Eleven porcelain figures, including three boxed Royal Doulton, comprising 'Jessica' (Figure of the Year 2018), 'Evening Rendezvous', and 'Festive Memories (Christmas Day 2016)' with four unboxed Doulton examples comprising 'Irish Charm Pretty Ladies', 'Special Occasions', 'Margaret', and 'Topaz' (from the Gemstones Collection), also four Coalport figures, comprising 'Ladies of Fashion, Dorothy', 'Classic Elegance, Gentle Breeze', 'Sentiments, My Love', 'Sentiments, Thinking of You' (11)Condition Report: 'Thinking of you' with over glazed chip to dress, otherwise each in good condition.
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ROYAL WORCESTER: five figures comprising 'Queen Victoria' no.752/4500, 'A Tribute to her Gracious Majesty Queen Elizabeth, The Queen Mother' no.4766/7500, 'Queen Elizabeth, The Queen Mother' in her Coronation robes, no.36/4500, 'The Order of the Garter', no.159/4500, 'Mary Queen of Scots' no.1415/4500, each in oval wooden plinth base and with outer cardboard box.Condition Report: All in good condition with the exception of Queen Elizabeth, The Queen Mother in pink dress which has a large crack running through the figure.
Cornelis Jonson van Ceulen I (London circa 1593-1661 Utrecht)Portrait of a lady, said to be Lady Sidley, in a black dress slashed to reveal white, within a painted stone oval remains of initials and date 'C J/ ***' (lower right)bears early inscription '*ady Sidley/ *ainted by/ *anSsn.1624.' (on reverse)oil on panel76.2 x 60.8cm (30 x 23 15/16in).Footnotes:ProvenanceThe Collection of Pryse Loveden, Buscot Park, OxfordshireWith Henry Graves & Co., London, 1859Private Collection, UKThe identifying inscription on the reverse suggests that the present portrait depicts a Lady Sidley. In his notes on the work in 1859, Sir George Scharf suggests that she may be identified as Elizabeth Savile (born circa 1595) who married Sir John Sedley, 2nd Bart. (1597-1638) in 1613. He also notes that the work was dated 1624, as is confirmed by the early inscription on the reverse of the panel.We are grateful to Prof. Karen Hearn for her assistance in cataloguing this lot.For further information on this lot please visit Bonhams.com
After Nicholas Hilliard, circa 1600Portrait of George Clifford, 3rd Earl of Cumberland, bust-length, in armour bears inscription and date 'George Clifford Earle/ of Cumberland 1588' (centre right)oil on canvas73.6 x 61.7cm (29 x 24 5/16in).Footnotes:The present portrait is a rare, early version of the portrait that is related to the composition of circa 1590 by Nicholas Hilliard, which is a full-length miniature (now in the National Maritime Museum, Greenwich; inv. no. MNT0193). An oil version, on panel, in the same bust-length format, is in the Bodleian Library in Oxford (inv. no. LP58; acquired some time between 1705 and 1759). The National Gallery in London have a 19th century copy of this same bust-length format (see: Sir R. Strong, Tudor and Jacobean Portraits, London, 1969, vol. I, p. 57, ill, vol. II., pl. 103). An equestrian portrait of the sitter in similar costume by Thomas Cockson is also known (British Museum, inv. no. 1849,0135.3), which is inscribed: 'AN EXPLANATION OF THE SVRPRISE OF THE TOWNE OF PVERTO RICO BY THE EARLE OF CUMBERLAND IN ANo 1598 the 15th May', and which was engraved circa 1598-99. George Clifford, 3rd Earl of Cumberland (1558-1605) was a favourite at the court of Elizabeth I. He commanded a ship at the Armada in 1588 and fitted out ten privateering expeditions against Spain and Spanish America between 1586 and 1598, sailing personally with those of 1589, 1591, 1593, and 1598. He is depicted here in tournament fancy dress, probably as the Queen's champion, an office to which he succeeded in 1590. The armour he is wearing in the portrait still survives and is in the Metropolitan Museum in New York.