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Click here to subscribeWW1 British Nurse photograph album/scrapbook 1915 -1922. Nurse Nora Byron British Red Cross and Order of St. John. Including Red Cross linen arm band, many identified photographs, Australian Auxiliary Hospital Uxbridge and other hospitals including French hospitals, groups and nurses and patients, activities, fancy dress, concert programmes, vehicles. An interesting social history record.
An Edwardian sleeveless cropped lace blouse, small lace collars and cuffs, lace lengths, a quantity of lace mats in a circular embroidered folder, small framed silk portrait, lace christening dress, a piece of white-work, lace and bone fan, a parasol and pair of glove stretchers.Condition report: The silk parasol is in poor condition.
Kleshie Bellman vintage dresses and two piece suits plus two 1970's/80's hostess dresses. Also an Astra Furs coat with a mink hat.Condition report: Over all condition is good. Linings unmarked and in tact, except blue suit where is lining is discoloured under the arms and generally a little grubby. A couple of thread pulls on green dress.
One box of designer clothes and other items including Versace notebook, Hermes Seller handkerchief and one other, two lengths of Hermes brown ribbon, a roll of Vivienne Westwood tape, Ralph Lauren and Bolle sunglasses, large fashion photographs, some pencil dress designs and a Gucci box. also a Burberry's coat lining and Sport Missoni cardigan.Condition report: Burberry coat lining - zip moves all the way round, no stains, one very small hole near hem on back panel.
Postcards including real photographic social history, Empire day Watson, Children in fancy dress peace celebrations, Workmen on Thaxted railway, portrait group of women workers, also greetings, street scenes, topography local cards etc. Plus some photographs and film/ theatre stars postcards.
First World War Royal Artillery Officers' sword with three bar hilt and leather knot, plain slightly curved fullered blade sharpened for active service in pigskin scabbardCondition report: Blade largely retains original polish except for the first 2 inches which have gone black and there is pitting to the surface. Original plating to hilt has gone as can be seen in the photographs. Scabbard is sound but with some age related marks and overall wear, dress knot is fragile and has been repaired . Overall in sound order
Three Victorian dolls, including one kid leather doll in Victorian dress, one small bisque doll with painted features and boots and a small bisque head doll with composite body and limbsProvenance: Estate of the late Jane SumnerCondition report: Kid leather Victorian dress doll- features on face worn off and possibly been drawn back on. As you can see in the additional images the dress is rather dirty with multiple tears to the folds of the skirt and wear along edge frills etc. The white linen under skirt has many small holes all over. Bisque doll with painted features- good overall condition. Her head is a bit wobbly but still attached. Clothing also in good overall condition.Small bisque/composite doll- eyes still open and close. Her composite limbs are dirty and some very small chips to fingers. One foot has been off and re-glued, other heel has a chip. Knitted dress is discoloured and some of the stitches have come away to form a hole on the front.
Ca. 1368-1644 AD. Chinese Ming Dynasty. An elaborately crafted female attendant figure dressed in a dark over-dress with blue buttons, a dark blue dress with light blue cuffs cuffs, and creme coloured shoes. The attendant also sports an elaborate coiffure and carries a stringed instrument. During the Ming Dynasty the Chinese art industry flourished and the production of ceramic and porcelain pieces increased exponentially. Figures of this type were particularly popular during the Ming artistic revival which placed great importance on depicting aspects of Chinese political and social life including warriors, servants and ladies of high status. Good condition.Size: L:230mm / W:90mm ; 455g; Provenance: Important estate collection from Oxfordshire; formed in the 1970s-2000.
