An original costume ensemble as seen worn by a background actor portraying a citizen in the background during the climax of the film Logan's Run (Metro-Goldwyn-Mayer, 1976). This ensemble includes an orange colored satin mini-dress with a matching orange colored belt. Also included is a gold-tone spiraling arm bracelet. Size labels are not present. Based on the 1967 novel by William F. Nolan, the film depicts a dystopian future society in which all citizens are killed when they reach the age of 30, with "Sandman" agents responsible for hunting down and terminating "runners" (those who attempt to escape their mandated deaths). In the film, Sandman "Logan 5" (York) abandons his duties to seek out a mythic place called the Sanctuary.Citizens can be seen wearing garments of this type at the end of the film, when the walled city is being destroyed. They flee chaotically from the city, descending the steps down to encounter the "Old Man" (Peter Ustinov), the first person over 30 any of them has ever seen.PROVENANCE Partial Lot 276, "Hollywood Auction 17," Profiles in History, December 12, 2003
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An Azzedine Alaia dress as seen worn by Rosie Huntington-Whiteley as "Carly Witwicky" in the action and adventure Transformers: Dark of the Moon (Paramount, 2011). The cream, body-con, sleeveless dress features a tulip-style silhouette and front zipper. Labeled "Alaia." Together with three costume tags.Transformers: Dark of the Moon, the third film in the franchise, follows the Autobots and Decepticons and their race to reach a Cybertronian spacecraft full of secret information hidden on the moon.Size 36
A costume design by Edith Head for Audrey Hepburn as Holly Golightly in Breakfast at Tiffany's (Paramount 1961). A mixed medium costume design for Audrey Hepburn by Edith Head. The sketch features a full-length Audrey-like figure in a light pink full-length gown with a full skirt and fitted bodice, similar in likeness to the cocktail dress Audrey wears in the film. The figure wears a tiara, earrings, and elbow-length gloves, and holds a cover-up in her right hand. The dress is drawn with glittering surface embellishment on the bodice and skirt; however, this design differs from the scoop neckline and calf-length hemline worn in the film. Edith's design is a sophisticated evening gown, featuring a bateau neckline with an ankle-length hem. The sketch is signed by Edith Head at the bottom left corner. Audrey wears a pink dress upon returning from an evening with José, soon to find out her brother Fred is dead and going into a traumatic physical fit of grief. The bright color and embellished design was a contrast to her character’s previous outfits of understated elegance.This sketch was likely a conceptual sketch for Audrey as Holly Golightly, the dress in the film is cocktail length and designed by French couturier Hubert de Givenchy. Breakfast at Tiffany’s was a film that defined Audrey’s timeless style and the refined elegance that was Givenchy’s signature. The pink dress showcases architectural construction with a fitted princess-seamed bodice and a gathered skirt that is as buoyant as Audrey’s charming smile. The facet foil back crystals, the guipure fan tassels, and the vibrant pink add up to a defining moment in fashion where women were feminine, sleek, distinct, and articulate in how they dressed.The design worn in the film was a part of Givenchy’s 1960 fall show with well-known clientele Lee Radziwill and model Capucine wearing the embellished design in black. Audrey asked if the design could be made in pink specifically for the film, only two of these pink design confections were made. A rare design that showcases the artistry of French haute couture and the beautiful Audrey Hepburn as Holly Golightly. Audrey’s Givenchy wardrobes while they evolved in each film collaboration have become a timeless reference to elegance and glamour in both film and fashion. This lot comes with a DVD/Blu-Ray of the film.
A dress as seen worn by Emily Bergl as "Rachel Lang" in the thriller The Rage: Carrie 2 (United Artists, 1999).The light blue, cotton-blend dress features a periwinkle floral embroidered design on the bottom front portion of the dress, a back zipper, and a blue slip lining. No size or label present. The Rage: Carrie 2, the sequel to the 1976 film starring Sissy Spacek, follows Rachel Lang, the half-sister of telekinetic (and now deceased) Carrie White, who after learning she has the same gift as Carrie, suffers a similar fate when learning her best friend's suicide was caused by their popular classmates. Bergl as Rachel wears the dress while on a date with popular jock, Jesse Ryan (Jason London). This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A pair of dresses as seen worn by Rachel Blanchard as "Monica Jones" in the thriller The Rage: Carrie 2 (United Artists, 1999).The identical short-sleeved rayon dresses feature a blue gradient design and v-necklines. One is fire-proofed and labeled "Guess Collection," size M, the other has fake blood spatters throughout and is unlabeled. The Rage: Carrie 2, the sequel to the 1976 film starring Sissy Spacek, follows Rachel Lang, the half-sister of telekinetic (and now deceased) Carrie White, who after learning she has the same gift as Carrie, suffers a similar fate when learning her best friend's suicide was caused by their popular classmates. Blanchard as Monica wears the dress to the ill-fated high school party.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A hero costume as seen worn by Milla Jovovich in the role of "Alice" in the Resident Evil (Constantin Film, 2002).The costume consists of: a bias-cut poly-satin red slip dress with spaghetti straps, side zipper, and asymmetrical hem; burgundy Spandex shorts; and a pair of black leather knee-high boots with flat soles. No sizes or labels present. Each boot has "Alice / #1" written on the inside in marker (with traces of fake blood).In the film, Alice awakens naked in the shower with no memory of who or where she is. She finds the dress and puts it on, wearing it for the film's duration. Costume Designer Esther Walz says of the iconic ensemble in New York Post: “I had a strong vision of what I wanted Alice to wear, so I drew it. She’s lost her memory, but we get the feeling that this dress had been laid out to go to dinner and then she passed out and then whatever happened in that facility happened, and she wakes up and finds this evening dress on the bed. At the time I was really obsessed with Galliano, and I was wearing a lot of Galliano, and I loved how he was using chiffon and how girly his things looked. I was also thinking of Asian films, where women would wear these flowy dresses but still fought. So it was the idea of an evening gown that was also kind of a battle suit. The asymmetry came from the fact that it needed to be open so she could fight, and would be able to move around.”Includes a DVD of the film.