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Attributed to Marcus Gheeraerts the Younger (Bruges 1561-1635 London)Portrait of a girl, half-length, in an embroidered dress with yellow lace, holding a cat, within a painted oval dated '1616' (upper right)oil on panel57.2 x 43.8cm (22 1/2 x 17 1/4in).Footnotes:ProvenancePossibly, the Nightingale family, Yorkshire and Derbyshire, early 19th Century and thence by descent to the present ownersIn its treatment, the present portrait displays the attributes that made Gheeraerts the premier painter in the late-Elizabethan and early-Jacobean court: beautiful drawing, soft modelling and a skilful manipulation of paint to mimic the texture and properties of various surfaces and materials. It was not unusual for Gheeraerts to depict his portraits in a similar brown feigned oval, such as his portrait of Catherine Killigrew, in the Yale center for British Art, and his celebrated portrait of Queen Anne of Denmark's jester, Tom Derry, which is in the National Portrait Gallery in Edinburgh. It was only during the period between circa 1615 and 1620 that it was fashionable to dye lace yellow, as seen in the present portrait and, for example in the Portrait of Thomas Pope by William Larkin that was sold in these rooms on 5 July 2017, lot 45 (fig.1). The sitter is wearing a necklace of what may be coral beads, which were worn by children to protect them from misfortune. Gheeraerts had lost but two of his six known children and was known for the 'sweet melancholy' of his paintings: there is a charming portrait of a boy aged two by Gheeraerts at Compton Verney. While the cat could indicate a variety of attributes, in this instance it was most likely intended to symbolise calm domesticity and comfort.For further information on this lot please visit Bonhams.com
9ct gold paste set dress ring (in part Victorian and later banded), size M, gross weight approx. 2.5g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Unusual hand made South African tiger's eye dress ring, cabochon stone set within a deep mount pierced with hunters and Springbok, size M, gross weight approx. 9.7g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Topaz dress ring, the oval cut stone approx. 14mm x 12mm, in yellow metal wirework mounts and ring, unmarked, size L, gross weight approx. 4.9g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Garnet five stone ring, in 18ct gold, size Q, gross weight approx. 4.3g; also a lozenge cut garnet ring centred with a tiny diamond in unmarked yellow gold, size O, gross weight approx. 2.5g; a Victorian 18ct gold and pearl dress ring, London 1881, size O, gross weight approx. 3.2g; 9ct gold aquamarine dress ring, the stone 11mm x 8mm, size O, gross weight approx. 3.4g; and a 9ct gold and carved jade dress ring, detailed with fruits, size N, gross weight approx. 2.9g (5) (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Jessie Furber (active early 20th Century), Portrait of a lady in a silk brocade dress, oil on canvas, signed and dated 1915, 59cm x 48cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Blue zircon solitaire dress ring, the round cut stone of approx. 5cts, claw mounted in unmarked white gold, size K, gross weight approx. 4.7g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
THREE EARLY-19th CENTURY PORTRAIT MINIATURES Painted on ivory, depicting respectively a red-haired gentleman wearing a dark jacket and white cravat, inscribed in ink verso "A. Stewart"; a young red-haired boy reclining on red fabric cushions and wearing a blue sash, signed "Gerard" and inscribed in pencil verso "Roi de Rome"; and a lady with ringleted brown hair, wearing a pink dress and pale blue bonnet, within a naturalistic setting, signed indistinctly lower right, inscribed in ink verso "Miss Charlotte Legge" (3) Ivory declaration reference: MPPRDLBZ Condition Report:Portrait of gentleman is split cleanly down its full height, with the two pieces held together by the paper backing. Surface is generally dirty and dull. Paper backing is glued round edges of portrait and visible at points in frame. Considerable wear to guilt oval border. Multiple chips and knocks to ebonised frame.Portrait of lady is in good overall condition. Portrait itself is sealed in the frame by the paper backing, so cannot be removed for inspection. Ebonised frame is extensively scratched and bumped. Portrait of child is in very good overall condition. Painted panel is affixed directly to glass with a paper backing (which is bubbled). Ebonised frame is in fair overall condition, with wear to corners and small chips here and there. Some surface dirt to top right corner. "607 Roi de Rome" scored into the frame verso.
