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Lot 510
East German Officer’s Dress Sword33 inch, single edged, slightly curved blade. Narrow fuller. Nickel plated stirrup knuckle bow, downswept quillon and langets with enamel DDR badge. Nickel plated backstrap. Leather covered grip with twist wire binding. Contained in its blackened steel scabbard with single hanging ring. Clean condition.
Lot 1583
A small quantity of silver and silver plated costume jewellery, to include two silver hinged bangles, one of buckle form, a Victorian silver floral bar brooch, a Victorian silver engraved bird brooch, silver plated locket and chain, cuff links, two further silver lockets and chains, dress rings, etc. (a quantity)
Lot 1586
A small selection of silver costume jewellery, to include a gate bracelet, four row silver bracelet, three silver dress rings, silver charm bracelet with five charms, including duck, hedgehog, turtle, spider's web and rocking horse, a filigree type design silver leaf bracelet, dress rings, pendants, etc. (a quantity)
Lot 178
LOVE ACTUALLY (2003) Keira Knightley screen used Wedding Dress and pair of Bridesmaid dresses as used in the production of Richard Curtis' romantic comedy ''Love Actually'' from 2003 during the wedding of Juliet (Keira Knightley) to Peter (Chiwetel Ejiofor). The dresses were designed by costume designer Joanna Johnston. The Wedding dress and Bridesmaid dresses are all size 8. The custom-made Wedding dress is made of a number of different layers starting with a pale pink slip skirt and an asymmetric dress made of net material featuring white sequin detailing and snap fastenings along the side. A lace wrap-around skirt and matching short sleeved asymmetric bolero are worn over the dress, with the skirt featuring a large metal brooch with pearl and diamanté detailing to fasten. A sheer, white, long-sleeved chiffon jacket, including a long sweeping train featuring feather and bead detailing around the collar and cuffs with a small beaded hook at the end of the train and hook and eye fastenings run down the front. The costume is completed with a feathered fascinator and faux bridal bouquet featuring a length of white chiffon leaves. There is slight fraying on the hem of the lace skirt and many of the leaves are no longer present on the bouquet, however overall the costume remains in very good condition. The Bridesmaid dresses are sleeveless, pale pink A-Line dresses and made of chiffon with metallic mesh overlay. They feature frayed detailing on the hem of the lining and a pink bow on the back with a zip fastening. Accompanying one of the dresses is a pale pink bolero made from sheer chiffon material with frayed detail on the hem and cuffs. Custom-made for the film, the dresses display names on the zips reading 'Nicky' and 'Dawn' respectively. Provenance - Bought from The Prop Store and with two Prop Store Certificates of Authenticity.
Lot 181
Ex-studio movie costume large collection obtained by the vendor directly from the studios lot with many of the clothes displaying their original Western Costume company labels as well as initials of the actors, costumes include: "Hello Dolly" Jerry James worn yellow jacket, Kevin Kline screen worn jacket from the film "Silverado", Scream 3 black cape with replica mask, Arleen Whelan dress, great jacket with initials "J. D." inside could this stand for Johnny Depp?, Spartacus costume worn by Bob Wilk, Mining Operations blue jacket with badge and WDS stamp and labels, Adidas jacket, Richard Gere shirt worn in the film "Somersby" (with Anto Beverly Hills label), Harrison Ford shirt worn in the film "Cowboys and Aliens" from May 2010, John Goodman shirt worn in "Patriots Day", Michael Douglas blue shirt worn in the film "Behind the Candelabra", John Travolta blue shirt worn in "A Civil Action", Ed Harris Anto Beverly Hills shirt worn in "Stepmom", Danny De Vito shirt from "What's the worst that could happen", plus more costumes on one rail.
Lot 49
EKONDA HAT, BOTOLODEMOCRATIC REPUBLIC OF CONGO, 20TH CENTURY cane fibre, woven in a pagoda shape with a series of seven brims, adorned with a copper disc projected from the base30cm tallProvenance:Private collection, LondonNote:Hats of this style were a key element of an Ekonda chief's dress, worn during ceremonies and religoius festivals as a symbol of prestige. As revered items they were preserved and passed down through the generations of a chiefly line. They were kept with considerable care and treated with oil and powders prior to ceremonies.