A suit ensemble as seen worn by Dominic Chianese as "Junior Soprano" in the Emmy Award-winning television series The Sopranos (Chase Films, 1997-2007). The navy blue, pinstripe suit features a double vent suit jacket with white basting stitches present and shoulder pads, label reads "Made in England," size 42L; a pair of matching dress pants, no label present, size W 36" L 37"; a 100% cotton, blue and white-striped button-down shirt with a white collar and sleeve cuffs, labeled "Peterborough Row," with "Uncle Junior" handwritten in black ink on the label, size 16; and a 100% silk, blue, maroon, gold, black, and grey colored tie with a printed Italian-style graphic throughout, labeled "Sherry Wolf," no size present.The suit is featured in Episode 6 of Season 1 titled "Pax Soprana," in the scene where Uncle Junior is getting fitted.
A white dress shirt as seen worn by Richard Gere as "Jack Moore" in the crime/thriller Red Corner (MGM, 1997). Together with costume tags. The white, 100% cotton button-down features a left breast pocket. Labeled, "Boss - Hugo Boss." No size present. The costume tags detail production, name, character, scene no., and change no. Throughout the entirety of the film, Gere as Jack wears various white button-downs. Includes an original photograph of Gere wearing the shirt, with "Chg 13, Sc. 119, Jack" handwritten on the front in black marker, and "Shirt open, button at neck, Jacket Open," handwritten on the back. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
An creame cotton men's dress shirt as seen worn by James Caan, playing "Philip Marlowe" in the television movie Poodle Springs (HBO, 1998).A basket weave creame cotton men's dress-shit, button-up front with single button cuffs. The shirt has fake blood stains on the collar, front, and cuffs of the shirt. There is a label at the interior of the collar reading, "Venice Custom Shirts, Sept. 97."This lot comes with two-wardrobe tags documenting the film, scene, and actor from the film.
An outfit as seen worn by James Caan as "Joe Sarno" in the crime/thriller The Way of the Gun (Artisan Entertainment, 2000). Together with two costume tags. The outfit includes a cream, cotton-blend, collared short-sleeved shirt with wide ribbing and a left breast pocket, labeled, "Cotton Mist," size L; and a pair of brown wool-blend dress pants, labeled "Haggar Black Label," size 34 x 32. Caan as Joe wears the outfit while trying to coordinate the rescue of money launderer Hale Chidduck's surrogate, Robin (Juliette Lewis).This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
An original costume ensemble as seen worn by Bob Odenkirk as "Jimmy McGill / Saul Goodman" in the fifth season, episode 1, "Magic Man," of the crime drama television series Better Call Saul (AMC, 2015-22).The ensemble consists of a long sleeve baby blue dress shirt labeled "Anto / B O / Nov 2017," the size label is not present; a two-piece dark gray suit; the jacket has a notched lapel and two-button closure, four, non-functional, buttons sewn on each cuff, padded shoulders, with one welted front pocket, a solitary exterior left breast pocket, and two interior breast pockets; on the right interior of the jacket is labeled di Stefano and on the left interior of the jacket reads "Bob Odenkirk" in personalized stitching, size labels are not present; and a gray tie with blue/white diagonal stripes labeled, "Briony." Together with a costume tag used by the Production Wardrobe Department during filming.This iconic costume as seen worn by Odenkirk as "Jimmy McGill / Saul Goodman" during a scene in the corridors / Bars office in the State Bar building when Jimmy changes his name to Saul Goodman. Later in the episode, the costume is as seen worn by Odenkirk during the scene with Rhea Seehorn as "Kim Wexler" at Kim's condo.
A costume ensemble as seen worn by Patrick Fabian as "Howard Hamlin" in the crime drama television series Better Call Saul (AMC, 2015-22).The ensemble consists of a cotton lavender long-sleeve dress shirt with white French cuffs and collar labeled "di Stefano," Size L; a two-piece navy wool suit with white pinstripes; the jacket has a notched lapel and two-button closure, four, non-functional, buttons sewn on each cuff, padded shoulders, with two welted front pockets, a solitary exterior left breast pocket, and two interior breast pockets; the right interior of the jacket has labels that reads, "di Stefano," and "Patrick Fabian;" the left interior of the jacket has labels that reads "Vitale Barberis Canonico," and "Ariston;" the interior of the pants has a label that reads, "Patrick Fabian;" a navy tie with a label that reads, "Otaa;" a pair of navy suspenders with red darts, a brown leather triangle at back; a set of gold-toned cuff links with knots on the ends and a straight tie bar with screw on balls on the ends, and a lavender handkerchief. Together with a costume tag used by the Production Wardrobe Department during filming.
From the private collection of the recently deceased John Fabb of A.R. Fabb, a maker and supplier of military and sci-fi costume patches and crests for the film industry. Over the course of his career, John worked closely with John Mollo, known for his award-winning costume work for the Star Wars film series, Berman and Nathans, and costume designers from films such as Alien (20th Century Fox, 1979) and Superman (Dovemead Ltd., 1978).An original John Mollo costume sketch print related to Stanley Kubrick's war/adventure film Barry Lyndon (Warner Bros.,1975) starring Ryan O'Neal and Marisa Berenson. The sketch depitcs a Prussian Infantry Officer, c. 1750, with various costume notes such as "white gaiters for dress. black for service" and "silver embroidery and loose tassels." 12.75 x 17.5 inches
A dress waistcoat as seen worn by Susannah York as Mrs. Marjorie Scarlett in Conduct Unbecoming (Lion International, 1975).This iridescent dupioni silk waistcoat has a satin taffeta lining and collar with damage to the back collar neck, a double-breasted hook-and-eye closure and interior snap-button closure, and a pintuck pleat at the back, labeled "Bermans & Nathans" with a "Susannah York Conduct Unbecoming 8255" stamp, no size is present.Conduct Unbecoming is a period drama adapted from a play of the same name. The film is set in the barracks of a British Indian Army when the widow of a fallen soldier accuses a newly arrived lieutenant of assaulting her.
