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A 19th century Meissen figure of a girl with muff wearing an elaborate lace head-dress, on a circular rococo base, underglaze blue crossed swords mark, red painted '42' and inscribed D66 (damages) 20.5cm high Note:Model D66 was modelled by Michael Victor Acier in 1778 Reference: 'Meissen Collector's Catalogue', by Laurence Mitchell
Victorian amethyst and pearl dress ring, the two rows of alternating amethysts and pearls, set on fifteen carat gold shank with engraved scroll decoration; a garnet single stone ring in nine carat gold, with pierced decorative shoulders; and a channel set clear stone ring, in nine carat gold (3)
A Miniature Portrait Painted Porcelain Plaque depicting Agnes Wheler aged 16, William Corden, 1822, the oblong plaque depicting the young woman half length, her brown hair in Grecian style, grey-blue eyes and wearing a lace edged white satin puff sleeved dress with lilac sash, a column in the shadowy foreground, 14cm by 12cm, the reverse of the plaque with scription "Agnes Wheler Aged 16 years Painted by Wm Corden 1822", in an oak frame, the back panel with extensive ink inscription "Portrait of Agnes Wheeler at the age of sixteen. Painted by William Corden in 1822. Given to me by my aunt H Maria Fitzherbert, 14 August 1899. The frame was made by John Williams, a carpenter employed in repairing the house from a piece of old oak part of one of the house timbers at Somersal supposed to have originally formed part of the old hall at Cubley (signed W Fitzherbert). Somersal.Herbert 29 Aug 1899" See illustrations Somersal Hall, Somersal Herbert in Derbyshire. The house was built in 1564 for John Fitzherbert and incorporates an older Great Hall from circa 1500. Later additions were made in 1712 and 1750. A porch was added in 1899 (and perhaps the frame of this lot is made from timber from that addition?). The Fitzherberts had resided here from the 13th century or earlier and remained in residence until 1803 when, after the sale to Lord Vernon, returned to Fitzherbert ownership under William Fitzherbert (a younger son of the Tissington line). Subsequently Sir Henry Fitzherbert inherited Somersal Hall (as well as Tissington Hall), and he enlarged the former in 1850. William Corden (1797-1867) Derby trained artist, said by Haslam to have worked on the Rockingham Royal service.
A "Sevres" Bisque Porcelain Pedestal Bust of a Lady, late 19th century, her coiffure run through with pearls and wearing a floral garland, a string of beads around her neck, and lace trimmed and ribbon tied dress, on a blue glazed and parcel gilt socle and square foot, bearing blue enamelled interlaced "L" mark and "Y", 40.5cm high
English School, circa 1840: Portrait Miniature of a Mother and Child, she has black hair and brown eyes and wears a puff sleeved blue dress and muslin shawl, the blond haired child with blue eyes wearing cream gown tied with a blue sash, rectangular, 15cm by 11cm, in a glazed frame with gilt inner slip, Morocco covered back stamped in gilt "Maull & Fox, London" (this is half of a folding frame) (a/f)
English School, 19th century: A Miniature Portrait of Lord Cardigan, 7th Earl (1797-1868), gazing to sinister, in scarlet uniform, against a sky background, oval, 10cm by 7.7cm, inscribed on the reverse "Lord Cardigan, 7th Earl, KGB 1797-1868) James Thomas Brudenell, Balaklava 1854", gilt metal frame with ring for suspension; Another, of a lady, circa 1890, with coiffed grey powdered hair, brown eyes, a posy of flowers at her bosom, wearing light yellow dress against a sky background, oval, 9cm by 7.3cm, in gilt metal frame (2) See illustration
English Naive School, circa 1830: Portrait Miniature of Young Woman, with Grecian style curly brown hair, wearing a puff-sleeved low cut lace trimmed white dress and diaphanous red shawl, holding a book in her right hand, in an interior, 10cm by 8cm; and A Similar Portrait of a Gentleman, 9.4cm by 7.4cm, both contained in highly decorative gilt and gesso acanthus leaf embellished frames (2)
English School, circa 1830: Portrait Miniature of a Young Red Haired Woman, seated half length, her hair in Grecian style, a portfolio of drawings under her right arm, holding a pen in her right hand, and wearing a lace trimmed claret dress, 7.5cm by 6cm, in a crushed Morocco folding frame with inner ormolu milled slip frame See illustration
