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Click here to subscribeA Harlequin and Columbine fancy dress costumes, Probably for young adults, made from dark and light pink silk satin with pointed bell trimmed hems, the girls with bodice, skirt and cap, the boys with jacket, breeches and hood (some damage and wear); with a matching German composition Mr Punch marotte with glass eyes —12½in. (32cm.) high; and an additional felt pierrot conical hat with black pom-pom and a matching muslin ruff
Toys - an Armand Marseille 351/3K bisque head baby doll, sleeping blue eyes, open mouth, painted moulded hair, composite body and limbs, cream christening gown dress, 30cm long; a Chinese plastic doll, No B30/168, 50cm long; a mid 20th century gold plush Teddy Bear, centre seam, vertical stitched nose, pad feet, later eyes, approx 51cm long, (3)
Dolls - an Armand Marseille 370 shoulder doll, M 40 X Dep, fixed grey eyes, open mouth, blond wig, cloth body, composite limbs, lacy dress, impressed 370 A M 4/0X DEP, made in Germany, 40cm long; another 390 socket doll, sleeping blue eyes, open mouth, curly blond wig, pale pourple dress, impressed marks, Made in Germany, Armand Marseille, 390, A 1 1/9 M48cm long (2)
A George II Biblical needlework panel depicting the sacrifice of Isaac, the figures depicted in contemporary dress, within a landscape setting surrounded by animals including a lion, leopard and stag, signed and dated MARGRET WRIGHT 1729 to the top left corner, 30cm high, 33cm wide overall including cushion frame Provenance: Estate of James Ivory, formerly of Greenway Farm, Tockenham, Royal Wootton Bassett, Wiltshire
Bradshaw (Penelope). Bradshaw's Family Companion. Containing, Directions for Marketing and Housewifery; with Five Hundred Receipts in Cookery, Confectionary, Preserving, Pickling, Pastry, Wine Making, Brewing, &c. also curious Extracts from a famous Treatise on the Teeth, their Disorder and Cure. Together with The Cellar-Man. Or many Receipts to cure, preserve and Improve Drinks in the Cask; the new Way of Managing strong Drinks from the Tunning to the Drawing; with many other useful Matters, truly necessary for those who are concern'd in Brewing or Selling Malt-Liquors. By Mrs. P. Bradshaw, who has been a Housekeeper to several Noble Families many Years, [London?]: Printed for the Author, 1753, [1-5],6-104pp., some light toning and minor marginal dampstains mostly to first & last leaves, endpapers renewed, contemporary half calf with marbled sides to boards, neatly rebacked and with light red morocco title label to spine, slim 8vo (Qty: 1)Maclean, p.13. Scarce, only one institutional location found (Wellcome Library). The volume contains an interesting array of receipts including 'aspragus & chickens to dress, crust for large pyes, curran wine. Dr Mead's receipts for the bite of a mad dog, directions for preparing Mrs. Stephen's medicine in a solid form by Dr Hartley, Mrs. Stephen's Receipt for the cure of the stone and gravel, Shrewsbury cakes, Scotch collops, and Treatise on the teeth' etc.
