We found 228188 price guide item(s) matching your search
There are 228188 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
228188 item(s)/page
Lot 49
A No.2 dress military tunic with buttons and Tank Corps badges and trousers displayed on a mannequin included in the lot, also a combat smock size 2, in camouflage pattern with embroidered name 'Marshall' presumably for Captain Allan Marshall.Provenance: The Captain Allan Marshall Collection.Additional InformationSome stains, scuffs, etc.
Lot 496
A large Götz doll, with blue eyes, striped dress with floral printed apron and white leatherette shoes, mould no.206/20-8 and dated 1993, height 66cm, in associated box.Additional InformationThere are a couple of faint marks to the top of the forehead of the doll, a few age wear marks here and there but essentially OK.
Lot 497
Two Götz dolls comprising a girl doll, mould no.249/20 and dated 94, height 56cm, and a boy doll, mould no.211/16 and dated 93, with two Götz Carlos Oriental dolls, boy and girl, mould no.220-22 and 162-24 (4).Additional InformationThe girl Götz doll with three buttons to her dress embossed with ducks. Her left hand has blue staining from where it has leant against a material which has released its dye onto the surface of her arm. Minor wear but otherwise OK. The boy doll burgundy two-piece suit also with similar blue staining to his right hand. A few small pulls to his suit and a few small marks here and there. Both the boy and girl's clothes have stitched Götz name to the front, the boy also with stitched name 'Marlanne'.
Lot 589
Five mid-20th century gouache portrait miniatures each of a maiden in period costume, including a circular example of a maiden in a blue and white trimmed dress within a circular gilt metal frame, 12cm overall, three miniatures in oval frames and another miniature in an ebonised frame signed Dimarh (5).
Lot 599
A selection of Edwardian and later ladies' clothes including a black lace skirt, a similar long rectangular trim and a similar black lace shawl, a floral evening dress, an olive green evening dress, a lace trimmed stole, a pair of green shoes (faded and worn), and other white work and textile items (qty).
Lot 600
A collection of Edwardian and later children's clothes including twelve babies' or infants' dresses in various colours and styles, a felt skirt with label for plain needlework competition dated 30th September 1907 for Dorothy Malaher Chifnal Salop, a 1930s boys tussore hat, six babies' bonnets including a pale blue muslin example, a boy's taffeta smock or dress with embroidered pink floral detail, and a pair of silk babies' shoes (perishing), and other items (qty)
Lot 696
19TH CENTURY ENGLISH SCHOOL; watercolour on paper, portrait miniature of a lady in a black dress, 9.5 x 7.5cm in ebonised papier mache frame, and a smaller 19th century gouache on paper miniature of a lady in a blue ribbon tied lace up bonnet, 7.5 x 5.5cm, a a silhouette of Martha Griffin aged sixteen years and dated 1844 (3).
Lot 702
EARLY 17TH CENTURY SPANISH SCHOOL WITH POSSIBLE ATTRIBUTION TO SOFONISBA ANGUISCIOLA; a large oil on board, portrait of a lady in black dress with white lace collar and cuffs, a white veil over her head and holding a handkerchief in her right hand, unsigned, 98 x 68cm. This lot is accompanied by various correspondences from the previous vendor and the National Portrait Gallery (August 1961), various other correspondences including E & J Tawil, City of Manchester Art Galleries, etc, also information regarding the restoration undertaken in April 2008 by Gillian MH Walker.Additional InformationWhen inspected under UV light there is evidence of extensive retouching throughout the picture, particularly to the face and hands, but is does persist throughout the picture where old splits to the panel have been gone over, the original panel is obviously covered up by a modern board which we have not removed, but the evidence is clear of numerous splits to this original panel, craquelure throughout. There is a chip to the lower right of the painting and indeed appears to be a section of the original, although we cannot confirm this. Splits, chips and losses to the frame.
Lot 852
MEISSEN; a pair of late 19th century figures of a male and female companion in 18th century dress, each holding a basket and a posy of flowers, on circular bases, crossed swords mark in underglaze blue and incised mark, height 40cm.Additional InformationBoth with some chips and losses to the floral encrusting throughout. Male lacking two fingers to the left hand. Female with a chip to the front of the red shoe on her left foot and lacking part of the handle to the basket. Both with some small firing cracks and both with nibbling around the base edge. Both with some rubbing to the enamel and gilding.