Ca. 618-907 AD. Chinese Tang Dynasty Ceramic ‘Fat Lady’ Figure. The figure stands facing forward, with one foot angled to the side, and a child cradled on her left arm. She wears long-sleeved, loose-hanging robes, and the court dress is embellished with delicately detailed upturned shoes. The original pigmentation is still visible on the figure’s face, dress, and hair. The facial features, such as the eyes, lips, nose, and eyebrows are picked out by delicate painting. An elaborate coiffure crowns the face of the ‘Fat Lady’. The so called ‘Fat Lady’ was a popular attendant figure among the wealthy as during the Tang dynasty luxurious tastes led to a change in the ideal feminine form, from thin to more buxom body types. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Good condition. Hand Repaired. Size: L:495mm / W:175mm ; 4.25kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
Ca. 100-300 AD. Roman. A restrung necklace of Roman beads comprising multiple opaque and transparent sub- spherical, tubular and rectangular glass, stone beads. This necklace features a beautiful millefiori bead which would have been very difficult to create. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Good condition. Wearable.Size: L:243mm / W:115mm ; 33g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
Ca. 100-300 AD. Roman. A restrung necklace of Roman millefiori glass beads of spherical and cylindrical form and made using a wide range of colours. Most of the beads are decorated with geometric designs, though several depict human faces, perhaps reflecting recalling distant or deceased loved ones. Millefiori (from the Italian for “a thousand flowersâ€) is a glass working technique which produces distinctive decorative patterns by fusing together canes in a variety of different colours to create a mosaic effect. The vibrant colours of the beads make this necklace a unique statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Excellent condition; professionally restrung; wearable.Size: L:270mm / W:mm ; 18.7g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
Ca. 100-300 AD. Roman. A restrung necklace of beautiful tubular semi-precious carnelian beads spacced by small, round metallic beads. This necklace is just as beautiful a statement piece today as it would have been during the Roman period. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Excellent condition, wearable.Size: L:375mm / W:255mm ; 17.7g; Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
Ca. 618-907 AD. Chinese Tang Dynasty. A ceramic ‘Fat Lady’ figure. The figure stands facing forward, with one foot angled to the side, and holding a dish in one hand. She wears long-sleeved, loose-hanging robes, and the court dress is embellished with delicately detailed upturned shoes. The original pigmentation is still visible on the figure’s face, dress, and hair. The facial features, such as the eyes, lips, nose, and eyebrows are picked out by delicate painting. An elaborate coiffure crowns the face of the ‘Fat Lady’. The so called ‘Fat Lady’ was a popular attendant figure among the wealthy as during the Tang dynasty luxurious tastes led to a change in the ideal feminine form, from thin to more buxom body types. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Good condition.Size: L:485mm / W:190mm ; 4.25kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
C. 100-300 AD. Romano-Egyptian. A beautiful restrung necklace comprised of multiple strands of disciod faience beads range of colours. Necklace beads were first created about 3,500 years ago in Egypt and Mesopotamia, and ever since glass bead designs and bead-making techniques grew increasingly complex. By the time the Romans conquered Egypt in the first century BC Beads were an important part of Roman women's dress and served a decorative purpose. When Roman and Egyptian cultures mixed beautiful objects such as the faience beads in this necklace became increasingly popular. Excellent condition, wearable.Size: L:215mm / W:mm ; 27.2g; Provenance: Private London collection, formed in the 1970s on the UK and European art market.
Ca. 100-300 AD. Roman. A restrung necklace of Roman beads comprising multiple opaque and transparent sub- spherical, tubular and rectangular green glass beads. This necklace is a vibrant statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Good condition. Wearable.Size: L:378mm / W:225mm ; 13g;
100-300 AD. Roman. A rare bronze plate brooch in the form of a Capricorn – a mythological sea beast with the head and legs of a goat and the tail of a fish – with engraved texturing on its horns, fur and scales. The spring, pin and catch plate well-preserved on the reverse. Brooches were an important element of Roman dress, used to fasten clothing but they also served as dress accessories in their own right. Thousands of different types and subtypes of Roman brooches are attested, and they seem to have played an important role in Roman people’s self-expression. For more information on Roman Brooches see Richard Hattatt. 2000. A Visual Catalogue of Richard Hattatt's Ancient Brooches. Oxbow Books. Excellent condition. Size: L:33mm / W:45mm ; 9.75g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
1100-1300 AD. Byzantine. A very rare cast silver pendant with gilding comprising a circular hoop around a figural scene. The scene a male figure representing Alexander the Great, in a hieratic pose, wearing carefully engraved kingly dress including a crown and full armour; he stands astride two rearing gryphons shown in profile. After conquering much of the known world in the later 4th century BC, Alexander the Great, king of Macedonia. remained a major historical figure and subject of admiration for much of the rest of history. He was commonly viewed as a model for aspiring generals and politicians, especially in the Greek-speaking Byzantine empire. A range of myths and legends evolved to describe his exploits, which were considered to be so great that they often assumed a fantastical dimension, as the various stories in the Alexander Romance attest. This scene probably depicts Alexander when he “conquered†the air, after he was done conquering huge tracts of land. Excellent condition; wearable. Size: L:54mm / W:50mm ; 18.3g; Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1970s.