Stewart (James). Plocacosmos: or The Whole Art of Hairdressing; wherein is contained, Ample Rules for the Young Artisan, more particularly for ladies women, valets, &c., &c., as well as Directions for Persons to dress their own Hair; also Ample and wholesome Rules to preserve the Hair. The Hair completely analyzed, as to its Growth, Nature, Colour, &c. and all and every Article used in the Hair, on the Head, Face, &c. as, False Hair, Perfumery, Cosmetics, &c. clearly analyzed and examined; with a History of the Hair and Head Dress, from the earliest Ages to the present Time, particularly as they have appeared upon the English Stage for these last Two Hundred Years; with Strictures on the present Performers belonging to each Theatre. The Plan of this Work requiring it, there are also complete Rules for the Management of Children and Education of Youth; and excellent Rules for the Preservation of the Health and Happiness of Age; being a Guide through the Seven Ages of Man: The whole interspersed with Moral Thoughts, being necessary for all Families, 1st edition, printed for the author, 1782, half-title not present, engraved frontispiece printed in sanguine and 10 engraved plates, light foxing or browning, original boards, uncut, rebacked, rubbed and stained, 8vo (Qty: 1)ESTC T145753. A remarkable and very scarce study of hairdressing in the Georgian age, with engraved illustrations depicting the extravagant hairstyles of the time. The work treats hair and its growth, the tools used to dress it, methods for constructing head dresses using false hair and stiffeners, and for applying cosmetics. Stewart comments on diet and lifestyle as an influence on hair quality. ESTC lists 6 copies in 5 UK locations: Birmingham Library, BL (two copies), Edinburgh University, Bodleian, and Wellcome Institute.
Paterson (William). A Narrative of Four Journeys into the Country of the Hottentots, and Caffraria, in the Years 1777, 1778, 1779, 2nd edition ('corrected'), printed for J. Johnson, 1790, 19 copper-engraved plates (Bushmen's Habitations, Hottentots, Horned Snake, Camelopardalis, and 15 botanical subjects), folding engraved map at rear with some light spotting and minor waterstain to lower right edge, early ink ownership signature to title of Marcus Gage, contemporary half calf gilt in very good condition, 4to (Qty: 1)Cox I p. 390; ESTC T89158; Mendelssohn II p. 143. An account of four expeditions into the Hottentot Country and Caffraria, containing descriptions of the geography, botany and zoology of the region, as well as the dress and conduct of the natives, in particular the author's encounter with the Caffres and their chief, Khouta, in a region east of the Great Fish River which the explorer Sparrman did not reach (Paterson's and Sparrman's routes are marked on the folding map contained in this work). 'Although the principal feature of the work is a description of the botanical specimens ... there are many interesting notes respecting the natives, with a few remarks on the Dutch colonists' (Mendelssohn). Paterson was later appointed governor of New South Wales but 'historians have rightly judged him more important as a natural scientist than as an administrator' (ODNB).
Andrade (Manoel Carlos de). Luz da Liberal, e Mobre Arte da Cavallaria, offerecida ao Senhor D. Joao Principe do Brazil, 1st edition, Lisbon: La Regia Officina Typografica, 1790, engraved portrait frontispiece of Prince John of Brazil by Frois after Silva, title with engraved armorial vignette, 93 fine copper-engraved plates by Frois, Martini, Alegre, Piedra, after Silva, blank leaf after contents, errata leaf at end, contents generally in clean, crisp condition, with excellent impressions of the plates, marbled endpapers, all edges gilt, contemporary gilt-decorated red full morocco, very slightly rubbed, generally a very attractive copy, folio (Qty: 1)Provenance: Joseph Strutt (1749-1802), antiquary, artist and engraver, and author of A Complete View of the Dress and Habits of the People of England (1796-9), and Glick-Gamena Angel-Deod, or the Sports and Pastimes of the People of England (1801). Huth 56; not in Mennessier de la Lance. Only edition of this spendid description of the royal Portuguese riding school, with strong, rich impressions of these engraved plates.