A 3-piece set as seen worn by Robert Hardy as Winston Churchill in War and Remembrance (Dan Curtis Productions, 1988).This lot includes a felt fedora with grosgrain band labeled "Scotts," with a handwritten "CBC Beaverbrook" on the leather lining, and handwritten C.B.C on a sticker label; a 100% cotton button-up poplin shirt with a chest patch pocket, button cuffs, and shirttail hem, labeled "Jonelle Care Free Cotton," no size present (please note there is staining to the back neck collar); adjustable suspenders with belt attachments; a navy blue and white polka dot bowtie with back hook closure; a button-up suiting vest with four front welt pockets, labeled "Angels," with hand-written "Robert Hardy June 1989" text on the maker's label; a button-up suiting blazer with a chest welt pocket, two waist flap pockets, lightly padded shoulders, button cuffs, tonal satin-blend lining with a welt pocket, and multi-colored striped sleeve lining, no label or size present; a beige cotton-blend "fat suit" with velcro closures labeled "Brettles," and "Angles," with a handwritten "Mr. Robert Hardy" handwritten on the costumiers label; grey, black, and white striped pants with a zip fly and hook and bar closure, decorative buttons on the waist, and a back welt pocket, labeled "Angels," with "Mr. Robert Hardy," handwritten on the maker's label, no size present; and lace-up black leather dress shoes, labeled "Executives," size 8.War and Remembrance is a television mini-series based on the novel of the same name. The series follows a family between America's entrance into World War II and the day after the disaster at Pearl Harbor.
A pair of dress pants as seen worn by James Earl Jones as "Raymond 'Ray' Lee Murdoch" in the comedy/drama A Family Thing (United Artists, 1996). The navy blue, polyester-blend field trousers feature two side and two back pockets. Labeled "Fechheimer" and includes a "Chicago Police Dept" label in the back pocket. Size 48R. A Family Thing follows Earl Pitcher Jr., who, when his mother gives a deathbed confession that his biological mother died while giving birth to him, must travel and make peace with his other family. Jones as Ray wears the pants with the rest of his Chicago city Police uniform. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A pink sequined dress as seen worn by Madchen Amick as "Annie O'Keefe" in the thriller Heartless (AMCO Entertainment Group, 1997). The baby pink spandex-blend maxi gown features matching sequins attached to the fabric throughout, with a halter neck, low cut back, and additional back straps. No size or label present.In the film, Amick as Annie wears the gown while attending the Annual Gala Charity Ball & Wine Taster. Heartless follows a young woman who, after undergoing a heart transplant, begins to take on the personality of her donor. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A collection of costumes as seen worn by Kristin Scott Thomas as Mary Panton in Up at the Villa (October Films, 2000).This lot includes a front button knit sweater with side slip pockets and a detachable waist tie, no label or size present; red and beige striped trousers with a front zipper and hook-and-eye closure; a beige crepe-satin dress with a plunging neckline, crossover back straps, and back velcro closure (please note there is heavy makeup staining throughout); two matching linen dresses with floral contrast trim, breast patch pockets, skirt pleating, a partial button front, and detachable waist belt (please note one of the dresses is missing front buttons), no label is present; two organdy and iridescent satin halterneck dresses with an open back, back snap button closure, faux front button closure, asymmetrical tiered skirt and one matching embroidered satin jacket (includes an alternative halter top with velcro back); and a button front linen skirt set with a sleeveless collared blouse with wooden rabbit buttons, a matching dickey, and an open front cropped jacket with faux pockets and contrast trim labeled "Jane Law," no other labels or sizes present. Up at the Villa is a romantic drama based on a novel of the same name. The film follows an English widow on her vacation in Italy and the unexpected obstacles she must overcome.
A set of costumes as seen worn by Greta Scacchi as Mary Duvan in Beyond the Sea (Lions Gate Films, 2004).This lot includes a fully lined cream and blue dress with back zipper closure and pleated waist labeled "Angels" with hand-written "Beyond the Sea Mary Duvan" on the maker's label; a pale blue overcoat with an open front, darted back collar, lining that matches the accompanying dress, and a bow and pleating at the back, labeled "Angels" with a hand-written "Beyond the Sea Mary Duvan" on the maker's label; a beige suiting dress with a surplice front, pleated floral sash detail, asymmetric neckline, and hidden back zip closure, labeled "Angels" with hand-written "Beyond the Sea Greta Scacchi" on the maker's label; a patent croc-embossed purse with snap-top closure and two interior pockets, not labeled; and a pair of suede almond toe heels with a leather lining and sole, size 42.Beyond the Sea is a biographical musical drama based on Bobby Darin's life.
