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Lot 95
Two Russian porcelain military plates by the Imperial Porcelain Factory, St. Petersberg, period of Alexander II (1855-1881), each painted with a central roundel of soldiers, within a lilac ground border with gilt ribbon tied laurel wreath and Imperial double-headed eagle crest, both with Cyrillic inscriptions to the reverse and underglaze marks in green and blue, both possibly dated '74each 24.7cm diameterQty: 2Some wear to the gilt and scratching to the decoration and glaze commensurate with age. Some blooming to the central roundel glaze. Noticeable on the dress on the soldiers and the horse’s bodies. Minor chipping and scuffing to the rim of the base commensurate with age and display. No impurities or inconsistencies showing under blacklight.
Lot 145
A pair of brass table lamps; together with a further pair of table lamps with faux blue marble painted decoration; and another table lamp with a carved painted wooden figure of a female in a flowing dressthe brass lamps 58cm high, the faux blue marble lamps 44cm high, the lamp with wooden figure 62cm high to the fittingQty: 5The brass table lamps with some oxidisation to the lacquer. The blue table lamps with some minor losses to the paintwork, otherwise in good condition. The figural table lamp with some losses, particularly to her hands, and with further minor chips and marks overall.
Lot 399
19th century school, head and shoulder portrait of Sarah Lucas with ringlets in her hair and wearing a green dress with lace trimUnsigned, set within a gilt moulded gesso frame29cm x 24cm (oval), the frame 42cm x 48cmQty: 1With a label to the reverse 'Sarah Lucas, born 1829, married Edwin Tooth 1844 and died 1854'The painting in good condition with some minor marks. The frame with some losses and deterioration overall.
Lot 385
Edward James Rogers (British b.1872-d.1938), Seated portrait of a young woman wearing a black dress and with a white lace collarOil on canvas, signed lower right60cm x 49.5cmQty: 1Some slackness to the canvas, the painting with some minor marks, some discolouration to the painted surface around her arm and down the right hand side, the frame possible contemporary with some minor marks and losses
Lot 1277
° ° Logan, James (1794-1872) - The Clans of the Scottish Highlands, illustrated by appropriate figures displaying their Dress, Tartans, Arms, Armorial Insignia, and Social Occupations, 2 vols, folio, gilt morocco, with 72 chromolithographic plates from original sketches by Robert Ronald McIan (1803-1856), dedication leaf printed in gilt, list of subscribers, 1st edition in book form, (originally published in 24 parts), Ackermann & Co., London, 1845-47, together with the booksellers catalogue of William Brown of Edinburgh, number 290, dated 1936, wherein this work? (14a) is priced at £35, and two typescript letters, from R.F. MacArthur, to his cousin, discussing Scottish clans
Lot 402
THREE BOXES OF TOYS, iPAD, NINTENDO DS, LINENS, BOOKS AND SUNDRIES, to include an Armand Marseille bisque head baby doll, with composite body and limbs, wearing a vintage dress, height 38cm (eyes loose in head), an Apple iPad model no A 1474, with USB power adapter, a black Nintendo DS Lite with a folder of nine games including Super Mario, Countdown and Brain Training, a Canon IXUS 285 HS digital camera, a Corgi Simon Snorkel fire engine, books including The Staffordshire Encyclopaedia, The Morris Oxford & Cowley Car Manual 1926 edition, and an antiquarian book on the subject of religion (the latter in poor condition), etc (3 boxes) (sd)
