A small collection of costume and designer jewellery to include a Danish silver bracelet in the form of stylised grapes and vines, stamped 925, one of the ring fastenings stamped HO, possibly for Henning Oddershede, a Charles Horner hallmarked silver openwork brooch with enamelled clover leaf to the centre, stamped CH, Chester 1913, together with one other Charles Horner brooch enamelled with white rose within engine turned pale blue border, stamped 'Sterling Silver' with maker's mark, a silver dress ring centrally set with cabochon jade within enamelled Celtic knot style decoration on textured ground, stamped Silver, a Jorgen Jensen pewter textured torc bangle with maker's marks, and a Jorgen Jensen Danish Pewter ring set with cabochon amethyst, a Jorgen Jensen pewter pendant, all stamped Jeorgen Jensen Pewter Denmark and numbered, also two hardstone bead necklaces, one ceramic, the other turquoise-style.
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A large quantity of costume jewellery to include bangles, necklaces, bracelets, a silver filigree and rose quartz lotus flower ring (possibly Chinese), tortoiseshell inlaid with white metal, a 9ct gold dress ring set with green hardstones, dated 1919, filigree set with marbled ceramic roundels, two Indian white metal torc bangles, muff chains, an indistinctly stamped white metal nurses' buckle, etc.
A quantity of vintage and modern costume jewellery to include seven pairs of earrings, mostly gold-coloured, some inset with claw set opals, smoky quartz style, amber hoop style, Middle Eastern filigree rope hoops, two small gold chains, five dress rings, one of Art Deco style and a Fabergé egg style necklace pendant.
A group of eight watches to include a gentlemen's CMI quartz example, with gold plated bezel and black leather strap, a ladies' dress watch, the black dial with white stone chapter ring, with quartz movement, on black leather strap, three other ladies' fashion watches, a gold plated Cimier fob watch, a small fob watch on gold plated chain, a fob watch in the form of a beetle, on a gold plated chain, also a modern Quasar quartz open face pocket watch (9).
A group of 19th century and later pottery figures to include a pair of Staffordshire figures of a cobbler and a lady with water ewer and beaker, height approx 32cm, a Staffordshire figure of a resting greyhound, length 11cm, a Majolica-style figure depicting young girl resting against gatepost, with large basket covered with leaves, unmarked, height 25cm and a Staffordshire-type figure depicting a young girl with blue dress holding a red handkerchief, sat on rocks, on socle-type stand, height 25cm (5).
Three continental porcelain figurines of a woman and two gentlemen in 18th century dress, all on naturalistic bases. 15cm approx. Printed marks to the base. (3) (B.P. 21% + VAT) All three have damage to hands. Female figure - loss to fingers and hairpiece. Boy in blue jacket - crude hand restoration and slight loss to three. Youth in black jacket - lost 2 fingers on one hand and part of thumb on other. Repair to post.
A high-quality photo print depicting Debbie Harry, taken by photographer Martyn Goddard in 1978. The photo depicts Debbie Harry posing in a revealing dress in a NYC cocktail bar. Measures 20 x 16". Signed by the photographer. Numbered 15/40.About The PhotographerMartyn studied photography at Harrow College of Art and after graduating in 1974 then assisted various leading photographers before going freelance. He became part of the New Wave music scene of the seventies, working with acts such as Blondie, The Jam, Sham 69 and The Cure to name a few. He has contributed or staged several photography exhibitions,’ Blondie in Camera 1978’ and The Jam ‘About the Young Idea’ 2015. Rock ‘n’ Roll and Fast cars 2019.In the late 1970’s he was invited to contribute to the Sunday Telegraph Magazine where he was assigned portrait and feature shoots with some of the great personalities of the arts world, while at the same time contributing to the iconic ‘Car Magazine’ producing automotive and travel stories. In recognition of his images, becoming a Fellow of the British Institute of Professional Photography in 1987.In recent years he has moved to a digital platform, becoming an active photo-blogger and content provider producing travel features and images for Media groups in UK, Europe and USA, in addition to cataloguing and preserving his extensive archive rock bands and musicians.