Lot 121
KENNING LITTLE BRITAIN LONDON; a Victorian Light Infantry (Rifles) Officers dress sword, the fullered blade with etched decoration and signature to base, length 79.4cm, to gilt and pierced guard bearing VR cipher and with wire work shagreen grip, and with metal twin-ring scabbard.Additional InformationSome light surface oxidisation to blade as well as pitting, scuffs, scrapes. Heavy general wear to the hilt section with rubbing to gilt, some knocks, scratches, tarnish and discolouration. Some similar wear to the shagreen, some slight losses. The scabbard with scratches, knocks etc.
Lot 122
WALTON OUTFITTER GOSPORT; a Royal Naval Officers dress sword, the fullered blade with etched decoration and signature to base, blade length 79.5cm, with hinged gilt brass guard featuring fowled anchor to gilt bullion wire work and shagreen grip with lion head pommel and bullion cord and knot, in brass mounted leather scabbard.Additional InformationSome patches of oxidisation to the blade, further light general wear, some light rubbing to the gilt section, cord and knot with fraying, some losses and discolouration, General wear to scabbard, some scuffs and scrapes to leather, the middle brass fitting slightly loose, some knock, scuffs and discolouration to the brass mounts also.
Lot 125
AUG LUNEBURG OF KIEL; a 19th century Royal Naval officer's dress sabre, the pipe back blade with part damascened finish and signed to back base with twin squirrel stamped mark, blade length 78cm, the partly hinged brass guard bearing fouled anchor against acorn and leaf ground and inscribed underneath 'Pohland' (possibly), to wirework ivory hilt and brass back strap terminating in lion head pommel bearing two associated red coloured glass eyes, in associated two-ring metal scabbard.Provenance: The Captain Allan Marshall Collection.Additional InformationSome rubbing and marks to the blade, natural hairlines to the ivory, some further small chips and knocks. Tarnish and discolouration, as well as general wear, dust and dirt - especially to the hilt section. Scabbard heavily worn and should be considered af, has numerous holes, rust, corrosion and knocks. Scabbard is not original to the sword.
Lot 133
A George V heavy infantry/cavalry officer's dress sword, the fullered blade with etched decoration and Royal cipher (maker indistinct), the elaborately pierced guard with further Royal cipher to wirework shagreen grip, blade length 82cm, with leather scabbard.Provenance: The Captain Allan Marshall Collection.Additional InformationSome rubbing to the etched detail of the blade, some general overall pitting. Some light wear to shagreen and some scuffs to the leather scabbard.
Lot 69
A group of three Attic red-figure krater fragments Possibly by the Dinos Painter, circa 430-410 B.C.most likely depicting an Amazonomachy battle scene, the triangular fragment with a man (possibly Hermes) wearing a petasos and chiton, holding a stick in his right hand, behind him the left knee and shield of a warrior, the second fragment depicting the body of a nude warrior striding forward with his left arm holding a shield and his right a spear, a quiver strung across his chest, in the foreground the arrow and hand of another warrior, the third fragment with the waist and legs of a woman, likely an Amazon, wearing a short dress, a fallen male warrior with arms reaching overhead at her feet 12cm, 11cm and 16.5cm long respectively (3)Footnotes:ProvenanceP. Sharrer, New JerseyA.S. Richter collection, California, acquired from the above 4 May 1989Acquired by the current owner from the above's estate, 2017The ancient Greek male body has been an ideal of Western Art for over 2000 years. The idealised male is nude, his defined muscles and slender body holding an athletic pose to show off the skill of the sculptor or painter. Just as we are inundated with images of the perfected male form in modern advertising media, the ancient Greek would have encountered the idealised nude male body in the vase-painting and statuary that surrounded them. In Classical Greece, male nudity was not the taboo subject it is today. It was common for men to exercise together naked, and participate in sporting events, such as the Olympic games, in the nude. It was this training and exercise that would prepare men for the gruelling nature of war. A soldier needed to be fit to fight. Due to the design of their shields, a warrior counted on the man to his right to protect him from oncoming attacks, just as he was counted on by the man to his left to do the same. It was this trust built up amongst soldiers which the Greeks relied on for their success in battle. A Greek warrior would not enter combat nude, yet warriors were often depicted without clothing