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Lot 775
Cremonese School (circa 1540's). Portrait of a Young Lady, head and shoulders, with braided hair and wearing a striped dress. Inscribed on a plaque attached to the frame "Tiziano Vecellio 1477-1576", oil on canvas, 53.5cm by 47cm. Provenance: Julius Lowy and Shar-sisto, 1228 Second Avenue, New York. Professor Bernard Aikema has dated the work to this period. Contained within an elaborately decorated gilt plaster and wooden frame, in the renaissance style. See illustration
Lot 792
Attributed to Sir Godfrey Kneller, Bt (1646-1723). Portrait of Anne Breame, Mrs Humphry Ambler, full length, seated wearing a white blouse, red dress and blue robe, a rose bush to the left, a landscape beyond. Oil on canvas, 127cm by 101.5cm See illustration. The sitter is the mother of the children in lot 793.
Lot 1177
Attributed to Laurence Macdonald (Scotland 1799-1878): A White Marble Bust of a Woman, circa 1850-60, her hair curled and plaited into an elaborate coiffure, and with forward demure gaze, wearing Roman style dress with buttoned shoulders, 82cm high, on later associated black painted wood socle; together with A Pink/Fawn Variegated Composite Marble Column, on grey/white veined marble plinth, 163cm high overall (2) See illustration
Lot 1213
A Scrimshaw Sperm Whale Tooth, probably mid 19th century, engraved with a young woman wearing a voluminous dress, rubbed with polychrome pigments, beneath an arch of pointed leaves, 14cm high; and Another, probably 20th century, engraved with a three-masted sailing ship and bearing the inscription The North Briton Captn Allen of Hull, Greenland, 17 Fish 1821, the opposite side showing a detailed whale hunt amongst ice flows, 14cm long (2) See illustration
Lot 1235
Hinton Gibbs (fl.late 1740s-c.1822): Profile Portrait of Mrs John Winter of Newbury, circa 1820, on convex glass, facing to dexter, wearing an elaborate lace mob cap, high collar and lace trimmed dress, painted in black only, in a papier mâché frame, with impressed crown, Hill & Co makers mark, the reverse with paper label printed H Gibbs Profile Painter and written in ink Mrs John Winter of Newbury See illustration. See McKechnie (Sue), pg.581, no.1045 (trade label no.5)
Lot 1254
John Woodhouse (fl.1810?-1839), Blackett Street, Newcastle-on-Tyne: A Reverse Half Length Profile Portrait on Glass, circa 1830, of a young woman wearing muslin bonnet and puff sleeve black dress, on a light pink background, image 22cm by 17.5cm, in a period rosewood veneered moulded frame; and A Cut Silhouette Full Length Portrait of a Lady, circa 1850, wearing a bonnet and holding a day bag on her right arm, 26.5cm by 16cm, a label on the reverse inscribed Mrs Hibbert Sale, and with the Marples & Hibbert, 78 Fargate, Sheffield label (2)
Lot 1256
Frederick Frith (Royal Victoria Gallery): A Cut-Out Silhouette Full Length Portrait of a Young Woman, 1840, she wears a bonnet over her bun, and wears a muff chain over her lace trimmed dress, turning to the right, with gold painted detail and grey wash ground, signed and dated 1840, arched rectangular, 25.5cm by 16.5cm; and Another, by the same artist, 1844, of a gentleman facing to dexter and gesturing with his hands, signed and dated 1844, 28.5cm by 17cm, in fruitwood frame (2) See illustration
Lot 1265
Peter Rouw: Wax Profile Bust Portrait of a Young Woman, 1810, finely modelled in light salmon pink wax, turning to dexter, her hair upswept and held by a band in Grecian style, wearing a ruffled lace collar to her pearl embellished dress, signed on the truncation P Rouw sculpt London 1810, against a black polished glass background and beneath domed glazing, within a gilt metal outer frame and in green leather protective case (front cover lacking), the image 11cm diameter See illustration
Lot 1286
