GOLD RING. A 9ct. gold citrine set dress ring. Size M. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
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GOLD RINGS. Four 19th century gold rings, three with missing stones. Also, a modern 9ct. gold dress ring. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
DRESS RING. A 9ct. gold dress ring, set a rectangular cut, fancy, colour-change stone. Further set with two small collet diamonds. (Shank misshapen but approx. size M/N?) Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
DRESS RING. A yellow metal dress ring (indistinctly stamped ...ct) set a large oval faceted pink stone. Size L. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
DRESS RING. A yellow metal, unstamped, dress ring set a large oval amethyst. Stone size 2.x.1.6cm. Size L. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
GOLD RING. A 9ct. gold (unstamped but tested) large dress ring set with three table cut graduated garnets, the shank with hammered finish. Size N. Approx. 8.7g. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Four ladies' dress rings to include a 9ct yellow gold opal floral set ring, size O, a 9ct yellow gold dress ring with large oval aquamarine-coloured faceted stone with white stone surround, size M, combined approx 8.6g and two silver rings, one with amethyst-coloured stone, one with large oval blue stone and white stone to either side (4). CONDITION REPORT The ring with large oval aquamarine-coloured stone is missing one of the white stones. All rings have scratches etc, but generally good condition.
A small quantity of ladies' dress watches to include a Roy King c1960s silver bangle watch, the white dial set with Roman numerals, a white metal Mary Quant style watch, a Murano Venice wristwatch, the white dial set with Arabic numerals and Murano glass floral decoration to the dial, a c1970s Buchere black enamelled floral cylindrical pendant watch with tassel and associated gilt chain necklace and two modern yellow metal eye glasses, one with blue enamelled handle (6).
Konvolut Grafiken verschiedene Künstler 6 Grafiken 1) Veit HOFMANN (1944), Farbradierung, Plattenmaß 21 cm x 26 cm, rechts unten handsigniert und datiert 79, Nr. 28/150, 2) Sabine CURIO (1950), Radierung, Plattenmaß 14 cm x 21 cm, rechts unten handsigniert, bezeichnet(Homage an ONH), Nr. 22/200, 3) Andreas DRESS (1943-2019), Radierung, Plattenmaß 30,5 cm x 22 cm, rechts unten handsigniert und datiert 84, mittig bezeichnet (zu C.v.O.I), Nr. 22/100, 4) Erich FRANKE (1944), Radierung, Plattenmaß 20 cm 13 cm, rechts unten handsigniert und datiert 81, Nr. 94/100, 5) Gitta KETTNER (1928-2011), Radierung, Plattenmaß 32 cm x 25 cm, rechts unten handsigniert und datiert 1979, Nr 50/29, 6) Lutz FRIEDEL (1948), Farbradierung, Plattenmaß 31 cm x 33 cm, rechts unten handsigniert und datiert 79, Nr. 84/200 A bundle of graphics various artists 6 graphics 1) Veit HOFMANN (1944), etching in colors, plate size 21 cm x 26 cm, handsigned and dated at the lower right 79, number 28/150, 2) Sabine CURIO (1950), etching, plate size 14 cm x 21 cm, handsigned at the lower right, inscribed (Homage to ONH), number 22/200, 3) Andreas DRESS (1943-2019), etching, plate size 30.5 cm x 22 cm, handsigned and dated at the lower right 84, inscribed in the middle (to C.v.O.I), number 22/100, 4) Erich FRANKE (1944), etching, plate size 20 cm 13 cm, handsigned and dated lower right 81, No. 94/100, 5) Gitta KETTNER (1928-2011), etching, plate size 32 cm x 25 cm, handsigned and dated at the lower right 1979, number 50/29, 6) Lutz FRIEDEL (1948), color etching, plate size 31 cm x 33 cm, handsigned and dated at the lower right 79, number 84/200
An 'erotic' cold-painted bronze lady,probably by Carl Kauba (Austrian, 1865-1922), her dress springing open to reveal her naked body, on a square marble base, unsigned, 23cm highSee Joseph Zobel, 'Antique Vienna Bronzes', Schiffer 2008, p. 230 for a similar model.Condition report: Black paint on the dress partially rubbed away. Two drilled holes on either side of the body. Rubbing and wear to the figure and robes. Mechanism opens fast – does not open slowly.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a black evening gown holding a pink feathersigned 'John' and numbered '920', mixed media46 x 32cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.Condition report: With some minor edgefolds. Some stains to the mount. Overall excellent condition. Additional images uploaded.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a long black coat with a yellow chequered dress and a white hatsigned 'John' and numbered '931', mixed media70.5 x 50cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a checked two-piece suitsigned and dated, inscribed 'una giacca con effector gi quautetti la blouse nella gonna'paper size 70.5 x 50cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer and illustrator. As a child he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.Condition report: Minor spotting to the lower right corner, browning to the edges - some mark top right.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a tuxedo jacket with a long black skirt, waistcoat and gloves.signed 'John' and numbered 931, mixed mediapaper size 70.5 x 50cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.Condition report: With some minor stains to the paper. Minor crease at the left hand side of the paper. Overall excellent condition. Additional images uploaded.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a blue chequered jacket and skirt ensemblesigned 'John' and numbered '914', mixed media 70.5 x 50cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome, where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.Condition report: Not framed.
Harry Gordon (American, 1930-2007)'Poster Dress - Cat', a disposable paper dress1st Edition, 1968, screenprinted tissue, wood pulp and rayon mesh, with internal 'Poster Dresses' label, in the original packaging, with an orange tab, 'by Poster Dresses Ltd., London, England Made in the USA by Nadina Products Corporation'30 x 39cm
Harry Gordon (American, 1930-2007)'Poster Dress - Eye' a disposable paper dress, 1st Edition, 1968, screenprinted tissue, wood pulp and rayon mesh, with internal Poster Dresses label, in the original packaging, with an orange tab, by Poster Dresses Ltd, London, England Made in the USA by Nadina Products Corporation30 x 39cm,together with a copy of Life Magazine April 5 1968with a two page advert 'Fashion/Put-on Posters' (2)American graphic artist Harry Gordon created his poster dresses in a series of five designs - Mystic Eye, Giant Rocket, Rose, Pussy Cat and Hand. Mystic Eye was said to be the kohl-rimmed eye of Audrey Hepburn. The manufacturer stated 'Throw it away? Never! When you're finally tired of wearing it, why not...Cut open all the seams and hang it on your wall as a poster...or cover pillows...or wrap packages...or as your collection grows, sew them together and make a bedspread or curtains or a tablecloth'.
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228098 item(s)/page