Follower of Govaert Flinck, Dutch 1615-1660- A man, head and shoulders, in a brown cloak, velvet cap and gold chain; oil on panel, bears old typed label '1 Head of Bergomaster, by Ferdinand Bol (signed)' on the reverse, 15.8 x 12.4 cm. Provenance: Anon. sale, Christie's, London, 26 September 1980, lot 50 (as 'BOL').; Private Collection, UK. Note: Renowned as one of Rembrandt’s most talented protégés, Flinck was his pupil from 1633 until 1636, when he set up as an independent master. Like many of Rembrandt's best pupils from his early Amsterdam phase such as Ferdinand Bol (1616-1680) and Jacob Backer (1608-1651), Flinck evolved a style that is distinctive and personal, but until at least the end of the 1640s remained palpably Rembrandtesque. The present work is a tronie, or fancy-dress study, based on a real likeness. Rembrandt developed the tronie and painted many of them from his Leiden period onwards, though they fell out of fashion after the 1640s. Flinck, along with many of Rembrandt's pupils from the first decade of his Amsterdam period, continued to produce tronies in large numbers, presumably to meet the great demand for them, and indeed, students and studio assistants as well as friends and family no doubt provided his models. Simon Schama certainly had the Rembrandtesque tronie at the forefront of his mind when he remarked to camera ‘Dutch art has a very large hat department.’ (‘The Face of Britain’, broadcast BBC2, 28th October 2015). This tronie, of an elderly gentleman in exotic dress, is a confident example of the type. The sitter, with his engaging eyes and pleasing countenance, looks towards the viewer. His features are softly modeled by a light that illuminates the scene from the upper left, casting shadows that define his face. In overall type, the painting may be compared with both Flinck’s ‘Head of an Old Man’ in the National Gallery of Ireland, Dublin, c.1642 (NGI.254) and his ‘Bearded Man with a Velvet Cap’, 1645, at the Metropolitan Museum of Art [25.110.27]. See, also, Rembrandt’s ‘Self-portrait’, 1633, in the Louvre, Paris [INV 1745 ; MR 937] for an example of the tronie type developed by the older master. Please refer to department for condition report
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Attributed to Anthonie Palamedesz, Dutch 1601-1673- Portrait of a lady, small-half-length, in a green and white dress with white collar, in a feigned oval; oil on panel, 21.5 x 16.2 cm. Provenance: Anon. sale, Christie’s, London, 12 December 1996, lot 310.; The estate of the late designer Anthony Powell. Note: The present work is a remarkably powerful portrait, with its small scale creating a heightened sense of intimacy between the sitter and the viewer. The painting has been executed with incredibly fine brushstrokes, thereby creating a sensitive and life-like depiction, and allowing the artist to evoke a strong sense of the sitter’s presence. The style and subject-matter situate the painting firmly in the context of the 17th-century Netherlands, particularly evident in the elaborate clothing of the sitter, with her sumptuous lace collar recalling those depicted in the portraits of contemporary artists such as Frans Hals (1582-1666). The formal, restrained pose of the sitter imbues her with a sense of gravitas which, along with her rich garments and gleaming pearls, emphasise her status and wealth. Born in Leith, Scotland, Palamedesz’s father was an artist in the service of the Scottish King James VI. His family moved to Delft in the Dutch Republic when Palamedes was still young, and it was there that he received his training under leading portrait painter Michiel Jansz. van Mierevelt (1566-1641) and history and genre painter Hans Jordaens (1555-1630). The panel is secure in the frame and sits well.The paint surface is stable on the support. Some losses to the paint surface, particularly at the left and lower edges and where the feigned oval meets the dark background to the right. Some further areas where the paint appears thin. Some minor scratches, abrasions, marks and surface dirt. The painted details, especially to the sitter's face, hair and dress are very well preserved. Under UV lamp, old retouching to the feigned oval line in the round, to the left corners, to a small area to the right of the sitter's head (her left, either side of the oval line), and some tiny and localised spots to (presumably) soften some of the natural circular irregularities in the panel around the sitter's head. Very little to no retouching to the sitter herself. Overall in very good near original condition.
