Housed in a gilt frame with a white cloth mat. Depicts a portrait of a woman in a long blue and red dress. Artist signed on the lower right. Numbered on the lower left. Frame size: 27.5"W x 40"H x 1.75"D. Sight size: 22"W x 34.5"H. Artist: Janet TrebyEdition Number: AP 3 of 10 Country of Origin: United StatesCondition: Age related wear.
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Title: Le Violon de Pamela. Colorful modern seriolithograph with hand embellishments featuring a woman in a red dress playing the violin with a dreamy watercolor-like background. Ornate gold frame with embossed floriate textures and white canvas border. Artist signature near lower left corner. Linda Le Kinff is a well-traveled artist influenced by Paul Gauguin, Pablo Picasso, and Gustav Klimt. She is known for her work on the 1998 Soccer World Cup, which resulted in her having a commemorative coin struck in her honor by the French government, and the 2010 Kentucky Derby. Sight size: 15"W x 18.5"H; frame: 22.75"W x 26"H x 2.25"D. Artist: Linda Le KinffCondition: Age related wear.
To be sold without reserve Property of a Lady. A leathered antique gold leaf jewellery case, containing a selection of jewellery and trinkets, to include: [a] An antique yellow gold long chain ca. 1830, approx 32g. [b] A yellow gold and paste clip with chain attached, approx 25g. [c] A 1970s style 18ct yellow metal dress ring, approx 13g. [d] A pair of yellow antique earrings, approx 5g. [e] 2 yellow, 9ct gold chains, approx 12g. [f] An opal and pearl stick pin A/F.Condition report: [a] Long chain probably 15/18ct in fair condition, some stretched links [b] Yellow gold paste clip in fair condition, 3 purple pastes missing [c] Ring in good condition [d] Earring in good condition [e] Two chains in good condition Dimensions: [a] 23.75 in. (L) [b] 19 in. (L) [c] 0.75 in. (L) x 1 in. (W) [d] 1.5 in. (L) [e] 25.5 in. (L), 8.5 in. (L) [f] 1.75 in (L)
To be sold without reserve Property of a Lady. [a] A mother of pearl yellow and white gold dress set compromising cufflinks, three buttons, two studs in Gowland fitted case [b] A pair of silver fisheye cufflinks. Dimensions: [a] (Shirt studs) 0.25 in. (L); (Cufflinks) 1 in. (L) [b] 1 in. (L)
Pietro Labruzzi (1739-1805) A Full-Length Portrait of Nicholas I of Russia in a classical setting 1802. Oil on canvas. Signed, located, and dated, lower left: Pietro Labruzzi Roma Pinx Anno 1802. Lot Essay: Nicholas I (Russian: Nikolay Pavlovich) (1796-1855), Russian Emperor (1825 - 1855), is often considered the personification of classic autocracy. It is clear that even at the age of 6, Nicholas was being cultivated as a future potential Emperor. The surrounding tropes in the present image reflect this, with Nicholas' setting rich in both accessories and emblematic references. For example, the pan flute, which alludes to the Greek god Pan, the patron of pastoral poets, evokes Nicholas' classical education as a royal, along with the numerous Classical references such as the Pegasus in the background. The portrait bust on the right of the image is inscribed with 'Alexander the first, of all of the Russian Empire', referring to Nicholas' elder brother Alexander I (Emperor of Russia 1801-1825). In this image, Alexander is immortalised as Imperator, explicitly linking the strength and glory of the Russian Empire to that of Ancient Rome through the use of the portrait bust. Moreover, the positioning of the portrait bust above Nicholas indicates the hierarchy of the royal lineage, with his brother Alexander I majestically surveying from above. The laurel wreath upon which Nicholas rests his hand is another nod to Greek mythology (this time to Apollo) as a universal symbol of triumph and peace, demonstrating the Russian Empire's role as a bringer of peace to the Greeks. Finally, the epee and globe, and the words 'Victor' on the plinth, collectively point to a triumphant military campaign. Dressed in traditional Greek dress, Nicholas wears Greece's blue and white national colours. His type of trousers, gilet and slippers were likely commissioned to commemorate the establishment of the oligarchic Septinsular Republic under nominal Russian