A custom-made ensemble as seen worn by Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The ensemble includes a striped cotton dress shirt; a taupe and ivory lightweight blazer with intentional soiling; a pair of light brown cotton trousers; a black satin hand painted tie with a nude female figure that reads “The Road to Ruin.” The dress shirt has an Eiffel Pierre labeled with client number “21903.” The trousers have an Eiffel Pierre label present. The ensemble comes together with a wardrobe bag with a label inscribed “Wasey:- 6 beige striped jackets 1st outfits.” Costume design by Judy Moorcroft.Includes a screen still photograph from the film.The Proceeds From This Lot Benefits The Material World Foundation.PROVENANCE Donated to the Foundation by the George Harrison Estate
A custom-made ensemble as seen worn by Sean Penn as "Glendon Wasey" in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The ensemble includes a striped cotton dress shirt; a taupe and ivory lightweight blazer with faint intentional soiling; a pair of light brown silk/ cotton blend trousers; a black satin hand painted tie with a nude female figure that reads “The Road to Ruin.” The tie is housed in a bag with a handwritten label that reads, “Wasey:-6 black “Road to Ruin” ties 1st outfit.” No labels present. Costume design by Judy Moorcroft.The Proceeds From This Lot Benefits The Material World Foundation.PROVENANCE Donated to the Foundation by the George Harrison Estate
A white cotton dress from the wardrobe of Madonna for the production of Shanghai Surprise (HandMade Films, 1986). Madonna wears this style of dress in the film. The film starred then newlyweds Madonna and Sean Penn.The dress has hand painted details to the front and back. This dress does not have silk lining or frog closures. No labels present. It comes together with a wardrobe bag with a label inscribed “Madonna- 3x white cotton Chong Sams “Shanghai Public Baths.” Costume design by Judy Moorcroft.Includes a German publicity image.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
A custom-made, two-piece printed silk ensemble as seen worn by Madonna as Gloria Tatlock in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Sean Penn.The ivory and navy ensemble consists of a silk-lined jacket and a dress with fitted bodice with a belt and skirt with box pleats to the hem. The jacket has a Barbara Matera Ltd. New York label present that is typed “Madonna.” The dress has a Barbara Matera Ltd. New York label present that is faintly typed “Madonna.” Costume design by Judy Moorcroft.Includes a framed black and white scene still and a small black and white scene still.The Proceeds From This Lot Benefits The Material World Foundation. 17.25 x 21 inches (framed)PROVENANCE Donated to the Foundation by the George Harrison Estate
A pair of black and white leather dress shoes as seen worn by Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The interiors of the shoes read “The handcrafted world of Allen Edmonds." Costume design by Judy Moorcroft.The Proceeds From This Lot Benefits The Material World Foundation. Size 9 1/2PROVENANCE Donated to the Foundation by the George Harrison Estate
A navy-blue cotton dress shirt, tan linen trousers and printed silk tie as seen worn by of Sean Penn as Glendon Wasey for Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Sean Penn.The shirt has a label that reads “Sy Mondaschein Selective Shirts.” The trousers have a weighted hem and no labels present. The silk tie has a fabric tag inscribed “2” and is in a bag with a label that reads, ”Wasey- Torn ties Opium Hong.” Costume design by Judy Moorcroft.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
A cotton dress shirt and pair of linen trousers from the wardrobe of Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The deep turquoise cotton shirt has no label present and the tan linen trousers with weighted hem have no label present. Costume design by Judy Moorcroft.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
A pair of cotton dress shirts from the wardrobe of Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The first is a striped shirt labeled “Sy Mondaschein Selective Shirts.” The second is deep turquoise with no labels present. One of the shirts is inscribed “2.” Costume design by Judy Moorcroft.The shirts were not seen in the final cut of the film.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
A four-piece ensemble as seen worn by Sean Penn as "Glendon Wasey" in Shanghai Surprise (HandMade Films, 1986), together with a production note to cast and crew dated 21 March 1986 regarding a change in the production schedule. The film starred then newlyweds Madonna and Penn.The ensemble includes a custom-made striped blazer with belted back in natural tones, no label present; a black dress shirt labeled “Sy Mondaschein Selective Shirts”; a pair of ivory raw silk trousers with a Barbara Matera label typed “Mr. Penn” and an ivory silk tie. Costume design by Judy Moorcroft.Includes a screen still from the film.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
A four-piece ensemble as seen worn by Sean Penn as Glendon Wasey in Shanghai Surprise (HandMade Films, 1986). The film starred then newlyweds Madonna and Penn.The ensemble includes a custom-made striped blazer in natural tones with a belted back, no label present; a black dress shirt labeled “Sy Mondaschein Selective Shirts”; a pair of ivory raw silk trousers with a Barbara Matera label typed “Mr. Penn” and an ivory silk tie. Together with a wardrobe bag with a label inscribed “Wasey:- 4 Beige striped belted back jackets.” Costume design by Judy Moorcroft.Includes a scene still image from the film.The Proceeds From This Lot Benefits The Material World Foundation. PROVENANCE Donated to the Foundation by the George Harrison Estate
A cocktail dress as seen worn by Barbara Hershey as "Duchess Lucinda" in the comedy Splitting Heirs (Prominent Features, 1993). An emerald green, fitted mini cocktail dress with chiffon/mesh, leaf-shaped panels along the trim features an off-the-shoulder neckline and back zipper. Angels Costumiers costume tag is present and reads "840, 1992." No size present. Together with a costume tag. Splitting Heirs follows the son of a recently deceased duke and a man claiming to be his long-lost son as they fight for the inheritance.
