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Lot 629
A solitaire diamond dress ring on a white metal shank, stamped 750, set with brilliant cut diamond, diameter 7.5mm, approx 1. 5 carat, gross weight 4.1gm, size: L/M. We do not have a gemmological certification for this stone, but there are some deep inclusions within the stone and other flaws at two points under the girdle. Visually a good looking stone.
Lot 844
MADONNA - 12" SINGLES. A quality collection of 45 12" by Madonna. Includes UK, Japanese, US issues etc. Titles include Dress You Up (P-5202), Borderline (1-23867, Promo), Borderline (1-23867), Like A Virgin, The First Album (923867-1), Burning Up, Keep It Together, Material Girl, Holiday (picture disc), Rain (picture disc), What It Feels Like For A Girl, Bad Girl, Into The Groove, Hanky Panky, Dress You Up, Rain, Borderline, Causing A Commotion, Angel, Holiday, True Blue, Dress You Up, Rescue Me, Live To Tell, Justify My Love, Crazy For You, Open Your Heart, I'll Remember, Take A Bow, Secret, Cherish, Human Nature, Vogue. Condition is generally VG to Ex+.
Lot 904
DAVID BOWIE - THE MAN WHO SOLD THE WORLD LP - ORIGINAL UK 'DRESS SLEEVE' COPY - 'TONNY' (MERCURY 6338 041). Fantastic to see very first UK pressing of the iconic 1971 LP from Mr Jones. This copy features the controversial and quickly withdrawn 'dress' sleeve and contains the misspelling of Tony Visconti on the labels showing 'Tonny' on both sides. The record is in sharp Ex condition. There are only a couple of very light and minor surface marks to the playing surfaces, with some rather light 'poly bag residue' noted though a sample of playback produced no problems whatsoever. With some light spindle markings. Matrix/runout: 6338041 1Y//1 ∇ 420 1 1 4 & 2Y//1 ∇ 420 1 1 1. With original British Patent inner '11 0371'. The original textured sleeve is in VG condition. A well kept example, there is some wear around the edges and a few light creases. The striking image of Bowie is in clean order, the reverse image is also nice and clear (no foxing or damage to the textured design). Lovely all-round example of this iconic LP.
Lot 212
Carved oak panel of the Canterbury Pilgrims by Patrick Conoley depicting figures on horseback in medieval dress, with abbey in the distance, signed 'PN Conoley' and dated 1972, 19cm x 33cm Patrick Conoley was born in Worcester under and studied under Adam Seaton White, at Cheltenham Art School. He produced hundreds of sculptures, usually in wood or stone, many of which are to be found in and on public buildings, churches and cathedrals, as well as in private collections. More than 150 of his carvings can be seen on various parts of Magdalen College, Oxford. He created sculptures for Christ Church in Oxford, Cardiff University, Tewkesbury Abbey and St Paul's Cathedral.Three of Patrick's most familiar sculptures are the 7ft 6in classical figures in the Pittville Pump Room building in Cheltenham. They were re-created by Patrick in 1965, in the style of the original sculptures, carved in 1827, which were in pieces, with large parts so badly weather-damaged as to be unrecognisable. Patrick also helped in the restoration of Blenheim Palace.(from his obituary in The Guardian 05.04.2011)
Lot 462
9ct gold garnet and pearl cluster ring (one pearl missing), 9ct gold sapphire and white stone cluster ring set four small white illusion set stones, probably diamonds, and five sapphires, gold plated white and pink stone oval cluster ring, 9ct pink stone dress ring set heart-shaped pink stone with three small white stones above and two other dress rings (6)
Lot 302
all unnamed, to include, Kabul to Kandahar Star; Khedives 1882 Star; two QSA with bars - Cape Colony, Orange Free State, Transvaal; Two KSA with bars, 1901 and 1902; 1914-18 BWM; AVM; 1914 Star; General Service Medal Geo V with Bar N W Persia; two 1939-45 British War Medals; 1939-45 Star; Defence Medal; a dress mounted set of WW2 service medals, various loose ribbons etc. and a base metal Victoria Jubilee medal
Lot 439
An English enamel miniature portrait medallion,mid-18th century, possibly Queen Charlotte depicted half-length in a blue and pink dress, within a scrolling puce border and a gilt metal frame, an old label to the reverse 'From Jas. A. Lewis & Son, Inc 57 East 57th Street New York, N.Y.',7cm wide10cm highCondition report: Scratched to the front surface, hairline cracks to the top edge and a further hairline to the left hand side hairlines to the reverse
Lot 511
North Italian School, 17th centuryThe Holy Family with Saint Catherine of Sienaoil on canvas61 x 76cmCondition report: Oil on canvas which has been lined. The canvas is in plane with good tension. Old damages to the paint layer have been repaired through lining including a tear running through the dress of Mary and the right leg of Christ. The paint layer is worn and abraded, especially in the figures faces. Areas of overpaint mainly cover old damages and are slightly mismatched to the original. The varnish is yellowed and uneven, giving the surface a slightly mottled appearance. There is a layer of surface dust present.