Circle of Johannes Vollevens the Elder,Dutch 1649-1728-Portrait of a lady, half-length, wearing a brown and white dress with blue cloak, standing in an interior, with an evening landscape beyond;oil on canvas, 32.7 x 26.1 cm.Provenance: with The Brod Gallery, London, November 1967.; Anon. sale, Sotheby's Colonnade, 22 May 1996, lot 74 (as Caspar Netscher).; The estate of the late designer Anthony Powell.Note: This portrait, which dates to c.1680, and is of exceptionally high quality, has thus far evaded a firm attribution. Last selling on the open market in 1996 as by Caspar Netscher, further suggestions have been made of Joannes Vollevens the Elder, Nicolaes Maes (1634-1693), Johannes Mijtens (1614-1670), Jan de Baen (1633-1702), and Michiel van Musscher (1645-1705). We are grateful to Dr Léon Krempel who tentatively suggested an attribution to Vollevens the Elder on the basis of a photograph.Please refer to the department for the condition report.
After Giuseppe Nogari, Italian 1699-1766- An old woman warming her hands; oil on canvas, 50.6 x 25.9 cm. Provenance: Private Collection, UK. Note: A 19th-century copy of Nogari’s larger original painting, of which two versions exist, at the Gemäldegalerie Alte Meister, Dresden [no.592] and at the Royal Collection Trust [RCIN 403975]. With her head and shoulders facing the viewer, the old woman holds up her hands to a small brazier set on a table in the left foreground. She wears a dark hood and a fur-trimmed cloak over a low cut blue dress and a white shift. The sitter's age is evident from the wrinkles in her face and neck, and also from her mouth; though it is closed it is obvious that she has few teeth left. She is possibly intended to personify 'Winter', or perhaps 'Touch'. The model of the old woman seems to occur in other pictures by Nogari, including variant compositions of the same theme. A copy of this work by John Phillip (1817-1867), entitled 'The Bohemian Woman', is in Aberdeen Art Gallery [ABDAG000002]. Nogari’s original composition is a pendant to his ‘A Man Holding Spectacles and Resting his Hands on a Book’ (RCIN 403973). Please refer to department for condition report
European School, mid-18th century, Portrait of a gentleman, half-length, in a blue coat with gold brocade; and Portrait of a lady, half-length, in a white dress and blue ribbon; oils on canvas, each 82 x 65.5 cm., a pair (2). Provenance: Percy G Beer, 26 Osborne Road, Southsea.; Private Collection, UK. Held in matching 19th-century gilded composition frames. Please refer to department for condition report
Paul Sandby, RA, British 1731-1809- Sketch of a lady, full-length, wearing a long dress and hat, viewed from behind; pencil and grey wash on paper, 12.3 x 5.1 cm., together with two pencil and watercolours 'Circle of Paul Sandby', 7.4 x 10.3 cm. and 7.7 x 6 cm. (oval), three (3). Provenance: with William Drummond (1934-2018).; By descent. Please refer to department for condition report
COLLECTION OF ANTIQUE JEWELLERY, LATE 19TH CENTURY1st: The set of six shell buttons, each carved to depict a man in profile facing left, all bar one dressed in a ruff, 2nd: The oval hardstone brooch carved to depict a woman in profile, facing right, in Grecian dress, 3rd: The brooch set with a cushion-cut diamond in a starburst setting, within a tiered surround with beaded decoration, with a glazed compartment to the reverse and detachable pendant surmount, lengths: 1st each 1.2cm, 2nd 4.8cm, 3rd 5.1cm, 1st and 3rd in fitted caseFor further information on this lot please visit Bonhams.com
Album of Wills cigarette cards containing sets of Naval Dress & Badges, Fish & Bait, Aviation and Arms of the British Empire; twenty individual Wills albums; and large quantity of loose cigarette and trade cardsCondition Report:Condition varies but most in reasonable condition consistent with age and storage.
A late Victorian ruby and diamond dress ring, of scrolled design, highlighted with a trio of oval and circular mixed-cut rubies, framed by single-cut diamonds, hallmarked for Birmingham 1900, inscribed, and an amethyst intaglio, with closed foil-backed setting and later ring mount, ring sizes M and O½ respectively (2)First ring: surface-reaching fractures, scuffs and chips to rubies, all have inclusions that are just visible to the unaided eye. Diamonds also have a fractured, included appearance. The mount has general surface wear, chips and scuffs, and is inscribed 'Jack... Edina, Mysie' to the interior. The shank has been re-sized. Hallmarks are clearly struck. Gross weight approximately 4.7gm. Second ring: scuffs and chips to intaglio, patchy staining/slight discolouration to foil backing. Solder at junctions of setting to later ring mount and re-sizing solder join to back of shank. The setting and ring mount are of different hues and both have general surface wear, chips and scuffs. Metal standards are untested. Gross weight approximately 4.6gm.