V Discs: The First Discs were shipped 1 October 1943 from the Victor pressing plant in Camden to New Jersey. The initial shipment included 1,780 boxes each containing 30 records. A variety of sources were used for V-Discs: Commercial recordings (both issued and unissued alternative takes), radio broadcasts, dress rehearsals, film tracks, and special recording sessions, often at odd hours and including unusual combinations of musicians. Although most of the unused V-Discs and their masters were dutifully destroyed, discs in the hands of service personnel found their way into various 'bootleg' collections.V Discs selection:No 1, No 7, No 30, No 32, No 34 x2, No 5, No 81, No 108, No 109, No 116, No 144, No 148, No 152 x3, No 157, No 163, No 178, No 180, No 183, No 197, No 200, No 201, No 202, No 205, No 206 x 2, No 211, No 212, No 214, No 229, No 233, No 234, No 237, No 241, No 243, No 247, No 248, No 252 x2, No 253, No 255, No 268, No 270, No 277, No 282, No 285, No 286, No 289, No 299, No 312, No 314, No 317, No 322, No 323, No 325, No 328, No 329, No 330, No 333, No 334, No 336, No 337, No 342, No 344, No 354, No 355, No 336, No 369, No 375, No 381, No 383, No 384, No 385, No 390, No 394, No 399, No 404, No 411, No 418, No 419, No 423, No 424, No 428, No 434, No 435, No 437, No 451, No 454, No 456, No 458, No 470. No 473, No 475, No 482, No 483, No 484, No 491, No 496, No 499, No 504, No 507, No 516, No 519, No 522, No 524, No 527, No 528, No 529, No 560, No 564, no 568, No 569, No 573, No 574, No 575, No 587, No 595, No 597, No 602, No 603, No 604, No 605, No 610, No 611, No 612, No 615, No 617, No 619, No 620, No 626, No 627, No 630, No 634, No 648, No 656, No 657, No 665, No 669, No 677, No 694, No 695, No 700, No 701, No 704, No 711, No 713, No 714, No 724, No 740, No 741, No 742, No 743, No 744, No 749, No 750, No 759, No 763, No 770, No 771, No 772, No 774, No 775, No 782, No 784, No 790, No 793, No 795, No 800, No 801, No 803, No 804, No 805, No 858, No 880, No 902.V Discs: Artist Signed:No 12, No 281, No 792, No 242, No 611, No 799, No 381, No 812, No 781, No 564, No 466, No 308, No 188, No 451.Viewing highly recommended as too many artists to list.
Circle of Theodore Roussel Portrait of a lady, possibly a member of the Godolphin family, wearing a white satin dress with blue bows and a pearl necklace Oil on canvas 71 x 59.6cm; 28 x 23½in According to an old inscription, the sitter is one of the daughters of Sir Francis Godolphin (1605-1667). The costume suggests a date of c.1635.
After Sir Anthony van Dyck Portrait of Queen Henrietta Maria (1609-1669), three-quarter length, wearing a silk dress and pearl necklace and earrings Oil on canvas 127.4 x 101.2cm; 50¼ x 40in Provenance: Nicholas M. Acquavella Gallery, New York, New York, c.1934; Acquired from the above by Mrs Dorrance, Philadelphia, Pennsylvania, c.1934; William B. Horley Auction, Philadelphia, Pennsylvania, 16 October 1953, lot 1120 ($400), where acquired by Noel Cortes; By family descent; Private Collection, Philadelphia, Pennsylvania; Freeman's, Philadelphia, 6 December 2009, lot 15 After the original in the Royal Collection (Inv. no.RCIN 404430).
Sir Godfrey Kneller Bt. (1646-1723) Portrait of Lady Anne Walpole (1657-1722), three-quarter-length, wearing a gold dress and blue cloak, seated in a wooded landscape Oil on canvas 127.1 x 103.3cm; 50 x 40½in Provenance: The Dukes of Leeds, Hornby Castle, and by descent to the previous owner; By whom sold, Christie's, London, British Pictures, 14 November 1997, lot 8 Literature: Historical and Descriptive Catalogue of Pictures Belonging to His Grace the Duke of Leeds (1902), no.79., in the first oak parlour, Hornby Castle The sitter was the daughter of Sir Thomas, 1st Duke of Leeds, Lord High Treasurer of England, and his wife Bridget, daughter of Montague Bertie, Earl of Lindsey, Lord Great Chamberlain of England. She married, firstly, Robert Coke of Holkham and later Horatio Walpole.
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