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Click here to subscribeA quantity of ladies costume dating mainly from the early 20th century-mid 20th century to include; a cotton sun-dress with shamrock design, a Frank Usher wool crepe dress, a 1960's gold bugle beaded sleeveless evening top, a 1950's black evening dress with blue roses overall, a Horrocks house coat and further ladies costume and accessories to include a green velvet hat, early 20th century, with bead and gilt thread decoration.
An ivory linen gentleman's dress suit comprising of; tail coat and high waisted trousers, late 19th century; together with an Austrian court uniform, comprising of a scarlet facecloth tailcoat, trimmed in emerald green velvet and embroidered with acorns in gold thread, and an eau de nil facecloth waistcoat and trousers, late 19th/early 20th century.
A black silk two piece, by Norman Hartnell, purported to have been made for the Queen Mothers Funeral, the dress with segmented pleated detail to the hem, the coat with the same detail to both the cuffs and hem; together with a Lachasse grey fleck woollen coat, together with further ladies costume dating mainly from the 1960's and a quantity of kid gloves.
A Caroline Charles, moss green woollen coat, with button through detail, puff sleeves and full skirt; together with a Louis Feraud' ladies suit, the fitted red self-patterned jacket, with double button fastening and matching knee length skirt, a Janice Wainwright grey and blue crepe suit, a Benny Org yellow and white polka dot, silk strapless dress with full over-skirt, a beaded full length evening dress, another evening dress, an evening top and a rain mac, items dating from the late 1970's and 1980's. Sizes ranging from 10-medium (8).
A 1970's Pierre Cardin dress with an overall stylized pattern in candy pink, orange, brown and rust on a fawn ground, the 'V' neckline surrounded by wide curving lapels, together with a 1970's dress with overall geometric design and matching scarf, and further ladies' costume, dating from the 1970's and 1980's, to include a Norman Hartnell jersey dress.
A long black sleeveless evening dress with diamonte detail to the neckline; together with a pale pink beaded 1960's evening dress a 1960's turquoise top and a quantity of further ladies day and evening wear dating from the 1960's onwards together with some hats and scarves to include labels such as Libertys and Hermes.
A smock dress by Juliet Dunn, 1970's, with gathered sleeves, the black chiffon ground with a repeating floral and leaf design; together with a 1980's black and sequined top by 'Dominique', a silk and multi-coloured sequin dress and a quantity of further ladies evening costume dating from the 1970's onwards (7).
A black Fiorucci skirt with ribbon trim, feather and bead decoration in primary colours, together with a collection of ladies costume dating from the 1940's onwards, to include a 1960's Penny Black silver mac, a 1940's crepe dress with beaded detail on a claret ground, and a 1940's scarlet jacket with faux leopard skin cuffs, etc.
A Chanel Creations black ladies evening dress with small animal print design overall and Chinese style collar, a Patrick Kelly leopard print fitted full length dress, a black tasselled two piece, a Furstenberg lace and sequined black dress with beaded detail to the sleeves and further ladies evening wear to include such labels as: DKNY, Helen Storey etc, dating from the 1980's and 1990's, various sizes.
A red Mary Quant knee-length cotton dress, with filled hem line and black stitched detail; together with a 1960's full length evening evening skirt and matching coat in emerald green, both with embroidered ribbon and paisley decoration to the hem; together with further ladies costume, a Cartier maroon leather bucket bag and hats.
Seven hats, possibly theatrical, to include; straw and satin, velvet and organza, various sizes and styles together with a collection of Harrow School costume, dating mainly from the 1980's, to include a black two-piece, the skirt and top with printed silver and diamante detail, a canary yellow blouse with gathered waist and high neck with matching pleated skirt, brown corduroy smock dress with red leather thong detail, etc.
A group of four snuff boxes comprising: a gilt-metal and hardstone snuff box, English, circa 1760, rectangular with cut corners, the lid of agate with mossy inclusions, the sides and base pressed with rocaille, 7.5cm, 2 7/8 in; a gilt-metal portrait box, English, mid 18th century, the lid set with later miniature of a gentleman in 18th century dress, spuriously signed: Dumont, 6cm, 2 1/4 in; a gold-mounted carved shell box, possibly Italian, mid 18th century, 6.8cm, 2 5/8 in; and a silver cartouche-form box, English, circa 1760, the lid set with an agate panel, 5cm, 2in (4)
*Rare pair of linen lacis work panels, the design arranged in two registers, one with a mirror image of a lady in a flared dress and wide sleeves apparently standing on a horse accompanied by smaller human figures, birds etc., each major set of motifs facing inward towards a central tree; the other register consisting of pairs of Janus-headed griffins arranged either side of a tree similar to that in the first register, with smaller heraldic motifs including an eagle, lion etc. Italy or northern Europe, probably 16th or early 17th century, 87in and 84in. x 26in. 221cm. and 213cm. x 66cm. Small breaks in places, slight stains in plain sides. (2)
An attractive Victorian striped silk dress, with alternate formal and informal tops, the skirt with ornate applied trim on one side, English mid 19th century. With associated machine bertha lace collar, pair of embroidered silk mittens and a short length of lace edging, the informal top with appliqué scalloped silk ribbon and front and cuffs. Slight staining and some shattering. Also a lady’s home made formal evening gown, in rayon damask with net covered shoulders decorated with sequins, English about 1950, and a pair of Harrods court shoes in silver brocade, early 1950s, in original Harrods box. Together with associated invitations, including one to Lord Mayor’s Banquet, 15 March, 1951. The dress made from pre-war curtain or other domestic furnishing material; both it and shoes showing signs of wear. Together with various items of theatrical costume, including a 17th century style sailor’s white cotton duck bell bottom trousers and associated blue waistcoat, a red and black velvet peasant skirt and red silk ankle socks, two black headscarves, one with applied stars, a black velvet bodice and blouse, the latter with white trim, a tambourine, etc. all 20th century. Sold as a collection with all faults not subject to return. (3 boxes)
An early 19th century poured wax shoulder-headed doll, with blue glass eyes and pale blonde hair, cloth over composition (?) upper body, cloth lower body, cloth upper limbs with wax lower limbs in an exquisite ivory silk dress finely embroidered in silver and gold metal thread and decorated with chenille flowers and foliage, trimmed with lace to the collar, bodice, wrists and hem, the dress inset cotton panel at the back, original white cotton undergarment trimmed with lace. 20in. (51cm.) high. Crack to shoulder plate; forefingers on both hands missing; chip to left heel and cracks to left leg. Shattering to silk dress.