Lot 340
ALBERT RUTHERSTON (1881-1953) 'HARLEQUIN', an illustration depicting a a figure wearing a Harlequin costume and brandishing a sword, three figures wearing black cloaks and masks and a female figure wearing a pink dress, signed bottom right, ink and watercolour wash on blue paper, approximate size 22cmx 33cm including margins, Condition Report: light creases to the paper, dirty marks to the paper (artist resale rights may apply to this lot) (Provenance: The Arnold Fellows Collection)
Lot 16
A SIGNET RING, PENDANT AND TWO DRESS STUDS, AF yellow metal signet ring, worn engraving to the reverse, split shank, unmarked, approximate gross weight 4.5 grams, together with a yellow metal openwork initial M pendant stamped 9ct, and a pair of yellow metal polished dress studs, stamped 9ct, approximate gross weight 1.6 grams
Lot 495
NINE ITEMS OF VINTAGE CLOTHING AND TWO BOXES OF ACCESSORIES, to include a 1960's Cresta Couture black ribboned ladies dress and jacket, a Rackhams black lace dress and bolero jacket made in Switzerland, a cream Rodex 'Llama Curl' coat, an Eastex camel coloured cashmere overcoat, a black 'Wetherall' coat, a 1980's black mink and leather ladies jacket, a 1949 'Philip Cohen' of Pinfold Street Birmingham hand tailored black tailcoat with two pairs of matching trousers, together with a box of vintage handbags and table linen, etc. (2 boxes + rail)
Lot 54
AN ASSORTMENT OF GOLD SILVER AND OTHER JEWELLERY ITEMS, to include a 9ct gold heart padlock clasp, a 9ct gold and chalcedony fob, a 9ct gold charm, a 9ct gold dress stud, all hallmarked 9ct gold, approximate gross weight 11.4 grams, an early 20th century lobster clasp, T-bar and part of an albert chain, all stamped 9 .375, approximate gross weight 7.7 grams, four silver heart padlock clasps, a curb link chain, a cap badge, a single cufflink, all hallmarked silver, approximate gross weight 22.2 grams, two white metal charms and a white metal ring, together with three yellow metal heart padlock clasps, (condition report: general moderate wear, overall condition good)
Lot 304
SHERREE VALENTINE DAINES (BRITISH 1956), 'PRETTY IN PINK', a signed limited edition print depicting a small child wearing a ballet dress, 49/195 with certificate, approximate sizes - image 29cm x 18cm frame 52cm x 39cm, Condition Report: bottom corner edges of the frame are chipped (artist resale rights apply)
Lot 20
A 9CT GOLD GEM SET DRESS RING, set with a circular cut light blue stone assessed as synthetic spinel, four claw set in an openwork scallop surround, trifurcated shoulders leading onto a polished band, hallmarked 9ct London, ring size O, approximate gross weight 7.7 grams (condition report: stone secure, light wear, overall condition good)
Lot 151
Full title "My Little Kitchen Fairies Figurine, Sweet Cantaloupe Fairie 4023056". Depict a child fairy in a red dress scooping the insides of a cantaloupe. My Little Kitchen Fairies backstamp. Issued: 2011Dimensions: 2"L x 3"W x 3.5"HManufacturer: EnescoCountry of Origin: MalaysiaCondition: Age related wear.
Lot 135
Includes: one lady mouse dressed in pink dress and holding an umbrella; one girl mouse in white and pink ballerina outfit; and one boy mouse in blue and white skiing outfit. Annette Peterson factory stickers. Dimensions of tallest figure: 1.25 in. L x 1 in. W x 1.75 in. H. Artist: Annette PetersonIssued: c. 1979-1990Manufacturer: Annette PetersonCondition: Age related wear.