A midi dress with accessories as seen worn by Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The polyester chiffon dress features a red and pink floral design with silver sequin details throughout, a white slip interior, a v-neckline, and thin straps, labeled "Mica," size 4, with a pink sheet fastened to the label that reads, "#10 Flor." Please note: heavy makeup staining on the interior of the dress. Together with two silver-tone and magenta beaded, three-strand elastic bracelets, with heavy damage on elastic and several loose beads.Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter, Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English. Flor wears the dress in a party flashback scene (as Christina is narrating the scene for her Princeton University application essay on a year in her childhood), as well as on the cover of the Spanish edition of the DVD.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A midi floral dress with extra fabric for Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The mint, sleeveless, cotton wrap dress features a pink, green, yellow, blue, and magenta floral design throughout, no size or label present. The extra fabric shares an identical pattern to the dress, just in a lighter base shade. Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter, Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A purple, short-sleeved midi-dress with shoes as seen worn by Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The dress features an embroidered floral design throughout, with a pointed empire waist and v-neckline; no size or label is present. The tan, wedged, open-toe sandals are labeled "Nine West," size 6.5 M. Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter, Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English. Flor wears the dress while taking her daughter to a fancy dinner, where she is then horrified when two men hit on her at the bar. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A pair of dresses as seen worn by Tea Leoni as "Deborah Clasky" in the romantic comedy Spanglish (Columbia Pictures, 2004).This lot includes a cream shirtwaist dress with contrast stitching and two front pockets, no size or label present; and a secondary, identical shirtwaist dress, heavily stained from production use, with a matching belt, no size or label present.Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English. Deborah wears the ensemble in a deleted scene from the film. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A dress shirt and tie as seen worn by Robin Williams in the family comedy RV (Columbia Pictures, 2006). The long-sleeved dress shirt features an earth-tone striped pattern and a single breast pocket. Labeled "Anto Beverly Hills - R W May 2005." No size present. Together with a navy blue, periwinkle, and hunter green striped tie, labeled "Ermenegildo Zegna," no size present. RV follows executive Bob Munro, who surprises his materialistic family with an RV trip to Colorado, where they must navigate many hiccups and bizarre run-ins on the way. Williams, as Bob wears the items while meeting with his arrogant boss Todd Mallory at the Pure Vibe office in Los Angeles. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
An Isaac Mizrahi two-piece ensemble as seen worn by Fran Drescher as "Fran Fine" in The Nanny (CBS 1993-1999), Season 5 Episode 21, "The Best Man." A multi-color psychedelic pattern shift dress and jacket ensemble, composed of a wool crepe fabric. The dress is A-line with a mid-thigh-hemline, crewneck, and sleeveless so it can be worn under the jacket, the dress is structured and fitted in the bust with two darts, narrows at the torso/waist and goes out at the hips, giving the dress a sharp flared skirt. There is a hidden zip that goes up the back with a hook-and-eye fastener at the nape of the neck, the interior is lined with light pastel blue synthetic lining. The jacket features a notch lapel with four bound buttonholes with one-inch periwinkle plastic buttons that start just below the bust; the jacket is also lined in a soft pastel blue. Both garments have designer labels reading, "ISAAC MIZRAHI," both are marked a size four. Fran is seen in the designer outfit at the conclusion of the episode "The Best Man" with her grandma Yeta, presenting her with a wedding gift. Brenda Cooper who was the costume designer for the show outfitted Fran in many designer outfits, especially American Jewish designers like Isaac Mizrahi and Todd Oldham.Isaac Mizrahi started his clothing label in 1987, his color blocking and silhouettes were the height of fashion in the 90s. He won four CFDA awards and has dressed Michelle Obama, Meryl Streep, and Sarah Jessica Parker. This lot comes with a DVD box set of season five. Size 4PROVENANCE From the Collection of Reel Clothes and Props
A production costume for Fran Drescher as Fran Fine from the The Nanny (CBS, 1993-1999), Season 6 Episode 19, "Maggie's Wedding."David Hayes silk pink and black digital-hounds-tooth-print-shift-dress, with a lapped seam at the center front, crew-neck line, light-padded-shoulders, with bracelet length sleeves, concealed zipper at the back with a loop-button fastening at the nape of the neck. The dress is lined in bubble-gum pink silk, the designer label on the neckline reads, "DAVID HAYES," marked a size 8, fabric content tag lists the fabric as 100% silk. The dress, although not used in filming, was a part of an ensemble, the jacket of the ensemble was worn in the episode but with a Christian Lacroix dress. Fran wears the pastel pink silk jacket with digital-houndstooth-print accents at the cuffs, front pockets, and lapel. Fran is helping her step-daughter Maggie shop for a wedding dress. Fran comforts Maggie about her upcoming wedding and how to relay her happiness to her father, in a comedic, heart-warming episode in the final season.Davis Hayes was an actor-turned-designer, starring in musical productions abroad, he lived in Paris for three years, and during his time in the city he developed an interest in fashion and upon returning to Los Angeles enrolled at UCLA and earned a degree in Fashion Design. He worked for the clothing manufacturer DeGraff of California as lead designer for seven years and then started his label. Hayes designed well-tailored garments and separates, which became a staple for many actresses like Audrey Hepburn, Joan Collins, and the Gabor sisters, sold in luxury department stores like Neiman Marcus and Saks Fifth Avenue.Size 8PROVENANCE From the Collection of Reel Clothes and Props
Nighties mini-dress as seen worn by Fran Drescher as Fran Fine in The Nanny (CBS 1993-1999), Season 2 Episode 16, "The Nanny Behind the Man."A red wool mini-dress with black diagonal inlayed-wavy-stripes at the front. The dress has spaghetti straps, scoop neck-line with a low-cut-back exposing the shoulders and back down to the waist, fitted hourglass silhouette that hugs the body, along with a short hemline. There is a hidden zipper at the center back and lined with a ruby red synthetic fabric. The brand label reads, "SaeLee, Dresses," the label also has, "Sony W," written in black marker, the dress is marked a size two, along with a fabric content tag sewn into the lining's left side seam.Fran in the episode plays matchmaker between her grandma Yeta and a Broadway playwright only creating more turmoil for her boss Maxwell Sheffield. Fran Drescher was known throughout the series for wearing tight clothes, as well short dresses and skirts, it became a running gag for the character. Brenda Cooper who was the costume designer for the series would often mix fast-fashion-ready-to-wear brands found at malls with luxury-designer-brands. The mix of high and low fashion brands contributed to the iconic style of the character that has generated social media accounts designated to documenting Fran and her clothes.This lot comes with a DVD box set of season two.Size 2PROVENANCE From the Collection of Reel Clothes and Props