when the battle had a semi-mythical setting, as with this Amazonomachy scene. The nudity reflects the combatants' heroism and bravery.In opposition to this was the Greek perception of the female body. In the visual arts the female is pale, her soft skin without muscle definition and her body (almost) always covered. This reflected daily life in Classical Greece, where women were kept behind closed doors, protected their bodies from the sun and had limited interactions with men outside of their family unit. When women were depicted nude in art, it was to show their weakness, vulnerability, or sexuality, with the latter demarcating the woman as an outsider, such as a prostitute or musician. The figure of the Amazon breaks with the norms of a respectable Greek woman. Where the traditional Greek woman was demure and functioned as a bearer of legitimate children, the Amazon was athletic, independent and frequently challenged men in battle. The Amazons were a semi-mythical race of women who were thought to be the offspring of Ares (the god of war) and the nymph Harmonia, meaning they had demi-god status. They lived on the fringes of the known Classical Greek world which reinforced them as an 'Other' in Ancient Greek society. The Amazons did not marry, and were known to cut off their right breasts for greater agility in battle. Battles which took place between Amazons and Greek heroes, such as when the Amazons fought against the Greeks in the Trojan war, are known as Amazonomachies. The Dinos Painter, named for his many depictions of Dionysiac scenes, was a student of the Kleophon Painter.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 4048
Ermakov, Dimitri N. -- Studio group portrait of women in national dress. 1880s. Albumen print. 13,7 x 10,5 cm. Number 12011 and title in lower edge in the negative.Dimitri Ermakov was active as a professional photographer as of 1868. He traveled to various regions of Georgia, the Caucasus, Persia, Turkey and central Asia. Ermakov is the most important documentartist of Georgian life of the nineteenth and early twentieth century. A small part of his negatives are in the collection of the National Museum of Georgia. – Some light handling marks, otherwise a strong print in very good condition.Lit.: Masters of 19th Century Photography. Dmitri Ermakov. Photographer and Collector. Georgian National Museum, Tbilisi, 2014.
Lot 1
An 18ct two colour gold dress ring, of plaited and woven design, with London import marks, ring size approximately LCondition report: Two of the yellow gold woven sections have breaks and splits. The shank is mis-shapen. The mount has scuffs, scratches, nicks and chips throughout, commensurate for use. Sponsor's mark 'CPJ' or 'PCJ' in trefoil punch stamped to interior. Gross weight approx. 9.3gm.
Lot 101
An aquamarine and ruby dress ring, the octagonal step-cut aquamarine in raised part-collet setting, between stepped shoulders of rectangular step-cut rubies, 18ct white gold mounted, hallmarked for Birmingham 2010, with maker's mark A&W, numbered, aquamarine dimensions approximately 14mm length x 12.5mm width x 8.1mm depth, ring size Q½Condition report: The aquamarine has a light greenish-blue hue with shallow scratches and scuffs to the surface and small nicks/chips to facet edges. Rubies have slightly variable orangey-red and pinkish-red hues, of good transparency, some stones with small faint inclusions, some stones with small surface nicks/chips when viewed under magnification. One of the rubies appears to be chipped to the pavilion. The ring mount is modern, with light surface wear. Width of setting approx. 2cm. Gross weight approx. 11.2gm.
Lot 135
A collection of dress rings, comprising a sapphire and diamond triple row half hoop ring, stamped '10k', an opal and diamond abstract cluster ring, 9ct gold mounted, (one opal deficient), a white stone half hoop ring, 18ct gold mounted, and a cluster ring, 9ct gold mounted, first ring size L½ (4)Condition report:Gross weights only approximately: sapphire ring 2.1gm, opal ring 2.4gm, white stone ring 3.2gm, cluster ring 3.6gm.
Lot 144
A sapphire and diamond dress ring, the oval mixed-cut sapphire claw set between wishbone-shaped shoulders of single-cut diamonds, 18ct white gold mounted, with London import marks for 1975, total diamond weight approximately 0.10ct, ring size KCondition report: The sapphire has chips to both ends and further chips/nicks and scuffs throughout. It has a greenish-blue hue, with areas of straight colour zoning. Diamonds are well matched and fairly bright, occasional stones with small fractures/nicks to the surface. The ring mount has general surface wear throughout and the shank has possibly been re-sized. Gross weight approx. 3.2gm.