Lot 121
Matte finish, hand painted figurine. With a basket of fish, the fish wife is in a blue dress, white apron, purple-black shawl, and green hat with white head kerchief.Royal Doulton backstamp. Artist: Mary NicollIssued: 1973Dimensions: 8.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good
Lot 102
Designed in a limited edition, this fine bone china figure modeled as the villain from Disney's first princess movie, wearing her iconic purple dress, black robe, and yellow crown. Handwritten "Original" and dated. "This item is the property of Royal Doulton and title to the property remains with the company at all times backstamp". Artist: P. ParsonsIssued: 1998Dimensions: 5"L x 3.75"W x 9"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 1177
Attributed to William Routh c.1760-70Portrait of Peter Leggat of Barwick-in-Elmet-Yorkshire, half-length, with hand in waistcoat pose, wearing a fine jacket decorated with gold buttons, a rose corsage pinned to his lapel and holding a stickA portrait of Sarah Leggat, wife of Peter, half-length, wearing a fine white satin stomacher dress with blue satin detail, ribbons and lace trimmings, a matching mop cap and choker, standing before a draped curtain and before an urn of assorted flowersA portrait of Jane and Elizabeth, daughters of Peter and Sarah Leggat, half-length, wearing white dresses and pretty headpieces holding a basket of flowers with their attendant dog before a landscapeEach initialled and indistinctly dated? oil on canvas, 66.5cm by 64cm, 67cm by 64cm and 74.5cm by 63cm respectively (3)This lot is sold together with the Leggat Book of Common Prayer and a small cache of documents relating to the family.Each relined, cleaned and re-varnished. The gentlemen - some surface dirt and discoloured varnish in evidence. Stretch shadow with traces of historic retouching by eye. Further vertical line of separated paint and possible old restoration approx 1cm to right of evident upright right hand side stretcher shadow approx 30cm in length. Further areas of apparent cracquelure and crazing e.g. immediately above the ledge of right hand side near his left-hand side shoulder. Similar degree of crazing, cracquelure, cracking, addition of bitumen? to background and curtain upper left. Surface is somewhat flattened from restoration, paint is thin in places. Delicate retouching and infilling all be it relatively consistently presumably to old flaked paint across the sitters face, collar, and shirt, his right hand shoulder, a good degree of his waistcoat, right hand cuff and his right hand in addition to his left hand. Further infilling generally within lower left-hand corner and more sporadically elsewhere. Som likely general strengthening through background and his left-hand arm and sleeve. Slightly adrift of frame along upper edge. The lady - In broadly similar condition to the gentlemen with regards to stretcher shadow, flattening and thinning of the paint as result of restoration particualrly the expanse of lace within the lower right hand corner. Varying sized patches of cracquelure, some being more pronounced than others. Surface dirt and discoloured varnish. Some horizontal creasing like effect within the lower area approx 10cm from lower edge. Some more apparent crazing to areas of paint particularly extremeties of background with more pronounced separation. Consistent retouching to more areas of paint within background upper left area, within stretcher shadow section. Delicate fairly consistent retouching and infilling to old flaked paint across the sitters face, left hand side hand and arm, and less consistently evident to other areas of her costume. Fine retouching and infilling to bulls eye shaped cracquelure within the urn. Some more general strengthening to background and sporadic retouches probably of a different date to background and floral arrangement etc. The children in broadly comparible state of preservation, stretcher shadow, varying sized and separated cracquelure, surface dirt and discoloured varnish. Minor rubbing to edges, especially top edge. Circular patch of restoration in background approx 8cm from upper left hand corner and 1.5cm dia. Delicate retouching and fairly consistent infilling to cracquelure across the faces of the two children. Further delicate but again consistent retouching to old flaked paint through the other flesh areas and costumes of the two girls. Couple of approx 1cm by 1cm patches of restoration along right hand side edge. More sporadic retouches and infilling across the hound and background in general with likely more consistent areas of general strengthening to background etc. This painting also displays a similar degree of flattening of surface and thinning in places due to restoration process. For more information please contact the department.
Lot 1175
After Sir Joshua Reynolds PRA FRS FRSA (1723-1792)Portrait of Christiana Nickson, 1st Baroness Donoughmore (1731-1783)Oil on canvas, 125cm by 100cm On original canvas, general surface dirt and discoloured varnish now in evidence. Frame rubbing to edges, most notable to upper left corner with some associated paint losses. There are several patches of fine stable cracquelure, to upper left corner, sitters decolletage and more broadly across the lower third of the picture. There are several horizontal lines/creases running across the entire length of the canvas. The horizontal cracking across the sitters body may require prompt intervention. Visible stretcher shadow. The sitter's face and hands have been extensively and roughly overpainted. Areas of her dress similarly have been crudely overpainted. Most of the background has been retouched, infilled and inexpertly overpainted. For more information please contact the department.Framed dimensions: 150cm height by 126cm width
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227115 item(s)/page