A pair of Royal Worcester figures of 'Morning Dew' and 'Evening Dew', late 19th century, the coloured enamel figures modelled as semi-nude females pouring water from amphora vases, printed mark to one figure, 40cm high (2)Condition:Figure 1 (pink dress) restoration to centre of column and leafy base, appears to have been broken off at some point. Heavy gilding wear. Please see images.2 - no damages or repairs.
A 9ct gold decorative circular plaque dress ring, size P, together with a 9ct gold citrine and diamond ring, size N, a 9ct gold green stone set ring, size N, a 9ct white gold peridot dress ring, size O, a 9ct gold black and white diamond cluster ring, size P, total weight approx 20.1g and five silver rings (10)
Two 9ct gold emerald and diamond rings, together with a 9ct gold black and white diamond oval dress ring, a 9ct gold blue topaz ring, a 9ct gold diamond dress ring, a 9ct gold ametrine ring, a 9ct gold amethyst ring, a 9ct gold morganite ring, a 9ct white gold tanzanite ring, total weight approx 34g and five silver rings (14)
A 9ct gold treated blue diamond and white diamond dress ring, together with a 9ct gold diamond set pear cluster ring, a 9ct gold ruby and diamond cluster ring, a 9ct gold garnet set herringbone ring, a 9ct gold diamond cluster ring, a 9ct white gold tanzanite and diamond ring, a 9ct gold treated green diamond cluster ring and a 9ct gold emerald ring, total weight approx 27g (8)
A 9ct gold five stone graduated diamond crossover ring, together with a 9ct gold tanzanite and diamond ring, a 9ct gold pink stone set ring, two 9ct gold diamond set dress rings, a 9ct white gold tanzanite ring (lacking one stone), a 9ct gold emerald and diamond ring and a further 9ct gold stone set ring, total weight approx 20g (8)
A 14ct yellow and white gold diamond dress ring, together with a 14ct gold princess cut single stone diamond ring and a further 14ct gold single stone diamond ring, total weight approx 8g (3) Condition:14ct crossover ring- central brilliant cut diamonds each weigh appox 0.06cts, clarity range estimated approx SI2- size N 1/2Princess cut diamond ring- diamond weighs approx 0.30cts, clarity estimated appeox SI1-size L 1/2Single stone diamond ring- diamond weighs approx 0.25cts, clarity estimated approx SI2-I1 size ODiamonds appear relatively bright
A collection of three 9 carat gold dress rings including a "Dearest" set with diamond, emerald, aquamarine, ruby, emerald, sapphire and topaz, size M, another similar "Regard" set with ruby, emerald, garnet, amethyst, ruby and diamond, size M/N and another similar six stone ring, size N, total weight 9.5 g
19TH CENTURY ENGLISH SCHOOL "Portrait study of a young girl with blue ribbon in her hair", watercolour heightened with white, unsigned, 17 cm x 13 cm, 19TH CENTURY ENGLISH SCHOOL "Study of a young woman in black dress with lace trim", watercolour on card, card bears inscription verso but cut, 14 cm x 12.5 cm (2) CONDITION REPORTS There are indeed two paintings in this lot, please see images of second portrait, arguably the better of the two!
A collection of eight Pelham puppets comprising "SL4 Cindererlla", "Old Dog", SL Gretel", "Poodle", "Cat", "A7 Bengo", "Poodle (unnamed)", "Figure of a boy" and a similar Pelham puppet as an "Owl" CONDITION REPORTS The owl has some damage to its main body on the back underneath the gown. The poodle: the hair is a bit flat in places and the wooden tail section is broken in half. The paintwork on the feet is chipped/flaking. Bengo: unknown if there is a bit missing from its tail although painted end looks a little unfinished. There are some marks to the paintwork on the body, head and some chips to the paintwork on the legs. Second poodle, poodle with the yellow ribbon: ribbon is a little frayed. There is some discolouration to the brown and black in places. There are chips to the paintwork throughout. Gretel: hair is a bit flat. The gingham apron has various marks on. White poodle: fur is moulting, the wooden parts are chipped, flaking etc. Cinderella: her hair is a bit flat, pins are showing, possibly should have a cap at some point to cover her head, in which case missing. Has plastic legs. There are some small areas of staining to her pink dress and it is slightly pulled. All pieces have general wear and tear conducive with age and use and have clearly only been lightly played with - see images for more details on each
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