A two-piece dress and jacket ensemble as seen worn by Nicholle Tom as Maggie Sheffield in The Nanny (CBS, 1993-1999), Season 6 Episode 22, "The Finale Part 2."Lovely, floral damask two-piece ensemble of sky blue, ivory, and accent colors of red, green, yellow, and orange by Los Angeles designer Lisa Anne. The linear pattern has tulips, petal flowers, grapes, and diamond shapes. A clean line outfit consisting of an A-line-sleeveless-halter-neck-shift dress and a single-breasted jacket with a notched lapel, exaggerated collar, and three wooden carved buttons. Both garments are composed of a poly-cotton blend and lined with synthetic fabric, the dress is lined with a cream lining, and the jacket is lined with a pastel blue. Both garments have a brand tag that reads, "LISA ANNE," the jacket is marked a size six.These garments were worn in the final episode of the series, where Maggie is seen saying goodbye to Fran and her father at the airport.This lot comes with a copy of the final season of the series.Jacket: Size 6PROVENANCE From the Collection of Reel Clothes and Props
A pair of black leather lift dress shoes as seen worn by Joe Rogan as Joe Garrelli on the series Newsradio (NBC, 1995-99). Rogan wears black dress shoes on season 5, episode 7, titled "The Wedding." On the series, Rogan plays the electrician and handyman at a New York City AM news radio station. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.Includes a DVD of the Newsradio episode "The Wedding."Size: 9 1/2PROVENANCE From the Collection of Reel Clothes and Props
A black and white photograph of Marilyn Monroe on the set of The Seven Year Itch (20th Century Fox, 1955) by Bernard of Hollywood. The photograph offers an alternate angle to the famous shot of the skirt of Marilyn's white halter dress billowing up due to the blast of air from the subway grate. The photographer's logo is printed on the lower right of the photo.21 x 29.75 x 1.75 inches
An original black and white photograph of Marilyn Monroe taken on the set of The Seven Year Itch (20th Century-Fox, 1955) by George Barris. The photograph offers an alternate angle to the famous shot of the skirt of Marilyn's white halter dress billowing up due to the blast of air from the subway grate. Barris signed the photograph in ink in the lower right. The photograph is matted in a gold-tone frame and a card with Barris' copyright stamp is affixed to the back.19 x 20.25 x .75 inches
A framed Belgian poster for the film The Seven Year Itch (Twentieth Century Fox, 1955).Monroe co-starred alongside Tom Ewell in the Billy Wilder-directed comedy, an adaptation of the hit Broadway play. The poster features the image of Monroe wearing a white halter dress billowing above a subway grate, which instantly became one of the most iconic pop culture images of the 20th century and perhaps the image most closely identified with Monroe. The film was both a critical and commercial success.Frame: 12.75 x 21.75 inches
A Princess Diana custom-made ivory gown with black velvet accents, designed by British designer Catherine Walker, worn to a private event/function.A fitted-strapless-hourglass gown of ivory silk crepe with black silk velvet at the bust and waistline. The hem is asymmetric, lifted at the front then goes into a short train at the back. The godet pleat at the back allows for more freedom and movement, a subtle contrast to the fitted bodice and hips. The color-blocking works well to contour Diana’s figure and streamline her silhouette with the asymmetry of the velvet bands. The design is understated elegance, featuring a hidden zip closure and lining, crafted with all the luxuries for a gown fit for a princess. A Catherine Walker label is present, reading "Catherine Walker, London.".Catherine Walker created some of Diana’s most iconic looks such as “The Elvis Dress.” Walker designed gowns as well as an entire wardrobe for royal tours. The designs Walker created showcased clean lines but offered design details that could be picked up on camera and stand out. Walker was one of Princess Diana’s favorite designers and created custom designs for her for over 16 years.PROVENANCE Lot 48, "Dresses From the Collection of Diana, Princess of Wales," Christie's, New York, Sale number 8702, June 25, 1997
An original, approved, final sketch study of Princess Diana created with charcoal and chalk at Kensington Palace in 1990 by Russian artist Israel Zohar. The official oil painting hangs in the headquarters of The Royal Hussars, amongst other portraits. Diana is depicted wearing her iconic midnight blue velvet gown by Victor Edelstein. The dress was first worn at the White House Gala in 1985 and became known as the "Travolta Dress," made famous by the couple's legendary dance.Signed and dated by the artist at the upper left. An image of Diana and Zohar next to the finished portrait was published in the Tottenham & Wood Green Independent in December of 2012 (link available upon request).Framed: 32 x 37 inches; Sight: 24 x 29 inches
An original period costume as seen worn by Irene Dunne as Anna Owens in the film Anna And The King Of Siam (20th Century Fox 1946). A mid-19th century style full-length mauve day dress composed of a flocked polka-dot cotton fabric. The dress has a fitted boned bodice with a high neckline and a basque waist. The dainty design is enhanced by the ruffle mantle and three-tier ruffle skirt trimmed with black Chantilly lace (the lace trim is in poor condition due to age). The back has a hook-and-eye closure and blind snaps to fasten the dress. The fabric at the shoulders and tulle cuffs shows moderate wear with tears and holes due to age. Anna Owens is an English widow who travels to Bangkok with her son to teach the King of Siam's children and his numerous wives English. Anna educates the king's family on more than just the English language but also progressive ideals for the king and his son to implement on behalf of the country. Bonnie Cashin was the costume designer for the production, who went on to become a major innovator in American fashion. Her designs while being a creative director at Coach have become a part of the brand's heritage. Cashin's signiture turn-lock closures are still seen on the brand's handbags and ready-to-wear showcasing her influence and foresight as a designer. PROVENANCE Originally from The Collection of Debbie Reynolds
A silver-grey silk duchess satin dress attributed to designer Valentina for Greta Garbo.A sleek iridescent slate grey cocktail dress with a blouson bodice, three-quarter-length sleeves, and box pleated skirt with pockets. Accompanied by a dove grey silk chiffon scarf and matching Salvatore Ferragamo belt (the belt measures 31.75 inches). There is no label present for the dress or scarf and no marked size.This dress is documented in the book Greta Garbo: The Mystery of Style edited by Stefania Ricci (Milan: Skira, 2010) and previously exhibited at the Museo Salvatore Ferragamo exhibition Greta Garbo: The Mystery of Style in 2010.The lot comes with a copy of Greta Garbo: The Mystery of Style edited by Stefania Ricci (Milan: Skira, 2010). PROVENANCE Lot 83 "Property from the Estate of Greta Garbo," Juliens (Sale 52) December 14, 2012