Lot 262
Canton enamel and gilt metal box Chinese/European influenced, Qianlong period of rounded circular form with hinged cover, decorated with European figural scenes with the cover showing a lady in a white and brown dress reclining upon a chaise lounge against a background of a table with covered two handled vessel candlestick and two boxes both partly framed by a hanging drape, sides with figural and animal scenes within elaborate cartouches on cracked ice ground, base with leafless tree and grasses, cover interior decorated with naked angel peeping under a naked ladies cloak set against a background of shrubs, all within an elaborate cord cartouche on foliate ground 7cm x 3.5cm
Lot 504
The O.B.E. group of five medals to Lieutenant Commander Harold D. Watts-Russell, O.B.E., R.D. Royal Naval Reserve: The Most Excellent Order of the British Empire, Officer's breast badge (military), Britannia type; 1914-15 Star, British War and Victory Medals (LT. COMMR. H.D. WATTS-RUSSELL. R.N.R.); Royal Naval Reserve Decoration, George V; mounted for wearing and preserved in a Gieves Ltd. case; with associated mounted dress miniatures, at least very fine and with original ribbonsRecommended for his O.B.E. as Officer-in-Charge Submarine Boom Defence Depot, Inverness: "very largely responsible for the maintenance of the Scarpa Flow and Northern Boom Defences since 1914" (10/07/1919)
Lot 508
The Military Cross group of medals to Lieutenant Colonel Robert Douglas Greaves Townend, O.B.E., M.C., T.D.: The Most Excellent Order of the British Empire, Officer's breast badge (military division), Britannia type; M.C., GVR; 1914-15 Star (CAPT R.D.G. TOWNEND A.S.C); British War Medal 1914-20 and Victory Medal with M.I.D. emblem (CAPT. R.D.G. TOWNEND); 1939-45 Star; Defence Medal, British War Medal 1939-45 with M.I.D. emblem; Jubilee medal, 1935; Coronation medal, 1937; Territorial Decoration, GVR, mounted for wearing; together with a mounted set of corresponding dress miniatures, photographs of this officer and others, and a quantity of associated documents including the warrant for the O.B.E. and a certificate of service in the Home Guard; medals all about very fine and with original ribbons. M.C.: L.G. 03/06/16 for distinguished services in the field. Commissioned 2nd Lieutenant (from Gunner Honourable Artillery Company) 03/07/12; Territorial Decoration L.G. 28/10/27; served in World War Two and mentioned in a despatch "in recognition of distinguished services in connection with operations in the field. March-June, 1940" under a general heading dealing with services in France and Flanders (L.G. 20/12/40); served in the Home Guard 15th March to 31st December 1944.
Lot 513
A small collection of dress miniatures, comprising: The Most Distinguished Order of St Michael and St George, a Victorian miniature breast badge; The Distinguished Service Order, George V; Serbia: Order of the White Eagle; Greece: Order of the Redeemer; a C.B.E mounted together with a Coronation Medal, 1953; and a Great War pair, mounted together.
Lot 544
Two groups of World War Two campaign medals: 1939-14 and France and Germany Stars, Defence and War Medal, mounted for wearing and with two ribbon bars; and 1939-45 Star, Africa Star with 8th Army bar, Italy Star, Defence and War Medals, unmounted, in box of issue addressed to Captain G.R. Burnell, with mounted group of corresponding dress miniatures.
Lot 668
A British army sergeant's dress sword, George V, plain dumbbell section blade with War Department markings, 1897 type hilt, brown leather covered scabbard; together with a court sword of diminutive proportions, straight blade 20 in., cast hilt with ornate shell and knuckle bow, leather scabbard with brass mounts retaining traces of plating. [2]
Lot 1160
English School (second half, 17th century), a matrimonial pair of portrait miniatures, Roger Palmer, Earl of Castlemaine and Barbara Palmer, Countess of Castlemaine (née Villiers, later mistress of Charles II and Duchess of Cleveland in her own right), each dressed in the Restoration fashion, the earl with flowing brown hair and wearing a lace cravat, the countess with dressed brown hair and ringlets, wearing a string of baroque pearls with conforming earrings and a lace-trimmed blue dress, ovals, oils on copper, 7.6cm x 6cm, early 19th century gilt-metal frames, each inscribed to verso Lord Castlemaine and Lady Castlemaine, coiled crestings centred by suspension loops Condition Report: There's is no provenance so we can't say, the date I see suggested in the description, this lot will be sold on Friday the 3rd of may thank youPlease see attached images. Some wear and scratches. Some flaking away of oils to margins exposing some copper. The faces great in character. Some craquelure in places. Light surface deposits. D.S.
Lot 1162
English School (second quarter, 19th century), a portrait miniature, of Miss Jones by Her Father, half-length, facing straight-on, the lady's brown hair dressed in ringlets, wearing a white dress, inscribed ink manuscript to verso, oval, watercolour and pencil on paper, 8.5cm x 7cm, gilt-metal mounted black papier-mâché frame Condition Report: Slight fading to the gilding, a few scratches and chips to the frame. Please see attached photographs for examples thank you.
Lot 133
A Derby figure, Allegorical of Summer, personified as a seated girl wearing a floral crown, holding a small bouquet of flowers, on a rococo scrolled base, 10.5cm high, c.1760 Condition Report: Anticipated nibbled losses to flowers & bocage. Her lower left-hand dress skirt at the back has had some mild restoration and displaying well. Some rubbing and wear. Please see attached images.
Lot 217
A 19th century Meissen figural group, of an amorous introduction, the lady being offered flowers and wisdom, her gallant on his knees, each attired in the 18th century fashion, verge base, 20cm high, 23cm wide, underglaze crossed sword marks, model no. 61 Condition Report: Hello,Signs of restoration to the woman's hand and dress. Cracks and chips to the base please see attached photographs for examples thank you.