Lot 526
English School, 19th centuryPortrait of Mary, Queen of Scots, bust length, in a pearl headdress and red dress with white ruffoil on canvas55 x 44.5cm, unframedCondition report: Oil on a linen canvas support which is unlined. The canvas tension is slack and there are soft undulations across the surface. In the lower half of the painting is a small vertical tear with associated paint loss. Stretcher bar marks have formed in the paint layer, following the edges of the wooden stretcher behind. The paint layer is stable and secure. The varnish is brittle and slightly yellowed with several scuffs and scratches.
Lot 527
English School, early 17th centuryPortrait of a girl, half length, in a red and white lace trimmed dressoil on panel39 x 31cmCondition report: The painting is executed in oil on an oak panel formed from one board. The panel is in a good condition. The thin paint layers are in a good, stable condition. There is some wear around the hair. Across the surface are a few small knocks and dents to the paint layer which have been overpainted. The overpaint is slightly mismatched to the original. The varnish is matte, even and clear.
Lot 532
English School, c.1670Portrait of John Riland (1657-1720) as a young boy, full length, in a white dress holding a beribboned hat in one hand and a prayer book in the otheroil on canvas123 x 86cm, in an unusual giltwood frame carved with overlapping leavesCondition report: Oil on canvas which has been lined. The paint in the red curtain is raised and lifting, following the lines of the age cracks. The thinner paint passages have suffered from wear and abrasion and there are areas of wholesale overpaint in areas. There are scattered losses across the surface and localised areas of loss. The varnish is uneven and discoloured in areas, probably due to the remnants of older varnish layers. There is a layer of dust present on the front and reverse.
Lot 539
Circle of William Aikman (Scottish, 1682-1731)Portrait of a young lady, said to be Susanna Montgomerie, Countess of Eglinton, half length, in a blue dress and red wrapoil on canvas, painted oval61.5 x 56cm, in a frame surmounted by the coronet of a CountessCondition report: The portrait is executed in canvas which has been lined. The picture is in plane and the canvas tension is good. There is a localised area of flaking paint with small losses at the upper right corner but overall the paint layer is stable. There is some wear and abrasion to the sitter’s face. There are some areas of overpaint present in the background and reinforcing the sitter’s hair. The varnish is very yellowed, uneven and no longer adequately saturating the darker paint passages. There is a thick layer of surface dirt present.
Lot 543
English School, mid-18th century Portrait of a lady, bust length, in a blue and white lace-trimmed dress, matching choker, pink jacket and diamond earrings oil on canvas 35 x 44.5cmCondition report: Relined. Craquelure throughout. The paint is a little thin on the neck/chest. Some scuffs and the occasional small flake of paint loss in the background. Old stretcher imprints are slightly visible. Seen under UV light, the bloom of the varnish makes it difficult to tell, but there appear to be large areas of overpainting in the background, and the face gently flouresces so we believe this has been retouched in the past. The overpainting in the left hand part of the background could cover an old repaired tear. A little dirty. The varnish is thick and glossy. The dimensions of the frame are 53 x 46cm. The dimensions of the canvas are 35 x 44.5cm
Lot 544
Circle of Enoch Seeman (1694-1744)Portrait of a lady, said to be Elizabeth Ashby (1692-1781), wife of John Freeman of Wellingborough, Northants, half length, in a white dress with pearls in her hairoil on canvas 72 x 60cmCondition report: The painting is executed in oil on a canvas support which has been lined. The picture is in plane and the canvas tension is good. The paint layer is in a good, stable condition overall. The varnish layer is yellowed and uneven with some very glossy areas in the background. There are areas of overpaint in the dress and background but the extent of this is difficult to determine below the varnish. There are several dark spots in the sitter’s face and a layer of dust across the front and reverse of the picture.