100-200 AD. Roman. A rare silver bronze plate brooch in the form of a gladiator, wearing a narrow-crested helmet, and holding a sword and a curved rectangular shield, marking him out as a murmillo. The weight of the murmillo’s equipment meant that these were usually the strongest gladiators and they were commonly pitted against the net-wielding retiarius, a match which contrasted a heavily protected gladiator with a fast but lightly equipped one.The spring, pin and catch plate are well-preserved on the reverse. Brooches were an important element of Roman dress, used to fasten clothing but they also served as dress accessories in their own right. Thousands of different types and subtypes of Roman brooches are attested, and they seem to have played an important role in Roman people’s self-expression. This beautiful item may have once belonged to a gladiator, his trainer or perhaps an eager fan. For more information on Roman Brooches see Richard Hattatt. 2000. A Visual Catalogue of Richard Hattatt's Ancient Brooches. Oxbow Books. Excellent condition. Size: L:38mm / W:17mm ; 4.9g; Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.
Ca. 100-300 AD. Roman. A restrung necklace of beautiful tubular semi-precious carnelian beads spacced by small, round metallic beads. This necklace is just as beautiful a statement piece today as it would have been during the Roman period. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Excellent condition, wearable.Size: L:373mm / W:336mm ; 21.1g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
100-200 AD. Roman. A bronze zoomorphic brooch in the form of a duck in flight, holding a branch in its mouth. The duck bears engraved dot-in-circle motifs on its body and tail; the catch plate is still visible on the reverse. Brooches were an important element of Roman dress, used to fasten clothing but they also served as dress accessories in their own right. Thousands of different types and subtypes of Roman brooches are attested, and they seem to have played an important role in Roman people’s self-expression. For more information on Roman brooches see Richard Hattatt. 2000. A Visual Catalogue of Richard Hattatt's Ancient Brooches. Oxbow Books. Good condition. Size: L:32mm / W:43mm ; 7g; Provenance: From an old British collection, acquired on the UK art market in the 1990s.
Ca. 100-300 AD. Roman. A restrung set of earrings and a necklace of Roman beads comprising multiple opaque and transparent sub-spherical, glass, glass-paste and stone beads in a variety of colours. The vibrant colours of the beads make this set a unique statement piece. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Good condition; professionally restrung; wearable; Size: L:set of 2: 39mm earings, 255mm necklacemm / W:12mm earings, 205 necklacemm ; 46.7g; Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1970s.
712-30 BC, Late Period/Ptolemaic. A beautiful restrung necklace with tubular and discoid beads as well as a beautiful pale scarabs and a blue jar amulet. Scarabs, from Latin scarabaeus (“beetleâ€), which in turn comes from Greek karabos (“beetleâ€; “crayfishâ€), were artistic depictions of the Egyptian dung beetle. In Egyptian mythology, these insects were linked to the Sun God Ra, who after his death in the Underworld, was reborn as a scarab. Used as amulets, seals and to fulfil commemorative functions, scarabs were an important element of dress. Their undersides frequently feature hieroglyphic or geometric designs to identify their owners or ward off evil spirits. Due to their small, abstract nature, scarabs cannot normally be closely dated generally. See K. M. Kooney (2008). ‘Scarabs,’ in The UCLA Encyclopaedia of Egyptology, available online at https://escholarship.org/uc/item/13v7v5gd. Good condition, wearable.Size: L:311mm / W:235mm ; 6g; Provenance: From an old British collection of Ancient Art formed in the 1990 on the UK and European art market.
