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Click here to subscribeA box of assorted linen including table cloths, lace table cloths, linen table cloths, red white and blue trims; a collection of leather gloves and a silk embroidered table cloth with a faggoting edge; a piece of satin fabric, could have been left over from a wedding dress); two late 1950's handbags, dark brown and embossed leather, a brown crocodile bag with metal frames and suede lining (Q)
A full length tulle white 1960's underskirt; a later 1960's cotton voile dress, autumnal shades on black background, maxi length; an early 1950 French taffeta garment with a fine beaded work bodice, insert evening dress in beige, badly stained; a black French? theatre coat 1990's; wool slip; white full length underslip; black early 1930's sateen evening dress; green floral wrap over dress; blue floral day dress; Viyella floral shorts; black lace evening vest; Japanese cream / gold garment (11)
One dusky pink crepe dress, small padded shoulders, detail stitching around the neckline, accordion pleat skirts, 3/4 length sleeves, around 1946/7; a sunshine yellow long late 1940's dress, peplum detail on front and back, v neck beaded decorative detail around the middle, Regent Street; an early 1940's dark brown crepe dress, 3/4 sleeves and large size A-Line skirt decorated with satin ribbon, covered button detail on shoulder and left hip (3)
One midnight blue floral figured corduroy Laura Ashley dress, circa 1970's A-Line gathered skirt, size 12; a jade green satin brocade dress and jacket with belt, two slanting pockets and a v neckline, size 16/18; a 100% silk Monsoon dress in blue and green check, ankle length, v neckline and puff sleeves, circa 1970/80's; a late 1940's floral taffeta dress in cream, green and orange, shoe string straps and piecrust pleating around the neckline, pin tucked pleats on bodice, with a metal zip (4)
A silver and black lurex bodiced cocktail dress, Dolly Day, black velvet skirt and long sleeves, circa 1960's; a mid 1960's deep blue high waisted evening dress with high bow decoration, size 14; an early 1950's black evening dress, velvet bodice and crepe skirt from high waist, black velvet fishtail, metal zip and sweet heart neckline, gold and black floral design on sleeves; a 1950's Sambo evening dress, figured satin in pale pink and grey with leaf and floral embossed design, shoe string straps, neckline with deep cut and pleated satin sash (4)
A 1950's navy and white patterned swimsuit, with matching shorts; one red, white and blue tennis dress from the 1960's; one gypsy 1940's blouse with gathered neckline; a small ladies pink patterned dress with a gathered skirt; grey and yellow dress with a spider design pattern and lemon flowers from the 1940's with bolero jacket; an autumn shade day dress with buttoned down front and full pleated skirt, late 1960's (6)
A Victorian theatrical dress made up of vintage fabric with vintage lace on cuffs, neckline and yoke, probably made by Alec Shanks (the artist behind “Nuits de Folies), made for the theatre in the 1930's; a large theatrical gown in heart polka dot print used for dame characters in blue complete with bonnet, cuffs edged in white lace; a bronze taffeta self stripe skirt on elasticated waistband, two separate gathered sleeves; a black watered taffeta evening gown, full length, trimmed hem with black velvet neckline trimmed with black bow and cuffs also, with a nylon zip, theatrical (4)
A ladies boiler suit in blue denim, circa 1940 (fading on the legs), the ankles are fastened with buttons; a blue denim dress (potentially a nurses uniform from the 1930's), there are two pockets on breast, six buttons down the bodice to fasten; a velvet skirt in black with nylon zip, circa 1970's, A-Line design; a theatrical watered taffeta costume including blouse, skirt, apron and bustle (4)
One pale blue beaded evening dress with an over skirt, 1950's, wrap around bodice and large bow and underskirt with wide hem to create a two tiered look, metal zip is broken; a 1930's green lace dress cut on the bias, underskirt has some damage and discolouration; a white grosgrain evening dress with a heavily beaded bodice, metal zip and bow at the back; a 1930's ivory cream satin evening gown, hook and eyes on the back and cut on the bias; a brocade 1930's wedding dress with a Tudor neckline, long pointed sleeves and buttons to decorate; red late 1930's evening dress with structured bodice and full skirt (6)
A late 1930's evening dress in deep burgundy velvet with the yoke and sleeves in woven gold metallic (some wear on both shoulders) corsage flower decoration; a shell pink late 1920's dress with a lead weight around the neckline, a satin train edged in fine bead work, this item would have once belonged to a wedding dress (3)
Official invitation to the Imperial Burial and Funeral of Reza Shah Pahlavi, by issue of the Prime Minister to Agha'ye Boromand, printed on paper with manuscript annotations [Iran, dated 17 Ordibehesht 1329 (7 May 1950)] in two parts, comprising: (i) original envelope printed with the Imperial Pahlavi Crown and outlined in black, with the Prime Minister and recipient's name copied in an elegant shekasteh script, 140 by 175 mm.; and (ii) printed invitation to the Imperial Burial, outlined in black, with the date, start time, dress code and recipient's name in shekasteh script, 140 by 175 mm.; two pieces mounted to black card and presented in Royal Pahlavi wooden frame, with the Imperial Crown to upper edge of frame, under glass
Ï’ Andrew Plimer (1763 - 1837) Portrait of a lady wearing a white dress and hair band Watercolour on ivory, circa 1790 6.8cm x 5.5cm, unsigned, In a plain gold frame with a hair, seed pearl and translucent enamel back Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
John Field (1772-1848) Portrait of a lady called Mrs General Alfred Richards [Rhoda] Silhouette on plaster with bronzing 7.8cm x 6.5cm, oval In a rectangular papier mache frame with Miers & Field trade label no. 1 Ex Joll collection Major-General Alfred Richards (1781-1852), CB, Colonel Commandant 31st Bengal Native Infantry. In a portrait held by the National Army Museum he wears civilian dress. This painting is a companion to the portrait of his wife, Mrs Rhoda Richards (1997-04-145).
LONGINES; two stainless steel gentleman's and lady's dress watches, both rectangular dials set with baton numerals, the larger set with subsidiary seconds dial, diameter excluding winding crown 2.6cm, and a further Ronson example, all with quartz movements (3).Additional InformationScratches and general signs of wear throughout, the gentleman's Longines and the Ronson watches both running but no guarantee of working order for any of them.
Three stainless steel dress watches comprising Seiko 'Lassale' example, the octagonal dial set with baton numerals, diameter excluding winding crown 2.8cm, and two further by Michel Herbelin and Jean Perret, all with quartz movements (3).Additional InformationScratches and general wear throughout, none tested, no guarantee of working order.
A late 19th/early 20th century yellow metal pocket watch, with enamellled dial set with Roman numerals and subsidiary seconds dial, with engine turned decoration and vacant cartouche, also a 15ct yellow gold dress stud (2).Additional InformationThe case is split, lifting and damaged, there is an inscription to the dust cover, the case does not lock shut, surface scratches including scratches to the glass, does not run.
ATTRIBUTED TO HENRY HOLIDAY; an Arts & Crafts stained glass panel depicting a classical figure with flowing dress, inset in wooden frame, 58 x 62cm.Additional InformationThere are obvious areas of releading across the centre of the panel, the glass itself appears to be in good condition with just natural inclusions and bubbles, no major issues, one small crack approx 3cm to one of the panels.
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