A collection of dress rings, comprising a diamond single stone ring, the old brilliant-cut diamond collet set between single-cut diamond set shoulders, stamped '18CT', a smaller diamond single stone ring, with illusion setting, stamped '18CT', a sapphire and diamond five stone ring, a diamond five stone ring, stamped '18CT', a diamond cluster ring, with part textured hoop, also stamped '18CT', and a white stone full hoop ring, ring sizes Q½, Q½, P½, P, U½ and R respectively (6)Approximate gross weights only: first ring 2gm, second ring 1.9gm, third ring 2.8gm, fourth ring 1.7gm, fifth ring 3.7gm, sixth ring 2.9gm.
A collection of dress rings, to include a ruby and diamond navette-shaped cluster ring, 9ct gold mounted, two diamond half hoop rings, each 9ct gold mounted, a garnet single stone ring, also 9ct gold mounted, and assorted further stone set and gem set dress rings, of varied design, first ring size S½ (11)Combined gross weight approximately 21.8gm
A peridot and diamond dress ring, the oval mixed-cut peridot collet set between tapered shoulders with channels of round brilliant-cut diamonds, 18ct gold mounted, together with a green stone and half pearl cluster pendant on chain, 9ct gold mounted, and a pair of peridot single stone ear studs, on post fittings, the butterflies stamped '375', (one post detached), ring size P, pendant length 2.15cm, chain length 42cm (3)Gross weights only approximately: ring 4.9gm, pendant on chain 4.2gm, ear studs 0.3gm.
A turquoise single stone dress ring, the oval cabochon turquoise matrix collet set within a ropetwist wirework border, between raised shoulders, stamped '750', together with a blue synthetic spinel single stone ring, of tapered textured design, with fluted borders, also stamped '750', ring sizes O½ and G½ respectively (2)Approximate gross weights only: first ring 5.6gm, second ring 5.8gm
Two mother of pearl gentleman's dress sets, each set comprising a pair of cufflinks, four buttons and two studs, the first with octagonal mother of pearl panels, two colour precious metal mounted, stamped '9CT & 18CT', cased, the second with chequerboard octagonal mother of pearl panels, white metal mounted, the cufflinks and buttons stamped '9CT SILVER', the studs unmarked, also cased, and an additional single stud, stamped 'STERLING', first cufflinks panel length 1.25cm (3)Combined gross weight of first set only approx. 11.3gm.
A diamond set dress ring, the cushion-shaped panel inset with a cluster of round brilliant-cut diamonds, to a tapered hoop with geometric shoulders, 18ct two colour gold mounted, with Sheffield import marks for 1990, maker's mark DS, total diamond weight approximately 0.45ct, ring size T½Surface scuffs, scratches and nicks/chips throughout, commensurate for use. Some deeper scuffs and chips to back of shank, which has been re-sized. Diamonds have slightly variable colour, some stones drawing yellowish tints, but are bright and lively, with estimated H to K colour and VS1 to SI2 clarity, assessed mounted. Marks are clearly struck. Length of panel approximately 1.5cm. Gross weight approximately 13.1gm.
A collection of diamond set dress rings, comprising a diamond three stone ring, stamped '18CT', a diamond single stone ring, with illusion setting, stamped '18CT PLAT', a diamond and blue stone crossover three stone ring, also with illusion setting, stamped '18CT & PLAT', and a diamond and blue stone half hoop ring, stamped '18CT PLAT', ring sizes S½, P½, R and Q½ respectively (4)Approximate gross weights only: first ring 1.7gm, second ring 2.2gm, third ring 3.4gm, fourth ring 2.5gm
A sapphire and diamond dress ring, designed as an abstract tiered cluster of navette-shaped sapphires and round brilliant-cut diamonds, two colour precious metal mounted, together with a synthetic purple sapphire and diamond panel ring, two colour precious metal mounted, and a sapphire set wedding band, stamped '585', inscribed, ring sizes M, N½ and S respectively (3)Approximate gross weights only: first ring 4.2gm, second ring 2.6gm, third ring 3.4gm (metal standards are untested)
A pair of Eastern ruby and half pearl ear pendants, of openwork floral and foliate design, on wire fittings, yellow precious metal mounted, together with a similarly set dress ring, stamped '14CT', and a similarly set panel brooch, yellow precious metal mounted, (one half pearl deficient, all half pearls untested for origin), ear pendants length 6.6cm, ring size approximately N, brooch length 3.6cm (3)Approximate gross weights only: ear pendants 17.7gm, ring 5.7gm, brooch 3.7gm (all metal standards are untested).