Ca. 100-300 AD. Roman. A restrung necklace of beads comprising multiple opaque and transparent multi-coloured discoid glass beads of of Roman date as well as beautiful modern lapis lazuli beads. This necklace features a beautiful repeating pattern of and a stunning central section comprised of three exquisite lapis lazuli beads. Beads were an important part of Roman women's dress. For more information on Roman bead types, see M. Guido (1978), The glass beads of the prehistoric and Roman periods in Britain and Ireland. London: Society of Antiquaries. Excellent condition. Wearable.Size: L:333mm / W:303mm ; 13.5g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.
1070-664 BC. Egyptian, Third Intermediate Period. A beautiful painted mummy mask comprising wooden base coated with gesso and then painted. The mask depicts a young man with ochre skin, almond shaped eyes, a slim nose and full lips wearing a head dress with green and black alternating bands and a false beard with yellow and black alternating bands. Masks of this type were popular in Ancient Egypt and likely had both a decorative and symbolic role as the burial of the dead in Ancient Egypt was an elaborate and ritualised process. Their wide variety of faces makes it likely that these masks were stylised and idealised portraits of the deceased individual. Sarcophagus masks served an elaborate and important role in Egyptian funerary ritual as they served to protect the deceased’s face and head in their travels to the underworld, and in some cases helped to elevate the deceased to a god-like status through adoptions of godly attributes such as blue or gold skin. Good condition; Size: L:220mm / W:104mm ; 205g; Provenance: property of a Central London Gallery, acquired by a British private collector, formerly in the private J.H. collection, Beaverton, Oregon, USA, acquired in 2001; ex-Edgar L. Owen, Ltd., Lake Hopatcong, New Jersey, USA.
Ca. 1368-1644 AD. Chinese Ming Dynasty. An elaborately crafted female attendant figure dressed in a bright green dress with yellow cuffs, and a deep blue over-dress, and red shoes. The attendant also sports an elaborate coiffure and carries a teapot in one hand and what appears to be a mat over her right shoulder. During the Ming Dynasty the Chinese art industry flourished and the production of ceramic and porcelain pieces increased exponentially. Figures of this type were particularly popular during the Ming artistic revival which placed great importance on depicting aspects of Chinese political and social life including warriors, servants and ladies of high status. Good condition.Size: L:235mm / W:75mm ; 920g; Provenance: From an old Oxford collection formed in the 1990s.
C. AD 618-907. Tang Dynasty. Two polychrome terracotta figurines depicting elaborately dressed ladies. Both of these ladies are posed standing, facing forward with each hand tucked into the opposite sleeve. Both figures figure are presented wearing a dress with full skirts and over-length hanging sleeves. Each lady is highly detailed with her robes picked out in pastel tones and her hair arranged in an elaborate double bun updo suggesting that she was a court attendant. Court attendants served an inportant role in the management of the imperial palace’s private quarters. During the Tang period service as a court attendant conveyed high status to the women who had served and increased their marriage prospects. Good Condition; Size: L:Set of 2; 355mm / W:95mm ; 2.7kg; Provenance: From an old British collection formed in the 1980s.
A 1/12th scale diorama of a school room interior, depicting pupils and teacher, the room furnished with panelled wall, desks, chalk board, globe, books and dunces hat, etc., H29cm L40cm D26cm. This model is based on a Victorian School Room in the museum in Armley, where the children and teachers would dress in period costume and attend lessons during the summer time. - Condition Report The room settings do light up but the customer will need to purchase a transformer.