William Miers & John Field (fl.1823-1829): Profile Bust Portrait of a Young Woman, circa 1825, facing to sinister and wearing a ribbon tied veil over her hair, painted on black on white plaster of paris, oval, image only 8cm, domed verre eglomise border and black papier mâché frame with original label pasted verso; and Attributed to Hinton Gibbs: Profile Portrait of a Lady, circa 1790, wearing a full face mob cap and frilled ruff and blue dress, the sitter with black painted face and details on solid white wax ground, on slightly domed glass, within pressed brass frame (possibly later?), oval, 7.4cm (2) See illustration. An old label on the reverse describes this piece as Portrait of a lady by W J Phelps. Hinton Gibbs served for upwards of twenty years in the Bedfordshire Militia, attaining the rank of corporal and, while his tally of military likenesses is negligible, he apparently managed to combine professional profilism with his military duties for several years before his demoblisation in the period c.1790-1815. Gibbs relied on wax as a backing material, which generally does not stand up well to the rigours of time. For further details concerning this artist see Mayne (Arthur) British Profile Miniaturists, pg.72 andMcKechnie (Sue) British Silhouette Artists and Their Work 1760-1860, p.530.
Lot 1290
English School, circa 1830: A Family Group Portrait Miniature, depicting a mother with black curly hair and wearing a puff-sleeved black dress, with her five children, one of the young boys holding a toy gun, within a curtain draped interior, 17cm by 22cm, in a gilt brass slip frame, the narrow main frame carved with fruiting acorns, ribbons and leaves, stamped WW on the backplate, 24cm by 29cm overall See illustration
Lot 1291
English School, late 19th century: Portrait Miniature of a Lady, in 18th century costume, her powdered and pearl decorated hair in an elaborate coiffure, wearing a lace trimmed dress enriched with pearls, signed Andrew Pinxt, oval, 6.5cm, in gilt metal frame with blue glass reverse panel See illustration
Lot 1293
Attributed to George Engleheart (1752-1829): Miniature Bust Portrait of a Lady, circa 1790, with short brown curly hair, grey-blue eyes and wearing a coral bead necklace and pleated lace trimmed white dress, against a cloudy sky background, initialled E, oval, 8.5cm high, the reverse with seed pearl trimmed hair locket within a guilloche machine turned blue glass covered border, gold metal frame See illustration
Lot 84
A KPM (Berlin) Painted Porcelain Plaque, third quarter of the 19th century, oval, painted with a three-quarter length portrait of a vestal virgin, wearing a diaphanous veil and dress, turning to dexter, holding an oil lamp in her right hand, apparently unsigned, impressed sceptre and KPM, 42cm by 34cm (approx), in a decorative giltwood frame See illustration
Lot 127
A Naval officers dress sword by Wilkinson of London, reputedly belong to Sir Edward H Seymour, admiral of the fleet. The bi-fullered blade with foul anchor decoration and numbered 27270 above knuckle guard with foul anchor decoration, wire bound fish skin handle, lions mask pomel and bullion loop together in brass mounted leather scabbard and also with belt.
Lot 290
Four pocket watches, a silver open face dial signed, The Express English Lever J.G. Graves, Sheffield, a Swiss mid size white metal hunter pocket watch (no glass), an early 20thC base metal dress watch, dial signed Pontiac Parashock, and a Waltham gold plated open face, dial signed Asbridge Salisbury.
Lot 138
9CT YELLOW GOLD LADY'S DRESS RING WITH RECTANGULAR AMETHYST 12MM X 10MM OF EXCELLENT COLOUR AND CLARITY, THE STONE HAS AN ENGRAVING OF A MERMAID WITH TRIDENT (STAR AND BIRTH STONE FOR AQUARIUS) THE AMETHYST IS CORNER CLAW SET WITH SCROLLS BENEATH AND THE HEAVYWEIGHT SHANK HAS MULTI DIVIDED SHOULDERS SIZE O
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