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Click here to subscribeTwo German Alt, Beck & Gottschalk Bisque Head Doll, one impressed marks ABG 1362, Made in Germany 5, brown sleeping eyes and open mouth showing teeth, composite jointed body, dressed in a linen dress with shoes, 75cm high, the other doll with impressed marks 1362 and 2/0, sleeping brown glass eyes and open mouth showing teeth, composite jointed body, dressed, 35cm high
German Bisque Head Doll, impressed marks A. 10 H Germany, brown sleeping eyes and open mouth showing teeth, composite body, dressed in cream silk dress and bonnet, 72cm high together with German Bisque Head Doll, impressed marks S&C, 3 3/4, 55, blue sleeping glass eyes and open mouth showing teeth, composite jointed body, dressed with shoes, 62cm high (2)
Armand Marseille Bisque Head Doll, the back of head with impressed marks Made in Germany, 390. A. 11. M, sleeping blue glass eyes and open mouth showing teeth, composite jointed body, dressed in a blue and cream ruffled dress, bonnet and boots, 66cm high together with another Armand Marseille Bisque Head Doll with impressed marks 390n, sleeping blue glass eyes and open mouth showing teeth, composite jointed body, dressed with shoes, 75cm high (2)
A Victorian midshipman's naval uniform, including tunic and bicorn hat, together with a group of early 20th century infants' fancy dress costume, including a green velvet and gilt braid bodice with matching skirt, the bodice bearing maker's label detailed 'Simmons's... London'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A quantity of Edwardian and later hat pins, including a pair of Art Nouveau silver hat pins by Charles Horner, cased, a cased set of silver and enamelled hat pins and dress buttons, a 9ct gold mounted hat pin and two silver hat pin stands with hinged tops.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late 15th century Flemish carved oak figural plaque depicting the LamentationProbably originally from an altarpiece, circa 1480Carved in low relief with the lifeless semi-clad body of Christ recumbent on the Virgin's lap and attended by Joseph of Arimathea, Nikodemos, John the Beloved, Mary and Mary Magdalene, the figures clad in contemporary dress with folded drapery, and headdresses, the rear with remnants of two paper labels, one apparently an indistinct inventory label marked 'JOSEPH BATLL*' and a paper exhibition label inscribed Exposicion de Arte Religioso, El Arte en la Pasion de Nuestro Senor, Siglos XIII al XVIII, the group probably originally with gessoed and polychrome and decoration, the group probably originally with gessoed and polychrome and decoration, 43cm high x 37cm wide x 8.5cm deepFootnotes:ProvenanceJosep Batlló y Casanovas (1855-1934), Spanish industrialist, businessman and owner of Casa Batllo, Barcelona, the house commissioned from the architect Antoni Gaudi (1852-1926) and completed between 1904 and 1906.The plaque was apparently purchased by Josep in the last quarter of the 19th Century from Philip Bossard of Dayton, Ohio, USA for the Batlló family collection of Gothic religious art.The Bossard family apparently originally had land in Swabia prior to 1478 and had connections to the late gothic church of St. Oswald Church, the 'Christliche Vereinigung' and the Twelve Articles of the Swabian League in the early 16th century. The Bossard family retained their Catholic beliefs even after the Reformation and the family business later turned to jewellery making and silver smithing. In the 17th or early 18th Century the Bossard Family crafted an heirloom silver Cup commemorating Biene Bossard fighting in The Battle of Marignano 1515. The Cup was altered in 1874 by Philip Bossard's father for his son in Switzerland.When Josep Batlló died his eldest son Antonio inherited the plaque and managed the collection and Gaudi estate until 1954.The plaque was subsequently bequeathed to the Uruguayan poet Susana Luisa María de las Mercedes Soca (1906-1959) and when she tragically died in a plane crash the plaque passed to the Rothschild family.Joel Rothschild family trustExhibited'El Arte en la Passion de Nuestro Senor', Palacio De La Virreina, La Rambla, Barcelona, 1945 (Ex Batllo collection), collection of Don Antonio Batlló, No. 94, p. 57Sold with two copies of the original exhibition catalogue.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A charming Biblical stumpwork picture or cushion depicting Moses in the BulrushesCirca 1680Worked in satin-stitch and purl, in blue, yellow, ivory and red silks, with pieces of coral and seed pearls, to one side a shepherd seated beneath an oak tree, the Pharaoh's daughter depicted as a noblewoman in 17th century dress, with her attendants, with sequin and silver thread border, enclosed within a later moulded oak frame,58.9cm x 47.6cm overall including the frameThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