An original costume as seen worn by Joan Crawford as the title role character Harriet Craig (Columbia 1950).A pink and grey check-day dress composed of wool with three-quarter length sleeves and a fold-over collar with neck-tie. The fitted bodice with a high neckline is cut on the grain while the skirt is cut on the bias. The skirt is open and cut wide so there is volume similar to Dior’s New Look dresses. The tea-length hem-line, secretary bow tie, and pointed cuffs with contrasting fabric were popular design elements of the decade. The dress has a zip closure at the back with blind snaps at the left side of the collar to help put the garment on. A Columbia handwritten label reading “Joan Crawford." This dress is in good condition, there are several moth holes at the collar and the skirt. Joan Crawford plays an obsessive and controlling character who doesn't trust her husband and struggles to let those around her make their own decisions; she asserts her authority, sabotaging her husband's promotion, as well as other family members' lives causing them to exit her life at the end of the film, leaving her with only one thing to control her home. This dress is worn by Joan Crawford as Harriet Craig in the scene where she visits her mother in the nursing home at the beginning of the film.PROVENANCE Originally from The Collection of Debbie Reynolds
A lace gown as seen worn by Merle Oberon as "Dorothy Donnelly" in the biographical musical Deep in My Heart (MGM, 1954). The cream lace, off-shoulder gown features a satin pleated waistband, a deep side slit, back zipper, and corset ribbing on the interior. Interior fabric label present that reads in black ink, "1654/3701 Merle Oberon." No size present. Deep in My Heart follows the true story of the life and career of composer Sigmund Romberg.Includes a black and white photograph of Oberon in the dress as well as a Lobby Card. Lobby Card, 11 X 14 inches (largest)
An original late 19th-century floor-length evening gown as seen worn by Lynn Bari as Bernice Croft in Hello Frisco, Hello (20th Century Fox, 1943).A custom-made full-length blush silk faille gown heavily beaded and embellished with embroidery and surface design. The surface design has glass seed beads, silver bugle beads, and prong set rhinestones and is accessorized with detached embellished long sleeves. A handwritten label reads, "L. Barie 38923" and is stamped "1 27 7 3710." The gown has been altered from its original design seen in the movie, beaded appliques have been removed from the neckline and attached to a piece of pale pink tulle that is tacked to the neckline. The condition for the gown is fair as the fabric is beginning to shred in areas due to the heavy embroidery, contributing to bead loss. The musical comedy is about Jonny Cornell and Trudy Evans who dream of making it big in San Francisco's theater business; Bernice plays the foil to Trudy and wears this elaborate gown when she hosts a ball at her mansion, which she uses to showcase her affluent social circle to Johnny, now wealthy with his theater venues and wants to break into high society. Bernice is trying to get involved Jonny because of his wealth to prevent her from becoming bankrupt and losing her lavish lifestyle.Designed by legendary costume designer Helen Rose, whose designs for Elizabeth Taylor and Grace Kelly are a continued source of design inspiration. Kate Middleton's wedding dress, designed by Sara Burton for Alexander McQueen referenced Grace Kelly's wedding dress, which was designed by Helen Rose.
A prairie-style dress as seen worn by Anita Louise as "Nell McLaughlin" in the Western television series My Friend Flicka (20th Century Fox Television, 1955-1960).The wool blend maroon maxi dress features a cream cotton pleated yoke, ruffled trim detailing, snap button closures down the front, and a matching, detachable belt with handwriting in black ink that reads "Anita Louise 'Flicka' T.V." and a pinned sheet of paper that reads "W2103." A 20th Century Fox label is present and reads in black ink, "Anita Louise 'T.V.'" A Western Costume Co. barcode sticker is also present on the interior of the dress and belt. No size present. The series, set in 1900s Wyoming on the fictional Goose Bar Ranch, primarily follows young Ken McLaughlin and the many adventures with his horse, Flicka. Includes a DVD of the complete series.
An original mixed medium costume illustration of Olivia De Havilland in her Oscar-winning role as Jody Norris in the film production To Each His Own (Paramount 1946). A mixed medium costume design by Edith Head, illustration likely by sketch artist Walter Angelo. The sketch features a full-length female figure in an early 20th-century style dress with a floral pattern, a gathered full skirt, a layered bodice with a scallop v-neck line, and flutter sleeves, complete with a fitted purple gathered band at the waist. Olivia de Havilland starred in this period drama Jody Norris, who has a baby out of wedlock with a soldier before he is sent off to fight in the First World War. The plot centers around Jody as she struggles to regain custody of her son in this heart-wrenching period drama. SKETCH 14.5 X 23 INCHES MOUNT 19.25 X 31 INCHES
Two original costume designs by Edith Head for the film production To Each His Own starring Olivia de Havilland (Paramount 1946). A set of two mixed medium costume designs by Edith Head, likely sketched by sketch artist Walter Angelo, who was credited for the film's wardrobe. Both sketches feature a full-length female figure in period costumes, one sketch features Olivia de Havilland as Jody in bias cut full-length evening gown with a basque waist and peplum detail, accessories with elbow-length gloves, earrings, and a fur muff, at the bottom right corner is a smaller illustration of Jody in the gown, but wearing a fur capelet. The second sketch is of Corinne played by Mary Anderson wearing a draped evening dress with a cinched waist and a train that falls at the back. There is a notation in pencil at the bottom right corner, "#5 Oct 1919." There is no signature present on either sketch. Olivia de Havilland starred in this period drama playing Jody Norris, who has a baby out of wedlock with a soldier before he is sent off to fight in the First World War. The plot revolves around Jody's struggle to regain custody of her son in this heart-wrenching period drama.DIMENSIONS:SKETCHES 14.5 X 23 INCHESMOUNT 48.5 X 28.25 INCHES
A rouge pink taffeta mid-calf-length dress with ruffled collar and hem, worn by Phyllis Diller for "Benefit For Israel Honoring Mrs. Chaim Herzog" at Regine's in New York City on October 21, 1985, as well as to The Dean Martin Celebrity Roast: Joan Collins (Greg Garrison Production, 1984).The long-sleeved dress has a drop waist and bow on the left side. Labeled, "Saint-Clair in Paris."Includes a black and white photograph featuring Diller wearing the dress at the celebrity roast. Size MediumPROVENANCE Lot 325, "Property From the Estate of Phyllis Diller" (Sale #84), Beverly Hills, September 22, 2013
A navy and cream dupioni silk dress with polka-dot pattern accents designed for Maureen O'Hara as Min Wead in the film The Wings of Eagles (MGM 1957) starring John Wayne. An original costume design by Walter Plunkett, who designed Maureen O'Hara's wardrobe for the film. The dress has a fitted bodice with princess seams, tailored sleeves, and a fold-over collar with a cream and navy polka-dot print; the print accents the center front of the dress, running from the neckline to the hem. There is a raw hemline probably from the hem coming untacked or it was in the process of being altered for the actress. The skirt of the dress is open and features inverted pleats. The dress has two labels, the bias tape label reads "1701 5369 Maureen O'Hara," and an orange paper MGM label with a handwritten number "26413."The film is based on pilot Frank W. "Spig" Wead who is working to improve the navy's aviation program. His life centers around aviation and piloting, causing his family to take a back seat. One night he becomes paralyzed after falling down the stairs, he turns away from his wife played by O'Hara. He recovers and goes on to write screen-plays on his life as a pilot, but re-enlists during World War II. His patriotic duty is his priority until his health in the end forces him to retire. Walter Plunkett designed all of Maureen O'Hara's costumes in the film; he also designed her costumes as Esmerelda in The Huntchback of Notre Dame.
