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Click here to subscribeVintage Costume - 1940's silk tea dress, rose pattern; Laura Ashley forest green wool cape; 1950's lace wedding dress; Laura Ashley floral dress, made in Great Britain; 1960's psychedelic blouses, another similar; 1960's sequinned top; Liberty wool shawl, Hera design, adapted to a top; others
CUNO AND OTTO DRESSEL, GERMAN LATE NINETEENTH CENTURY BISQUE SHOULDER HEADED GIRL CHARACTER DOLL, with natural blond wig, sleeping blue glass eyes, open mouth with four upper teeth, kid body and hinged limbs with bisque forearms and fabric lower limbs and feet, 19"" high, with dress and five layers of under clothes, impressed marks, `1896 C.O.D. 9 DEP`
LADY`S CHRISTIAN DIOR COTTON DAY DRESS, ¾" length with ¾" sleeves and button front, "Dior" red printed repeating pattern (af), A LADY`S LOUIS FERAUD COTTON LIGHT SUMMER JACKET, with skirt bottom and brown printed chevron design, A LADY`S JAEGER CREAM COTTON DRESS AND A LADY`S BERKERTEX BLUE PRINTED SILK SHIFT DRESS (4)
The End of The Sinn Fein Rebellion - Pearse's Surrender Iconic Photograph: Pearse (P.H.) Rare photograph of Patrick H. Pearse's Surrendering to Brig. Gen. W.H.H. Lowe, on the 28th day of April 1916. The photograph measures approx. 12.5cms x 9.5cms (5" x 3 3/4"). This iconic photograph shows Pearse appearing to stand alone in front of Lowe and his fellow officer, but the bottom of the dress and the high heels worn by Nurse O'Farrell, Pearse's companion on this occasion are clearly visible. As photo, w.a.f. (1)
The Master's Chair - An Beal Bocht O'Nolan (Brian, a.k.a. Flann O'Brien & Myles na gCopaleen) A selection of personal memorabilia including the master's chair on which he habitually sat while working at his typewriter, a sturdy Victorian mahogany Dublin Chair with leather seat (distressed), some restoration including replacement of a leg, restorer has written O'Nolan's Belgrave Square address in pencil on underside; also the writer's well-known hat, and a group of original photographs, one showing O'Nolan (wearing the hat) on Sandymount Strand with Austin Clarke, another with his business card, and a third in graduation dress; and O'Nolan's briefcase, in which some of these items were stored. A superb collection of personal items. One can imagine the writer at his chair, tapping away at a Cruiskeen Lawn column or mediating on the Third Policeman's bicycle, his hat and perhaps a glass of whisky somewhere within reach. Provenance: By family descent. Letter of provenance available, authenticity guaranteed. (1)
A five piece Craftsman pewter tea/coffee set in the Arts & Crafts manner comprising a tray of oval form, teapot, coffee pot, two handled sugar basin and milk jug, all with simplistic beaded borders and hammered finish together with a good quality cast metal oriental shallow charger with decoration in relief depicting figures in traditional Japanese dress within a village landscape, 21 cm diameter approx, also together with an oriental black lacquered lidded dish containing a quantity of souvenir spoons, a majolica type ceramic pedestal dish with pierced base and further simulated woven finish with central circular panel depicting cherries and foliage, a four piece brass tea and coffee set, etc
A lady`s ruby and diamond dress watch, mid 20th century, Cypres, the tapering peach dial with black Arabic numerals, of articulated odeonesque style, set with round mixed-cut rubies, round brilliant- and single-cut diamonds, in a 14ct rose gold case, on a later 9ct yellow gold snake link bracelet with folding clasp
A vintage grey silk kimono type ladies gown decorated with extensive metal embroidery in shades of gold, pewter and silver to depict a bird seated amongst foliate branches together with two boxes of assorted textiles to include a vintage ladies floral dress bearing the label Anna Belinda, Oxford, further ladies blouse in oriental style printed fabric, vintage eastern and other hats, a Hawaiian grass skirt, early 20th century child`s sailor suit, etc
A collection of vintage ladies clothing to include a jacket in black and white dog tooth check bearing the label Karl Lagerfield, a further short jacket in deep purple labelled Hardy Amies, 14 Saville Road, London, a navy blue jacket with embossed anchor decorated brass buttons bearing Printemps label, further examples by Sandro Paris, a white silk ladies dress with Romney Model label, a cream coloured Edwardian blouse decorated with beading and lace, a further Edwardian black blouse with embroidery and lace panel, together with box containing gentlemen`s trousers and black jackets, etc
A pencil fashion design showing Diana Princess of Wales in a pleated full length evening dress, signed bottom right Yuki and dated 1986, further dated top right May 86, with various labels verso from Bebb Fine Arts, Ludlow ""Guyuki Torimaru (Yuki), original drawing of Princess Diana 1986, this dress was made up in blue and worn by Princess Diana on her state visit to Japan 1986"", also together with a photograph of the Princess wearing the dress, 29 x 17 cm approx and in substantial hand finished silver coloured frame
A pair of early 19th century continental Meissen type sweet meat dishes, with painted floral decoration to the interior and with applied male and female characters, he in a turban, she in a white and gilt head dress, with under glazed blue cross swords mark to base and incised numbers 1818 (?) and 744 (?)