Lot 545
Circle of Jonathan Richardson (1667-1745)Portrait of a lady, half length, in a gold dress and blue wrapoil on canvas, painted oval74.5 x 63cmCondition report: The portrait is executed in oil on a linen support which has been lined. The canvas tension is good and the picture is in plane. The painting appears to have been partially cleaned with less varnish present in the areas of the sitter’s face. Damage has occurred to the sitter’s eyes which have been scored with losses at the centre that have been retouched. The hair has been reinforced with overpaint and there is overpaint in the background, mainly at the left hand side. The varnish in the background is very degraded and appears to have developed its own network of cracks, causing a crazed and matte surface. There are numerous dark spots and stains across the lighter areas. A thick layer of dust is present on both the front and reverse of the painting.
Lot 546
Circle of Charles Philips (1708-1747)Portrait of a lady, half length, wearing a blue dressoil on canvas, painted oval 76 x 63cmCondition report: The portrait is executed in oil on a linen support which has been lined. The canvas tension is good and the picture is in plane. There are a few damages to the paint layer which have been overpainted. There is also overpaint under the varnish reinforcing the sitter’s hair and possibly other areas, the extent of which is difficult to determine. The paint layer is stable overall. It has developed a network of age cracks which appear very prominent in the lighter paint passages. The varnish is very degraded and appears to have developed its own network of cracks, causing a crazed and matte surface in areas. The varnish is very yellowed and not longer adequately saturating the paint in the background. There is a layer of dust and dirt on both the front and reverse of the painting.
Lot 547
Circle of Thomas Hickey (1741-1824)Portrait of a lady, half length, in a white dress and bonnet, holding a volume of poetryoil on canvas76 x 63cmCondition report: Oil on canvas which has been lined. The picture is in plane and the paint layer is stable. Drying cracks have formed in the paint layer as is dried, these are particularly noticeable in the lighter paint passages. There are areas of overpaint covering drying cracks. The varnish is dull but even. There is a thick layer of dust across the surface and a few light, matte spots, possibly mould.
Lot 548
Tilly Kettle (1735-1786)Portrait of a lady with pearls in her hair, in a cream dress and red cloak, holding a basket of flowersoil on canvas80 x 62cmProvenance: Lees Court, Sheldwich Lees, Faversham, Kent.We are grateful to Hugh Belsey for his help with this catalogue entry.Condition report: Oil on canvas which has been lined. The canvas tension is good and the picture is in plane. The paint layer is in a good, stable condition. There are some localised, textural issues relating to the drying of the paint layer including drying cracks in the lighter passages of the paintings. Areas of retouching, in the background and areas of flesh, are well matched to the original. The varnish is clear, even and glossy.
Lot 552
French School, 18th centuryPortrait of Jean Jacques Brandt of Chaux De Fonds, Neuchatel, half length seated, in a black coat and holding a quill pen;Portrait of his wife Susanne Marie, née de L'Eplantenier, half length seated, in a brown dress, white lace bonnet and holding a pink rosea pair, oil on canvas79 x 66cm (2)
Lot 562
English School, early 19th centuryPortrait of Miss Sophia Williams, full length, wearing a white dress and playing the harpoil on canvas195 x 148cmSophia Williams was Almoner of HRH Princess Augusta, Founder of the Princess Helena College, Hitchin, Hertfordshire. The school was formed in 1820, for the daughters of Anglican clergy and officers who had served during the Napoleonic Wars.Condition report: Oil on canvas which has been lined. The canvas tension is slightly slack but the picture is in plane overall. There a small hole in the canvas near the bottom edge with associated pant loss. The paint layer has localised areas of loss and flaking paint. Old damages in the background have been repaired through lining and have been filled and retouched. Areas overpaint are slightly mismatched to the original and matte. The painting has a varnish layer which is dull and has become yellowed with age. There is a thick layer of dust and dirt on both the front and reverse of the painting.