A vintage brown rabbit fur coat, 3/4 length, labeled M. Fletcher Southport, size 10 UK together with a vintage light brown fur jacket size 8 and a vintage silk nightwear dress in green colour, size 8 - 10 UK. The brown rabbit fur coat has damages here and there, one of the damages is at the back, there is a rip in the pelt on the lower right side of the coat, the lining looks in good condition, the label is hand stitched and loose on a side. The pockets present no holes. The brown jacket has no label, seems to be M. Fletcher as it does have monogram on the inside of the lining. The fur is in good condition overall, however the lining presents signs of wear and tear, some rips and damages to the neckline as well. The jacket has no pockets. The silk dress is in good condition, has no damages, no stains and no repairs done to it. It is size 8 - 10 UK
Domestic Architecture. A Georgian house with figures in the garden, circa 1810, naive watercolour, showing a large country house with sash windows and pedimented front door, adjoined by red-roofed buildings, flanked by trees and shrubs, and fronted by a pathway and lawn, with figures in the foreground, comprising a young lady in a blue gown with watering can, a male figure with wooden wheelbarrow, and a small girl in a white dress, 15 x 22.5 cm (6 x 8.75 ins), mounted, framed and glazed (Qty: 1)
English School. Portrait of a girl with a doll, circa 1820, watercolour on paper, full-length portrait of a young girl with dark curled hair, wearing a white puffed-sleeve gown trimmed with lace and a blue sash, yellow shoes, gold earrings, and a coral necklace, cradling a doll attired in pink dress and shoes in her arms, against a landscape of hills, trees, and river, faint central horizontal crease, and closed tear to right hand side, 24.5 x 16.5 cm (9.75 x 6.5 ins), framed and glazed (Qty: 1)
Portrait Miniatures. A framed set of four oval miniature paintings of children, 1821, watercolour on ivory, oval head and shoulder portraits of four siblings, comprising a curly-haired boy in a buttoned brown suit with frilled collar, two girls, each attired in a blue and red tartan dress with bows to shoulders, the elder girl also wearing a necklace, and an infant dressed in a white dress with lace yoke and matching bonnet, each with gilt plaited border and bow to upper edge, 5 x 4 cm (2 x 1.5 ins) and slightly smaller, mounted together as two pairs on a dark blue ground, in period gilt frame, glazed, verso with contemporary printed cutting of mourning verse and partially indistinct manuscript notes pertaining to the sitters (mentioning the surname 'Bates') and artist, including the inscription 'Painted by [...?] Smith of London, September 1821' (Qty: 1)A charming set of Regency portrait miniatures, intact in original frame.
Fashion. A pair of watercolours of country houses incorporating cut-out engraved female figures from fashion plates, late 19th century, together two watercolour drawings, the first depicting an Elizabethan manor house with ten cut-out hand-coloured engraved figures in Regency dress arranged on the lawn in front, annotated in contemporary manuscript to lower margin below image giving details of the type of costume worn between 1818 and 1820 (Evening Dress, Walking Dress, Cottage Dress, etc.), the other depicting a large dwelling with two wings joined by a veranda, with 15 cut-out hand-coloured engraved figures on the lawn in front arranged around two hand-drawn picnic tables, with manuscript date 1847 in a contemporary hand to lower left margin below image, each approximately 29 x 46 cm (11.5 x 18 ins), matching mounts and glazed frames (Qty: 2)
Englands Vanity: or the Voice of God Against the Monstrous Sin of Pride, in Dress and Apparel: Wherein Naked Breasts and Shoulders, Antick and Fantastick Garbs, Patches, and Painting, long Perriwigs, Towers, Bulls, Shades, Curlings, and Crispings, with an Hundred more Fooleries of both Sexes, are condemned as Notoriously Unlawful. With pertinent Address to the Court, Nobility, Gentry, City, and Country. Directed especially to the Professors in Londons. By a Compassionate Conformist, 1st edition, printed for John Dunton, 1683, folding engraved frontispiece, woodcut initial letter, toned throughout, frontispiece and title-page slightly soiled and close-trimmed (with loss of lower line borders, and just clipping title imprint), final leaf with 4cm closed tear at head of gutter touching one letter, upper hinge split, mid 19th century blind-tooled calf, extremities rubbed, and spine a little frayed at head, small 8vo (Qty: 1)ESTC R32945; Wing 3069. Although located in a number of institutional libraries, this work is scarce is commerce; we have been unable to trace another copy at auction.