An original costume design by Edith Head for Doris Day in Alfred Hitchcock's film The Man Who Knew Too Much (Paramount 1956). A mixed-medium costume design by Edith Head for Doris Day, illustration likely by sketch artist Grace Sprague. The sketch features a full-length female figure in a pale ice-blue day dress. The sleeveless dress has a fitted bodice (button-up closure at the front) with gathering above the hips for the skirt to blossom like a flower and hit below the knee. Accessories for the look include white gloves, white pointed-toe pumps, a top-handle purse, as well as a necklace, and earrings. There is no signature present.Edith Head and Alfred Hitchcock worked on a total of 11 films together. Head once said "You can have anything in life if you dress for it," a motto she practiced with her designs as her stars wanted to look beautiful and glamourous, which Head did for them, creating iconic and timeless looks that continue to create new generations of fans. DIMENSIONS:SKETCH 13.75 X 16.75 INCHESMOUNT 18.5 X 25.5 INCHES
An Edith Head costume design for Joanne Dru as Jill Brent for the film production 3 Ring Circus (Paramount, 1954). A mixed medium costume design by Edith Head, sketch illustrator likely Pat Brato. The illustration shows a full-length figure of a female brunette with Joanne Dru’s likeness in an orange day dress with a deep-v-neckline and staps going off-the-shoulder, belted at the waist, and fitted skirt. No signature is present on the illustration, just handwritten annotations documenting the scene's setting, outfit number, and character. The notations read, “SAADIA-INT. MAIN TENT, ALT#7, JILL’S BIRTHDAY, Orange Linen.” There is no signature present. 3 Thring Circus stars Dean Martin, Jerry Lewis, and Zsa Zsa Gabor in a comedy set under the big top. DIMENSIONS:SKETCH 12.5 X 16.5 INCHES MOUNT 17.75 X 22 INCHES
A photo-matched black lace slip as seen worn by Barbara Hale as "Betsey Bennet" in The First Time (Norma Productions, 1952). The black chiffon slip dress features lace detailing on the bust and bottom trim, with a front slit, thin straps, and corset ribbing. An interior Columbia Pictures label reads, "Name: Barbara Hale." No size present.The First Time follows new parents Joe and Betsy Bennett as they must navigate the hardships of having their first child. Includes four black and white photographs featuring Hale in the gown. Photos, 8 x 10.25 inches (each)
A costume design sketch for Cathy O'Donnell as the character Tirzah for the film Ben-Hur (MGM 1959) directed by William Wyler, starring Charlton Heston at Judah Ben-Hur. A mixed medium costume design by Elizabeth Haffenden, sketch artist unknown. The sketch features a full-length Tirzah posed wearing a salmon chiton (an ankle-length tunic/dress) with a printed yellow palla that is belted. Tirzah is the sister of Ben-Hur. She was a princess in Jerulselum before her brother was condemned to slavery by Rome, so the figure was accessorized with jewelry, a bib necklace, bracelets, earrings, and a jeweled belt. Handwritten at the top left-hand corner are notes that read, “Ben Hur/1958/Tirzah/#2” and additional notations, "Brings Esther into Ben-Hur, Ses 81-87." Then at the back bottom right corner another hand-written notation, "CALLELY TR8635.22." There is no signature present. Elizabeth Haffenden won an Academy Award in 1960 for "Best Costume Design, Color." The costume designs were based on the Roman Empire/Jerulslum fashions of 1st century BC. The film was based on Lew Wallace's novel Ben Hur-A Tale of Christ, about a Jewish Prince condemned to slavery and his ability to survive adversity through his chosen faith instilled by Christ. DIMENSIONS:SKETCH 11 X 17.75 INCHES MOUNT 15 X 24.75 INCHES
A lilac day gown as seen worn by Edie Adams as "Francine Sherman" in the comedy Make Me an Offer (ABC Circle Films, 1980). The lilac polyester maxi gown features an off-the-shoulder neckline with Juliet sleeves and a back bow. Labeled "Lucie Ann Beverly Hills."Make Me an Offer follows Joyce Windsor (Susan Blakely), who, after finding herself abandoned by her husband, finds a new passion as a real estate agent. Accompanied by a Certificate of Authenticity stating the dress comes from Adams' personal estate. Size Small
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