Lot 563
English School, c.1830Portrait of a lady, thought to be HRH Princess Augusta Sophia, three-quarter length seated, in a red dress and feathered hat, holding a scrolloil on canvas127 x 102cm, in a heavy gilt frameCondition report: Oil on canvas which has been lined. The canvas tension is good and the picture is in plane. The paint layers are stable but have textural issues caused as the paint layer has dried including drying cracks in the sitter’s face and uneven surface issues in the red dress and black hat. These issues are exacerbated by the degraded varnish which is no longer adequately saturating the darker paint layers. There are localised scuffs and scratches to the surface, most disturbingly above the sitter’s mouth. Areas of overpaint are present in the sitter’s face and hands, the overpaint is well matched to the original and covers cracks in the paint layer below. There is a thick layer of surface dirt on both the front and reverse of the canvas.
Lot 565
Emma Eleanor Kendrick (1788-1871)Portrait of Miss Harriet Walker, youngest daughter of General Sir George Walker KCB, half length seated, in a cream dressminiature13 x 10cmCondition report: In a gilt frame and colours are quite good. Some scuffing to the edges. Inscription to the reverse reads: 'Harriet, youngest daughter of General Sir George Walker KCB by Emma Eleanor Kendrick pinxit Duchess Street, Portman Place'
Lot 574
*Frank Owen Salisbury (1874-1962)Portrait of a lady, three-quarter length seated, in a grey dress and holding a booksigned 'Frank O Salisbury' l.l., oil on canvas102 x 76.5cm,together with the bracelet worn by the sitter, a gold Edwardian gate bracelet set with turquoise cabochons and split pearls, marked 9ct (2)*Artist's Resale Right may apply to this lot.Condition report: Oil on canvas which has been lined. The canvas tension is good and the picture is in plane. The paint layer is in a very good condition overall. There is an old, vertical damage below the sitter’s hands which has been repaired and retouching. At the top of the sitter’s hair and above this in the background are areas where the varnish is disrupted and there is darkened overpaint present. The varnish is glossy, clear and even. There are several accretions across the surface.
Lot 106
English School, 17th centuryPortrait of Mary Killigrew, in a black and gold dress, white lace ruff and long gold necklace with diamonds, a pearl brooch in her hair, pearl earrings, and a pink flower at her breastinscribed on the reverse 'Mary Wife of Peter Killigrew the First and mother of Sir Peter Killigrew the Last, Sister to the Duchess of Newcastle, as also of Lord Lucas, and of Sir Charles Lucas, Shott [sic] in Cold Blood by Sir Tho. Fairfax, on the Surrender of Colchester', miniature, oval5.2 x 4.4cm, in a gold mount, tested as approximately 18ct goldMary Lucas was born c.1622 and married Sir Peter Killigrew in October 1625. Adriaen Hanneman painted Mary Lucas in 1636 and the portrait is part of the collection of the National Gallery of Victoria, Australia. Mary Lucas came from a family of Royalists and her brother, Sir Charles Lucas, was executed by firing squad in 1648 following the siege of Colchester. Her sister, Margaret Cavendish, Duchess of Newcastle, has received significant literary attention as she lived in exile as Queen Henrietta Maria's lady-in-waiting at the court of Louis XIV, but is best remembered for her publications of poetry and philosophical writings.Condition report: Paint loss at lower left edge. Dust under the glass. Some tiny brown spots throughout, but most noticeable on the face, chest and ruff. Overall the colours are a little dull. Some very light scratches to the glass. On case verso there is a small dent lower right and some remnants of old stickers.
Lot 115
English School, 17th centuryPortrait miniature of Queen Anne as a young girl, in a lace-trimmed blue dress, her long dark hair in ringlets down her backminiature on vellum, oval, inscribed on the reverse ‘Anne Queen of England/drawne when 14 years old’2 x 1.6cm, in a gold mount, tested as approximately 18ct gold with metal rings ,Condition report: A little loss of colour - very tiny and hard to see !
Lot 123
English School, 18th centuryPortrait of a woman, her hair piled up in curls, and with curls around her shoulders, wearing a blue and gold dress and white lace fichuenamel on copper, oval3.6 x 3.1cm, in a gold mount with a split pearl frame, tested as approximately 15ct goldCondition report: Condition appears fine.