A 'Moonlight Blossom' dress ring by Georg Jensen, signed and stamped '925S DENMARK', numbered 1A, and a pair of similar ear clips by the same maker, signed and stamped '925S 2014', each cased, ring size K½, ear clips length 1.8cm (2)Ring: of modern manufacture with surface wear, scratches, scuffs and nicks. The shank has been re-sized. Marks are clearly struck. Length of panel 1.75cm. Gross weight approx. 5.6gm. Ear clips: of modern manufacture with surface wear, scuffs and nicks. The clips are functioning. Marks are clearly struck. Gross weight approx. 7.2gm.
An Art Deco jade, onyx and diamond dress ring, the oval cabochon jade in four claw setting, between shaped and stepped shoulders with black onyx collars and single-cut diamond accents, white precious metal mounted, numbered 1076, with French dog's head mark for platinum, (jade untested for treatments), ring size approximately IThe jade cabochon has a slightly variable yellowish-green hue with brownish vein-like inclusions, surface-reaching fractures/fissures and general surface wear, measuring approx. 14mm length x 11mm width x 4.9mm depth. The cabochon is untested for use of treatments. The cabochon is very slightly loose in its claw setting and there are traces of a yellowish glue residue to the sides of the cabochon at the base, which may need to be removed. One of the smaller diamonds is chipped and the remaining diamonds are fairly bright and lively, with occasional small nicks/chips, graduating from approx. 0.005ct to 0.015ct in size. The mount has general surface wear, chips/nicks and scuffs and the shank is slightly mis-shapen. The dog's head mark is worn. Metal standard is untested. Width of setting, from shoulder to shoulder, approx. 1.8cm. Gross weight approx. 6gm.
A collection of rings, comprising an 18ct gold engraved wedding band, a 9ct gold wedding band, a shell cameo dress ring, 9ct gold mounted, and a further dress ring, depicting a female portrait profile, also 9ct gold mounted, ring sizes N, M, O½ and N½ respectively (4)Approximate gross weights only: 18ct gold wedding band 2.3gm, 9ct gold wedding band 1.7gm, shell cameo ring 4.9gm, dress ring 6.3gm.
A collection of antique and later dress rings, comprising a diamond set band ring, 18ct gold mounted, a sapphire and diamond half hoop ring, 18ct gold mounted, hallmarked for London 1902, a diamond half hoop ring, 18ct gold mounted, (two diamonds deficient), an opal and diamond set half hoop ring, 18ct gold mounted, hallmarked for Birmingham 1901, (four stones deficient), a white stone crossover ring, stamped '9CT', a blue and white stone full hoop ring, 9ct two colour gold mounted, and a white stone full hoop ring, stamped '9CT', first ring size M (7)Approximate gross weights only: diamond set band ring 5.7gm, sapphire and diamond half hoop ring 3.1gm, diamond half hoop ring 2.5gm, opal and diamond set half hoop ring 2.8gm, white stone crossover ring 3.5gm, blue and white stone full hoop ring 3.8gm, white stone full hoop ring 1.7gm.
Three dress rings, comprising an opal and diamond dress ring, stamped '14CT', an amethyst three stone ring, 9ct gold mounted, and a beaded crossover ring, together with an amethyst three stone pendant, of abstract openwork design, ring sizes M½, L and I respectively, pendant length 3.7cm (4)Approximate gross weights only: first ring 3.5gm, second ring 1.5gm, third ring 3.5gm, pendant 4gm (metal standards untested).
A collection of dress rings, to include a late Victorian half pearl and green stone half hoop ring, with engraved decoration, 15ct gold mounted, (some stones later replaced), a garnet and white stone half hoop ring, 9ct gold mounted, a garnet and diamond three stone crossover ring, stamped '18CT & PT', a white stone half hoop ring, 9ct gold mounted, a malachite single stone ring, 9ct gold mounted, and five further 9ct gold mounted dress rings, first ring size O (10)Approximate gross weights only: late Victorian half hoop ring 2gm, garnet and white stone half hoop ring 2.3gm, garnet and diamond three stone crossover ring 2gm, white stone half hoop ring 1.4gm, malachite single stone ring 5.4gm, five remaining 9ct gold mounted rings combined 9.1gm.