A mid-19th century poured wax shoulder-headed doll, with blue glass eyes and light brown hair, cloth body and upper limbs with wax lower limbs in plain blue cotton dress and underskirt with a white cotton hat trimmed with blue silk ribbon, white cotton cape and apron, around her neck is a blue silk ribbon with a silver threepenny piece dated 1822; and wearing three layers of original undergarments. 17in. (43cm.) high. Cracks to shoulder plate at back; right foot mis-shapen. One knitted shoe missing.
A late 19th century French spelter figural mantel clock the eight-day bell-striking movement with white enamel Roman numeral dial in scroll cast case with boy in 18th century style dress and prancing horse surmount on cast toupe feet 35cm high; and a pair of five-branch candelabra similar 50cm high (3).
A contemporary watercolour of the Duke of Wellington in old age, half length, in civilian dress with blue Garter sash, signed G. Dyer 1851, 7” x 8” in moulded gilt frame, Good Condition (minor wear to frame) Plate 14. Note: Original pencil and colour work drawing taken from M. Claudet’s Daguerreotype portrait of Queen Victoria’s historical engraver H T Ryall also engraved Claudet’s daguerreotype. Published by J Watson Vere St, Cavendish Sq London May 1st 1845.
A fine Victorian officer’s full dress sabretache of the 10th (The Prince of Wales’s Own Royal) Light Dragoons (Hussars), scarlet cloth with gilt lace border, embroidered with a coronet superimposed on the Prince of Wales’s feathers and motto, a large VR cypher, “X” and five battle honour scrolls “Peninsula” to “Afghanistan 1878-79” on a wreath, red morocco pouch and flap, large size 11½” x 13½”, with gilt lace suspension straps and gilt and silver plated buckles. Very Good Condition Plate 17
A 1796 pattern infantry officer’s sword, straight fullered blade 32”, etched Wooley & Deakin within oval border, crowned 1801-16 Royal Arms, crowned GR cypher, trophies and floral devices, and blued and gilt for half its length, regulation gilt hilt with shell guard (the inner guard folding down), knucklebow and urn shaped pommel, simulated wirebound grip, with gilt dress knot. Good Condition the blade retaining approx 50% blueing and gilding. Plate 24
A good Elizabeth II Royal Air Force officer’s sword, straight fullered blade 32½” by Wilkinson Sword Ltd, no 92852 on backstrap, etched with crowned Royal Arms and crown and eagle badge within foliate blank scroll panels, heavy gilt half basket hilt incorporating crowned ERII cypher and crown over eagle badge, wirebound sharkskin grip, eagle’s head pommel and backstrap, gilt and sky blue dress knot, in its gilt mounted leather scabbard. Near Mint Condition (a few tiny marks to blade edge at forte) Plate 28
A Timpo Knights of the Round Table figure: a knight in armour with moveable face guard carrying shield and detachable lance, yellow plume, mounted grey horse with protective dress, finished in dark green, silver armour, red lance. In original box, minor age wear, item VGC for age, minor paint blemishes
A small quantity of modern solid metal cast soldiers including Bastion Seaforth Highlanders in full dress of 1882 with bayonets fixed 8 pieces; LTS Royal Corps of Signals set 4 pieces; Steadfast Royal Engineers and accessories seated and standing figures and accessories, a few King cast similar including survey team, most in full dress, British and Belgian infantry WWII, airmen, 2 DelPrado figures etc. Most in original makers boxes but associated. VGC - mint, level and tripod damaged
A small quantity of modern solid cast soldiers by various makers including Steadfast and Tradition; 5 Confederate mounted figures, white officer and 4 coloured ORs, standard carrier with red/white ‘9B’ banner; 6 green jackets marching rifle at trail; 4 Marines and 7 other figures in tropical helmets various poses etc, and Royal Engineers 4 horse wagon with cable reels, ladders, poles, hand truck, 2 outriders and 2 seated riders in full dress. VGC - mint, minor wear to a few
A small selection of modern military white metal figures from the Boer and World War 1 eras including by Steadfast, Tradition, British Bulldog; Infantry of the Line, 3 Camel Corps, 6 lancers including officer and trumpeter, gun crew and officer with small field piece, engineers plus 4 mounted officers; most in tropical full dress uniforms of the periods. In original type boxes mostly unlabeled. VGC - mint, minor marks, 1 rifle damaged
A good William IV courtsword, slender DE blade 30”, by P & R Firmin, 153 Strand, London, etched with crowned WRIV cypher and wreath within plain panels, gilt hilt with crossguard, turn down shell with applied crowned WR cypher in wreath and studded border, knucklebow, crown pommel, wirebound grip, with dress knot (worn) in its gilt mounted leather scabbard with frog. GC, the blade retaining much original polish, the gilt good (scabbard leather scuffed, dark rust marks to edge of blade). Plate 6
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