and Ottoman sovereignty in the Ionian Islands in 1800. When Alexander I came to the throne in March 1801, Russia was in a state of hostility with most of Europe, though its armies were not actually fighting; its only ally was its traditional enemy, the Ottomans. As such, the establishment of the Septinsular Republic marked a victory in an increasingly unsettled time during Russian foreign policy. The Republic was established after a joint Russo-Ottoman fleet captured the islands and ended a two-year rule by the French Republic, marking the first time Greeks had been granted self-government since the fall of the last remnants of the Byzantine Empire to the Ottomans in 1460. Pietro Labruzzi's elder brother, Carlo Labruzzi (1748 - 1817), was also a well-known artist achieving official recognition, boasting several international and high-profile patrons. Carlo Labruzzi executed a number of commissions for the Russian court: for example, his View of The Colosseum from the Palatine (signed and dated 1780) is in the Pavlovsk Palace, near St. Petersburg (p. 8, Dickinson). Pavlovsk Palace is an 18th-century Russian Imperial residence built by the order of Catherine the Great for her son Grand Duke Paul, in Pavlovsk, within Saint Petersburg. After Grand Duke Paul's death, it became the residence of his widow, the Empress Maria Feodorovna (1759-1828), the mother of both Emperor Alexander I of Russia and Emperor Nicholas I of Russia. As such, there is plausible evidence to suggest that Carlo's brother would have been surrounded by the young Nicholas I, and if Pietro himself was not painting Nicholas from life, it is likely he would have been painting from sketches his brother made while at the Russian court.Dimensions: Canvas) 53.5 in. (H) x 38.75 in. (W) (Frame) 59.75 in. (H) x 45.5 in. (W)
Property of a Gentleman. Jacques Wilbaut or Wilbault (1729 - 1816) Portrait of a Gentleman in fine dress holding a sealed letter Oil on canvas. Signed upper right 'J. Wilbaut fct 17--' In a fine carved Louis XIV revival giltwood frame decorated with floral and shell motifs With inscriptions verso.Lot Essay: Jacques Wilbaut came from a family of glassblowers in the Ardennes region. A nineteenth-century biographer reported that from childhood Wilbaut had attached himself to his uncle, the decorative painter Nicolas Wilbaut, who combined the artist Jean Jouvenet's classicizing Baroque style with an emphasis on studying from nature. His uncle's recommendation earned Wilbaut acceptance to the Acadamie Royalein Paris, where he studied for two years beginning in 1750. Wilbaut then worked with his uncle until Nicolas' death in 1763. Wilbaut primarily painted religious pictures for churches and monasteries and, to a lesser extent, landscapes, and historical subjects. Wilbaut's numerous portraits are often considered his best works; among them are images of such important figures as King Louis XVÂ and Charles Maurice de Talleyrand-Perigord, representing both the monarchy and post-Revolutionary governments in France. For many years, Wilbaut proudly used the credentials 'student of the Acadamie Royale of Paris' and 'citizen of Chateau-Porcien'. Both under the monarchy and after the French Revolution, Wilbaut was active in government and public life in his hometown. Many of his paintings disappeared during the Revolution.Provenance: Giancarlo Baroni (1926-2007) Florence, dealer and connoisseurDimensions: (Canvas) 29.5 in. (H) x 24 in. (W) (Frame) 38.25 in. (H) x 33 in. (W)
Property of a Lady. A mixed lot of 18ct, 9ct gold and yellow metal jewellery comprising: [a] A 9ct yellow gold dress ring of two lovers playing, approx. 7g [b] An 18ct yellow gold key ring, approx. 7g [c] A 9ct gold religious pendant, approx. 8g [d] Six various yellow metal scarf rings, approx. 40g [e] A yellow metal kill pin, approx. 5g [f] Two yellow metal rings, approx. 10g [g] 18ct bar cufflink, approx. 5g. Dimensions: [a] 1.25 in. (W) [b] 1.5 in. (W) [c] 12 in. (L) [d] Varies [e] 2.25 in. (L) [f] 0.75 in & 1 in. (W) [g] 1 in. (L) x 0.75 in. (W)
