straps, silk under slip, side popper fasteners, belt with front bow and bolero jacket. Waist 28". A further black lace bias cut evening gown with very fine chiffon under slip and lace shawl. waist 28" . (2)
A 1920'S CREAM CHIFFON DRESS, LACE JACKET & SILK BLOUSE. A cream chiffon dropped waist dress with sash at the hips, white beads sewn in star shaped motifs and following the hem lines. There is a back opening with hook and eye fastenings, silk under slip, labelled 'Bourne & Hollingsworth'. Hips 34". A pretty cream bobbin lace jacket with short sleeves, no fastenings. A further 1930's silk blouse with pretty original buttons. (3)
A 1920'S LAME JACKET & BLACK DROP WAIST SILK EVENING COAT A slinky gold lame jacket with floral design in pinks and yellows. Fastened with a single button at the waistline, beautiful sleeves falling to a puff at the cuff. A black taffeta silk evening coat with high padded collar, long sleeves, fabric buttons, dropped waistline. And a further simple cream silk drop waisted dress. (3)
A 1920'S BEADED FLAPPER DRESS A beautiful light brown georgette dropped waist dress with gold and charcoal grey bugle beads hand-sewn to the edges. The fabric is in a fair condition, although fragile and breaking away where the heavy beads are sewn. The dress has a side opening with poppers and a silk under-slip with side poppers. A pretty silk parasol which originally went with the dress. (2)
A 1920'S NEEDLE LACE WEDDING DRESS & VEIL Brussels style, capuccino 1920's lace ankle length dress, has been made from flounces of needle run lace tiered to form a chic elegance. The lace has been needle run through a ground of fine tulle, depicting roses and leaves, imitating Brussels needle point. The lace is intricate, hand sewn, light in weight. (There are a few tiny holes in the tulle, which hardly show, the dress needs to be cleaned, to brighten the colour.) There is an inner layer of very fine tulle, which doubles to make shoulder straps. There are no openings or fastenings. There is a soft silk slip with side poppers and silk straps. Size . Together with a veil of equally beautiful needle lace run on a soft fine tulle ground. (2)
EDWARDIAN WHITE TULLE & LACE TEA DRESS Fine white tulle with a central panel of lace running down the front and back across the shoulders and down the sleeves. The tulle has been pin-tucked below the lace waistband. Small dots of raised green embroidery run between the lines of lace. Fastened at the back with metal hooks and eye. A second layer of tulle has a pretty gathered trim around the hem which falls into a small train. 25" waist . (1)
THREE VINTAGE COLOURFUL SHOT SILK GOWNS. A Victorian day dress with boned bodice in purple and blue shot silk with cream muslin lining. hook and eye fasteners down the back. 26" waist. Oyster coloured satin evening dress, fitted to the waist, full skirted with small back train, metal zip down the back. 26" waist. A further turquoise and purple taffeta silk ball gown with shoulder straps, boned bodice, inner fastener, metal zip down the back, labelled 'Norman Young London'. 26" waist. (3)
A VICTORIAN BRODERIE JACKET & VELVET BEADED GOWN. A black silk padded broderie anglais, cut-worked jacket fully lined in black silk with black ruffled collar and long sleeves. 18" underarm to underarm, 20" length. And a black velvet dress embellished around the neck and hem with glass beads and diamante. (2)
A CIRCA 1900 SILK TEA GOWN WITH TRAIN A beautiful Edwardian tea gown made from cream, pink and brown striped silk. Classical empire waist line, fastening down the front with original fabric covered buttons. The neckline falls low across the shoulders, adorned with lace and ribbon rosettes. The front of the dress is pinned closed. (The fabric is strong, but needs small attention)
AN 1860'S BEETLE WING EMBROIDERED ELABORATE COURT DRESS A three piece court dress made from emerald green silk satin, embellished in iridescent beetle wings, couched to the fabric in gold thread. The bodice is edged in lace with wide open sleeves, the front is embroidered with beetle wings, boned and the back was laced. The inner white satin skirt is tied around the waist with ribbon, there is a small pocket in the side of the skirt and the front is embroidered fully with beetle wings and gold couch work. The outer skirt is heavily padded along the outer edges falling into a long train at the back, decorated with beetle wings and gold couch work, with a flounce of lace lining on the underside. Labelled on the bodice 'C & H Dickins & Jones 232 - 234 Regent St, 31 Argyll Street' The beetle wings are as bright as new, the satin is in good condition although there is a stain on the inner white skirt. (3)
THREE EDWARDIAN COTTON & LACE NIGHT DRESS & SLIPS. A cotton slip with scallop shell detail, needle lace and white work. A long cotton and lace dress with lace trim, cutwork and white work. A broderie anglais cotton slip. All in need of a serious soaking. And four cotton babies christening robes, with lace trims. (7)
CIRCA 1892 CHRISTENING ROBE & EARLIER BONNET White satin robe with lace front and sleeves, made from a wedding dress and worn by Alexander Hood Mackinnon at his christening in Westminster Abbey London. Subsequently the robe has remained with the family having been to South Africa and back. And a bone handled parasol in a silk bag. (3)
RARE BRITAINS BOXED SET - BAND OF THE ROYAL SCOTS GREYS Model Number 1721, a large boxed set containing a mounted kettle drummer on a black walking horse, and 11 mounted Bandsmen on Grey walking horses. All depicted in service dress and with steel helmets, and in a Types of the British Army box. *For similar example see Vectis Lot 6872, 28/11/14.
AFTER J F LEWIS "Grenada", study of a couple in national dress on the back of a mule, highly coloured lithograph circa 1835, AFTER SIR JOSHUA REYNOLDS "The Marlborough Family", black and white portrait engraving by C TURNER, together with six ornithological prints and a small quantity of other prints
A miniature Herend porcelain figure of an owl decorated in blue with polychrome decorated wings, a miniature Herend porcelain figure of an owl decorated with iron red and with polychrome decorated wings, two miniature Herend type porcelain rabbits decorated with polka dots on a white ground, a John Beswick pottery figure of a hare, two Continental porcelain figurines, one depicting a lady in 18th Century dress and another depicting a gentleman in 18th Century dress, together with a small Oriental oval lacquered snuff box and a miniature duck shaped egg tureen
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