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Lot 322
Charles Rosenberg (circa 1800). Two portraits of gentlemen, one in profile to the left (damages) the other to the right, both wearing suits with frilled cravats. Silhouettes on glass backed with plaster, 8cm x 6.2cm and 8.4cm x 6.6cm respectively, ovals. In gilt-mounted rectangular black papier-mache frames; Hinton Gibbs (circa 1810). Profile of a lady in a dress with a frilled collar. Silhouette on convex glass backed with plaster. 7.3cm x 5.7cm, oval. In a gilt-mounted rectangular black papier-mache frame (3)
Lot 326
Attributed to Henry William Field (circa 1820). A profile of Ann Hanson Price, nee Mold, daughter of Benjamin and Anne Mold, nee Lauder, wearing a dress and lace bonnet secured in a bow under her chin. Silhouette on card. 7.2cm x 6.3cm, oval. In an elaborate gilded gesso frame; Together with A Gentleman in profile to the left wearing a brown suit and black stock, attributed to W.H. Beaumont, cut out and painted in brown, black and white; and a print of King George III (3)
Lot 328
John Field (1792). A lady, head and shoulders, in profile to the right wearing a dress with fichu and veil entwined with ribbons in her upswept hair. Silhouette on plaster. 9.5cm x 7.5cm, oval. In original pearwood frame with verre eglomise border (damaged), the reverse with broken trade label Number 11, with indistinct inscription `received July 1792`
Lot 183
A tall Italian maiolica ewer, painted with a continuous scene of figures in Classical dress, bringing animals to be sacrificed before a large fire in a woodland, the scrolling handle issuing from a grostesque mask and terminating in a dolphin, crowned `Ginori` to the base, 19th century, restoration to the handle, 45cm.
Lot 343
A biscuit porcelain profile portrait, attributed to Bristol, of a bewigged gentleman in Georgian dress, framed and glazed, and a Wedgwood Jasperware oval portrait plaque of Arthur, Duke of Wellington by John Henning, set in a black and gilded frame, 18th and early 19th century, 17.2cm max overall. (2) The biscuit plaque`s frame with a partially obscured label reading `Hard Porcelain, Bristol. A Trapnell`.
Lot 30
Carington Bowles (publisher). The Appointment Overheard and Prevented, pub. 12th May 1772, ‘droll’ mezzotint with orig. hand col., 350 x 250mm, framed and glazed. A satirical print of a foppish ‘Macaroni’ or dandy, dressed in a fancy waistcoat and ridiculous wig, arranging an assignation with a rather vacant if fashionable young lady who wears a matching highly ornate wig and bonnet. A French poodle yaps at the Macaroni’s feet and a servant can be seen listening to the conversation. The Macaroni affected and copied the highly ornate and often effeminate style of dress which was fashionable in France and Italy at the time. Naturally they provided easy satirical subjects for the caricaturists and cartoonists of the day. (1)
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228098 item(s)/page