Lot 149
A collection of garnet dress rings, comprising three garnet and white stone cluster rings, each 9ct gold mounted, a garnet cluster ring, with scrolled shoulders, 9ct gold mounted, and a garnet flowerhead cluster ring, yellow precious metal mounted, together with a smoky quartz single stone ring, 9ct gold mounted, and a cultured pearl single stone ring, stamped '9ct' (7)Condition report: Approximate gross weights and ring sizes only: garnet & white stone 5 stone ring 2.8gm, size O; garnet & white stone 11 stone ring 2.7gm, size N; garnet & white stone 9 stone ring 3.7gm, size N; garnet cluster ring 3.2gm, size M; garnet flowerhead ring 5gm, size M; smoky quartz ring 7.1gm, size K-L; cultured pearl ring 2.2gm, size K.
Lot 150
A collection of jewellery, comprising a turquoise flowerhead dress ring, a shell cameo dress ring, stamped '9ct', a 22ct gold wedding band, a fancy-link bracelet, stamped '9ct', and a ropetwist-link chain, stamped '15c', first ring size J (5)Condition report:Approximate gross weights only: turquoise flowerhead ring 1.1gm, shell cameo ring 2.2gm, 22ct gold wedding band 4.2gm, bracelet 3.6gm, ropetwist-link chain 5.4gm.
Lot 174
A collection of jewellery, comprising a single strand graduated pearl necklace, with diamond set foliate panel clasp, a half pearl and diamond cluster stick pin, with detachable fitting, a garnet and half pearl dress ring, 15ct gold mounted, (partial hallmark), a garnet set clasp, gilt metal mounted, a shell cameo set clasp, gilt metal mounted, a 9ct gold leaf brooch, hallmarked for Birmingham 1893, (pin deficient), and a hardstone mounted watch key, (all pearls untested for natural v/s cultured origin), necklace length 33cm, ring size J½ (7)
Lot 176
A cultured pearl and diamond dress ring, of crossover design, stamped '14k', together with a yellow precious metal wedding band, with interior inscription, (marks worn), and a band ring, first ring size Q (3)Condition report:Approximate gross weights only: cultured pearl ring 3gm, wedding band 6.5gm, band ring 0.7gm
Lot 186
Three dress rings, comprising an 18ct gold tapered band ring, of astrological design, hallmarked for London 1997, a cultured pearl dress ring, of textured abstract design, 9ct gold mounted, hallmarked for London 1976, and a shell cameo ring, stamped '750', first ring size Q½ (3)Condition report:Approximate gross weights only: astrological ring 9gm, cultured pearl ring 7gm, cameo ring 3.7gm
Lot 191
Four diamond set dress rings, comprising a sapphire and diamond flowerhead cluster ring, 18ct gold mounted, a diamond single stone ring, with engraved and textured shoulders, 18ct gold mounted, a smaller diamond single stone ring, stamped '9ct', and a diamond crossover ring, stamped '18ct', together with a white stone ring, 9ct gold mounted, and two full hoop rings, first ring size M½ (7)Condition report: Approximate gross weights and ring sizes only: sapphire & diamond ring 3.6gm, size M½; diamond single stone ring with textured shoulders 3.7gm, size M; diamond crossover ring 2.1gm, size L; smaller diamond single stone ring 1.7gm, size M; white stone solitaire ring 2gm, size N.
Lot 202
An emerald and diamond dress ring, the oval mixed-cut emerald claw set between stepped shoulders of baguette-cut diamonds, 18ct white gold mounted, signed Iliana, total diamond weight approximately 0.25ct, ring size O½Condition report: The emerald is untested for origin and treatments and has a light to mid bluish-green hue, with chips and fractures to the surface and a larger chip to one edge of the central table facet. The emerald contains fracture, fissure and mineral inclusions, some of which are surface-reaching, located mostly to one side of the stone. The emerald measures approx. 8mm length x 6mm width x 4.5mm depth. Diamonds are well matched and fairly bright. The mount has scuffs, scratches, nicks and chips throughout and will require re-polishing. Gross weight approx. 4.4gm.
Lot 224
An emerald and diamond dress ring, the square step-cut emerald with canted corners, measuring approximately 8.7mm length x 8.5mm width x 6.4mm depth, claw set between trios of round brilliant-cut diamonds, yellow precious metal mounted, stamped '18kt', (emerald untested for origin and treatments), total diamond weight approximately 0.18ct, ring size R½
Loading...-
228188 item(s)/page