Lot 137
William Read (1780-1827)A pair of portraits, a Gentleman wearing a blue coat, his arm tucked inside his white waistcoat, his sleeves trimmed with lace, his hair worn en queue, seated, before a pillar;and a Lady, with powdered grey wig and pearls in her hair, wearing a pale blue dress with white bodice and black sash with white fichueach signed and dated 'Read/1788', miniature on ivory, oval 8.6 x 6.6cm (2)Provenance: Bonhams, London, 20 May 2009, lot 54. Condition report: Gentleman – the dark paint on the coat, chair and background is very shiny. The dark paint on the chair and coat has tiny cracks and there is flaking at the base of the coat with some tiny flakes of paint loss. Some yellow staining around the top of the miniature. Some tiny scratches close to the right edge. Surface is uneven and slightly curved. A little surface dust. Some light scratches to the glass. The frame has light wear and there are remnants of stickers and old paper verso. Lady – A large dark stain across the background. Paint loss on the chest and shoulders of the dress. A pale outline to the background lower right and lower left, almost as if the background was painted over with a darker paint at some point. A couple of tiny flakes of paint loss in the background. Colours a little faded. Blue smudge on chin. Pale brown stains by lower edge. A few spots of dust and dirt. The frame is worn and there are remnants of tape, paper and stickers verso.
Lot 143
Nathaniel Hone RA (Irish, 1718-1784) Portrait of a lady wearing a lace-trimmed blue dress and black velvet chokersigned and dated with initials 'NH/1763' l.r., miniature on ivoryoverall 5.5 x 7.5cm, in a faux tortoiseshell and gilt frameCondition report: Faded and slightly yellow. Surface dirt and possible stains close to edges. The paint looks a little faint in places, it could be a little rubbed, for example on the mouth. Dust and a little yellow dirt on the neck.. The case is lightly worn and dirty, and there is a little damage lower left. There are remnants of stickers verso, and the metal verso is distorted and uneven and with many small indents.
Lot 147
Attributed to Edward Nash (1778-1821)Portrait of Charles Pavins as a young boy holding a red shoe in his right hand, wearing a white dress and lace mob cap, with foliate backgroundminiature on ivory, oval 6.8 x 5.4cm, in a split pearl border, tested as approximately 9ct gold, inside the frame a lock of hair in paper with the sitter's name onProvenance: Phillips London, 27 February 1985, lot 345;Sotheby's Chester, 16-17 January 1990, lot 542;Christie's London, 7th December 2004, lot 231.Condition report: Two brown marks to the lower edge of the watercolour may be the artist's intention. Colours a little faded. Slightly yellowed. The miniature is not quite oval, with straight edges visible at the sides and at the top. A scratch in the foliage lower right. The case is dirty with one or two tiny nicks. 9 ct split pearl frame. Hanging loop to the top and clasp to the reverse. Brooch pin deficient.
Lot 151
English School, mid-18th centuryPortrait of a young woman wearing a white-bordered blue dress, hair worn up and adorned with pearls, with sepia landscape versominiature on enamel, oval 1.1 x 1.4cm, overall 2.1 x 1.6cm, in a split pearl and gold frame, surmounted by a bow in pearls, tested as approximately 18ct goldProvenance: Sotheby's London, 28 April 1981, lot 93;Christie's London, 'The Gordon Collection of Portrait Miniatures', 20 November 2007, lot 26.
Lot 152
Abraham Daniel (c.1760-1806)Portrait miniature of a young girl with red hair in ringlets down her back, tied with ribbons, wearing a gold and cream high-waisted dresswatercolour on ivory, with a starburst hair back with a lock of hair set with split pearls, with a split pearl and blue glass, tested as approximately 9ct gold, oval6.5 x 5cmCondition report: Slightly yellowed and some faint yellow stains to the background. The white paint on the dress is a little cloudy and scratched. There is some dirt by the right edge. A little dust and paint loss at the lower edge, minor. The case edges are slightly rubbed and there is a little damage verso on the left side adjacent to the pearls. Dust and dirt verso.
Lot 155
Attributed to Thomas H. Hull (fl.1775-1827)Portrait of a young girl, in a white dress with blue ribbons, her hair in upswept ringletssigned with initials 'T.H.' l.l., miniature on ivory, oval 5.2 x 3.9cm, in a gold frame with brooch pin and hanging loop, tested as approximately 9ct goldCondition report: The surface has bowed. There is surface dirt, especially to the face, and some light brown stains. A few light scratches to the hair. Small indent to the case verso and some rubbing to the edges. Stickers verso.