John Bratby R.A. (British, 1928-1992)Sophia Brown in Blue Dress signed 'BRATBY' (lower right); inscribed 'Sophia in blue dress' (on stretcher bar); also indisctinctly inscribed and dated 'Jan 66' (on canvas overlap)oil on canvas111.5 x 86.5cm (43 7/8 x 34 1/16in).Footnotes:ProvenanceWith James Hyman Gallery, London, where acquired by the present ownerPrivate Collection, U.K.ExhibitedLondon, The Zwemmer Gallery, New Paintings by John Bratby, 5 October-5 November 1966, no. 26 (as Sophia Brown Accra, seated, in blue dress)New York, ACA Gallery, John Bratby, 1967, (as Ghanaian Exotic Dancer Seated), illustrated front coverNewcastle, Laing Art Gallery, John Bratby, 1967, no. 68 (as Sophia Negress)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Anna Zinkeisen (British, 1901-1976)The Wedding Dress signed 'A. Zinkeisen' (lower right)oil on canvas61 x 50.5cm (24 x 19 7/8in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Moschino, cheap & chic, mouwloos jurkje van rode jersey (rayon blend) met rozet. Hierbij, Michael Kors, rood met zwart mouwloos jurkje van rayon en zijde US mt 7 en 6, Nlds. mt. 34 - 36 [2] Moschino, cheap & chic, sleeveless dress of red jersey (rayon blend) with rosette. Hereby, Michael Kors, red and black sleeveless dress of rayon and silk
ANDRESS URSULA: (1936- ) Swiss-German actress and sex symbol. Signed colour 7 x 9.5 photograph of the actress in an iconic half-length pose, holding a seashell and wearing a white bikini, in costume as Honey Ryder from the first James Bond film Dr. No (1962). Signed by Andress in bold black ink with her name alone to a clear area of the background. Together with Honor Blackman (1925-2020) English actress, famous for her portrayal of the Bond Girl Pussy Galore in Goldfinger (1964). Vintage signed and inscribed 7.5 x 10 photograph of Blackman in a half-length pose wearing a low-cut dress. Signed in blue fountain pen ink, largely across a clear area of the image. Also including Madeline Smith (1949- ) English actress who portrayed the Bond Girl Miss. Caruso in Live and Let Die (1973). Signed 8 x 10 photograph of Smith standing in a half-length pose wearing a skimpy see-through blouse. Signed in black ink with her name alone to a light area of the background. G to VG, 3
LOREN SOPHIA: (1934- ) Italian actress, Academy Award winner. Signed 7 x 9.5 photograph of Loren in a head and shoulders pose. Signed in bold black ink with her name alone to a light area at the base of the image. Together with a second signed 7 x 9.5 photograph of the actress in a half-length pose wearing a low-cut dress. Signed by Loren in bold black ink with her name alone to a light area at the base of the image. VG, 2
AZARENKA VICTORIA: (1989- ) Belarusian tennis player. Signed colour 8 x 10 photograph of Azarenka standing in a three-quarter length pose wearing a plain pink dress and forming a 'time out' symbol with her hands. Signed in bold blue ink with her first name only to a clear area at the centre of the image. About EX
DIETRICH MARLENE: (1901-1992) German-American Actress and Singer. A very fine signed 8 x 10 photograph of Dietrich, the image depicting the artist seated in a half-length pose, wearing a spectacular and glamourous white dress. Signed in bold black ink across the image. Extremely small crease to the upper border, otherwise VG
COCTEAU JEAN: (1889-1963) French poet, playwright, novelist, artist, filmmaker and critic. A good, illustrated autograph letter, unsigned, two pages, 8vo, St. Jean Cap Ferrat, 23rd May 1956, to Michael Smithies, in French. Cocteau writes concerning an upcoming visit to Oxford to receive an honorary doctorate and deliver a lecture, stating, in part, 'Tout cela sera simple. Je viendrai a Oxford en voiture soit avec Beaverbrook soit par mes propres moyens - (car je n'aime pas etre tributaire des autres). J'arriverai dans la soiree du 11, a l'hotel Randolf (sic). Tachez que nos chambres soient voisines......J'ai envoye mes mesures a Miss. Starkie. Je vous les double car je tiens beaucoup a avoir un costume a moi' (Translation: 'It will all be simple. I will come to Oxford by car either with Beaverbrook or on my own - (because I don't like to be dependant on others). I will arrive in the evening of the 11th, at the Randolf (sic) hotel. Make sure our rooms are next to each other….I sent my measurements to Miss. Starkie. I give them to you too because I really want to have a gown of my own'). To the verso Cocteau has drawn a full-length self-portrait depicting him standing in his academic dress and with a mortarboard upon his head, also providing various measurements alongside. Accompanied by the original envelope hand addressed by Cocteau to the Oxford University student Michael Smithies. VGOn 12th June 1956 Cocteau was given an honorary doctorate by the University of Oxford and two days later delivered the Taylorian Lecture on Modern European Literature. Cocteau himself observed that the lecture, La Poesie ou l'invisibilite, was received with 'un tonnerre d'applaudisse-ments'. It would later be published under the title Le Discours d'Oxford.Enid Starkie (1897-1970) Irish literary critic, known for her biographical works on French poets. Starkie was a Fellow of Somerville College, Oxford, and Lecturer and then Reader in the University. Another similar drawing by Cocteau is held within the archives of the Taylor Institution Library, along with associated letters.