ENGLISH SCHOOL, EARLY 19TH CENTURY A YOUNG LADY her brown hair in ringlets, in a white dress before red drapery, ivory, oval, 8.5 x 6.8cm, papier mache frame, brass acorn hanger++Small spots of old dust settled on the surface of the work, the glass somewhat dusty and dirty, frame in good condition
ATTRIBUTED TO EDWARD BOWER (1629-1667) PORTRAIT OF A LADY half length in a green dress and pearls, her right arm resting on a chair, oil on canvas, 100 x 85cmProvenance: Lane Fine Art, London.++In the same restored, ready to hang condition a when purchased by the late owner from the London dealer in the early/mid 1990s, Restored with evident overpainting and retouching, approx 1cm loss of medium upper left (midway between the sitter's head and drapery) the chalked and stencilled numbers on the stretcher include a sale date 15.11.91 and a No 3, together with two stencilled numbers: LTS 32 and 776 MC
ATTRIBUTED TO JOHN GRAHAM-GILBERT, RSA (1794-1866) PORTRAIT OF ISABELLA EWING THE WIFE OF ARCHIBALD SMITH ESQ OF JORDANHILL bust length in a blue dress, feigned oval, oil on canvas, 76 x 63cmProvenance: The Right Honorable J Parker-Smith; A Parker-Smith Esq. Exhibited: Edinburgh, Scottish National Exhibition 1908, Stone Collection: Royal Academy of Arts Exhibition of Scottish Art, 1939++Old restoration and overpainting, in high quality and particularly elaborate Victorian giltwood and composition frame with old damage, that is possibly the original
Antiquarian Books, Photographs, Maps and Ephemera - Photography, India/British Raj, Militaria, a late 19th/early 20th century Anglo-Indian Army regimental photograph, the officers and chaplain, their pith helmets inscribed King's, standing before a gut, 20cm x 24.5cm, mounted, maple cushion frame, 44cm x 49cm overall; another, of a Highland subaltern, wearing a kilt, the mount inscribed Rangoon, 44cm x 31cm, framed, (2); Books - Theology, La Sainte Bible, ou Le Vieux et Le Nouveau Testament, Traduits en François sur Les Textes Hébreu et Grec, Par les Pasteurs et les Professeurs de l'Eglise et de l'Académie de Genève, Chez J.J. Paschoud [...], A Genève 1805, later 20th century brown pebble calf binding, paper title-label to flat spine, pastedown preserving contemporary early 19th century crested bookplate: Hugh Percy (a scion of the Dukes of Northumberland), medium folio; Miscellaneous Folios, Thomas Shotter Boys Original Views of London, First Published in 1842 Now Reprinted [...] with Twenty-Six Coloured Reproductions from the Original Lithographs, the Text of 1842, and a Parallel Modern Text by James Laver, C.B.E., two-volume set, Charles W. Traylen, Guildford 1954 - 1955, each with printed card covers, red cloth portfolio binding; Repton (John Adey) and Wilkins (William), Norwich Cathedral at the end of the eighteenth century, with descriptive notes [...], limited edition 546/1000, bookplate to pastedown, Gregg Press, Farnborough 1965, fold-out architectural elevations and plates, contemporary blue cloth, pictorial printed slipcase, atlas folio; Printing The Times Since 1785: Some Account of the Means of Production and Changes of Dress of the Newspaper, Illustrated with Upwards of Fifty Facsimiles of Pages and Many Line Engravings &c., Printing House Square, London 1953, black cloth, royal folio, (3); Cartography, after John Speed, a two-fold map, of the county of Warwickshire, late 19th century monochrome strike, 31cm x 41cm, mounted and framed; 19th century map, of Staffordshire, Published by J & C Walker, London hand-coloured delineations, ebonised frame, (2), [8]
Jewellery - a 9ct gold and blue paste dress ring, stamped 9ct; another yellow metal solitaire ring; a pair of synthetic blue spinel pear drop earrings, yellow metal mounts; pair of silver and blue topaz effect earrings, Aesthetic movement silver brooch, Hollis & Newman,Chester 1886, paste necklace; etc
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