Lot 157
John Bogle (1746-1804)A lady, in a pale pink dress, with flowing locks, 1787signed in initials 'IB' and dated '1787' c.l., miniature on ivory, oval 4.5 x 3.4cm, in a gold brooch mount, tested as approximately 9ct goldProvenance: Phillips, London, 11 June 2000, lot 250.Condition report: Yellowed slightly and slightly faded. The paint looks a little rubbed in the background on the left and the right. There are light scratches to the glass. Case shows light wear.
Lot 159
John Donaldson (1737-1801)Portrait of a lady, her natural hair worn à la conseilleur, wearing a lace fichu and lace-trimmed gold and cream dressminiature on ivory, with an aquamarine enamel back with hair back enclosed by seed pearls, oval 5.5 x 4.5cmCondition report: The back is attached with sellotape. The miniature is yellowed and faded with staining at the edges. There is a flake of paint loss lower left. Some cracking to the dark paint by the left edges. Some light surface scratches, specks and dots of surface dirt. Some pale mould or dust in lower section. The glass is scratched and dirty and the case shows signs of wear. The hair verso has areas of dark sticky glue. Old sticky labels verso.
Lot 163
Samuel Cotes (1734-1818)Portrait of a young woman, wearing a green dress and pink stole with pearl earrings, her hair à la Grecque and adorned with pearlssigned with initials 'SC' and dated '1779' l.r., miniature on ivoryoval 5.1 x 4cm, in a gold pendant mount with a split pearl border and split pearl set bale, and hinged back, tested as approximately 9ct goldProvenance: Christie's London, 22 March 1988, lot 274.Condition report: Warped and does not fill the frame fully. Dirty and slightly yellowed. Some brown stains lower right. There appears to be a little repaired damage to hair. Case a little worn and dirty with scratches at lower edge verso and remnants of old stickers verso. The miniature has moved within the frame and become slightly dislodged from the front of the glass. There is a clasp at the reverse which opens the frame.
Lot 164
James Scouler (1741-1812)Portrait of a lady, her hair piled high in a cream turban, one curl over her shoulder, wearing a blue dress and a pearl broochminiature on ivory, oval 3 x 2.6cm, in a gold frame, tested as approximately 9ct goldProvenance: Christie's London, 8 March 1995, lot 39.Condition report: A spot of damage above the shoulder lower left, and a light scratch above that. Colours good. The case has light wear and remnants of tape verso.
Lot 170
Mrs Anne Mee (c.1770-1851)Portrait of a Lady, left profile, wearing a white lace dress, with a white ribbon in her powdered hairminiature on ivory, oval 8.2 x 5.6cm, gilt-metal frame rub set with garnets and turquoises, and adorned with a bowProvenance: Bonhams London, 25 November 2009, lot 175.Condition report: A little fading and discolouration to the background.
Lot 186
A British sailor's woolwork 'Woolie' of H.M.S Nile19th century Depicted from a side view in full sail flying the Union flag, together with two wool and silkwork panels of figures in Prussian dress, late 18th/ early 19th century, 61cm wide, 53cm high (24in wide, 20 1/2in high) and 44cm wide (3)For further information on this lot please visit Bonhams.com
Lot 153
A collection of bronze figures19th century to early 20th century Mostly after the antique, including a large figure of a Classical maiden, a pair of gilt bronze busts of a faun and a nymph on ebonised plinths, a spelter figure of a maiden in Classical dress and a model of a hand, the largest: 14cm wide, 12cm deep, 45.5cm high (5 1/2in wide, 4 1/2in deep, 17 1/2in high) (9)For further information on this lot please visit Bonhams.com
Lot 338
A French gilt bronze Clock by C Detouche, ParisThird quarter 19th century The enamel dial with Roman numerals with both the dial and movement stamped C. DETOUCHE Feur, DE LA VILLE DE PARIS, the case mounted with a woman in Classical dress reading a book surrounded scientific instruments within a glass dome, 36cm wide, 19cm deep, 45cm high (14in wide, 7in deep, 17 1/2in high) For further information on this lot please visit Bonhams.com
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