Lots 258-265 are by Mary Langdon Edis, Lady Bennett (1881-1976) *Mary Langdon Edis, Lady Bennett (1881-1976)PORTRAIT OF A YOUNG WOMAN, HALF LENGTH, IN A BROWN DRESS AND CAMEO BROOCHSigned l.r., oil on canvas69 x 56cm This is a copy of the portrait by Alfred Stevens (1817-1875) of Mary Ann, wife of Leonard Collman, c.1854, in the Tate Gallery. *Artist`s Resale Right may apply to this lot.Mary Langdon Edis, Lady Bennett (1881-1976), married the architect Sir Thomas Penberthy Bennett (1887-1980) in 1916. He rose to prominence in 1940 as Minister for Bricks and, in 1941, became Director for Works, which involved the overseeing of hospitals, airfields, ordnance factories and prisoner of war camps. Mary Edis continued to paint and one of her portraits is in the National Portrait Gallery.
A Mennecy Double Salt, 1750-60, in the form of a girl wearing a flower-sprigged dress between two blue-lined shell dishes, finger missing, 19.5cmThe base has two rectangular holes which were to attach an ormolu mount. Provenance: Sotheby`s saleroom label, 13 July 1998, No. 561. Literature: The companion boy figure is illustrated in `French Porcelain`, W B Honey, 1950, No. 45.
A pair of French porcelain and gilt metal mounted candelabra, late 19th century, in the form of male and female figures, he dressed in a blue frocked coat, floral waist coat and breeches, on a circular base resting against a tree stump, she wearing a dress with floral stomacher and pink floral skirt on a similar base, the stumps applied with single sconce branches, 40.5cm high (2)
John Raphael Smith, British 1751-1812- "African Hospitality" after George Morland, publ. March, 24. 1814 by S Morgan, No. 32, Clipstone Street, Fitzroy Square; mezzotint, 48x65cm: Charles Robertson RWS, British 1844-1891- An oriental man feeding pigeons; dry-point etching, signed within the plate, 35.5x25cm: Thomas Sinclair, British 1805-1881- "Priest in Full Dress Simoda" after a daguerreotype by E Brown; lithograph printed in colours, 29x22.7cm: Sidney Tushingham ARE, British 1884-1968- Riding out from the city walls; etching, signed in pencil, 22.5x36.3cm: together with a quantity of 19th and later prints, by and after various hands, examples to include prints depicting scenes from St Helena, Turky, South America, India and Egypt, various techniques, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
AMENDMENT: Léon Francois Comerre, French 1850-1916 not Leon Carriere, French, late 19th/early 20th century- Portrait of a lady, half-length in a cream dress; oil on canvas, signed, in a white painted composition frame with oval aperture, 83.5x67cm CONDITION REPORT: please note there is an amendment on the description for the details of this lot and the description should read as follows: Leon Francois Comerre, French 1850-1916 in a composition frame, early 20th century frame may be the original frame has been over painted in greyish white paint there is cracking to the spandrel upper right canvas has been re-lined circa mid-late 20th century retains the wooden stretcher which may be the original under inspection with uv lamp there is evidence of a large area of re-touching lower right over and also above the shoulder of the sitter and in the background there is evidence of a smaller area of retouching upper left and along the far left edge further smaller spots of retouching here and there varnish has been re-applied rather unevenly otherwise good condition
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