DIAZ CAMERON: (1972- ) American actress. Signed colour 8 x 10 photograph of Diaz seated in a three-quarter length pose, wearing her iconic red dress, in costume as Tina Carlyle from the superhero comedy film The Mask (1994) which marked Diaz's screen debut. Signed by the actress in bold blue ink with her name alone to a light area of the image. VG
Circle of Mary Beale (1632-1697/99)Bust length portrait of a lady wearing dress décolleté in feigned oval, oil on canvas, 75 x 62cmHas been lined and cleaned. Fine cracking to the paint, poss old area of restoration/repair to the upper edge. Minor frame abrasions. Modern frame. Not examined under UV light.
Rodolfo de Sanctis (b. 1936)'Rituale', (1958), signed and dated '58, pen and ink, 29 x 20cm; together with further works by the artist to include 'Madre del ogre'; 'John'; 'Head sketch of a Lady'; design for a wedding dress, mainly unframed, a clay sculpture of 'Sam'; two signed Limited editions of 'Rodolfo de Sanctis'; various exhibition catalogues and ephemera, some signed
Edmund Edgar (b. 1801/04)Portrait of a lady, her hair tied in a bun and with ringlets and wearing black dress with lace trimmed collar, on ivory, 5.5 x 4.5cm Inscribed verso 'Painted by Edmund Edgar, Sydney, NSW, February 1837'Edmund Edgar, miniature portrait painter, born in England, convicted of robbery and sent to Sydney, NSW, Australia in 1826 Ivory Submission Reference: SU11AAE4The ivory plaque is slightly undulating, with a tiny split to the lower edge. There are two spots to the left of the sitter's head, and further minor patchy surface dirt. Paint to the lower left corner dress area appears thin/patchy and veined.
19th century Continental schoolPortrait of a gentleman finely dressed and wearing a black hat, on ivory, 5 x 3.5cm; a late 19th century miniature of a young lady in white dress, on ivory, 5 x 4cm oval; a 19th century watercolour portrait inscribed 'Louise Stamp' verso, 8.5 x 7cm; and a small gilt framed mirror (4) Ivory Submission References: 8PUCS8ZA and MNTT3N94
RUBY AND DIAMOND DRESS RINGSet with circular-cut rubies and brilliant-cut diamonds, diamonds approx. 1.20cts total, ring size approx. NFootnotes:GCS: Rubies weighing approx. 4.30cts (central stone 1.01ct as stated by client), Burmese origin, no evidence of heat treatment, report number 81298-99, 16th March 2021.For further information on this lot please visit Bonhams.com
A yellow metal and diamond three-stone dress ring, stamped 18ct and Platinum, size O, 3.6gCondition:Diameter of central stone is approximately 5mm.Depth of central stone is approximately 4mm.With a x10 lens we can see 3 inclusions in the central stone. and 1 in each shoulder stone.The inclusions are not apparent with the naked eye.in our opinion, the stones are a good colour with no hint of yellow.The setting appears to be in okay condition, with some surface wear commensurate with age.All the stones are present and appear to be secure.Please be aware that we are not professional gemmologists and this is merely our opinion.
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