A pair of Sitzendorf figures, modelled as a male and female figure in eighteenth century dress with sheep beside feet, each upon gilt detailed circular base, each with printed mark beneath, tallest H18.5cm, together with a Volkstedt figure modelled as a Eastern female figure with camel seated at her feet, with printed mark beneath, a Sitzendorf figure of a young male figure, a figure modelled as a seated female playing the lute, with dog seated upon her lap, and a figure group marked foreign. (6). - Condition Report
Hams, Fulper, Others - A collection of six unboxed vintage dolls. Lot includes a HAMS Bounty sailor boy with porcelain head and blue velvet costume; a costumed bisque porcelain headed doll in original dress with matching parasol,petticoats and shoes. Makers mark on neck, faded. Blue moveable eyes and moulded teeth; two dolls presumed made by Fulper Pottery Company - One porcelain headed doll, dressed in brown checked cotton dress and matching bonnet and marked FP 22. Moveable brown eyes and moulded teeth. 65cm. Another doll is dressed in pink dress and matching bonnet, marked FP, plastic head and body with moveable blue eyes. 67cm and similar
A collection of eight unboxed vintage dolls. Lot includes five dolls with sleeping blue eyes and moulded mouths,some with teeth. Some composite and some porcelain heads. One with blonde hair and pink cotton dress and matching bonnet. Marked "BND London". Two dolls have speaker boxes and marked "Made in England", one marked Pedigree. One in peach outfit is marked British Made. All around 50cm; with three tall dolls, one composite headed doll, dressed as Heidi with blue moveable eyes, and original costume, 74cm. Two plastic dolls, one with brown eyes and hair, marked "Made in England", 88cm, and one brown haired, green eyes (some mildew in eyes) marked "Regal Toys Ltd, made in Canada" 80cm.
A collection of four unboxed collectors dolls. Lot includes a female walking doll with hard celluloid head, sleeping blue eyes, painted lips and eyebrows with wig on a jointed composition body with jointed arms and legs wearing a red coat, dress and shoes, on a stand, approximately 86 cm (h) with a brunette female walking doll with rubber face, blue sleeping eyes on a plastic jointed body; together with a Jan Garnett porcelain collector doll 'Sierro', approximately 70 cm (h) and a further porcelain face collector doll dressed as a ballerina, approximately 86 cm (h).
Dolls - a collection of two large composition dolls to include a girl doll with jointed head, arms, knees and legs with sleeping eyes, open mouth showing teeth, marked to the head F22M with wig wearing dress, approx 68 cm tall and a further female walker doll with jointed head, arms and legs with blue sleeping eyes, open mouth and moving tongue wearing multicoloured dress and leatherette sandals, approx 68 cm tall
British National Dolls - a collection of four dolls comprising a British National Doll with composition head, textured painted hair, sleeping blue eyes, closed mouth mounted on a composition body with jointed arms and legs and working crier, marked to the rear of the head B.N.Dn London, approx 40 cm tall, a Pedigree composition girl doll with textured painted hair, sleeping blue eyes open mouth mounted on a composition body with jointed arms and legs marked to the rear of the head Pedigree England, approx 31 cm tall, a Palitoy female composition doll with painted eyebrows, sleeping brown eyes, closed mouth and wig mounted on a composition body with jointed arms and legs marked to the rear Palitoy 35 wearing a hand made dress and leatherette shoes, approx 33 cm tall and a further female doll with a composition painted head, eyes and mouth on a composition body with jointed arms and legs wearing a lace and silk dress and suede shoes, approx 33 cm tall
After James Tassie (1735-1799): A Wax Relief Bust Portrait of William Robertson, with hand colouring, inscribed and dated 1791 to truncation, 7.5cm high, framed and glazed; A Similar Wax Relief of Alex Waugh, inscribed to truncation and dated 1794, 7.5cm high; A Wax Relief Bust Portrait of a Gentleman, in highland dress, hand decoration, 9cm high, framed and glazed; and A Similar Figure of a Gentleman, with lace colour, hand coloured, 8cm high, framed and glazed (4)
Three suits by Tomasz Starzewski, to inclide a burgundy suit comprising jacket and skirt, a pink and grey wool set comprising a jacket and a skirt, and a grey three piece suit consisting of a blazer with large gold button, grey houndstooth check dress, a skirt and a grey houndstooth jacket with oversized gold buttons, sizes 14-16 (8).Condition report: Overall condition goodGrey suit - blazer size UK14, dress size UK16, skirt size UK16Burgundy suit size UK 14Pink suit size UK14Grey houndstooth jacket size UK 16