To be sold without reserve. Property of a Lady. Chinese, 19th Century, A soapstone statue of a man in traditional dress, Modern. A painted terracotta foot soldier, after the Terracotta Army. Indian, 20th Century, A carved brown stone Mohini dancer. Dimensions: 5.75 in. (H) x 3.25 in. (W) x 2 in. (D) 7 in. (H) x 2 in. (W) x 2.5 in. (D) 6.25 in. (H) x 2 in. (W)
To be sold without reserve Property of a Lady. [a] A dress set of 15ct gold, maybe pearl and green enamel cufflinks and studs A/F in Welby gold stitched leather box [b] A pair of faux stitched mother of pearl and silver metal cufflinks in Mappin and Webb case. Condition report: [a] Some enamel damage and pearl missing. Overall weight 12g [b] Good condition. Dimensions: [a] 1.25 in. (L) [b] 1.25 in. (L)
To be sold without reserve. Property of a Lady. Chinese and Japanese. A selection of ceramics to include: [a] A blanc de chine libation cup [b] An Imari-ware plate [c] A small perfume bottle [d] A small plate, decorated with a traditional social scene [e] Three small bowls with women in traditional dress [f] A small dish with a gilt-topped lid, decorated with social scenes [g] An intricately decorated ladle [h] A decorative bowl, with floral and faunal motif, with markings underneath [i] A porcelain incense holder Decorated with painted rural landscape [j] A pair of decorative bowls. [k] An Imari plate Dimensions: [a] 2.75 in. (H) x 4.5 in. (W) x 3.5 in. (D) [b] 8.25 in. (D) [c] 3 in. (H) x 2 in. (W) [d] 0.75 in. (H) x 6 in. (W) x 4.75 in. (D) [e] 1 in. (H) x 4 in. (W) [f] 3.5 in. (H) x 5 in. (W) x 6.25 in. (D) [g] 3.25 in. (H) x 3.25 in. (W) x 8 in. (L) [h] 4 in. (H) x 7.25 in. (D) [i] 6.5 in. (H) x 4.5 in. (W) x 3.25 in. (D)
To be sold without reserve Property of a Lady. Oriental taste An inlaid decorative nest of four sofa tables Decorated with women in traditional dress in rural scenes With glass tops. Dimensions: [a] 26.25 in. (H) x 19.25 in. (W) x 13.5 in. (D) [b] 23.5 in. (H) x 16.5 in. (W) x 12.5 in. (D) [c] 21 in. (H) x 14 in. (W) x 11 in. (D) [d] 18.5 in. (H) x 11.5 in. (W) x 10 in. (D)
A 9ct Gold Cluster Ring, claw set throughout, between plain shoulders (finger size O). A 9ct gold signet style ring, with inset highlights, between wide shoulders (finger size L½), and an inset graduated dress ring, between fancy shoulders stamped "375" (finger size L) (total weight 7.5 grams).
A Modern 9ct Gold Cluster Ring, of flower head design, claw set throughout, between bifurcated shoulders (finger size P), a claw set dress ring, oval centre, within claw set highlights, between crossover style shoulders, stamped"375" (finger size L), and an allover inset dome style ring, stamped "375" (finger size O) (total weight 5.5 grams).
Darly (Mary) Darly's Comic-Prints of Characters, Caricatures, Macaronies &c., engraved portrait frontispiece of Matthew Darley, engraved title, with 282 engraved plates on 125 sheets, on laid paper with armorial watermarks, some with countermark 'w', each leaf approx. 450 x 270 mm (17 3/4 x 10 5/8 in), offsetting throughout, some marginal nicks, small loss to title page, several sheets with larger repaired tears to inside corners and edges of sheets, some affecting the plates, occasional spotting and minor surface dirt, purple ink stamp to inside front free endpaper 'GIL', 19th century half morocco, marbled boards, bound by 'Mackenzie', spine gilt, t.e.g., rubbed and worn, folio, presented in modern solander box, Mary Darly, 1776.⁂ An important and fine example of the collected works of the husband and wife printsellers, Mary and Matthew Darly. From the time of their marriage, they worked in tandem designing, engraving and publishing prints using the signature, MD or MDarly. Mary was one of the first professional caricaturists in England. The present collection includes many of their most famous prints, including numerous "macaroni" satires, as well as caricatures featuring enormous hair styles, such as Bunkers Hill, or America's Head Dress. Scarce at auction, with ABPC recording only 4 copies to have come to auction since 1978. Not in the British Library, and with only 2 other copies recorded as being held in British institutions (Oxford, and the V&A Library). WorldCat lists 5 copies in American collections.
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228188 item(s)/page