Lot 227
A Meissen figure group, dancing couple, both in 18th century dress, oval base, 37cm high, crossed swords mark in blue, incised 1742 Condition Report: His hand reglued and old restoration, cuff with point missing, Chips to foliage on lady's chaplet; small chip to centre of her head; small chips to shredded clay grass on the base
Lot 147
The Hon. Ursula Lawley's Wedding Dress, by Handley-Seymour, London, circa 1927, in gold lamé damask; along with a lace overlay train, a tulle veil and heeled brocaded shoes with ankle straps Catalogue Notes: After his first wife’s death in 1920, the 1st Baron Wraxall married secondly, Hon. Ursula Mary Lawley, daughter of Sir Arthur Lawley (later the 6th Baron Wenlock). They had two sons, successively the 2nd and 3rd Barons Wraxall. The wedding, which took place in July 1927 at St Margaret's Church, Westminster, was attended by King George V and Queen Mary. The Hon. Ursula Lawley had previously been Maid of Honour to Queen Mary, between 1912 and 1927.Elizabeth Handley-Seymour (1867-1948) was a London-based fashion designer and court-dressmaker operating as Madame Handley-Seymour between 1910 and 1940. She is best known for creating the wedding dress worn by Elizabeth Bowes-Lyon, the future Queen Elizabeth The Queen Mother, for her marriage to the Duke of York in 1923; and later, Queen Elizabeth's coronation gown in 1937.
Lot 149
Elizabeth II (Queen of Great Britain) and Philip, Duke of Edinburgh, a full length portrait of the couple in full ceremonial dress, black & white photograph, 22cm x 17.5cm, signed in ink autopen, 'Elizabeth R' and 'Philip' to lower mount and dated 1969, in tan leather desk frame by Jarrolds, Knightsbridge, 31.5cm high
Lot 150
Elizabeth II (Queen of Great Britain) and Philip, Duke of Edinburgh, two full length portraits in full ceremonial dress, black & white photographs, 19cm x 15cm, each signed in ink autopen, 'Elizabeth R' and 'Philip' to lower mounts and each dated 1986, each in a black grained leather desk frame by Paul Longmire Limited St James's, London, gilt stamped with royal cyphers, 32cm high
Lot 151
The dress uniform tail-coat and overalls for a Vice Marshal of Her Majesty's Diplomatic Corps, 20th century, to include a court sword and scabbard by Wilkinson & Sons Ltd. London with leatherette protective sheath and with a silver-mounted ebonised cane with white silk tassle and a feather-mounted fore and aft cocked hat The accoutrements of Eustace Hubert Beilby Gibbs, 3rd Baron Wraxall, KCVO, CMG (1929 - 2017), He served as Her Majesty's Vice-Marshal of the Diplomatic Corps from 1982 to 1986.The Vice-Marshal is a member of the Royal Household, providing a connection between the Sovereign and the Heads of Diplomatic Missions in the UK. This includes liaising with diplomats and ambassadors in order to organise Royal audiences and ceremonies. This role was known as the 'Marshal of the Ceremonies' until 1920, when the offices of the Marshal and Vice-Marshal of the Diplomatic Corps were instituted
Lot 749
Cartier - a 1990's Nouvelle Vague Perruque 'wig' dress ring as a large 18ct yellow gold band surmounted by multiple articulated strands of gold beads, signed Cartier 750, numbered 19946 55, dated 1999, size O, 39.4g gross, boxed Condition Report: Good general condition with slight scratches and wear marks, see images
Lot 757
Rene Kern - a mid 20th century multi gem stone dress ring, four petal floral head inset with a central round brilliant cut diamond, surrounded by a vibrant pink ruby, blue sapphire and pair of pale pink stones possibly morganite, all within twenty eight stone diamond inset edge, 18ct yellow gold shank, stamped Kern 750, 13739, Owl purity mark, size M, 8.8g gross
Lot 897
Anna Massey Lea Merritt (American, 1844 - 1930) Portrait of Emma Elizabeth Rainsford, three-quarter length, seated in profile in a woodland, wearing a mop cap, lace-trimmed and pink ribbon-tied white dress, holding a basket, buttercups and daisies by her sidesigned in the lower right-hand margin, oil on canvas laid onto board, 49.5cm x 39cm Condition Report: Canvas needs re stretching. There are several cracks across the canvas. Some touching up in places
Lot 206
A collection of ceramics including three early 20th century cheese dishes and covers, a large Victorian parian group of Templar and female companion, 44cm high, a French polychrome bisque figure of a female in blue, pink and yellow dress, impressed lettering to the base, 26cm high, a late 19th century plate with a quote by Benjamin Franklin 'At the working man's house Hunger looks in but dares not enter', 18.5cm diameter, a rectangular milk glass portrait, two Wedgwood jasperware oval plaques etc (qty)
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227115 item(s)/page