Three suits by Tomasz Starzewski, to include a black dress blazer with embroidered cuffs and velvet collar, with two accompanying skirts, one midi and one full length, a forest green two piece suit with fur cuffs and oversized gold-tone buttons, and matching skirt, and a brown coat suit with gold fleck, velvet collar and side detailing and matching skirt, sizes 14-16 (7).Condition report: Overall condition goodBrown suit size 16Green jacket and skirt size 14Black jacket size 14, full length skirt size 16, midi skirt size 14
A selection of clothing by Georges Rech, to include a wool fitted blazer dress with ruched side detailing, a red wool two-piece suit with gold tone twist clasp detailing, a grey mid-length dress with bow detailing, a red wool short jacket, and a navy mid-length jacket with oversized white buttons, sizes 40-42 (6).Condition report: Overall condition good to fairGrey dress size 40 in good conditionBlazer dress size 42 in good condition with only light discolouration to the lapelRed two-piece in good condition size 42Red short jacket size 42 in good conditionNavy jacket size 42 with wax like stain to each arm
A selection of clothing by Tomasz Starzewski, to include a grey wool cape with black velvet knot detailing, a short sleeve blue dot jacket with acrylic floral button detailng and accompanying dress, a matching blazer and skirt, a blue jacket with oversized white buttons and matching skirt, a blue longline coat with silver detail buttons and matching skirt, sizes 12 to 16 (8). Condition report: Overall condition good to fairBlue jacket size uk 14, dress size uk 14, blazer size uk 16, skirt size uk16Blue jacket with white buttons size UK 14, matching skirt size uk14Blue longline coat and skirt size UK12
A selection of occasionwear, to include a navy blue lace dress by Cermen Marc Valvo, a green beaded two-piece set and two pale green sets with floral beaded detailing, and a Frank Usher evening dress, sizes 8-14 (9).Condition report: Overall good to fair conditionNavy lace dress size 8, overall condition goodGreen set size 14, overall condition goodPale green set sizes 10 and 12, size 10 garment with heavy foxing and discolouration, size 12 in good conditionEvening dress, size 10, overall condition good to fair with some discolouration in places
A two-piece wool set by Yves Saint Laurent, the pale pink textured wool mid length pinafore style dress, with front pocket detailing, and irridescent buttons bearing makers monogram, together with an accompanying box jacket, size 40-42 (2).Condition report: Overall condition good, with spare button, some light wear to buttonsJacket size 42Dress size 40
A selection of designer leather clothing, to include an Escada black leather and suede patchwork mid-length dress, a Weekend by Max Mara brown leather two-piece set comprising of skirt and jacket, and a Max Mara bronze metallic mid-length leather jacket, sizes 8-12 (4). Condition report: Overall condition goodLeather dress in good condition, signs of occasional wear, some light buffing to suede in places, size 36Two piece set in good condition, signs of light wear, size 8Metallic coat in good condition, a couple of small marks to the reverse, size 12
A Max Mara leather three piece set, comprising a beige leather dress and jacket with gold sequin embellishments, together with a pair of plain leather straight leg trousers, sizes 38 to 40 (3). Condition report: Overall condition goodTrousers size 40 Dress size 38, coat size 38Signs of wear to coat in particular to shoulders
A selection of clothing by Louis Feraud, to include a cream longline wool coat with detatchable collar, a grey wool two-piece suit with embroidered detailing, a black evening jacket with glitter collar and a black shift dress and a pair of vari-colour velvet trousers, sizes 12-14 (6).Condition report: Overall condition good to fairLongline coat in good condition, light signs of wear, size 14Grey suit in good condition, size 12Black evening jacket, in very good condition, size 14Black dress in good to fair condition, light signs of wear, size 12Velvet trousers in good condition, size 12
A selection of clothing by Guy Laroche, to include a Guy Laroche boutique black mid-length dress with organza frill detailing to neck and cuffs, a navy polka-dot two-piece suit, and a mid-length navy blue jacket with sloped shoulders and an iridescent blue button, sizes 40-44 (4).Condition report: Overall condition goodBlack dress size 42, in good conditionNavy suit size 44, in good condition with tags still attachedNavy jacket size 40, in good condition
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