Circle of Francis Cotes (18th century) Portrait of a Fashionable Lady, half length, wearing blue and cream satin dress Oil on canvas, 65cm by 52cm The artist was apprenticed to George Knapton in the early 1740's, at first only using crayons and began using pastels in 1747, possibly being taught oil painting by Knapton. His early rococo style was modified by the example of Liotard who was in London in 1753-1756 and he learned from the patterns of Ramsey and Reynolds. He was the most fashionable portrait painter after Reynolds and Gainsborough, his death preventing him becoming a serious rival to Reynolds. See illustration
English School (19th century) Portrait of a Mother and Daughter, the mother seated, three quarter length, wearing a red and cream lace dress, the young girl also wearing a cream dress Oil on canvas, 127.5cm by 102.5cm The work is contained within an 18th century carved gilt wood frame decorated with acorns, foliate scrolls and flowers See illustration
Circle of Michael Dahl (1656-1743) Portrait of a Fashionable Young Lady, seated, three quarter length, wearing a blue satin dress lined with gold, holding flowers in her right hand Oil on canvas, 127cm by 102cm Provenance: Castletown House, Co. Kilkenny, Ireland. Ex. collection Sir John Plum, ex sale Cheffins 14th May 2002 Possibly a portrait of Mary or Theresa Herbert, the Herbert family have connections to the De Vere family and Heskeths There are elements of John Closterman, Jacob Huysmans and Sir Godfrey Kneller in this work. It is a typical 17th/18th century classical pose. The work is contained within its original late 17th/early 18th century carved giltwood frame decorated with foliate scrolls and flowers. See illustration
English School (early 19th century) Portrait of John Allen, half length, wearing period costume; Portrait of Mrs C Allen, half length, wearing a lilac satin dress and crimson velvet fur-lined jacket Both inscribed with the sitter's name together with "Year of peace 1814", oils on canvas, each 76cm by 63cm (a pair)
Claude Harrison A.R.C.A., R.P. (b.1922) Portrait of a Fashionable Young Lady, standing, wearing a green polka dot chiffon dress in the gardens at Grange-over-Sands, Cumbria Signed and dated "1955", also bearing a partial later label giving some biographical details on the artist verso, oil on board, 55cm by 41cm
A rare 1905 centenary bronze portrait plaque of Nelson by L.F. von Roselieb with three-quarter shoulder-length profile of Nelson in full-dress hat with chelengk, uniform with decorations and inscribed HORATIO NELSON / 1805 • THE TRAFALGAR CENTENARY • 1905, mounted on plush backing within oak frame 16 x 14½in. (40.5 x 37cm.)
An early 19th century Napoleonic French polychrome prisoner-of-war bone and wood games box the lid inset with well-preserved watercolours of an archer and a lady wearing a bonnet, spencer and muslin dress, containing a set of dominoes and a pair of dice, carved with coloured ink overall 1½ x 6½in. (4 x 16.5cm.)
Enclish School c. 1800 Portrait of a lady with a blue headress Oval in a brass frame and red leather case 72 x 57mm; 3 x 2¼in With an early 19th Century portrait of a lady in 16th century dress, oval, unframed, 62 x 50mm (2) 1. Rubbed, cracked and split, probably had a hair back which is missing, overall very poor. 2. Some rubbing, ivory warped, overall poor
English School late 18th Century Portrait of Francis Wallace, in a purple dress Inscribed on a label attached to the interior of the case: Francis Wallace daughter of Craigie Wallace of Ayrshire wife of Wiliam Sleigh of Whitehall and mother of General J.W. Sleigh K.C.B. of Lanc... Oval, loose in a dark grey shagreen case, glass also loose 40 x 31mm; 1½ x 1¼in Major Gen J. W. Sleigh CB is recorded as marrying Eliza, daughter of Colonel C. S. Fagan, CP at Futtyghur on 4th February 1831 Glass loose and miniature loose in frame,ivory slightly bowed, miniature painting itself is in good condition
Cornelius Johnson (1592-1665) Portrait of a lady wearing a yellow dress with fine lace collar and sleeves and a rose on her bosom Signed with initials and dated 1635 Oil on canvas in a period carved and silvered frame 76 x 63.5cm; 30 x 25in Provenance: Sotheby's New York 5th April 1990, Lot 279; Lane Fine Art; Private Collection Lined, restored
A Mixed Lot comprising: an early 20th Century Ladies Silver and Enamel Cased Wrist Watch, Buren, the jewelled and striped movement with bi-metallic balance, to an Arabic enamel dial with outside minute track and blued steel hands, in a hinged case with cobalt blue bands to the bezel, and hinged wired lugs, and import marks for London 1918; together with a further Ladies 9ct Gold Dress Watch, Eve, the 15 jewel movement to a silvered dial with Arabic numerals and blued steel hands, in a hinged and polished case with fitted leather strap (2)
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228098 item(s)/page