A collection of oval shell cameo jewellery, comprising a brooch, carved to depict two female figures, (later fitting), a brooch/pendant, with ropetwist wirework borders, a smaller brooch/pendant, 9ct gold mounted, suspended from a 9ct gold hollow ropetwist-link chain, a bracelet, 9ct gold mounted, and a dress ring, together with a diamond set cross pendant on chain (diamonds untested for natural colour), 9ct gold mounted, and three further cross pendants on chains, first brooch length 5.1cm (9)Approximate gross weights only: first brooch 17.5gm, brooch/pendant 17.7gm, brooch/pendant on chain 10.3gm, bracelet 13.5gm, dress ring 4gm, diamond set cross on chain 5.4gm, three further cross pendants on chains 10.3gm combined (for items not hallmarked, metal standard is untested)
A collection of antique and later jewellery, comprising a 19th century memorial brooch, a rose precious metal fringe necklace, (break to fringe), a moss agate dress ring, a pair of citrine cufflinks, a panel bracelet, and further items, first brooch length 6cm (qty)Approximate gross weights only: memorial brooch 39gm, fringe necklace 19.8gm, moss agate ring 5gm, cufflinks 12.4gm, a panel bracelet 25gm.
A collection of jewellery, to include a sapphire and diamond half hoop ring, (hallmark rubbed), a synthetic colour change sapphire single stone ring, with foliate shoulders, a garnet and white stone cluster ring, 9ct gold mounted, an oval locket pendant, of foliate scroll design, suspended from a curb-link chain, 9ct gold mounted, a cultured pearl set gilt metal locket pendant, suspended from a 9ct gold trace-link chain, and further items, first ring size H (qty)Approximate gross weights only: sapphire and diamond half hoop ring 2.1gm, synthetic colour change sapphire ring 5.9gm, garnet and white stone cluster ring 3.6gm, 9ct gold oval locket pendant on chain 8.8gm, two 9ct gold trace-link chains 3gm, two other 9ct gold mounted dress rings 3.9gm, red stone ring stamped '10K' 1.8gm, 9ct bell earrings 1.4gm (items not hallmarked are untested for metal standard)
A collection of jewellery, to include an emerald, diamond and white stone dress ring, two colour precious metal mounted, a half pearl and gem set brooch/pendant, of openwork quatrefoil design, a hessonite garnet pendant (one drop loose, one drop deficient), an oval shell cameo brooch, an unmounted oval shell cameo, a silver, enamel and marcasite rectangular hinged case, an Eastern white metal panel bracelet, a black velvet collar, with half pearl set clasp, a gilt metal long chain, assorted further jewellery and costume items, contained in blue case, (all half pearls untested for origin), first ring size O (qty)Approximate gross weights only: emerald ring 1.8gm, quatrefoil brooch/pendant 1.5gm, hessonite garnet pendant and loose drop 4.6gm.
A 19th century chrysoberyl half hoop ring, the line of slightly graduated oval mixed-cut chrysoberyls in beaded pinched claw settings, gold mounted, together with a turquoise and half pearl dress ring, of scrolled design, stamped '18CT', (half pearls untested for origin), ring sizes N and Q respectively (2)First ring: facet edge abrasion, scuffs and nicks/chips to chrysoberyls. The edges of the setting have patchy wear and occasional claws may require re-tipping. The mount has several areas of porosity and creases to the metal, with areas of possible solder repair, and general surface wear throughout. Metal standard is untested. Gross weight approximately 2.4gm. Second ring: Three of the cabochons have discoloured to brownish-greenish hues and all have surface wear, scuffs and chips. The half pearls also have some slight discolouration and surface wear. The mount also has surface wear, scuffs and nicks, with some thinning to the back of the shank, which has been re-sized. Metal standard is untested. Gross weight approximately 2.5gm.
A collection of jewellery, comprising an oval shell cameo brooch, carved to depict the portrait profiles of two female figures in 16th century dress, with foliate scroll mount, a citrine swivel fob pendant, 9ct gold mounted, four watch keys, a 9ct gold ring mount, and a seal fob pendant, brooch length 7cm (8)Approximate gross weights only: cameo brooch 28.1gm, citrine fob pendant 3.1gm, watch keys combined 5.9gm, ring mount 2.1gm, seal fob pendant 1.7gm.
Two antique half pearl set dress rings, comprising a half pearl and diamond half hoop ring, 18ct gold mounted, with partial Chester hallmark, and a turquoise and half pearl half hoop ring, with foliate scroll engraved shoulders, 15ct gold mounted, with Birmingham hallmark, (half pearls untested for origin), ring sizes I and H½ respectively (2)Approximate gross weights only: first ring 3.7gm, second ring 1.4gm.
A 19th century diamond and gem set cluster dress ring, the cluster of vari-cut green gemstones and cushion-shaped old-cut diamonds in pinched collet and foiled closed-back settings, to an engraved hoop, gold and silver mounted, total diamond weight approximately 0.18ct, ring size N½The green gemstones are too small to test and have deep hues that are enhanced by the foil backing. The green stones have abrasion, scuffs and chips/fractures, and one of the outer stones has larger conchoidal chips. Diamonds are well matched and lively, all with yellowish/brownish tints, possibly due to discolouration of the foil backing. Some of the diamonds have chips/surface-reaching fractures. The mount has considerable wear and tarnishing, with patchy thinning and splits to the edges of the settings, commensurate for age and use. The back of the shank has worn a little thin and has several re-sizing joins. Metal standards are untested. Diameter of central cluster setting approximately 0.9cm. Gross weight approximately 2gm.
ATTRIBUTED TO SIR WILLIAM BEECHEY (BRITISH 1753-1839)PORTRAIT OF A LADY, WEARING A WHITE DRESS, IN A FEIGNED OVALOil on canvas72 x 61.5cm (28¼ x 24 in.)Provenance:George A. Hearn, New YorkSale, American Art Galleries, New York, 1 March 1918, lot 392Acquired at the above sale by Frank C. Ball, Muncie, IndianaBall Brothers Foundation, Muncie, 1936The Ball State University Museum of Art, 1995Gift from the aboveSale, Christie's, New York, 1 September 2011, lot 300 (as 'Portrait of Mrs. Humphrey')Condition Report: Canvas has been relined, paint layer appears stable. Surface dirt and discolouration of the varnish. Areas of craquelure, predominantly in the pillar and the sky to the left of the sitter. UV light reveals several retouches of the craquelure (including in the sitter's face) as well as several restorations: a diagonal tear in her right shoulder of approx.. 7 cm; a hook shaped tear running from halfway down the sky through the sitter's waist until the right edge of her arm, incorporating a central patch slightly below the blue sash, after which it runs up along the curve of her left shoulder, through to her headband and continuing horizontally through the sky; another hook shaped tear of approx. 8 cm below the blue sash. Condition Report Disclaimer
A vintage Jeff Banks summer dress in a multicoloured and geometric design, 28" chest x 44" long together with an Indian maroon silk belt with silver metallic thread detail, a 1950's cream embroidered evening bag, a vintage brown musquash muff and box and a pair of ladies brown suede and bejewelled gloves. Location:BWR
A quantity of mainly 1970's ladies clothing to include Reflections by Original Designs, Berkertex, a Louis Caring black cocktail dress, a Fenwick brown velvet jacket UK size 12, a Dickins & Jones 3 piece outfit, UK size 12 together with a 1960's black sleeveless and knee-length dress, various sizes, mainly UK size 12.Location:Rail1
Mid 20th Century ladies clothing to include a Petite Francais deep pink 2 piece outfit with jacquard embroidery to the coat having 5 fabric covered buttons and the sleeveless shift dress, 38" chest x 36" long (stain to front), UK size 16, a hand-made cream and gold jacquard sleeveless dress with matching bolero jacket, 38" chest x 42" long, an Adini pale pink cotton dress with dropped hip waistband in the 1920's style, 42" chest x 45" long and an Irish Kenrose pastel coloured Summer dress, 42" chest x 42" long together with a later Peter Barron paisley dress, UK size 16 with matching belt, a 1970's blue and pink padded Tricel dressing gown, 44" chest (one button missing) and a Robina, London black and pink Contemporary formal jacket with rectangular gold tone buttons, 44" chest x 28" longLocation: RAIL2
OMAR RAMSDEN: A rare and impressive silver trophy cup of substantial proportions with ball decoration to swirl mount, the cover mounted with semi-naked lady in flowing dress on turned wooden base. London 1913. By Ramsden & Carr. Approx. 43 cms high. Approx. 1309 grams gross weight. Est. £2000 - £3000.
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228188 item(s)/page